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Northern Exposure - Season 6 - Complete [1994]

Northern Exposure - Season 6 - Complete [1994]

Se flere produkter fra Amazon
And so, the sun sets on Cicely, Alaska. While Northern Exposure somewhat jumped the moose in its last season, there are enough characteristically "weird, almost surreal" moments to make season 6 a nice place to revisit. The auspicious season opener, "Dinner at Seven Thirty," is a typically disarming and disorienting quirk fest that recasts the characters in a parallel New York universe. Dr. Joel Fleischman (Rob Morrow) is married to a high society (and high maintenance) Shelly (Cynthia Geary), Maggie (Janine Turner) is their au pair, Ed (Darrin E.Burrows) is an Armani clad corporate raider, Holling (John Cullum) is a Piano Man, Ruth-Anne (Peg Phillips) is the leader of an internal medicine group, Chris (John Corbett) is an inarticulate fashion photographer, and Maurice (Barry Corbin) is the luxury-highrise doorman. "I'd rather practice medicine in some hick rural outback than stay here another minute," Joel rebels, returning things to what passes for normal in Cicely. Another early gem is "The Robe," with guest star Charles Martin Smith (American Graffiti) as no less than the Devil who tries to corrupt Shelly. But then the series goes off the beaten path. Joel, following a bumpy courtship with Maggie, goes "Up River" to live in a remote fishing village (His final episode is the bittersweet, "The Quest," in which he departs for good for his "jeweled city"). Enter new doctor Phillip Capra (Paul Provenza) and his journalist wife, Michelle (Teri Polo), brie-eating yuppies from Los Angeles. Northern Exposure remained a fish-out-of-water comedy, but these two characters are as bland as tilapia. Though not nearly the hard cases that a resistant Joel was, they, too, succumb to Cicely's charms, and by series' end, Michelle is having hallucinatory forest chats with Joel's former New York rabbi. Happily, the rest of the characters are still good company. Between Ruth-Anne and trapper Walt (Moultrie Patten) and Maurice (Corbin) and Officer Barbara Semanski (Diane Delano), love really blossoms this season. But as Iris Dem
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Northern Exposure - Season 6 - Complete [1994]
Eddie Murphy - Delirious [1983]

Eddie Murphy - Delirious [1983]

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Light years before political correctness--1983 to be exact--or his comeback in tame Disney comedies, Eddie Murphy was a charismatic, wonderfully offensive, egocentric 22-year-old black comedian known for crude celebrity impersonations and often shockingly frank diatribes on racial and sexual politics. Dressed in a skin-tight red leather suit and delivering endless streams of obscenities faster than Richard Pryor ever did, Murphy is captured in this raunchy HBO special (a filmed document of his Grammy-winning album, Eddie Murphy, Comedian) at his confident, swaggering, comedic peak--a posture that soon disappeared after a string of bland Hollywood comedies. Here, however, his energy and sheer virtuosity command complete control over the audience for 107 minutes, whether he's mocking personalities like Elvis, James Brown, and Stevie Wonder, or spinning long, gag-filled personal anecdotes about the ice-cream man or dysfunctional family barbecues. There's no apologizing for the immature stereotyping, blatant homophobia, and sexism (though Murphy did so several years later) that surface during the routine. But, then again, unlike his much nastier, one-sided concert film, Raw, no topic here is safe from Murphy's uproarious tongue-lashings--including the comedian himself. --Dave McCoy
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Eddie Murphy - Delirious [1983]
Ideazon Keyset - Limited Edition Burning Crusade

Ideazon Keyset - Limited Edition Burning Crusade

Se flere produkter fra Movieray.dk
PRODUCT FEATURES: USB Hub Your Zboard Base is equipped with 2 USB (bus powered) connectors. This HUB supports low voltage devices (up to 100mA) such as mice, joystick or memory sticks. Now you can plug devices directly to your Zboard without the hassle of crawling down to your PC. Hot Keys A set of nine hot keys launch common functions such as E-mail, Calculator and My Computer or allow you to instantly return to a pre-selected destination, such as a file, folder, program or web page. Multimedia Keys A set of 7 one-touch multimedia control buttons: play/pause, stop, next/previous track, volume up/down and mute. Additional LED Indicators In addition to the standard 3 LED (Caps, Scroll and Num lock) Zboard has additional 3 LEDs to indicate Zboard enhanced functionality (Pad Lock, Bar Lock and Enable). Swap Keysets Easily interchange between the gaming keyset, the standard keyset or any one of the Limited Edition Keysets. Fully Customizable Programmable with easy-to-use drag-and-drop macro editing Over 125 pre-defined key mapping layouts THE GAMING KEYSET: Butterfly" Movement Keys Enlarged and sloped "butterfly" movement keys that keep fingers comfortable and accurate! Labeled Command Keys Commonly used command keys for FPS/Action games are labeled for faster and better performance in game. Dome-Shaped Keys Unique domed action keys give gamers the responsive feel that they demand. Control Zones Players can easily access more critical commands with the one hand control zone. Technological Advantages Registers up to 7 simultaneous key-strokes, in comparison to 2-4 on most other keyboards! Jump, move forward, lean left, change weapons and shoot at the same time! QWERTY (Standard) keys for chatting without interrupting the action. THE STANDARD KEYSET: Everday Typing Based on a traditional 108 key layout, your easily use the Zboard for daily computing functions. Control and Windows® Labeled Commands The typing zone has 2 sets of comma
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Ideazon Keyset - Limited Edition Burning Crusade
The Game SE [1997]

The Game SE [1997]

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It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")--a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. -- Jeff Shannon
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The Game SE [1997]
Jamaica Inn [1939]

Jamaica Inn [1939]

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It's generally acknowledged that the Master of Suspense disliked costume dramas and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to leave Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--Du Maurier adaptations, Rebecca and The Birds. -- Philip Kemp
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Jamaica Inn [1939]
DVD: John Lennon - Imagine

DVD: John Lennon - Imagine

Se flere produkter fra Dvdoo
Narrated by Lennon himself, the release of this revealing and personal documentary is timed to coincide with the 25th anniversary of the performer's untimely death (December 8, 1980). Imagine: John Lennon was created with the cooperation of Lennon's widow Yoko Ono and produced by multi-award winning producer David L. Wolper and critically-acclaimed documentarian Andrew Solt (partners on This is Elvis). Backed by a monumental 36-tune sound track, the film draws from a treasure trove of material, including the musician's own collection of more than 240 hours of film and videotape, much of it never publicly seen. It was Ono who approached Wolper, announcing it was time to open Lennon's personal archives of films, writings and photographs in order to make the definitive movie of his life. Wolper agreed but not before he requested full control over the project. Ono agreed and what resulted was an unprecedented look into the public and private life of the superstar.
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DVD: John Lennon - Imagine
Carlito's Way - Rise To Power [2005]

Carlito's Way - Rise To Power [2005]

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The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humour), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff Shannon
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Carlito's Way - Rise To Power [2005]
Doctor Jekyll And Mr Hyde [1920]

Doctor Jekyll And Mr Hyde [1920]

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In this 1920 silent version of Dr Jekyll and Mr Hyde, John Barrymore is dignified and virtuous as Dr Henry Jekyll, and transforms into Id incarnate as the lascivious Mr. Hyde with almost no make-up beyond his gnarled, knobby fingers and greasy hair, relying almost solely on a bug-eyed grimace, a spidery body language and pure theatrical flourish. He tends to be hammy as the leering beast of a thug but brings a tortured struggle to the repressed doctor, horrified at the demon he's unleashed, guilty that he enjoys Hyde's unrestrained life of drinking and whoring and terrified that he can no longer control the transformations. Martha Mansfield co-stars as his pure and innocent sweetheart, and Nita Naldi (the vamp of Blood and Sand) has a small but memorable role as the world-weary dance-hall darling who first "wakens" Jekyll's "baser nature". --Sean Axmaker, Amazon.com
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Doctor Jekyll And Mr Hyde [1920]
American Pie 2 [2001]

American Pie 2 [2001]

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To the horror of prudes everywhere, American Pie 2 is even funnier than its popular predecessor, pushing the R rating with such unabashed ribaldry that you'll either be appalled or surprised by its defiant celebration of the young-adult male libido. Females will be equally shocked or delighted, because like American Pie this appealing, character-based comedy puts the women in control while offering a front-row view of horny guys in all their dubious glory. Which is to say, American Pie is mostly about sex--or, to be more specific, breasts, genitalia, "potential" lesbianism, blue silicone sex toys, crude methods of seduction, "the rule of three" (just watch the movie), a shower of "champagne," phone sex, tantric sex, and, oh yeah... superglue. In the case of college freshman Jim (Jason Biggs), performance anxiety plagues his upcoming reunion with sexy Czech exchange student Nadia (Shannon Elizabeth), but his buddies from American Pie have a solution: rent a Lake Michigan beach house for the summer, throw wild parties to lure the local "hotties," and score big-time. Beach Party this ain't: blessed with a complete cast reunion from AP1 (including Eugene Levy as Jim's dad), this sequel is anything but innocent, and with the exception of drugs (which are conspicuously absent), pretty much anything goes. The gags are almost nonstop, and director J.B. Rogers (recovering from his debut debacle Say It Isn't So) handles them with laudable precision, allowing his young cast (particularly Biggs, who epitomizes comedic good sportsmanship) to run with lines that most people wouldn't dare utter aloud. The result is a liberating and eminently good-natured comedy that needn't apologize for its one-track mind. -- Jeff Shannon
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American Pie 2 [2001]
Father Ted - The Definitive Collection Box Set [1995]

Father Ted - The Definitive Collection Box Set [1995]

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Father Ted is one of those rare sitcoms that defies categorisation--it owes as much to Flann O'Brien and Samuel Beckett as it does to Monty Python--and its blend of satire, character comedy and anarchic surrealism has made it a cult favourite around the world. Exiled to remote Craggy Island, Father Ted shares a house with the breathtakingly stupid Father Dougal Maguire and the constantly inebriated Father Jack, who has a small vocabulary and a taste for furniture polish. Their housekeeper, Mrs Doyle, takes care of them with a never-ending supply of tea and sandwiches: "Go on now, Father, won't you try one? They're diagonal." Together they fight boredom by dressing up as Elvis, startling ducks at the fair and provoking nuns. --Simon Leake
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Father Ted - The Definitive Collection Box Set [1995]
Last Of The Dogmen [1996]

Last Of The Dogmen [1996]

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Despite an irritating, tacked-on voice-over narration that somebody must have thought necessary to make sense of the story (it isn't), Last of the Dogmen is actually a very moving and magical film. Tom Berenger plays a Montana bounty hunter who helps an anthropologist (Barbara Hershey) search for the descendants of a Cheyenne tribe who disappeared in the 1870s. What the two find in a remote mountain stretch is an entire community of Cheyenne who have kept themselves cut off from the modern world. A Dances with Wolves parallel emerges as the white outsiders gradually fit in, but Last of the Dogmen stands up just fine without comparison to any other films. As in Kevin Costner's Oscar-winning movie, however, there are ways in which this film captures a similar sense of yearning, mystery and loss--not least being David Arnold's fine John Barry-esque score. -- Tom Keogh
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Last Of The Dogmen [1996]
Terminator 3: Rise of the Machines (Two Disc Set) [2003]

Terminator 3: Rise of the Machines (Two Disc Set) [2003]

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Terminator 3: Rise of the Machines starts in high gear and never slows down. The apocalyptic "Judgment Day" of T2 was never prevented, only postponed: John Connor (Nick Stahl, replacing T2's Edward Furlong), now 22 and disconnected from society, is being pursued yet again, this time by the advanced T-X, a sleek "Terminatrix" (coldly expressionless Kristanna Loken) programmed to stop Connor from becoming the saviour of humankind. Originally programmed as an assassin, a disadvantaged T-101 cyborg (Arnold Schwarzenegger, bidding fond farewell to his signature role) arrives from the future to join Connor and future wife Kate (Claire Danes) in thwarting the T-X's relentless pursuit. The plot presents a logical fulfilment of T2's prophecy, disposing of Connor's mother (Linda Hamilton is sorely missed) while computer-driven machines assume control, launching a nuclear nightmare that Connor must survive. With Breakdown and U-571 serving as rehearsals for this cautionary epic of mass destruction, director Jonathan Mostow wisely avoids any stylistic connection to James Cameron's classics; instead he's crafted a fun, exciting popcorn thriller, humorous and yet still effectively nihilistic, and comparable to Jurassic Park III in returning the Terminator franchise to its potent B-movie roots. -- Jeff Shannon On the DVD: Terminator 3 two-disc set has only one deleted scene, but it's first-class. The "Sgt Candy Scene" is a must-see and, unfortunately, the best thing on the second disc. The rushed HBO documentary shows us far more flash than substance. Better is the Visual Effects Lab that goes more in-depth with four sequences, although you need to wade through a weak interface for each segment. Making your "own" effects isn't that much fun; you can only choose a few effects that change in two scenes. Anyone looking to get the complicated backstory of the trilogy figured out should dig into the "Sky Net Database" and an intricate timeline. Disc 1 has a 30-second intro from the Governator himself, plus two comment
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Terminator 3: Rise of the Machines (Two Disc Set) [2003]
A Life Less Ordinary/Very Bad Things

A Life Less Ordinary/Very Bad Things

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A Life Less Ordinary A Life Less Ordinary is a surprising disappointment, considering it is the third film from director Danny Boyle, writer John Hodge, and actor Ewan McGregor. This disjointed and strained romantic comedy is not even near the same league as Trainspotting and Shallow Grave. Cameron Diaz is a spoiled heiress and McGregor an aimless janitor brought together by two angels (Holly Hunter and Delroy Lindo) hoping to hang onto their wings. McGregor kidnaps Diaz, the boss's daughter, after being fired from his crummy job. She is not all that averse to being snatched. Most of the laughs are lost to a scattershot story that feels preposterous instead of magical. -- Rochelle O'Gorman Very Bad Things Peter Berg's dark comedy about a bachelor party gone horribly awry is highly ambitious in its attempts to satirise suburbia, male bonding, and self-help philosophy, and for the most part it does succeed in hitting its targets with a malicious, misanthropic glee. When five buddies arrive in Las Vegas for some pre-wedding shenanigans, things quickly spiral out of control when the requisite prostitute falls victim to a grisly accident, igniting a spark in an already unstable powder keg of personalities. Following the lead of real estate agent and self-help guy Robert (Christian Slater), the men warily agree on a cover-up and covert desert burial. A couple hours and another corpse later, however, they're already at each other's throats, and their escalating breakdowns threaten to disrupt the highly prized wedding of hard-as-nails bride Laura (a stunning Cameron Diaz). Berg, like most actor-turned-directors (this is The Last Seduction star's filmmaking debut) helms the film with a wildly sliding tone and tends to weigh its strengths heavily on its performers. Slater's psycho turn is by far his most inventive yet (he's more in control than ever before), Diaz effectively mixes sunshine with poison, and Jon Favreau is effective and understated as the hapless bridegroom; the rest of the cast, however, tends to
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A Life Less Ordinary/Very Bad Things
Deep In The Woods [2000]

Deep In The Woods [2000]

Se flere produkter fra Amazon
Deep in the Woods is an average horror film, unusual only because it was made in France. A troupe of young actors who specialise in school performances are hired by sinister aristocrat Francois Berleand to perform their "Little Red Riding Hood" act at his remote mansion as a birthday treat for his strangely silent grandson. As is often the case, the film works better in the early stages as it piles on the omens and disturbing touches, with unsettling byplay between host and guests, than it does in the extended finale, which features the familiar demises of most of the cast as someone dressed in the Big Bad Wolf costume stalks with a spear-gun and unorthodox use is made of a handy nail gun. The young, attractive victims bicker and get naked just like in a rubbish American movie and leading lady/likely survivor Clotilde Courau (best known as the young Anne Parillaud in Map of the Human Heart) is wasted in a nothing role, but mad people Berleand and Lavant provide some entertainment value.-- Kim Newman
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Deep In The Woods [2000]
Star Trek 2 - Wrath Of Khan Dvd [1982]

Star Trek 2 - Wrath Of Khan Dvd [1982]

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Inspired by the "Space Seed" episode of the original series, the classic swashbuckling scenario of Star Trek II: The Wrath of Khan was much more of a success with fans than the somewhat turgid drama of Star Trek: The Motion Picture. The film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humour, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) treats the film as "Horatio Hornblower in space", and then adds lots of spicy seafaring Moby Dick references, plus a sprinkle of Shakespearean tragedy and World War II submarine thriller, all driven along by one of composer James Horner's finest scores. Wrath of Khan set the successful tone for the films that followed. -- Jeff Shannon, Amazon.com
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Star Trek 2 - Wrath Of Khan Dvd [1982]
City of Lost Children [1995]

City of Lost Children [1995]

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The fantastic visions of Belgian film-makers Marc Caro and Jean-Pierre Jeunet find full fruition in this fairy tale for adults. Evoking utopias and dystopias from Brazil to Peter Pan, Caro and Jeunet create a vivid but menacing fantasy city in a perpetually twilight world. In this rough port town lives circus strongman One (Ron Perlman), who wanders the alleys and waterfront dives looking for his little brother, snatched from him by a mysterious gang preying upon the children of the town. Rising from the harbour is an enigmatic castle where lives the evil scientist Krank (Daniel Emilfork), who has lost the ability to dream and robs the nocturnal visions of the children he kidnaps, but receives only mad nightmares from the lonely cherubs. Other wild characters include the Fagin-like Octopus--Siamese twin sisters who control a small gang of runaways-turned-thieves--Krank's six cloned henchmen (all played by the memorable Dominique Pinon from Delicatessen), and a giant brain floating in an aquarium (voiced by Jean-Louis Trintignant). Caro and Jeunet are kindred souls to Terry Gilliam (who is a vocal fan), creating imaginative flights of fancy built of equal parts delight and dread, which seem to be painted on the screen in rich, dreamy colours. -- Sean Axmaker, Amazon.com
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City of Lost Children [1995]
Executive Decision [1996]

Executive Decision [1996]

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Steven Seagal gets killed during the first 20 minutes of this enjoyable thriller, so Executive Decision scores points for ingenuity because it immediately improves when you realise that Seagal's role is just a heroic cameo. That leaves Kurt Russell to star as an American intelligence expert who (due to Seagal's untimely demise) finds himself leading a strike force against Islamic terrorists who have seized in-flight control of a 747 jetliner with 400 passengers. It's not all that different from Air Force One, but the formula story perks right along with considerable suspense as Russell's cohorts (Oliver Platt, Joe Morton) try to defuse a chemical bomb that could wipe out (you guessed it) the entire Eastern seaboard. John Leguizamo plays one of the US commandos attempting to stop the violent hijackers and Halle Berry co-stars as a flight attendant who risks her life to assist Russell's rescue team. As action movies go, Executive Decision marked an impressive directorial debut for veteran film editor Stuart Baird. --Jeff Shannon
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Executive Decision [1996]
DOA - Dead Or Alive/Doom

DOA - Dead Or Alive/Doom

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Based on the popular video-game series, Corey (The Transporter) Yuen's DOA: Dead Or Alive brings together cheesecake titillation and martial-arts action in a lightweight slice of exploitation that's sure to keep its largely young and male audience happy. Jaime Pressly ( My Name is Earl) is top-billed as a pro wrestler who joins a no-holds-barred brawling competition on a remote island; once there, she discovers that the tournament's sponsor, Donovan (Eric Roberts at his toothiest and oiliest), has nefarious plans up his sleeve, and the competitors (which include Devon Aoki, Holly Valance, and the always impressive Kane Kosugi) must bond together to fight a common enemy. As with 2007's The Condemned, DOA: Dead Or Alive is the 21st century equivalent of an early '70s drive-in movie: Proudly loud and lunkheaded, its main function is to cram as much fighting and bikini-clad women into its running time as possible, and to that end, it's enormously successful. Director Yuen understands this, and wisely skews the tone towards the broadly (ahem) tongue-in-cheek; Pressly (whose knack for comedy doesn't get as much mileage here) and the rest of her castmates look good and move well, and the fighting, while not on par with Hong Kong or Thai standards, is plentiful and flashy. If you come expecting this and nothing else, you'll have a fine time with DOA: Dead Or Alive. -- Paul Gaita
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DOA - Dead Or Alive/Doom
The Blue Angel - - Two Disc Special Edition [1930]

The Blue Angel - - Two Disc Special Edition [1930]

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Two things make it impossible to consign Josef von Sternberg's seedily atmospheric 1930 masterpiece The Blue Angel to the archives of museum land: it was the first film to put Marlene Dietrich in front of an international audience; and it features a towering performance from Emil Jannings as the professor whose fall from grace is precipitated by his obsession with Dietrich's archly vampish showgirl Lola-Lola. On both counts The Blue Angel remains a potent, vibrant work which still has moments of real relevance. Dietrich's performance is indeed hypnotic: von Sternberg lights her face and exposed flesh--shoulders and thighs--in a way that clearly indicates the erotic charge she generates among the men in the Blue Angel night club, and in Jennings in particular. Before our eyes his repressed, puritanical self-will disintegrates and his fate is sealed. The pivotal moment is, of course, when Dietrich teases her audience with "Falling in Love Again", her stockinged and suspendered legs astride a beer barrel, a top hat rakishly on her head. It would become the signature tune of her cabaret act in later years but here she delivers it with a far less studied, throwaway cheeriness; how, indeed, can it be her fault if men cluster around her like moths around a flame? This is the raw material on which an icon was built, but there is much else to fascinate in the film itself: you can still smell the pungent grim reality of a trouper's life on the road; and the professor's pathetic efforts to control his class of unruly boys still resonates today... this is an essential piece of film history. On the DVD: The Blue Angel is presented in its German and English-language versions, both restored and digitally remastered. As far as the sound quality is concerned this is of limited benefit since there is a great deal of distortion on both versions. But thanks to the picture restoration we can see how von Sternberg treats Dietrich: her face becomes a radiant, mocking pool of light always in contrast with the dark, grainy characte
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The Blue Angel - - Two Disc Special Edition [1930]
The Strangers [Blu-ray] [2008]

The Strangers [Blu-ray] [2008]

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A lean, briskly paced and exceptionally creepy thriller, The Strangers earns its scares the old-fashioned way: through atmosphere, sound design, and a simple yet undeniably upsetting central premise that allows for maximum tension throughout its running time. Attractive young lovers Liv Tyler and Scott Speedman are already having a bad day--she's turned down his marriage proposal--before a knock on the door in the middle of the night announces a full-fledged siege on their remote vacation home by a trio of masked assailants. The film's first third delivers the most consistent shivers as the visitors make their presence and intentions known to Tyler; the second half grows more frantic and bloody before a gruesome finale that may leave viewers either rattled to their core or bothered by its empty nihilism. Speedman is fine as the downtrodden male lead (who's seen tucking into a carton of ice cream after being rejected), but it's Tyler who impresses the most by shouldering the lion's share of the terror. First-time writer/director Bryan Bertino impresses by forsaking the current passion for over-the-top violence (save for the finale) in favour of more traditional means of generating fear, and if his project borrows heavily from other films, most notably the French chiller Them (which shares its "inspired by a true story" origin) and Michael Haneke's Funny Games, at least he's taking from the best. The sound design is among the many technical standouts, and the unsettling score by tomandandy ( The Hills Have Eyes) pleasantly evokes Ennio Morricone's fuzztone-heavy work for Dario Argento in the early '70s. On a completely unrelated note, LP fanatics should appreciate how both the film's heroes and villains share an affinity for folk and country music on vinyl. -- Paul Gaita
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The Strangers [Blu-ray] [2008]
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