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Bring It On [2000]

Bring It On [2000]

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An unexpected box office hit in the late summer of 2000, Bring It On is a smart, snappy teen comedy that bristles with good cheer (literally) and lively, down-to-earth characters. Sunny, happy Torrance (Kirsten Dunst) is the new leader of the Toros, the cheerleading squad of Rancho Carne, an affluent San Diego high school that has lousy football players but one hell of a cheerleading team. National champions, they're the ones who bring in the bodies to the football games with their award-winning moves and sassy grace, and they're poised to take their sixth national cheer title. Torrance's new reign as cheer queen, though, is cut short when she discovers that her snotty, duplicitous forerunner was regularly stealing routines from the East Compton Clovers, the hip-hop influenced cheerleaders of a poor inner city school, and passing them off as the original work of the Toros. Scrambling to come up with a new routine for the Toros--and do the right thing by giving the Clovers their due--Torrance butts heads with the proud and understandably wary Isis (Gabrielle Union), the leader of the Clovers, who wants nothing to do with a rich blonde white girl, but does want to get her squad to the championships. Problem is, only one team can take home the national title. Who's it gonna be? The story may be fairly predictable (who's going to win the big championship?), but director Peyton Reed and screenwriter Jessica Bendinger have fleshed out their characters with formidable strength and provided them with sharp dialogue. Dunst is a radiant comedienne, projecting warmth, determination, sincerity, and a sublime airheadedness, and Union is an impressive dancer and counterpart to Dunst, matching her admirably despite her limited onscreen time. An excellent young supporting cast rounds out the film, most notably Eliza Dushku (Faith of Buffy the Vampire Slayer) and Jesse Bradford (Steven Soderbergh's King of the Hill) as siblings new to Rancho Carne, who become Torrance's best friend and potential new boyfriend, respectively. Al
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Bring It On [2000]
Extras : Complete BBC Series 2 [2005]

Extras : Complete BBC Series 2 [2005]

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Attracting yet more star names, while wisely moving the narrative on, the second series of Extras really finds the show maturing nicely, and unsurprisingly, cleaned up more awards in the process. That said, it remains a far more divisive programme than its forerunner, The Office. Written by, directed and featuring Stephen Merchant and Ricky Gervais, its appeal is more concentrated and less broad, following Andy Millman on his progression from background artist to his own TV show. At times, for a programme frequently billed as a comedy, there's a melancholy tone, although that's not to say it doesn't deliver its fair share of laughs in the process. Many of those laughs are oiled by the seemingly never-ending conveyor belt of big names who take part in the show. Extras's first season attracted the likes of Kate Winslet and Samuel L Jackson, but this time, the likes of Daniel Radcliffe, Sir Ian McKellen and David Bowie are quick to join in. There's, er, Barry from EastEnders, too, who adds to the fun. And fun is, ultimately, what Extras serves up, albeit laced with a depth and occasional bout on introspectiveness. As with the first season, it's Ashley Jensen who steals the show from underneath Extras' cavalcade of star names, with a terrific portrayal of Maggie Jacobs. Yet this second series feels and is superior to the first, and already, its creators have announced that they're putting the brakes on the show, save for one final special to sign off with. And it'll be sad when it all ends. For while Extras takes a little time to get to love, it's likely to be held in similar regard to the aforementioned The Office in the years to come. -- Jon Foster
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Extras : Complete BBC Series 2 [2005]
The Thief Of Bagdad [1925]

The Thief Of Bagdad [1925]

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Dating from 1924 this Thief of Bagdad is justifiably billed here as "one of the truly great silent films of the 1920s." As the forerunner of generations of magical, effect-laden fantasy epics, its importance is practically immeasurable. And still, after eight decades, it has startling, thrilling qualities which the finest computer graphics would struggle to surpass. Douglas Fairbanks, co-founder of United Artists, is the eponymous hero, swindling, fighting and leaping his way to true love through a series of adventures which take him from a magnificently surreal Bagdad to enchanted forests, ocean bottoms and magic carpet rides. "Happiness must be earned," is the motto; Fairbanks and his director Raoul Walsh certainly don't short-change their audience in bringing it to life. The effects are stunning, with a particularly gruesome slaying of a monster. Every scene is crammed with detail and incident. Fairbanks is a whirlwind of muscular, balletic flamboyance. And while his princess (Julanne Johnson) is a stereotype of vapidity, there's gleamingly malevolent support from Anna May Wong as the evil Mongol Slave Girl. Over two hours of sheer enjoyment belie the notion that cinematic sophistication is a modern achievement. On the DVD: The Thief of Bagdad disc presents the restored and remastered print (the tints have a luminous quality) complete with a 1975 score by master organist Gaylord Carter--you can almost feel the Wurlitzer rising from the pit of your entertainment centre. The audio essay, written by film historian R Dixon Smith, is an invaluable extra, providing essential information on how the picture was made and how the art designers played with proportion to create many of the visual tricks and a fantastical atmosphere. -- Piers Ford
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The Thief Of Bagdad [1925]
Masters Of Cinema: Toni

Masters Of Cinema: Toni

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Financed by Marcel Pagnol's production company, Jean Renoir's Toni is a landmark in French filmmaking. Based on a police dossier concerning a provincial crime of passion, it was lensed by Claude Renoir on location (unusually for the time) in the small town of Les Martigues where the actual events occurred. The use of directly-recorded sound, authentic patois, lack of make-up, a large ensemble cast of local citizens in supporting roles, and Renoir's steadfast desire to avoid melodrama lead to Toni often being labeled "the first 'neorealist' film". Renoir himself disagreed. Although Toni is acknowledged as a masterly forerunner of neo-realist preoccupations and techniques he wrote: "I do not think that is quite correct. The Italian films are magnificent dramatic productions, whereas in Toni I was at pains to avoid the dramatic." Toni's story centres on an Italian immigrant, Antonio Canova (Charles Blavette), a labourer at a local quarry who has become entangled in relationships with his landlady (Jenny Helia) and with the young, hot-blooded Spaniard, Josefa (Celia Montalvan). As Josefa's life disintegrates through rape and a necessitous marriage to a brutish foreman Albert (Max Dalban), Toni loses himself in a series of marriages gone sour and the psychological fragility of those he cares for. Despite the exquisite location backgrounds - the vineyards, rocky hilltops and verdant pathways surrounding the little village - Renoir makes no attempt to impose, through visual picturesqueness, the placid power of this Provencal backwater. Toni's direct style and theme (Luchino Visconti was assistant director) attained classic status with the critics and directors of the French New Wave. Renoir's vision of realism approaches a purity sometimes found in documentary, whilst retaining the literary power and emotion of Balzac, Flaubert and Zola. The Masters of Cinema Series is proud to present Toni for the first time on DVD in the West.   Special Features: Newly Struck Progressive Transfer Full length audio com
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Masters Of Cinema: Toni
George Harrison & Friends: Concert For Bangladesh (Deluxe Edition)

George Harrison & Friends: Concert For Bangladesh (Deluxe Edition)

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The Concert for Bangladesh was the first benefit concert of its kind in that it brought together an extraordinary assemblage of major artists collaborating for a common humanitarian cause-setting the precedent that music could be used to serve a higher purpose. The concert sold out Madison Square Garden and has helped to generate millions for UNICEF and raised awareness for the organization around the world, as well as among other musicians and their fans. It is acknowledged as the inspiration and the forerunner to the major global fundraising events of recent years. To quote the United Nations Secretary General Kofi Annan, "George and his friends were pioneers." All artists' royalties from the sales of the DVD will go to UNICEF. Track Listing: George Harrison/Ravi Shankar - Introduction   Ravi Shankar - Bangla Dhun     George Harrison - Wah-Wah     George Harrison - My Sweet Lord   George Harrison - Awaiting On You Billy Preston - That's The Way God Planned It Ringo Starr - It Don't Come Easy George Harrison - Beware Of Darkness The Concert For Bangladesh - Introduction Of The Band George Harrison/Eric Clapton - While My Guitar Gently Weeps Leon Russell - Jumpin' Jack Flash  Leon Russell & Don Preston - Youngblood George Harrison - Here Comes The Sun Bob Dylan - A Hard Rain's Gonna Fall Bob Dylan - It Takes A Lot To Laugh, It Takes A Train To Cry Bob Dylan - Blowin' In The Wind  Bob Dylan - Just Like A Woman  George Harrison - Something George Harrison - Bangladesh Special Features: George Harrison - Awaiting On You All (Documentary Video) George Harrison - Bangladesh (Documentary Video) George Harrison - Something (Documentary Video)  Ringo Starr - It Don't Come Easy (Documentary Video)  Billy Preston - That's The Way God Planned It (Documentary Video)  Leon Russell - Jumpin' Jack Flash (Documentary Video)  George Harrison/Eric Clapton - While My Guitar Gently Weeps (Documentary Video) The Concert For Bangladesh - Come On In My Kitchen (Documentary Video) Bob Dylan - If Not For Yo
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George Harrison & Friends: Concert For Bangladesh (Deluxe Edition)
UFO - Volumes 1-4 Collector's Edition [1970]

UFO - Volumes 1-4 Collector's Edition [1970]

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UFO was Gerry Anderson's first live-action TV series after a decade of producing such children's animated classics as Stingray (1963) and Thunderbirds (1964). The premise of UFO, which ran for a single season of 26 episodes, was like a more serious version of Anderson's Captain Scarlet (1967)--in the near future of 1980 a hi-tech secret organisation, SHADO, waged covert war against mysterious alien attackers. Ed Bishop played the American head of SHADO--he had had previously featured in Captain Scarlet and Anderson's Doppelganger (1969)--though in all other respects this was a thoroughly British production. As with all Anderson series UFO evidenced remarkable technological inventiveness and groundbreaking production values, coupled with startling lapses in fundamental logic too numerous to list. Much more adult in story and content than earlier Anderson productions, and surprisingly dark with its pragmatic view of human nature and downbeat endings, the show now seems like a forerunner of The X Files and the equally short-lived Dark Skies (1996). Barry Gray's memorable theme and atmospheric music greatly enhanced the overall impact. Stylishly made, though terribly sexist by current standards and featuring eye-catching costumes more fitted for a camp fancy dress party than the front line of a futuristic war, this cult classic eventually evolved into Space 1999 (1975). On the DVD: this four-disc deluxe box features the first 13 episodes. The box set has five free postcards and a booklet offering interesting background on the programme. The first disc includes an alternate, more violent opening scene, while later discs feature text transcriptions and photographs from scenes cut due to TV running time restrictions. All discs provide extensive galleries of publicity and behind the scenes photos, as well as character profiles or a history of SHADO. The opening episode, "Identified", features a commentary by Gerry Anderson, in which he talks in general about the production of the series and Ed Bishop does t
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UFO - Volumes 1-4 Collector's Edition [1970]
Fireball XL5 - The Complete Series [1962]

Fireball XL5 - The Complete Series [1962]

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Languishing in the vaults for decades, during which time it became a semi-legendary show among TV fans of a certain age, Fireball XL5 (1962) was Gerry Anderson's second puppet-animation science fiction series, the direct forerunner of Stingray (1963) and Thunderbirds (1964). This is the show on which Anderson established the formula for his later classics: a pseudo-military organisation engaged in desperate Earth-saving adventures against overwhelming odds; superb model work; puppets with very obvious strings but endearing personalities; iconic music by Barry Gray; and absolutely massive explosions. Colonel Steve Zodiac pilots the coolest spaceship then seen on British TV, the titular Fireball XL5, and is joined by medical officer Venus, a forerunner of Lady Penelope voiced by Sylvia Anderson, and comedy relief Prof Matt Matic (David Graham). Along for the ride is Robert the Robot, a thinner version of Robbie the Robot from Forbidden Planet (1956), a character who would soon turn up in Lost in Space (1965). The plots are ridiculous, with typically Cold War-era aliens routinely bent on planetary destruction for no reason, and there's zero attention to even rudimentary astronomy or anything else approaching actual science. Yet the gadgets, vehicles and puppetry are first-rate and the fast-paced, action-filled episodes are relentlessly entertaining. It's a cult just waiting to be reborn, and essential viewing for all Anderson fans. On the DVD: Fireball XL5 is presented with all 39 episodes (they run 25 minutes each) on five discs. Despite the colourful packaging, the episodes are all black and white, and the 4:3 picture is generally fine, though there are occasional instances of over-compression, which results in artefacting on smooth walls and the like. Some shots look a little soft, but detail is usually strong, making the models and puppets look better than ever. The mono sound is fine, if unremarkable. There are no extras beyond optional subtitles. --Gary S Dalkin
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Fireball XL5 - The Complete Series [1962]
Blackadder's Christmas Carol

Blackadder's Christmas Carol

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Among the many films and TV shows which add a new twist to Charles Dickens' classic tale, Blackadder's Christmas Carol is the most ingenious. Made between Blackadder the Third (1987) and Blackadder Goes Forth (1989), the inspired concept is to recast the self-serving Edmund Blackadder (Rowan Atkinson) in Dickens' Scrooge role, but rather than a misanthropic miser make him the most kind-hearted man in England. Tony Robinson's Baldrick is as moronic as ever, while Robbie Coltrane plays the Spirit of Christmas like a forerunner to his Hagrid in the Harry Potter movies, showing Edmund visions of past and future to not quite the desired effect. Hugh Laurie returns as the Prince Regent from Blackadder the Third and the entire court from Blackadder II (1986) is reassembled for japes involving a merry seasonal death warrant. Miranda Richardson is outrageously capricious as Elizabeth I, then takes the character a stage further in a decadent space opera future which also sees Patsy (Nursie) Byrne as an android. Though not quite as laugh-out-loud funny as the regular Blackadder series this is an excellent Yuletide special. On the DVD: Blackadder's Christmas Carol offers nothing extra on DVD other than the inclusion of optional subtitles. The sound is mono but crystal clear and the 4:3 image is good considering the source material is a TV studio production shot on video. -- Gary S Dalkin
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Blackadder's Christmas Carol
Roger & Me

Roger & Me

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In his first documentary, Oscar-winner Michael Moore presents a hilarious, penetrating forerunner of the independent film movement. Moore doggedly and hilariously tried to do what every working stiff dreams of; talk to the man at the top.  His efforts to meet General Motors Chairman Roger Smith and persuade him to visit Flint, Michigan, frame a film that uses humour to devastating effect. Roger & Me champions people over profits and slyly lampoons corporate America as it shows how the Flint folks cope with economic setbacks.  Special Features: Audio commentary by Michael Moore Theatrical trailer
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Roger & Me
Les Enfants Terribles [1949]

Les Enfants Terribles [1949]

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Jean-Pierre Melville's second film, made in 1950, became a significant influence among French film-makers and earned Melville renown as a maverick who could do wonderful things outside his country's studio system. (Melville's independence was a forerunner of that enjoyed later in the decade by New Wave figures such as François Truffaut and Jean-Luc Godard.) Les Enfants Terribles is based on a 1929 novel by poet and film-maker Jean Cocteau, who also wrote the script with Melville and according to some people interfered in everything from the casting (the rather stiff male lead was a Cocteau protégé) to the photography. Nevertheless, the story of a sister (an outstanding performance by Nicole Stephane) and brother (Edouard Dhermite) who withdraw into their own, insulated world to play out suggestively erotic dramas, has a fluid, lyrical movement that is part of a visionary whole. In some ways a harbinger of the coming pop narcissism of youth culture, Les Enfants Terribles is also a timeless tale of mythic exploration of existence and purpose. -- Tom Keogh, Amazon.com
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Les Enfants Terribles [1949]
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