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Donizetti - Lucia Di Lammermoor (Bonynge) [1982]

Donizetti - Lucia Di Lammermoor (Bonynge) [1982]

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Release Date: 2005-11-21, Rating Exempt,
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Donizetti - Lucia Di Lammermoor (Bonynge) [1982]
Dario Argento: Sindrome di Stendhal, La

Dario Argento: Sindrome di Stendhal, La

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Dario Argento: Sindrome di Stendhal, La
Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Stuttgart [1988]

Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Stuttgart [1988]

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The point of a good production of Rossini's Il Barbiere di Siviglia is to have a Rosina and a Figaro who will knock your socks off in their respective arias, while holding back enough in all those crescendo ensembles in which the farce plot reaches its several culminations that the other stars get a chance to shine too. Cecilia Bartoli and Gino Quilico give full-blooded enough performances when on stage by themselves that self-effacement seems far from imminent, yet both are capable of less, and give it when it is needed. Of the others, David Kuebler is an attractively raffish Almaviva, while Robert Lloyd turns Basilio into a memorable cameo. Gabriele Ferro is one of the most intelligent of Rossini conductors--he understands the relationship between the pulse of the music and its dramatic function, and he is also outstanding in the delicacy of phrasing, even in climaxes, that ensures that every voice, every instrument, gets the moment of glory Rossini intended. Michael Hampe's solid reliable unfussy production keeps everything moving without drawing attention to itself. The DVD has subtitles in English, French, German, Italian and Spanish, as well as trailers for other Arthaus Musik discs. -- Roz Kaveney
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Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Stuttgart [1988]
Mozart - Le Nozze Di Figaro [1956]

Mozart - Le Nozze Di Figaro [1956]

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Release Date: 2008-01-28, Rating Exempt,
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Mozart - Le Nozze Di Figaro [1956]
Mozart: Le Nozze di Figaro (The Marriage of Figaro) -- Zurich/Harnoncourt

Mozart: Le Nozze di Figaro (The Marriage of Figaro) -- Zurich/Harnoncourt

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Conductor Nikolaus Harnoncourt's approach to Le Nozze di Figaro is certainly historically informed, but both his musical direction and this Zurich Opera production as a whole lack a certain lightness of touch. In such a deliciously comic work it should be permissible to have fun. Harnoncourt's tempos seem rather too conservative; while the low stage lighting keeps the revolving sets shaded in half-shadow for much of the time. The result is a tad claustrophobic, both musically and visually. There are many compensations, however. Though Harnoncourt may be a little over-cautious, what's lost in joie de vivre is gained in clarity and nuance. Similarly, the singers have plenty of space to enunciate and cherish every rolling phrase. Although Carlos Chausson makes an appealing everyman character as Figaro, he and everyone else must perform (sometimes literally) in Rodney Gilfry's domineering shadow. Gilfry's Alamaviva is a swaggering counterpart to his Don Giovanni, with the same almost overwhelming sexual presence and charisma; no wonder, then, that Eva Mei's Countess is so jealous, or that Isabel Rey's Susanna seems genuinely attracted despite her better judgment. The ensemble cast are uniformly delightful and, unusually, are all good actors: when the Count and Countess squabble, Gilfry and Mei really work themselves into a fine passion. The set and costuming are both of indeterminate period: the Count carries a shotgun to shoot Liliana Nikiteanu's errant Cherubino, and there are deckchairs in the garden, but the ladies' costumes are cut to reveal authentically 18th-century heaving bosoms. In all, this is a Figaro distinguished by a strong cast and fine singing, but hampered a little by the staging. An airier alternative is the more traditional Glyndebourne production. On the DVD: Le Nozze di Figaro from Zurich is presented in three vivid sound options: LPCM Stereo, Dolby 5.1 or DTS 5.1. Picture is 16:9. The subtitling is occasionally unnecessarily repetitive (Figaro's "Piano, piano, piano" takes up a big c
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Mozart: Le Nozze di Figaro (The Marriage of Figaro) -- Zurich/Harnoncourt
Passion 4 Fashion Di(Dvd)

Passion 4 Fashion Di(Dvd)

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Bratz Magasinet og Burdines magasin DIT LIV konkurrerer mod hinanden i et omrejsende reality show. De skal hver især finde og sponsorere en teenage-designer, som skal deltage i et stort modeshow i New York, hvor de også skal stå model i deres eget design. En telefonafstemning skal afgøre, hvilken pige der vinder - vinderen får sin tøjlinie sat i produktion og dermed muligheden for en karriere som topdesigner! Desuden vinder hun også et par diamantbesatte gogo-støvler. Da Bratz-pigerne tager på farten i deres Rollin' Runway mode-truck, viser det sig snart at nogen forsøger af sabotere dem. Som om der ikke var problemer nok, viser alle vandrehistorier om livet på landevejen at være sande og gør livet surt for dem - i form af alt fra hjemsøgte landevejscafeer til UFO'er! Til sidst bliver Bratz-pigerne og deres generte modekandidat tvunget til at se deres frygt i øjnene for at nå deres drømmes mål - det monsterstore modeshow.
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Passion 4 Fashion Di(Dvd)
Mozart: Le Nozze di Figaro -- 1966 Salzburg Festival/Bohm

Mozart: Le Nozze di Figaro -- 1966 Salzburg Festival/Bohm

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Release Date: 2003-09-29, Rating Exempt,
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Pris 265.41,-

Mozart: Le Nozze di Figaro -- 1966 Salzburg Festival/Bohm
Paisiello - L'osteria Di Marechiaro [2001]

Paisiello - L'osteria Di Marechiaro [2001]

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Release Date: 2006-03-06,
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Paisiello - L'osteria Di Marechiaro [2001]
Monterverdi: L'Incoronazione Di Poppea [2007]

Monterverdi: L'Incoronazione Di Poppea [2007]

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Release Date: 2007-02-19, Rating Exempt,
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Monterverdi: L'Incoronazione Di Poppea [2007]
Mozart: La Clemenza di Tito -- Glyndebourne

Mozart: La Clemenza di Tito -- Glyndebourne

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Mozart's Clemenza di Tito ("The Clemency of Titus") makes for riveting viewing in this Glyndebourne performance directed by Nicholas Hytner and conducted by Andrew Davis staged in the composer's bicentenary in 1991. Mozart's last opera, Clemenza was for some time considered below par by his own exalted standards. He composed it in a rush, the recitatives are by a pupil and it had to be on an appropriate theme to please the new Hapsburg monarch, for whose enthronement it was designed. There's little character development and the musical style harks back to operatic conventions Mozart had done so much to overthrow. Watching this production one would scarcely credit that such reservations once held sway. Hytner and his team have put a contemporary angle on a story set in Rome AD 78 in which sets, props and the stage itself are constructed to different dimensions offering alternate perspectives on a static tale. A slanting pillar and a sloping corridor allude to the unhinged mind of the scheming Vitellia, the central character, who puts her confidant Sesto on an emotional roller coaster ride as she ensnares him to plot the downfall of Titus. The principals use their eyes to communicate to one another as well as the audience and in the imaginatively staged entrances and exits of the ensembles one senses Hytner's choreographic instincts coming to the fore. The superb cast sing magnificently and look stunning. Philip Langridge is an eloquent Titus, Diana Monatgue a sincere Sesto and Ashley Putnam brings a touch of Alexis Colby to her portrayal of Vitellia. The London Philharmonic are all fired up under conductor Andrew Davis' fervent direction. The performance (the "Overture" accompanied by a visual montage of artefacts of Ancient Rome) is played on modern instruments yet articulated and reproduced with the clarity and definition associated with period ones. On the DVD: La Clemenza di Tito has no special features save for the obligatory subtitles. The picture quality is outstanding with the imaginative and col
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Mozart: La Clemenza di Tito -- Glyndebourne
Mozart: La Clemenza di Tito [2007]

Mozart: La Clemenza di Tito [2007]

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Release Date: 2007-02-05, Rating Exempt,
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Mozart: La Clemenza di Tito [2007]
Mozart - La Clemenza Di Tito [1991]

Mozart - La Clemenza Di Tito [1991]

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Release Date: 2007-01-02, Rating Exempt,
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Mozart - La Clemenza Di Tito [1991]
Verona And Lago Di Garda

Verona And Lago Di Garda

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Release Date: 2005-04-25, Rating Exempt,
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Verona And Lago Di Garda
Monteverdi: L'Incoronazione di Poppea -- Glyndebourne [1984]

Monteverdi: L'Incoronazione di Poppea -- Glyndebourne [1984]

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Peter Hall's lavishly staged L'Incoronazione di Poppea celebrated the 50th Anniversary of Glyndebourne in 1984 with a performance of Monteverdi's most celebrated and also most controversial opera. The score is conductor Raymond Leppard's "enhanced" edition, which he had premiered at Glyndebourne back in 1962, fully scored for a large orchestra. Much debate circles around the forces appropriate for performing Monteverdi's decidedly minimalist work, but one thing at least is certain: it didn't sound anything like this in the 17th century! Never mind, however inauthentic it may be, Leppard's big and beefy orchestral updating--including a fulsome continuo group with pairs of harpsichords, organs and cellos, as well as lute, guitar and harp--supports the weighty melodrama nicely. The singers, too, are full-bodied, led by a fruity Maria Ewing as Poppea (in various revealing outfits) sounding suitably seductive, and Dennis Bailey, oddly lovely of voice as Nero (one of the opera's controversial aspects is the heroic central role accorded to these two thoroughly wicked characters). Perhaps best of all is Robert Lloyd as Seneca, who not only boasts a profound, reverberant bass, but also looks the part under beard and toga. With an onstage chorus to lament him, Seneca's death scene is the most moving in the opera. Peter Hall's clever staging keeps the Olympians--Love, Fortune and Virtue--permanently watching from above as the venal humans below act out this tragedy of poisoned love. The no-frills DVD has subtitles in English, French, German and Spanish. -- Mark Walker
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Monteverdi: L'Incoronazione di Poppea -- Glyndebourne [1984]
Rossini - La Scala Di Seta [2007]

Rossini - La Scala Di Seta [2007]

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Release Date: 2007-04-02, Rating Exempt,
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Rossini - La Scala Di Seta [2007]
Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Glyndebourne [1982] (NTSC)

Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Glyndebourne [1982] (NTSC)

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Release Date: 2004-04-26, Rating Exempt,
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Rossini: Il Barbiere di Siviglia (The Barber of Seville) -- Glyndebourne [1982] (NTSC)
Dario Argento: Maschera Di Cera

Dario Argento: Maschera Di Cera

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Dario Argento: Maschera Di Cera
Rota - La Vita Di Maria (Di Stefano)

Rota - La Vita Di Maria (Di Stefano)

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Release Date: 2006-11-13, Rating To Be Announced,
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Rota - La Vita Di Maria (Di Stefano)
Rossini - Il Barbiere Di Siviglia (Abbado)

Rossini - Il Barbiere Di Siviglia (Abbado)

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Like all successfully filmed operas, Jean-Pierre Ponnelle's 1974 film of his 1972 La Scala production of The Barber of Seville weaves its magic on multiple levels: naturalistic lighting and camera-work which break through the invisible barrier of the proscenium arch and take the viewer to the heart of the action; wonderful casting and magnificent singing; opera singers who can act to the camera (Teresa Berganza, in particular, is luminous); and conducting which simply revels in the richness of a much-loved score (Claudio Abbado wrings every ounce of levity and brilliance from the music). Rossini's 1816 work, based on Beaumarchais' Figaro characters and an earlier libretto by Paisiello, is one of the great joys of comic opera, crammed with familiar arias and duets, all of which drive the galloping pace of the book without ever interrupting the plot. Its ingredients of romance, disguise and intrigue merge in Rossini's extraordinarily vibrant and increasingly explosive score. At the heart of the tale is the love triangle of Count Almaviva (a lusty Luigi Alva), the wilful Rosina (Teresa Berganza at the peak of her mezzo-soprano powers) and her guardian with an ulterior motive Bartolo (Enzo Dara, constantly foiled). Thanks to the machinations of Figaro (Hermann Prey, making the most of his trademark theme "Largo al factotum") they are put through a series of hoops in which love conquers all and no real harm is ever done. On the DVD: If this Barber has dated at all it's largely thanks to Abbado's pudding-basin haircut and the film's inevitable 1970's quality. It is presented in standard 4:3 format with a PCM Stereo soundtrack, producing a merely average video-standard viewing experience. Apart from a good choice of subtitles there are no extras. A history of the production would have been useful. But these shortcomings, and the occasionally dull sound quality, are soon forgotten in the heat of the action.-- Piers Ford
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Rossini - Il Barbiere Di Siviglia (Abbado)
Natportieren - IL Portiere di Notte

Natportieren - IL Portiere di Notte

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Region 2
28.0
Pris 99.00,-

Natportieren - IL Portiere di Notte
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