Søgeresultat: oil tonic
Five Easy Pieces [1970]

Five Easy Pieces [1970]

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This subtle, existential character study of an emotionally distant outcast (Nicholson) forced to confront his past failures remains an intimate cornerstone of American cinema of the 1970s. Written and directed with remarkable restraint by Bob Rafelson, the film is the result of a short-lived partnership between the filmmaker and Nicholson--the first was the zany formalist exercise, Head, while the equally impressive King of Marvin Gardens followed Five Easy Pieces. Quiet and full of long, controlled takes, this film draws its strength from the acutely detailed, non-judgemental observations of its complex protagonist, Robert Dupea--an extremely crass and frustrated oil worker and failed child pianist hiding from his past in Texas. Dupea spends his life drinking beer and sleeping with (and cheating on) his annoying but adoring Tammy Wynette-wannabe girlfriend, but when he learns that his father is dying in Washington State, he leaves. After the film transforms into a spirited road movie, and arrives at the eccentric upper-class Dupea family mansion, it becomes apparent that leaving is what Dupea does best--from his problems, fears and those who love him. Nicholson gives a difficult yet masterful performance in an unlikeable role, one that's full of ambiguity and requires violent shifts in acting style. Several sequences--such as his stopping traffic to play piano, or his famous verbal duels with a cranky waitress over a chicken-salad sandwich--are Nicholson landmarks. Yet, it's the quieter moments, when Dupea tries miserably to communicate and reconcile with his dying father, where the actor shows his real talent--and by extension, shows us the wounded little boy that lurks in the shell of the man Dupea has become. -- Dave McCoy, Amazon.com
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Five Easy Pieces [1970]
Written On The Wind [1956]

Written On The Wind [1956]

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Douglas Sirk puts the opera back into soap opera in this exquisitely baroque melodrama, the epitome of Technicolor gloss. Rock Hudson (as wonderfully wooden as ever) and Lauren Bacall play stalwart examples of altruism, clean living, and good old American ambition, but Robert Stack and Dorothy Malone steal the film as white trash millionaire siblings stewing in self-pity. The plot reads like an episode of Dallas: Texas oil-baron playboy Stack steals good girl Bacall from best friend Hudson while Stack's sister Malone puts her slinky moves on Hudson, the strapping poor boy made good. Toss in impotence, jealousy, alcoholic binges, emotional blackmail, and backstabbing nastiness, mix vigorously with high style and expressionist flourishes, and you've got the most potent melodrama cocktail of the 1950s. Stack twists his arch delivery into the practiced bravado of a boozing womanizer nursing an inferiority complex while Malone sashays and flirts her way through an Oscar-winning performance as a slutty, sassy good-time girl. It's so over the top that it might seem kitschy at first glance, but former theater director Sirk subtly shades his vision in the shadows of film noir and uses the portentous angles and gaudy color to create a vivid, vivacious world of glossy surfaces and social masks cracking under the pressure of responsibility and the pain of lost love. -- Sean Axmaker
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Written On The Wind [1956]
Armageddon: Re-mastered Edition (2 Disc Set) [1998]

Armageddon: Re-mastered Edition (2 Disc Set) [1998]

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This 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay ( The Rock, Bad Boys) continued Hollywood's millennium-fuelled fascination with the destruction of our planet. There's no arguing that the successful duo understand what mainstream audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but, of course, lovable) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishising of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also try to lure the art-house crowd, raiding the local indie acting stable to populate the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humour and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable female characters--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'". Sadly, she's a hell of a lot more developed and unpredictable than all the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving th
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Armageddon: Re-mastered Edition (2 Disc Set) [1998]
Playboy - California Girls [2000]

Playboy - California Girls [2000]

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Given the climate and the scenery around those parts, you wouldn't need to be starring in Playboy's California Girls to want to take all your clothes off and stroke yourself all over. Here, however, it's left to the professionals, as we're taken on a tour of everything California means to the rest of the world. No, not raisins. We see lots of beaches, pools, clubs, deserts and beautiful women. There are plenty of the latter, in fact, and they get up to various antics including amorous encounters with the odd stud (presumably roped in as token lady-pleasers, but as this isn't an R18 release you never find out if they're really enjoying themselves), warming their peach-like bums on the bonnets of big cars and splashing about in water features in ways which would cause Charlie Dimmock to rethink her career options. It's all good fun, but the best bit has to be the final sequence, entitled "Playmates at Play". No, it's not what you think it is--although there are a few foreplay-like instances of ladies diligently applying suntan oil to each other (can't be too careful, y'know). On the DVD: Playboy's California Girls has some extra features including a picture gallery and trailer material. There's also some so-called "bonus footage" which is something of a scam, in that it's nothing more than a sequence of stills presented slideshow-fashion. --Roger Thomas
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Playboy - California Girls [2000]
Farscape: Complete Season 1 (Box Set) [1999]

Farscape: Complete Season 1 (Box Set) [1999]

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The first series of Farscape was a revitalising tonic for TV SF. An ambitious coproduction of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape launched itself with a refreshing mix of CGI, prosthetics and state-of-the-art puppetry to take a visual leap beyond other genre shows. The witty scripts, too, peppered with double-entendres and pop-culture references, are light years away from the staid style of Star Trek. Admittedly, the first season's basic premise is simply Buck Rogers updated (American astronaut John Crichton, played by Ben Browder, is catapulted to a far-flung galaxy populated by strange aliens), while the crew initially have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it all look and feel completely original. -- Mark Walker
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Farscape: Complete Season 1 (Box Set) [1999]
På farlig grund - DVD"

På farlig grund - DVD"

Se flere produkter fra moviezoo.dk
The roughest of Alaskas oil-rig roughnecks, Forrest Taft (Seagal, also making his directorial debut) specializes in fighting oil-well fires. Yet he faces an even more incendiary battle against renegad...
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Pris 179.00,-

På farlig grund - DVD"
King Kong

King Kong

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Dino De Laurentiis' remake of the original hairy monster movie features remarkable special effects by Rick Baker. Fred Wilson (Charles Grodin), head of an oil drilling expedition to the remote island of Miconesia, discovers a stow-away on his ship, Jack Prescott (Jeff Bridges), a zoologist in search of a prehistoric creature fabled to exist on the island. Off the coast of Micronesia, they rescue Dwan (Jessica Lange), a beautiful woman shipwrecked in the treacherous seas. On the island the expedition witness a mysterious ritual to a strange beast called Kong. They soon realise that Kong is the gigantic ape that Prescott is searching for...
25.0
Pris 59.00,-

King Kong
King Kong (1976) Special Edition - DVD"

King Kong (1976) Special Edition - DVD"

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Fred Wilson (Charles Grodin – Sunburn, Midnight Run), a magnate from Petrox Oil, and Jack Prescott (Jeff Bridges – Tideland, The Big Lebowski), a counter-culture paleontologist, are sai...
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King Kong (1976) Special Edition - DVD"
Hellfighters (John Wayne) [1968]

Hellfighters (John Wayne) [1968]

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Fans of Armageddon might see one or two resemblances between that 1998 box office hit and Hellfighters, a 1968 action film by Andrew V. McLaglen, one of John Wayne's favourite directors in his late career. (Their joint ventures included Chisum, Cahill: United States Marshal, and McLintock!) Wayne plays an oil well firefighter in the mold of Red Adair, turning up anywhere in the world where a geyser of fire is shooting up from a once-profitable gusher. His right-hand man (Jim Hutton) has questionable judgment about safety matters and is a scoundrel with the ladies--and neither fact is lost on Wayne when Hutton's character marries his long-lost daughter (Katharine Ross, a mere year after The Graduate). The film is an early entry in the disaster-meets-soap-opera genre that flourished in the '70s with such titles as The Towering Inferno and The Poseidon Adventure. McClaglen gets a lot of crackle out of his action scenes (many of the firefighting sequences are still startling in their intensity) and turns twin love stories (Hutton and Ross, Wayne and Vera Miles) into frothy studies of adult manners, with equal hints of Howard Hawks and Sidney Sheldon.-- Tom Keogh
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Hellfighters (John Wayne) [1968]
London To Brighton [2006]

London To Brighton [2006]

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2006 proved to be an impressive year for British cinema, but London To Brighton, in spite of being one of the most deserving of acclaim, slipped off most people's radar. A drama set around London's underworld, and attempts to escape it, London To Brighton tells the story of a twelve year old runaway girl, Joanne, and Kelly, a prostitute. Their attempts to get out of London aren't straightforward, not least because of who's on their tail, and the result is a compelling, tightly-written movie, and as good as anything Britain produced for the big screen in 2006. London To Brighton is a mixture of thriller and drama, very gritty, not always easy to watch, and resolute in pulling its many punches. Written and directed with care by Paul Andrew Williams, perhaps his wisest move was casting the simply superb Lorraine Stanley as Kelly, and her compelling performance lends an added magnetism to an already-taut piece of cinema. In many ways working as well on DVD as it did on the big screen, London To Brighton is a challenging, bold and strong film. It's not perhaps the perfect tonic for a quiet night in, but it's likely to stay in your head for a good deal longer than another homogenous romcom. -- Jon Foster
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London To Brighton [2006]
Dynasty - Sæson 1

Dynasty - Sæson 1

Se flere produkter fra Dvdstrax.dk
The saga of a wealthy Denver family in the oil business: Blake Carrington, the patriarch; Krystle, his former secretary and wife; his children: Adam, lost in childhood after a kidnapping; Fallon, pampered and spoiled; Steven, openly gay; and Amanda, hi...
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Dynasty - Sæson 1
The Bourne Supremacy [2004]

The Bourne Supremacy [2004]

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Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. -- Jeff Shannon
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The Bourne Supremacy [2004]
Jarhead/Born On The Fourth Of July

Jarhead/Born On The Fourth Of July

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Jarhead Based on Anthony Swofford's excellent memoir about his experiences as a Marine Sniper in Gulf War I, Jarhead is a war movie in which the waiting is a far greater factor upon the characters than the war itself, and the build up to combat is more drama than what combat is depicted. To some viewers hoping for typical movie action, this will seem like a cruel joke. But it's not. It's just the story as it was written, and if you liked the book, you will probably like the movie. If you didn't, then the movie won't change your mind. The movie follows the trajectory of Swofford (played with thoughtful intensity by Jake Gyllenhaal) from wayward Marine recruit (he joined because he "got lost on the way to college") to skilled Marine sniper, and on into the desert in preparation for the attack on Iraq. No-nonsense, Marine-for-life Staff Sgt. Sykes (Jamie Foxx), the man who recruited Swofford and his spotter Troy (Peter Sarsgaard) into the sniper team, leads them in training, and in waiting where their lives are dominated by endless tension, pointless exercises in absurdity (like playing football in the scorching heat of the desert in their gas masks so it will look better for the media's TV cameras), more training, and constant anticipation of the moment to come when they'll finally get to kill. When the war does come, it moves too fast for Swofford's sniper team, and the one chance they get at a kill--to do the one thing they've trained so hard and waited so long for--eludes them, leaving them to wonder what was the point of all they had endured. As directed by Sam Mendes ( American Beauty), the movie remains very loyal to the language and vision of the book, but it doesn't entirely work as the film needs something more than a literal translation to bring out its full potential. Mendes' stark and, at times, apocalyptic visuals add a lot and strike the right tone: wide shots of inky-black oil raining down on the vast, empty desert from flaming oil wells contrasted with close-ups of crude-soaked faces strugglin
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Jarhead/Born On The Fourth Of July
DVD: På Farlig Grund

DVD: På Farlig Grund

Se flere produkter fra Dvdoo
Alaska: En af Aegis Oil’s olieboringer er i brand. For at få branden under kontrol bliver sprængstofseksperten Forrest Taft fløjet ind. Taft finder ud af, hvad den virkelige grund til brandene er og erklærer krig mod den skruppelløse olieboss Jennings. Det bliver en kamp for liv og død…
29.0
Pris 99.00,-

DVD: På Farlig Grund
Dallas - Season 5

Dallas - Season 5

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Blink while watching Dallas: The Complete Fifth Season, and one might miss some of the fastest moving nastiness ever seen on the granddaddy of primetime soaps. Hovering over everything is the tragic loss of grizzled patriarch Jock Ewing (Jim Davis, who died prior to season 5), off on business in South America but dead before he returns to Southfork Ranch and the arms of Miss Ellie (Barbara Bel Geddes). While the widow grieves for her loss, charming scoundrel J.R. (Larry Hagman) finds new lows to reach as he conspires to woo estranged wife Sue Ellen (Linda Gray) back to Southfork and blackmail younger brother Bobby (Patrick Duffy) into abandoning his shares in Ewing Oil, thus giving J.R. control. Even J.R.'s schemes mask deeper ploys: getting back Sue Ellen means getting back their toddler son, John Ross, which means adding John Ross's ten shares to J.R.'s arsenal. Sheesh. There's also more collateral damage than ever from J.R.'s machinations, notably the complete destruction of chronic loser Cliff Barnes (Ken Kercheval), whose romantic overtures toward Sue Ellen stand in J.R.'s way. Not only does poor Cliff lose Sue Ellen's affections, he falls hook, line, and sinker for a fake deal dangled by a J.R. confederate, costing him the respect and support of his family and threatening his health. But there's also the infant son of Sue Ellen's late sister to think about: Bobby and baby-starved Pam (Victoria Principal) want to adopt him, but J.R. claims to be the father and threatens to take the boy away. (How do most of these people manage to live under the same Southfork roof?) Meanwhile, young Lucy (Charlene Tilton) deals with divorce and the emotional aftermath of being held hostage, and Jock's son Ray (Steve Kanaly) threatens his marital stability with impulsive investments in real estate. Everything comes to a head with a new eruption in the old Ewing-Barnes family feud, and an internal fight for control of the Ewing empire. Down and dirty, and completely irresistible. A nice special feature provides a tour of the
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Dallas - Season 5
Mee-Shee - The Water Giant [2005]

Mee-Shee - The Water Giant [2005]

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A crackling good family adventure, Mee-Shee: The Water Giant stars Bruce Greenwood as a New York City oil-company engineer who interrupts a vacation with his young son, Mac (Daniel Magder), to rescue valuable equipment from the bottom of a British Columbia lake. The effort is somewhat complicated by Mee-Shee, a playful and benevolent cousin of the Loch Ness monster but presumed to be fiction by the local community. Mac, however, encounters Mee-Shee (constructed by the late Jim Henson's Creature Shop) and they become friends, but a pair of industrial saboteurs looking for the biggest score of all have other ideas. The nice cast includes Phyllida Law as the prim landlady of a boarding house (she's ever-so-reminiscent of daughter Emma Thompson in Nanny McPhee), Rena Owen as the lone adult who has seen Mee-Shee and regularly feeds it salmon, and Luanne Gordon as an environmental cop. Director John Henderson, who visited this territory once before in the Ted Danson vehicle, Loch Ness, makes a very crisp drama—with real villains and passions—out of material that might have been quite mawkish in someone else's hands. -- Tom Keogh
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Mee-Shee - The Water Giant [2005]
Thoroughly Modern Millie [1967]

Thoroughly Modern Millie [1967]

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Julie Andrews is at her peak of adorability in this enjoyable (and surprisingly sarcastic) spoof of the 1920s. It has every trick: occasional silent-movie intertitles, flapper lingo ("Oh, banana oil"), and a laughable plot about women being sold into white slavery by the scheming manageress (splendid Beatrice Lillie) of a Hotel for Ladies, aided by a cabal of wicked Chinese. (The stereotypes are bearable only if you remember this is a spoof of silent movie melodrama.) Even with able support from Mary Tyler Moore and James Fox, this is Julie's show; she plays to the camera with the collusion of director George Roy Hill, who's clearly smitten with her silly streak. The movie has an annoying tendency to spend time on musical numbers--a Jewish wedding, a vaudeville act--that don't serve the plot. A future Broadway musical would create a new score, except for the delightfully catchy title tune. -- Robert Horton
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Thoroughly Modern Millie [1967]
There Will Be Blood [Blu-ray] [2007]

There Will Be Blood [Blu-ray] [2007]

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If there's a screen performance in 2008 that comes anywhere near to matching Daniel Day-Lewis' Oscar-winning turn in There Will Be Blood, then we've come nowhere near to seeing it. A tour-de-force of acting and a career high for Day-Lewis, it's the highlight of an extraordinary, really quite daring piece of cinema. That said, we've come to expect nothing less from writer/director Paul Thomas Anderson, the man who previously brought us Boogie Nights, Magnolia and Punch Drunk Love. However, he's really topped himself in terms of ambition with There Will Be Blood, an adaptation of Upton Sinclair's book, Oil! It follows Daniel Plainview (Day-Lewis) who, when we first meet him in the film's silent opening is attempting to mine silver, before he discovers oil and slowly builds up an empire off the back of it. There Will Be Blood then follows his rise to power, given the vast riches that his oil brings him, concurrently exploring his relationship with his son. It proves to be a long, complex, stunning piece of work. There's little room in There Will Be Blood for much more than the sheer power of Day-Lewis' performance, but credit Paul Dano (last seen saying an awful lot less in Little Miss Sunshine) for attempting to go toe-to-toe with the leading man. He's a foil of sorts for Plainview, playing a man as troubled and torn as Day-Lewis' character, and it's a career high to date for the young actor. The film, too, is a match for anything Paul Thomas Anderson has done to date, and that's some achievement. With no easy resolution, and a degree of complexity in its characters that we all-too-rarely see from modern American films, There Will Be Blood is a challenging, at times breathtaking piece of cinema. It won't be to all tastes, and it adamantly refuses to give easy answers, but it's as daring as anything you'll see on screen all year. And Day-Lewis' performance ranks next to any of the all-time greats that you'd care to mention. -- Simon Brew
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There Will Be Blood [Blu-ray] [2007]
Abyss, The S.E / Dybet S.E.

Abyss, The S.E / Dybet S.E.

Se flere produkter fra Dvdstrax.dk
A Place On Earth More Awesome Than Anywhere In Space In this thrilling, underwater action-adventure from writer-director James Cameron ('Titanic', 'Terminator 2: Judgment Day', 'Aliens'), a civilian oil-rig crew is recruited to conduct a search-and-res...
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Abyss, The S.E / Dybet S.E.
Giant (Special Edition) [1956]

Giant (Special Edition) [1956]

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The American domestic epic endured long into the post-war era, with Giant (1956) one of its last real manifestations. Director George Stevens gets real panoramic sweep in his adaptation of Edna Ferber's novel of social and economic change in rural Texas from the 1920s to the 1950s. Rock Hudson is imposing if uninvolving as rancher Vernon Reata II, constantly torn between his image and his humanity. As his wife Lesley, Elizabeth Taylor gives one of her most rounded performances as the Maryland girl whose liberal outlook causes friction within the social (and racial) mindset of the insular community as it lurches from rigid conservatism to mindless materialism over three decades. The film is best remembered for James Dean in what was his third and last screen appearance. He cuts a distinctive figure as Jet Rink, social outcast turned oil tycoon. The bravura of his inebriated speech before an empty banqueting hall would be no less memorable had his career not been curtailed days after shooting ended. The secondary roles are decently taken: look out for a teenage Denis Hopper, sallow but likeable as the gauche Vernon Reata III. On the DVD: Giant is evenly divided over two discs. Widescreen picture quality is excellent and the remastered soundtrack gives Dimitri Tiomkin's score a new lease of life. A laudable 56 chapter points are provided, with dubbing in English, French and Italian and subtitles in eight languages. A running commentary, though informative, is really for aficionados only, but the 45 minutes (on the second disc) of George Stevens recollections from heavyweights such as Herman J. Mankiewicz, Alan J Pakula and Fred Zinnemann ideally complements this sprawling but often compulsive old-school American movie. -- Richard Whitehouse
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Giant (Special Edition) [1956]
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