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Dirty Sanchez Series 1-3 Plus The Exclusive Nike Put It Where You Want It Tour DVD

Dirty Sanchez Series 1-3 Plus The Exclusive Nike Put It Where You Want It Tour DVD

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Release Date: 2007-12-31, Rating Suitable for 18 years and over,
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Pris 141.42,-

Dirty Sanchez Series 1-3 Plus The Exclusive Nike Put It Where You Want It Tour DVD
Persepolis

Persepolis

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Marjane forsøger gennem sin barndom og ungdom at finde sig til rette med sine omgivelser. Men det er ikke nemt - slet ikke når man vokser op under præstestyret i Iran. Hendes interesse for ABBA og Nike-sko og ikke mindst hendes lyst til at ytre sig over for autoriteter gør, at hun vækker vel meget opsigt. Af frygt for hendes sikkerhed vælger forældrene at sende Marjane i skole i Østrig, men også her har hun svært ved at finde sig til rette. Hun bliver dagligt konfronteret med fordomme om sit hjemland, og selv om hun i Østrig oplever frihed og kærlighed, føler hun sig rodløs og har hjemve. Persepolis er baseret på Marjane Satrapis egne oplevelser. Instruktør: Vincent Paronnaud Originale Stemmer: Catherine Deneuve Danielle Darrieux Simon Abkarian Tilly Mandelbrot Chiara Mastroianni Gena Rowlands Gabrielle Lopes Francois Jerosme
Inkl. fragt: fra 29 kr
Pris 189.95,-

Persepolis
Elizabethtown [2005]

Elizabethtown [2005]

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Elizabethtown has all of the elements of a great Cameron Crowe movie, but none of the Cameron Crowe vision that made Almost Famous work. It's mostly a series of sweet moments, each capped with the right song at the right time; in fact, the soundtrack is the real star of the movie, and the right song is all there is to piece together a film that is much less than the sum of its parts. From the start of Elizabethtown, big contrasts are evoked: death and life, success and failure are side by side, so we're told. When the movie starts, Drew Baylor (Orlando Bloom) is experiencing failure and death in spades: the shoe he spent eight years designing for Mercury (a thinly-veiled copy of Nike) has been recalled, costing his company $972 million dollars. On the verge of a suicide attempt, he learns his father has died, and Drew flies to Kentucky to retrieve the body to Oregon for cremation. On the red-eye to Louisville he meets Claire Colburn (Kirsten Dunst), a perky flight attendant with a charming flair for cute lines ("I'm impossible to forget, but I'm hard to remember," she chirps). Once in Elizabethtown, Drew tries to plan a memorial while dealing with relatives who have their own agenda in addition to his manic family back in Oregon, all while facing the reality that in a few days he'll be known nationally as one of his industry's most legendary failures. Yet still he manages to connect with Claire on an all-night cell phone conversation--complete with the requisite watching of the sunrise--and to strike up a furtive romance. So we now have death and life side by side. But despite these dramatic shifts, what sets up to be a roller coaster ride of a film flattens out to a milquetoast middle ground with no real life of its own. Drew Baylor has suffered two tragic personal losses in the course of one day, but you wouldn't know it from Bloom's lethargic performance. There's not much to Claire either. Her whole character is made up mostly of cutesy quotable lines and mysterious little smirks. In the end, Elizabet
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Pris 35.22,-

Elizabethtown [2005]
Elizabethtown/Just Like Heaven/How To Lose A Guy In 10 Days [2002]

Elizabethtown/Just Like Heaven/How To Lose A Guy In 10 Days [2002]

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Elizabethtown Elizabethtown has all of the elements of a great Cameron Crowe movie, but none of the Cameron Crowe vision that made Almost Famous work. It's mostly a series of sweet moments, each capped with the right song at the right time; in fact, the soundtrack is the real star of the movie, and the right song is all there is to piece together a film that is much less than the sum of its parts. From the start of Elizabethtown, big contrasts are evoked: death and life, success and failure are side by side, so we're told. When the movie starts, Drew Baylor (Orlando Bloom) is experiencing failure and death in spades: the shoe he spent eight years designing for Mercury (a thinly-veiled copy of Nike) has been recalled, costing his company $972 million. On the verge of a suicide attempt, he learns his father has died, and Drew flies to Kentucky to retrieve the body to Oregon for cremation. On the red-eye to Louisville he meets Claire Colburn (Kirsten Dunst), a perky flight att'ndant with a charming flair for cute lines ("I'm impossible to forget, but I'm hard to remember," she chirps). Once in Elizabethtown, Drew tries to plan a memorial while dealing with relatives who have their own agenda in addition to his manic family back in Oregon, all while facing the reality that in a few days he'll be known nationally as one of his industry's most legendary failures. Yet still he manages to connect with Claire on an all-night cell phone conversation--complete with the requisite watching of the sunrise--and to strike up a furtive romance. So we now have death and life side by side. But despite these dramatic shifts, what sets up to be a roller coaster ride of a film flattens out to a milquetoast middle ground with no real life of its own. Drew Baylor has suffered two tragic personal losses in the course of one day, but you wouldn't know it from Bloom's lethargic performance. There's not much to Claire either. Her whole character is made up mostly of cutesy quotable lines and mysterious little smirks. In the end, Eliz
Inkl. fragt: Ukendt
Pris 114.96,-

Elizabethtown/Just Like Heaven/How To Lose A Guy In 10 Days [2002]
DVD: Persepolis - Festival Serie

DVD: Persepolis - Festival Serie

Se flere produkter fra gucca.dk
Persepolis er den skarpe og humoristiske fortælling om den selvstændige pige Marjane, der nægter at makke ret. Marjane forsøger gennem sin barndom og ungdom at finde sig til rette med sine omgivelser. Men det er ikke nemt – slet ikke når man vokser op under præstestyret i Iran. Hendes interesse for ABBA og Nike-sko og ikke mindst hendes lyst til at ytre sig over for autoriteter gør, at hun vækker vel meget opsigt. Af frygt for hendes sikkerhed vælger Marjanes forældre at sende hende i skole i Østrig, men også her har hun svært ved at finde sig til rette. Hun bliver dagligt konfronteret med fordomme om sit hjemland, og selv om hun i Østrig oplever frihed og kærlighed, føler hun sig rodløs og har hjemve. Persepolis er baseret på Marjane Satrapis egne oplevelser.
29.0
Pris 179.00,-

DVD: Persepolis - Festival Serie
DVD: Persepolis - Festival Serie

DVD: Persepolis - Festival Serie

Se flere produkter fra Dvdoo
Persepolis er den skarpe og humoristiske fortælling om den selvstændige pige Marjane, der nægter at makke ret. Marjane forsøger gennem sin barndom og ungdom at finde sig til rette med sine omgivelser. Men det er ikke nemt – slet ikke når man vokser op under præstestyret i Iran. Hendes interesse for ABBA og Nike-sko og ikke mindst hendes lyst til at ytre sig over for autoriteter gør, at hun vækker vel meget opsigt. Af frygt for hendes sikkerhed vælger Marjanes forældre at sende hende i skole i Østrig, men også her har hun svært ved at finde sig til rette. Hun bliver dagligt konfronteret med fordomme om sit hjemland, og selv om hun i Østrig oplever frihed og kærlighed, føler hun sig rodløs og har hjemve. Persepolis er baseret på Marjane Satrapis egne oplevelser.
29.0
Pris 179.00,-

DVD: Persepolis - Festival Serie
The Big One [1997]

The Big One [1997]

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A brazen mixture of stand-up comedy, political commentary, CEO confrontations, and shenanigans with Random House tour escorts, Michael Moore's The Big One follows his Midwest book tour to promote Downsize This. One of his Milwaukee tour escorts explains that medium-sized cities in the Midwest tend not to attract tours by the self-important celebrities of the coasts; instead, they attract "more thoughtful authors like Michael". His kind of thoughtfulness evokes both laughter at, and disgust with, corporate America. To be sure, there is a certain naiveté in Moore's pro-worker take on corporate and political America--his half-serious plan for a Nike shoe factory in Flint, Michigan, makes as much business sense as coal mining on Maui--but he gives voice to well-reasoned arguments that would otherwise have been lost amid Clinton-era corporate downsizing and reliance on "temporary" employees. In cities such as Des Moines, Minneapolis, St Louis and Portland, The Big One juxtaposes both Moore's lighthearted-sounding but deeply biting humour when speaking before bookstore patrons, and painful-to-watch confrontations with security personnel at companies such as Procter & Gamble and PayDay. (Future targets of Moore's style of journalism could take note of Nike CEO Phil Knight's fairly effective approach as Moore calls him to task on Nike's Indonesian labour.) Moore speaks clandestinely with Borders employees organising a union; a woman laid off from Ford attends Moore's Rockford, Illinois bookstore visit the same day. Though slow in spots and frustrating, if not depressing, in others, this follow up to Roger and Me is intensely funny most of the time. -- Erik Macki
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Pris 88.32,-

The Big One [1997]
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