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	The Muppets - It's a Very Merry Muppet Christmas Movie [2002] Se flere produkter fra Amazon Kermit takes centre stage in A Very Muppet Christmas Movie, a hilarious, parody-laden celebration of muppetry, pulsating with original music, a star-studded cast of human cameos, and a heartwarming story reminiscent of It's a Wonderful Life. Joan Cusack plays the deliciously villainous Miss Bitterman, a ruthless banker who succeeds in foreclosing on the Muppet Theatre only days before Kermit's Christmas extravaganza. As Kermit loses his livelihood, he plunges into the "I wish I'd never been born" mind-set instantly recognisable to George Bailey fans. It's going to take some divine intervention (Whoopi Goldberg is cast as God, no less), plus a little help from a heavenly "Clarence". Despite some moments where the script seems adrift and some humour that borders on the risquÃ©, Fozzie and the gang are in fine form. The message is sweet: dreams are as vital to life as loyal friendships are to see them through. -- Lynn Gibson Inkl. fragt: Ukendt	Pris 32.80,-
	Later... Louder with Jools Holland Se flere produkter fra Amazon Later... Louder is combination of the most rock & roll moments from Jools Holland's late night BBC2 show, which offers the only slot currently on terrestrial TV for New and experimental music. Due to this, Later... Louder offers the cream of the indie and rock crop over the last 10 years. Beginning with Dave Grohl in fine form with the Foo Fighters, we then switch to his mates Queens of the Stone Age belting out "No One Knows". More spot-the-connection fun follows, as the Screaming Trees' 1996 performance of "All I Know" sees a young Josh Homme on lead guitar. These connections run pretty much all the way through the disc, which adds an interesting slant on how to create a DVD track listing. With stand-out performances from the White Stripes, PJ Harvey and the Soundtrack of our Lives, Later... Louder also features the interviews from the original shows with such wide ranging talents as New Order and Courtney Love. This is a must for all those who are in need of a varied rock diet. On the DVD: Later... Louder offers an accessible menu and has an innovative way to access the interviews on offer during a song: a double-bass icon that pops up during the performance. The visual aspect of the DVD is standard enough at 16:9, but you'll find yourself wishing that they had cranked up the Dolby Digital to offer surround sound, as the 2.0 stereo offers a little less oomph. -- Nikki Disney Inkl. fragt: Ukendt	Pris 90.48,-
	Babel [Blu-ray] [2006] Se flere produkter fra Amazon Brilliantly conceived, superbly directed, and beautifully acted, Babel is inarguably one of the best films of 2006. Director Alejandro GonzÃ¡lez IÃ±Ã¡rritu and his co-writer, Guillermo Arriaga (the two also collaborated on Amores Perros and 21 Grams) weave together the disparate strands of their story into a finely hewn fabric by focusing on what appear to be several equally incongruent characters: an American (Brad Pitt) touring Morocco with his wife (Cate Blanchet) become the focus of an international incident also involving a hardscrabble Moroccan farmer (Mustapha Rachidi) struggling to keep his two young sons in line and his family together. A San Diego nanny (Adriana Barraza), her employers absent, makes the disastrous decision to take their kids with her to a wedding in Mexico. And a deaf-mute Japanese teen (the extraordinary Rinko Kikuchi) deals with a relationship with her father (Koji Yakusho) and the world in general that's been upended by the death of her mother. It is perhaps not surprising, or particularly original, that a gun is the device that ties these people together. Yet Babel isn't merely about violence and its tragic consequences. It's about communication, and especially the lack of it--both intercultural, raising issues like terrorism and immigration, and intracultural, as basic as husbands talking to their wives and parents understanding their children. IÃ±Ã¡rritu's command of his medium, sound and visual alike, is extraordinary; the camera work is by turns kinetic and restrained, the music always well matched to the scenes, the editing deft but not confusing, and the film (which clocks in at a lengthy 143 minutes) is filled with indelible moments. Many of those moments are also pretty stark and grim, and no will claim that all of this leads to a "happy" ending, but there is a sense of reconciliation, perhaps even resolution. "If You Want to be Understood... Listen," goes the tagline. And if you want a movie that will leave you thinking, Babel is it. -- Sam Graham Inkl. fragt: Ukendt	Pris 115.21,-
	The Office - Complete Series One & Two [2001] Se flere produkter fra Amazon It feels both inaccurate and inadequate to describe The Office as a comedy. On a superficial level, it disdains all the conventions of television sitcoms: there are no punch lines, no jokes, no laugh tracks and no cute happy endings. More profoundly, it's not what we're used to thinking of as funny. Most of the fervently devoted fan base that the programme acquired watched with a discomfortingly thrilling combination of identification and mortification. The paradox is that its best moments are almost physically unwatchable. Set in the offices of a fictional Slough paper merchant, The Office is filmed in the style of a reality television programme. The writing is subtle and deft, the acting wonderful and the characters beautifully drawn: the cadaverous team leader Gareth, a paradigm of Andy McNab's readership; the monstrous sales rep, Chris Finch; and the decent but long-suffering everyman Tim, whose ambition and imagination have been crushed out of him by the banality of the life he dreams uselessly of escaping. The show is stolen, as it was intended to be, by insufferable office manager David Brent, played by cowriter Ricky Gervais. Brent will become a name as emblematic for a particular kind of British grotesque as Alan Partridge or Basil Fawlty, but he is a deeper character than either. Partridge and Fawlty are exaggerations of reality, and therefore safely comic figures. Brent is as appalling as only reality can be. -- Andrew Mueller On the DVD: Series 1 is tastefully packaged as a two-disc set appropriately adorned with John Betjeman's poem "Slough". The special features occupy the second disc and consist of a laid-back 39-minute documentary entitled "How I Made The Office by Ricky Gervais", with cowriter Stephen Merchant and the cast contributing. Here we discover that Gervais spends his time on set "mucking around and annoying people", and that actress Lucy Davis (Dawn) is the daughter of Jasper Carrott; as well as seeing parts of the original short film and the original BBC pilot episode; plus Inkl. fragt: Ukendt	Pris 242.20,-
	Resident Evil [UMD Mini for PSP] [2002] Se flere produkter fra Amazon Given that Resident Evil is a Paul Anderson movie based on a computer game which was itself highly derivative (especially of George A Romero and James Cameron films), it's probably unfair to complain that it hasn't got an original idea or moment in its entire running time. In the early 1980s, Italian schlock films such as Zombie Flesh Eaters and Zombie Creeping Flesh tried to cram in as many moments restaged from American originals as possible, strung together by silly characters wandering between monster attacks. This is a much-improved, edited, photographed and directed version of the same gambit. As amnesiac Milla Jovovich remembers amazing kung fu skills and anti-globalist Eric Mabius mutters about evil corporations, a gang of clichÃ©d soldiers without a distinguishing feature between them (except for Michelle Rodriguez as a secondary tough chick) are trapped in an underground scientific compound at the mercy of a tyrannical computer--which manifests as a smug little-girl-o-gram--fending off flesh-eating zombies (though gore fans will be disappointed by the film's need to stay within the limits of the 15 certificate) and CGI mutants, not to mention the ever-popular zombie dogs. It's tolerably action-packed, but zips past its borrowings ( Aliens, Cube, Deep Blue Sea) without adding anything that future schlock pictures will want to imitate. -- Kim Newman Inkl. fragt: Ukendt	Pris 177.09,-
	La Fille Mal Gardee [1981] Se flere produkter fra Amazon La Fille Mal GardÃ©e ("The Unguarded Maiden"), perhaps the best-known work of composer Ferdinand HÃ©rold, is here presented in a Royal Ballet production freely adapted, arranged and conducted by John Lanchbery. The unquestioned centre of attention is Royal Ballet superstar Lesley Collier who plays Lise, the beautiful farm girl whom her widowed mother (Brian Shaw) plans to marry to the eligible Alain (Garry Grant) despite Lise's love for young farmer Colas (Michael Coleman). This is a colourful pastoral romp with pause for tender and lyrical moments and plentiful opportunities for Collier to enchant her many admirers. Royal Ballet principal conductor Lanchbery--himself composer of the well-loved Tales of Beatrix Potter (1971)--brings all his flair for this sort of carefree entertainment to play and the result is delightful. Filmed for BBC television at Covent Garden in January 1981, the witty, energetic and romantic choreography is by Frederick Ashton (his dancing chickens are hilarious, as is Shaw's "clog dance" in Act Two) and the stage design by Osbert Lancaster, whose legacy adds charm to a much more recent BBC Royal Ballet film of CoppÃ©lia (2000). HÃ©rold's score is filled with playfulness, melody and laughter, making this a very superior pantomime. -- Gary S. Dalkin On the DVD: Presented at the original 4:3 TV ratio, the focus is soft throughout and details lacking in long shots are reduced to a formless blur. The image looks washed-out, with colours missing any sparkle or depth. The live stereo sound is much better, being detailed, full, and free of the hiss one might expect from a TV soundtrack of this vintage. The disc offers one page of credits, a three-page synopsis and a web link. The drab black and white booklet repeats this information in more detail in various languages, but offers nothing on the performers, composer or conductor. --Gary S. Dalkin Inkl. fragt: Ukendt	Pris 161.44,-
	Ghostbusters Se flere produkter fra Amazon Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by Ivan Reitman ( Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could "slime" people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. Still a lot of fun, and an obvious model for sci-fi comedies such as Men in Black. -- Tom Keogh, Amazon.com Inkl. fragt: Ukendt	Pris 161.44,-
	Doctor Who - The Three Doctors [1972] [1963] Se flere produkter fra Amazon Made to mark the series' tenth anniversary, Doctor Who: The Three Doctors finds Jon Pertwee's Third Doctor teaming-up with the Patrick Troughton and William Hartnell incarnations to battle a universe-threatening foe. Omega (played by an excellent Stephen Thorne) is the Timelord who gave his race the power necessary for time travel. Long presumed dead he is actually trapped in an anti-matter universe inside a black hole, and is scheming an epic revenge. Set in UNIT HQ, Omega's domain and a chalk pit, Bob Baker and David Martin's yarn is both nonsensical and more wildly ambitious than the BBC effects unit could possibly visualise. This is so much the case that the best moments come with the metaphysically chilling scene in which Omega is unmasked, and in the bickering rivalry between Pertwee and Troughton. Sadly Hartnell was seriously ill with arteriosclerosis, so his brief scenes were all taped in a day and played on a monitor in the TARDIS, the reason given that the First Doctor is trapped in a "time eddy". If hardly a classic this is still a meatier tale than The Two Doctors (1985), which starred Troughton and Colin Baker, and it features ever-dependable support from Katy Manning as Jo Grant and Nicholas Courtney as the Brigadier. On the DVD: Doctor Who: The Three Doctors is presented in the original 4:3 ratio with good mono sound. The introductory 16-mm film footage is very grainy and lined, but later exteriors are good and the interior video-shot material in fine. The commentary by Katy Manning, Nicholas Courtney and producer Barry Letts is informative and funny. Extras include excerpts from a highly entertaining 1973 Pebble Mill at One with Patrick Troughton and BBC props designer Bernard Wilkie (20 min) and a 1973 retrospective on the show from Blue Peter featuring Pertwee with the then new Whomobile, all presented by ex- Who companion Peter Purves. There are highlights from a BSkyB Doctor Who weekend from 1990, with brief interviews with Courtney, David Martin, Bob Baker, Pertwee, producer John Nat Inkl. fragt: Ukendt	Pris 65.68,-
	Star Trek: The Next Generation - Season 6 [1990] Se flere produkter fra Amazon As the sixth season of Star Trek: The Next Generation went into production, everyone knew that attentions would soon be permanently divided by the debut of Deep Space Nine. Sure enough that meant crossovers ("Birthright"), guest stars and references back and forth. The sense of baton-passing drew the TNG family closer, however. Directorial debuts begun in Season 5 allowed for repeat group-huddle ownership of several shows. Jonathan Frakes bettered "The Quality of Life" by "The Chase", which finally offered an explanation why most races in the Trek universe are humanoid with knobbly foreheads. Patrick Stewart crowbarred a Western into the franchise in "A Fistful of Datas". LeVar Burton introduced the far more exciting Riker clone Thomas in "Second Chances". But here we still find that inability to follow through a good idea, since it was intended for Tom to replace Will. Barclay outstayed his welcome with a lacklustre "Ship in a Bottle" (despite a hammy cameo from Stephanie Beacham) after he'd injected creepiness into "Realm of Fear". The same happened with Q and the painfully weak "True Q" contrasted by the philosophically challenging "Tapestry", where Picard faced the decisions of his youth. Yet ultimately the year provided more memorable moments than either year 5 did or year 7 would. There was the fun of a pint-sized Starfleet in "Rascals", the shocking comment on political torture in "Chain of Command", the endless Matrix-like guessing game of reality in "Frame of Mind", and even a jokey genre nod often called "Die Hard Picard" instead of "Starship Mine". The two biggest attention-drawing moments came via stellar cameos. There was the bittersweet sight of James Doohan revisiting the original Enterprise Bridge on "Relics", then a quick contribution by Stephen Hawking in the cliff-hanger "Descent". Both were attempts at keeping TNG the connoisseur's Trek incarnation of choice. -- Paul Tonks Inkl. fragt: Ukendt	Pris 383.03,-
	Dead Or Alive [1999] Se flere produkter fra Amazon The director of Dead or Alive, Takashi Miike, made his name on the international scene with Audition, a chilling psychological thriller that builds from a quiet start towards a prolonged torture sequence almost too unbearable to watch. But such deliberate pacing isn't typical of Miike, whose movies often assault the viewer with an onslaught of slam-bang action that makes John Woo look like Eric Rohmer. Dead or Alive, his most successful cops-vs-yakuza thriller to date, kicks off with six non-stop minutes of machine gun-paced violence, sex and slaughter, all set to a pounding heavy-metal beat. Thereafter things calm down a little, though not much. Given Miike's penchant for murky, livid-toned visuals and skewed camera angles, it's not always too easy to work out exactly who's doing what to whom, but the general outline's clear enough. The Tokyo underworld is being torn apart by a turf war between the yakuza gangs and the invading Chinese triads. Ambitious yakuza member Ryuichi isn't above playing both sides off against each other in his bid for power, while police detective Jojima, himself none too scrupulous in his methods, is out to destroy the gangs. Into this conventional plot framework Miike piles enough warped characters and bizarre, twisted happenings to fuel half-a-dozen Tarantino movies, while cheerfully borrowing--and inflating--key moments from such hard-boiled gangster- noirs as The Big Heat and Kiss Me Deadly. One character deep-fries his own hand, a stripper is drowned in a paddling-pool filled with her own excrement, and the literally apocalyptic finale, the showdown to end all showdowns, will leave you gasping. The appallingly prolific Miike, who regularly makes about five movies a year, has since directed two sequels--the first only three months after the original.-- Philip Kemp Inkl. fragt: Ukendt	Pris 57.44,-
	The Very Best of Steptoe and Son [1962] Se flere produkter fra Amazon The Very Best of Steptoe and Son is wonderful collection of "Steptoe" moments...but not entirely what it claims to be. This selection, is in fact a collection of five episodes from the two surviving series of the four shot in colour in the 1970s--the four black and white series shot in the 1960s are neglected entirely. However by the 1970s, Wilfred Brambell and Harry H Corbett had been playing Albert and Harold Steptoe for almost a decade and the parts of the greedy needy old man and his witty feeble son were second nature to them. One of the best episodes on show here is "The Desperate Hours", which sets the father and son duo off against a similar couple--Leonard Rossiter's escaped bank robber and the old lag who taught him everything he knows--both couples come to understand the shared dynamic of their relationships. The 1970s episodes included more external shots and opened the show out from its original two-hander format--"Oh What a Beautiful Mourning", for example, introduces us to a large selection of the Steptoe clan, played by a variety of well known character actors. On the DVD: The DVD is presented in a standard television 4:3 aspect ratio and adds the luxury of Dolby Sound to the show's original mono; the Ron Grainger signature tune has never sounded so good. There are no subtitles, but the DVD includes a short account of the two stars' careers and an extended interview in which Galton and Simpson, the scriptwriters, talk about the history of the show from its origin as a one-off Comedy Playhouse episode through to the eventual decision that after the eighth series it was time to call it a day. -- Roz Kaveny Inkl. fragt: Ukendt	Pris 41.04,-
	Fantastic Four - Rise Of The Silver Surfer [2007] Se flere produkter fra Amazon Offering a real improvement on its predecessor and successfully introducing one of the world of comics' most popular characters in the process, Fantastic Four: Rise Of The Silver Surfer easily warrants some attention on DVD to go with its impressive box office take. Picking up where the surprisingly tepid original left off, Fantastic Four: Rise Of The Silver Surfer finds the Marvel Comics Universe's first family dealing with the celebrity that their powers have brought them, to the point where even a simple wedding can't take place without interruption. The film then takes a little while to re-establish its characters and re-introduce some of the issues that underpin them. But it's not too long before the Silver Surfer arrives, and things really get into gear. For make no mistake: it's the Surfer who ignites the film and provides some of the very best moments of Fantastic Four: Rise Of The Silver Surfer. Backed up by some superb special effects work, he's a far more interesting draw that the returning Julian McMahon as Dr Doom. While there are, inevitably, various problems that each of the characters in Fantastic Four: Rise Of The Silver Surfer must face, the film never opts to go knee-deep into them. Instead, it chooses a light, breezy tone, that's suited well to family viewing yet not without some genuine blockbuster moments. It's no classic, but Fantastic Four: Rise Of The Silver Surfer is most certainly fun. And it's equally certain that this isn't the last we've seen of this quintet of heroes... -- Jon Foster Inkl. fragt: Ukendt	Pris 41.04,-
	Leave Her To Heaven [1946] Se flere produkter fra Amazon Leave Her to Heaven is one of the most unblinkingly perverse movies ever offered up as a prestige picture by a major studio in the golden age of Hollywood. Gene Tierney, whose lambent eyes, porcelain features, and sweep of healthy-American-girl hair customarily made her a 20th Century Fox icon of purity, scored an Oscar nomination playing a demonically obsessive daughter of privilege with her own monstrous notion of love. By the time she crosses eyebeams with popular novelist Cornel Wilde on a New Mexico-bound train, her jealous manipulations have driven her parents apart and her father to his grave. Well, no, not grave: Wilde soon gets to watch her gallop a glorious palomino across a red-rock horizon as she metronomically sows Dad's ashes to the winds. Mere screen moments later, she's jettisoned rising-politico fiancÃ© Vincent Price and accepted a marriage proposal the besotted/bewildered Wilde hasn't quite made. Can the wrecking of his and several other lives be far behind? Not to mention a murder or two. Fox gave Ben Ames Williams's bestselling novel (probably just the sort of book Wilde's character writes) the Class-A treatment. Alfred Newman's tympani-heavy music score signals both grandeur and pervasive psychosis, while spectacular, dust-jacket-worthy locations and Oscar-destined Technicolor cinematography by Leon Shamroy ensure our fixed gaze. Impeccably directed by the veteran John M. Stahl (who'd made the original Back Street, Imitation of Life, and Magnificent Obsession a decade earlier), the result is at once cuckoo and hieratic, and weirdly mesmerizing. Bet Luis BuÃ±uel loved it. --Richard T. Jameson Inkl. fragt: Ukendt	Pris 57.44,-
	Jaws 2 [1978] Se flere produkter fra Amazon Judged entirely on its own merits, Jaws 2 isn't a bad film. It even has some passably scary moments (Brody discovering a charred body in the waves; the swimming boy racing the shark back to his dinghy). But it's absolutely impossible to judge this movie on its own merits. Despite being given a great big Panavision camera to play with director Jeannot Szwarc can't hide his TV-movie origins, nor can the script, both of which spend far too long landlocked with the bickering inhabitants of Amity Island. Where the original film boldly set out to sea with Robert Shaw's Ahab-like Quint, in a misplaced desire to attract a teenage audience this movie dwells at interminable length on the courting rituals of the local youth; where Spielberg's original is a masterpiece of pacing and carefully timed tension-building, Jaws 2 sags terribly whenever the plastic shark swims out of sight. Roy Scheider comes off best, reprising his role as Chief Brody, while Lorraine Gary's role as his wife is expanded (she must be a glutton for punishment: she also starred in Jaws 4: The Revenge). Taken as a sequel Jaws 2 is inferior in every way; taken as an unassuming TV movie it's a respectable, workmanlike effort; but looking forward at what was to follow, it begins to look like a minor masterpiece. -- Mark Walker Inkl. fragt: Ukendt	Pris 32.80,-
	Star Wars: Episode I - The Phantom Menace [1999] Se flere produkter fra Amazon "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event ... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: sure, this is Star Wars, but it is my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breathing Darth Vader. There is still way too much quasi-mystical mumbo jumbo and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mÃ©lange of creatures, flora and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film-the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim) and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Qui-Gon and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the f Inkl. fragt: Ukendt	Pris 49.28,-
	Doctor Who - Carnival Of Monsters [1973] Se flere produkter fra Amazon The Doctor Who adventure "Carnival of Monsters" finds Jon Pertwee's third Doctor and Jo Grant (Katy Manning) materialising on the SS Bernice in the Indian Ocean in 1926, on the very day the ship is about to give rise to a famous sea mystery. Passengers and crew, including Ian Marter (who would return as companion Harry Sullivan two years later), are reliving the same few moments over and over again, and there is a plesiosaur in the ocean. Meanwhile two travelling show people, Vorg (Leslie Dwyer), and Shirna (Cheryl Hall), have arrived on the bureaucracy laden planet Inter Minor with an illegal Miniscope peepshow. In a variation on the miniaturisation plot of Fantastic Voyage (1966), and harking back to Doctor Who's own "Planet of the Giants" story from 1964, the Doctor and Jo have materialised within the Miniscope's compression field and are trapped inside. For company they have the ferocious alien Drashigs while outside the machine a potentially devastating conspiracy is afoot. As the second story in the 10th season of Doctor Who, this fast-moving, witty and surreal adventure slots into series continuity between "The Three Doctors" and "Frontier in Space". A long-time fan favourite, the four-part thriller remains one of the most enjoyable of the Jon Pertwee era stories. On the DVD: Doctor Who: Carnival of Monsters on DVD has an excellent 4:3 image and mono sound far better than was ever heard on the original broadcasts. Heading a massive range of extras is a commentary with Katy Manning being wonderfully enthusiastic and producer-director Barry Letts getting a little more technical. There are English subtitles not only for the episodes but also for the commentary, as well as a separate on-screen information text option. Also included are two extended and one deleted scene, Barry Lett's more tightly edited preferred ending, a trailer for a 1981 season of Doctor Who repeats and a never used arrangement of the title music. Additionally there is a compilation of visual effects test film, some studio sho Inkl. fragt: Ukendt	Pris 57.52,-
	Star Trek 5 - Final Frontier - Dvd [1989] Se flere produkter fra Amazon Almost universally derided on its first release as the worst of the Star Trek movies to date, The Final Frontier may just have been the victim of bad press. Following in the wake of the massively successful fourth instalment The Voyage Home didn't help matters (notoriously, even-numbered entries are better), nor did having novice director and shameless egomaniac William Shatner at the helm. But if the story, conceived and co-written by Shatner, teeters dangerously on the verge of being corny at times, it redeems itself with enough thought-provoking scenes in the best tradition of the series, and a surprisingly original finale. Granted there are a few too many yawning plot holes along the way, and the general tone is over-earnest (despite some painfully slapstick comedy moments), but the interaction of the central trio (Kirk, Spock and McCoy) is often funny and genuinely insightful; while Laurence Luckinbill is a charismatic adversary as the renegade Vulcan Sybok. True, the rest of the cast scarcely get a look in, and the special effects betray serious budgetary restrictions, but with a standout score from Jerry Goldsmith and a meaty philosophical premise to play around with, Star Trek V looks a lot more substantial in retrospect. Certainly it's no worse than either Generations or Insurrection, the next "odd-numbered" entries in the series. On the DVD: This is a non-anamorphic widescreen (2.35:1) print, with only two trailers as extra features. Quite frankly, Star Trek fans are being short-changed. -- Mark Walker Inkl. fragt: Ukendt	Pris 49.28,-
	Angel: Complete Season 2 Se flere produkter fra Amazon It is with this second series that Angel, the darker Los Angeles mean-streets spin-off from Buffy, comes entirely into its own. Angel, the vampire with a soul and rather too much hair gel, is driven partly by his need for atonement and partly by his anger at the manipulations of the satanic law firm Wolfram and Hart, especially the morally equivocal Lindsey (Christian Kane). At the end of the previous season, they set his emotional destruction in motion by bringing back from hell Darla, the vampire who turned him, whom he loved for centuries and then killed to save Buffy. Julie Benz's soft-voiced passion--"God doesn't want you, but I still do"--makes her a perfect tragic foil for David Boreanaz's "billowy coat King of Pain" hero and mid-season offers further cause for Angel's despairing rage at his failure to save Darla from being turned vampire again. There is a nice balance of comedy, horror and the starkly tragic here--fake swamis, accursed shrouds, sexually abused telekinetic assassins all come into the mix along with Angel's gang of sidekicks--pedantic Wesley, abrasive Gunn, flighty clairvoyant Cordelia--and a new and wonderfully improbable character who starts as a running joke and becomes so much more--the Host (Andy Hallett), a green demon with red horns, eyes and hair, who sees into the souls of those who sing karaoke at his bar. And in a four-part finale, the group's friendship with the green karaoke demon Lorne sends them off to his home dimension to rescue Cordelia, right wrongs and acquire an important new character. On the DVD: Angel, Season 2 on disc presents all the episodes in their original 16x9 widescreen format (2.35:1), which enables viewers to see shots as they were originally conceived, for example in impressive moments like the march of the four vampires through a burning Shanghai or the climaxes of the mediaeval Pylea sequence. The sound is a sumptuous Dolby Surround 2.0. The first Pylea episode, "Over the Rainbow", has a commentary by its director Fred Keller; the 1959 flashback Inkl. fragt: Ukendt	Pris 451.51,-
	Scream 3 [2000] Se flere produkter fra Amazon What should have been an explosive finale to the trilogy in Scream 3 ends up becoming something of a damp squib, with little of the suspense that made the first two so memorable. Kevin Williamson, creator of the original Scream, claimed he always saw the series as a trilogy, so it's a pity that he couldn't have had more of a hand in the last of the series, settling for a producer credit while the screenplay is penned by Ehren Kruger (ironic in itself, given director Wes Craven's most famous creation). When a crucial player in the first two movies is killed in the now obligatory pre-credit murder sequence, the attention switches to the set of Stab 3, the third in the fictional film series based on the original Woodsboro murders of the first Scream movie. Sydney Prescott, who has spent the last few years targeted by the Ghost-faced killer, is drawn out of hiding in the Californian hills to face the killer one last time. Along the way she is re-united with old friends, (both living and dead) and discovers more about her family history than she ever wanted to know. Most of the players look a little bored with the whole thing now and Craven just doesn't inject any pace into the proceedings, happy, it seems to produce virtually carbon copy set pieces from the previous instalments. The film sags incredibly in the second act and when a convenient "pre-recorded" message from the late Randy Meeks turns up, it's not so much evidence of that character's forethought, more of the scriptwriter's laziness. It has its moments though: Jenny McCarthy hiding from the killer in a wardrobe room filled with Ghostface costumes, a great cameo from Carrie Fisher and the constant bitching between Cox and the wonderful Parker Posey, who plays Gail Weathers in the fictional Stab 3. Ultimately, though, as the closing chapter in a great horror series, Scream 3 fails to live up to its predecessors. -- Jonathan Weir Inkl. fragt: Ukendt	Pris 49.28,-
	Will Hay - Good Morning Boys / Hey! Hey! USA [1938] Se flere produkter fra Amazon In 1937's Good Morning Boys Will Hay plays the pompous but ill-qualified headmaster of St Michael's, Dr Benjamin Twist, who befuddles his class with meaningless mathematical equations while they set their wits to constructing booby traps for him. However, when his boys pass an inter-schools examination, having seen the French paper in advance, they're invited by the French educational authorities to Paris and become involved in a plot to steal the Mona Lisa. Although it is at times too silly plot-wise even for those with a high endurance for farce, Good Morning, Boys is another fine showcase for Hay to display his well-honed repertoire of tics, double-takes and blathering half-sense. In Hey! Hey! USA!, a 1938 comedy intended to boost Hay's stock in America, he again plays Dr Twist who becomes tutor to millionaire's son Bernie Schulz aboard an Atlantic liner. Predictably the boy knows more about all aspects of history than Hay, having to remind him that Britain lost in the War of Independence against America. "Yes, but we sent our second eleven," Hay reminds him, "And we were playing away." Further capers ensue when two rival gangs attempt to capture the precocious lad, with his parents dispatching Hay to pass on the ransom money. Hey! Hey! USA!has its moments, but despite the presence of old Laurel and Hardy sidekicks Edgar Kennedy (as a dim-witted gangster) and Charlie Hall, this was too leaky a comedic vessel to transport Hay's peculiarly British UK success across the Atlantic. On the DVD: Good Morning Boys and Hey! Hey! USA! are presented on disc well restored from their original 1930s film stock, give or take the odd crackle. There are no extras except scene index. -- David Stubbs Inkl. fragt: Ukendt	Pris 107.05,-

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Angel: Complete Season 2

Scream 3 [2000]

Will Hay - Good Morning Boys / Hey! Hey! USA [1938]

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