Søgeresultat: visual studio
Green Day - International Supervideos! [2001]

Green Day - International Supervideos! [2001]

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A DVD accompaniment to their greatest hits album, International Supervideos collects together American punk rockers Green Day's entire visual history to date. Now something of the elder statesmen of the movement, the compilation starts with tracks from their breakthrough major label debut Dookie and brings us up to date with the Warning album and its three singles. While their music has always stuck fairly close to the three-minute punk-pop template, the band have explored the video medium well. Managing to avoid the clichéd live performance approach, the majority of the clips instead place the band in various environments, from a mental hospital (the excellent "Basket Case") to the clever sports pastiche of "Nice Guys Finish Last". Ironically, the best track of the lot is the one that owes nothing to their usual influences, the emotive, acoustic "Good Riddance (Time of Your Life)". With this willingness to step outside of there own parameters and the later material easily equal to the best of their career, International Supervideos is not only an essential purchase but one that hints at a bright future for the band. On the DVD: While punk rock isn't always about sound quality and clarity, International Supervideos is blessed with hi-fi crispness, providing an equally satisfying aural and visual experience. The almost cartoonish, Day-Glo quality of many of the videos is enhanced by the picture quality. Extras, however, are at a frustrating minimum. There's a web link, chapter selection and a subtitle facility, at last helping to make sense of Billie Joe's less than defined lyrics. -- Phil Udell
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Pris 139.81,-

Green Day - International Supervideos! [2001]
The Police - Everybody Stares: The Police Inside Out [2005]

The Police - Everybody Stares: The Police Inside Out [2005]

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"We're done," says Stewart Copeland near the end of Everyone Stares: The Police Inside Out, his homemade documentary about the rise and eventual fall of the group that ruled the planet during their '70s-'80s heyday. "When you get to where you're going, the ride is over." Yeah, but what a ride it was. Some 20 years after the Police (Copeland, Sting, and Andy Summers) disbanded for good, the drummer, now a film composer, edited the 50-plus hours of Super 8 footage he shot way back when, compiled a new soundtrack, wrote some voice-over commentary, and put together a film that, while considerably less than perfect, provides genuine insight into the chaotic, ultimately deadening world of rock superstardom. It all starts in '76, when the original band formed in England; by 1978, Copeland narrates, "we were ready to shed the leprous scab of (our) wretched historyÂ? and sally forth to the promised land of America." Fame and fortune ensued, and along the way, Copeland filmed everything--not just the inevitable scenes inside their tour van and backstage, but pre-gig sound checks, recording sessions, in-store promo appearances Â? Hell, he even recorded the band while they were making their videos, and there's one remarkable sequence in which he sets up his camera on a tripod behind his drum kit, then turns to address the viewer in mid-performance ("There's a little fight going on in front of the stage," he tells us). The camera work is often pretty shaky, and the performance footage is primitive, not to mention loud and distorted, but somehow that fits Copeland's fly-on-the-wall approach; and the soundtrack, live and studio versions of familiar tunes that Copeland "lobotomized" and "de-arranged," is revelatory. Perhaps best of all, the film offers Copeland a chance to tell us how it all went wrong. By the time of Ghost in the Machine, Sting (who comes off as his usual standoffish, mostly-humourless self) was no longer collaborating with other musicians in the studio. What's more, "(the) adulation started to feel like
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The Police - Everybody Stares: The Police Inside Out [2005]
Rekrut 67 Petersen (Dvd)

Rekrut 67 Petersen (Dvd)

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Først 7 år efter 2. Verdenskrigs afslutning turde man forsøge sig med lidt humor i film fra det militære miljø. At denne genre senere skulle blive en guldgrube, anede ingen, da REKRUT 67-PETERSEN havde premiere i 1952. LILY BROBERG er den "ganske almindelige pige" med det store hjerte, der roder sig ind i forviklinger, prøvelser og fristelser. Hun er ledetråden i filmen, og som sådan oplever hun (og vi) livet i Danmark - dengang. - Fra starten, i den gamle ejendom på Christianshavn, over en personalefest i et Stormagasin, videre som deltager i radioens daværende "Gøglervognen" og for så som motorordonnans at spurte rundt i hele "det gamle" Nordsjælland på bøndergårde, herregårde og slotte. Filmen indeholder en masse af datidens humor, som var yderst dresseret. Det var derfor vovet, når Lily Broberg i filmen udbryder: "Jeg har tilbragt natten i selskab med 100.000 mand." En anden sjov ting: Det var den eneste gang (26-årige) DIRCH PASSER stod (næst) nederst på en filmplakat, men det var osse kun hans fjerde film. Ekstra materiale: . Trailer . Biografier . Historien om Saga Studio . Interaktive Menuer . Scene Adgang Sprog: Dansk Audio: (1.0 Mono) Dansk Undertekster: Dansk Billede: 1.33:1 4:3 FF
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Rekrut 67 Petersen (Dvd)
Romeo And Juliet [1996]

Romeo And Juliet [1996]

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While perhaps not the defining moment in the making of Leonardo DiCaprio's career, his appearance in this dazzling take on William Shakepeare's Romeo & Juliet back in 1996 did the careers of both Clare Danes and himself no harm at all. Perhaps the real star of the show here though is director Baz Luhrmann, who employs a frenetic, at times downright-brilliant style to the age-old tale of tale of star-crossed lovers. Luhrmann would go on to make Moulin Rouge a few years' later. From the off, his take on Romeo & Juliet explodes unpredictably onto the screen, bubbling with vision and originality, accompanied throughout by an excellent score and soundtrack that rightly spawned two spin-off CDs. There are sacrifices made along the way to support Luhrmann's vision though, with the text being stripped down to leave the core of the story in tact, and that's just one of a number of complaints that Shakespeare purists may have. And yet, perhaps more than any other attempt to bring the work of the Bard to the screen of late, this is an extremely accessible entry-point to Shakepeare's work. That it's also by turns breathtaking, dazzling and a sheer joy to watch doesn't harm its cause either. The two leads are charming, the support cast backs them up superbly, and the end result is one of the most interesting visual treats that Hollywood mustered up throughout the 1990s.-- Simon Brew
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Pris 37.12,-

Romeo And Juliet [1996]
The Lady From Shanghai [1948]

The Lady From Shanghai [1948]

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Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making The Lady from Shanghai by grabbing the title from a nearby paperback. In any case, this is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations both on and off-screen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. -- Tom Keogh
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The Lady From Shanghai [1948]
Sleeping Beauty (50th Anniversary Deluxe Edition) - 2 Disc DVD and Book Set [1958]

Sleeping Beauty (50th Anniversary Deluxe Edition) - 2 Disc DVD and Book Set [1958]

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Disney's 1959 Sleeping Beauty was the studio's most ambitious effort to date, a lavish spectacle boasting a gorgeous waltz-filled score adapted from the music of Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist. It's not really all that much about the title character--how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here, alongside Maleficent's castle, which, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. -- David Kronke, Amazon.com
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Pris 167.79,-

Sleeping Beauty (50th Anniversary Deluxe Edition) - 2 Disc DVD and Book Set [1958]
DVD: Et Århundrede I Krig - Vol. 1-13 - Box

DVD: Et Århundrede I Krig - Vol. 1-13 - Box

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A world history produced in 26 one-hour programmes, this series is the most comprehensive visual record ever assembled, of the conflicts and battles which shaped the last one hundred years. Archive footage, which goes back as far as 1896, is coupled with the latest full colour combat material from the GulfWars. An unparalleled collection of military and historical archives has been assembled from the USA, Japan, Britain, Germany, France, Italy and Russia, to contribute to this epic work.The latest state-of-the-art computer graphics complement this unprecedented historical collection.
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Pris 999.00,-

DVD: Et Århundrede I Krig - Vol. 1-13 - Box
Tchaikovsky: Pique Dame (The Queen of Spades) [1992]

Tchaikovsky: Pique Dame (The Queen of Spades) [1992]

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This Glyndebourne production of Pique Dame ("The Queen of Spades") received rave reviews when it appeared in 1992 due to its claustrophobic intensity and powerful acting, and these qualities help it to transfer to DVD with great success. Graham Vick's direction ensures that the story is told clearly and simply but includes a wealth of telling details: the pastoral scene from Act 2, for example, uses the boys from the opening chorus as comical sheep and the effect is enchanting. But there are much darker undertones too: Richard Hudson's slanting, angular designs produce a disorientating atmosphere which mirrors Herman's increasing mental deterioration with uncanny precision. There is a brilliant stroke of visual assonance when the Countess returns to haunt Herman and all the furniture from her death scene appears on the roof. The singing is generally good, though Yuri Marusin's voice may not be to everyone's taste; sometimes he sounds like he's shouting, and his frequent lack of vibrato produces a piercing, uncomfortable effect. Nancy Gustafson is a fine Lisa, however, and Dimitri Kharitonov (Yeletsky) is heartbreaking in the famous "Ya vas lyublyu" ("I love you") aria. For overall better singing but a more plodding production, try the 1992 Kirov recording, but for spine-tingling drama this is the one to go for. On the DVD: Pique Dame on disc has subtitles in English, German, French and Spanish. The camerawork captures the odd angularity of the designs and gives an excellent account of a fast-paced, powerful production.-- Warwick Thomson
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Pris 233.08,-

Tchaikovsky: Pique Dame (The Queen of Spades) [1992]
The Rolling Stones - Bridges To Babylon 1998

The Rolling Stones - Bridges To Babylon 1998

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Like any good brand, the Rolling Stones know to preserve the formula even when updating the package, and this long-form concert video underscores that market strategy. As with each of their tours since the early 1980s, the quartet, augmented by a discreet auxiliary of backup musicians, gives the fans new eye-candy while dishing up a familiar set list spiked with Mick Jagger's lip-smacking vocals and Keith Richards's signature guitar riffs. The visual twists are at once spectacular and conservative: a cyclopean main stage design with massive pillars (presumably the Babylonian connection), a vast oval video screen (shades of Big Brother) and a hydraulic bridge enabling a mid-concert sortie into the audience, with the Stones playing a more stripped-down, intimate set on a small satellite stage. That huge physical setting doubtless made the live shows eye-filling rock spectacles, but the video crew necessarily accepts the limitations of the small screen, focusing more on close-ups of the band, rapid cuts, and racing, hand-held tracking shots to convey excitement while keeping the viewer close to the action. The evening's repertoire sticks to the band's most familiar hits, and if the Glimmer Twins occasionally slip their masks to let the routine show, the real wonder is how effectively they keep the playing focused. During the first half of the program, the band's newest songs (especially "Saint of Me" and "Out of Control") elicit conspicuously higher energy from the band, if not the audience. But just as the show seems doomed to a certain anomie, the escape onto the smaller, no-frills stage pumps up players and crowd alike, particularly when they launch into "Like a Rolling Stone", a cover that winds up sounding like a great idea too long deferred. --Sam Sutherland
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The Rolling Stones - Bridges To Babylon 1998
Innerspace [1987]

Innerspace [1987]

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Innerspace is assured a place in the Hollywood history books as the movie which brought Dennis Quaid and Meg Ryan together as one of cinema's most famous couples. The film itself belongs among a series of feelgood fantasies presented by Steven Spielberg in the 1980s, including Back to the Future (1984) and from the same director, Joe Dante, Gremlins (1983). Innerspace offers Dante's usual mixture of comedy, exciting action and fantasy, the plot being a variation on Fantastic Voyage (1966). Test pilot Quaid is miniaturised and as a result of a bungled attempt to steal the new experimental technology, accidentally injected into the body of a deeply stressed and insecure Martin Short. Quaid is charismatic and commanding, Ryan gives an early demonstration of her patent romantic comedy persona, but it's Short's picture as he delivers a perfectly nuanced performance pitched between slapstick and paranoia. The Oscar-winning special effects enhance rather than dominate the story, which, though it gets a bit too silly in places, is generally inventive and sufficiently action packed to sustain the almost two-hour running time. Jerry Goldsmith's muscular score is a major asset, while in-joke spotters will have fun picking out everyone from Chuck Jones to William Schallert (the doctor in The Incredible Shrinking Man (1! 957)). On the DVD: Innerspace on disc has a group commentary with director Joe Dante, producer Michael Finnell, visual effects supervisor Dennis Muren and actor Kevin McCarthy. This is engaging if far from riveting. The original trailer is anamorphically enhanced and there are two perfunctory pages listing cast, crew and the film's Oscar for special effects. The original Dolby Spectral soundtrack has been remixed into Dolby Digital 5.1 and is bold, clear and powerful. The picture is presented at 1.78:1 and is a virtually flawless transfer: colours are rich, detail levels are high and the only trace of grain is in a few particularly high contrast shots.-- Gary S. Dalkin
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Pris 27.79,-

Innerspace [1987]
DVD: Jay-z And Linkin Park - Collision Course

DVD: Jay-z And Linkin Park - Collision Course

Se flere produkter fra gucca.dk
Indeholder 1 DVD og 1 CD. Two giants of contemporary music team up for the first in MTV's "Ultimate Mash-Ups" series, inspired by the bootleg trend of mixing different songs together. After performing a concert in which they blended together each other's songs, Jay and the Park went into the studio and recorded polished versions of the resulting mash-ups. With a looser, more hip-hop feel than most rap-metal, it includes the single 'Numb/Encore'. The DVD features the original concert and in-the-studio footage. CD Tracklist 1. Dirt Off Your Shoulder/Lying From You 2. Big Pimpin'/Papercut 3. Jigga What/Faint 4. Numb/Encore 5. Izzo/In The End 6. Points Of Authority/99 Problems/One Step Closer DVD Tracklist 1. Dirt Off Your Shoulder/Lying From You (live/DVD) 2. Big Pimpin'/Papercut (live/DVD) 3. Jigga What/Faint (live/DVD) 4. Numb/Encore (live/DVD) 5. Izzo/In The End (live/DVD) 6. Points Of Authority/99 Problems (live/DVD) 7. MTV Ultimate Mash Ups (studio documentary/DVD) 8. Photo Gallery (DVD)
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Pris 169.00,-

DVD: Jay-z And Linkin Park - Collision Course
Dogville

Dogville

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Disc 1:Dogville:DOGVILLE handler om den smukke Grace (Nicole Kidman) som er på flugt fra gangstere og ankommer til den lille isolerede bjergby Dogville. Med lidt hjælp og overtalelse fra byens forfatterspire Tom (Paul Bettany), tilbyder indbyggerne at skjule Grace, der til gengæld skal arbejde lidt hos alle i byen. Da polititet starter en eftersøgning af Grace, kræver alle i byen, især mændene, sig langsomt bedre og bedre betalt for den risiko det er at skjule hende. Grace erfarer på grusomste vis at den godhed hun har fundet i Dogville, må betragtes som relativ. Men Grace gemmer på en hemmelighed, der både bliver skæbnesvanger for hende selv, og ikke mindst for de gode borgere i Dogville Lars von Triers nye spillefilm, DOGVILLE, med Oscar-vinderen Nicole Kidman i hovedrollen, blev udtaget til hovedkonkurrencen i verdens mest prestigefyldte film festival i Cannes. DOGVILLE er Triers opfølger til DANCER IN THE DARK som han modtog de Gyldne Palmer for i 2000. Skuespillet er fremragende, og med en rolleliste bestående af blandt andre Nicole Kidman, Paul Bettany, Lauren Bacall, Harriet Andersson, Stellan Skarsgaard, Chloë Sevigny, Jeremy Davis, Phillip Baker Hall må forventningerne til en sådan film være høje. De bliver indfriet! Ekstra materiale:Selected commentary by Lars Von Trier & Anthony Dod Mantle.Trailer.Disc 2:Dogville Confessions (Ca. 50min.):Vinteren 2002 gik Lars von Trier, Nicole Kidman, Stellan Skarsgård rundt i en svensk lagerbygning og optog filmen 'Dogville'. Dokumentarinstruktøren Sami Seif fulgte og interviewede dem under optagelserne. Filmens medvirkende kunne også besøge de særlige 'confessionbokse' og tale frit om problemer og glæder under optagelserne.© Scope.dkEkstra materiale:Trier, Kidman & Cannes.The Dogville test.Nicole Kidman interview.Stellan Skarsgård interview.Anders Refn interview.Vibeke Windeløw interview.Lars Von trier interview.Confessions.Visual effects.Poster artwork.Press conference Trollhâttan.Press conference Cannes.Meeting the Danish press.
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Pris 198.00,-

Dogville
Dressed To Kill [1979]

Dressed To Kill [1979]

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To condemn Dressed to Kill as a Hitchcock rip-off is to miss the sheer enjoyment of Brian De Palma's delirious thriller. Homages to Hitchcock run rampant through most of De Palma's earlier films, and this one's chock-full of visual quotes, mostly cribbed from Vertigo and Psycho. But De Palma's indulgent depravity transcends simple mimicry to assume a vitality all its own. It's smothered in thickly atmospheric obsessions with sex, dread, paranoia, and voyeurism, not to mention a heavy dose of Psycho-like psychobabble about a wannabe transsexual who is compelled to slash up any attractive female who reminds him--the horror--that he's still very much a man. Angie Dickinson plays the sexually unsatisfied, forty-something wife who's the killer's first target, relaying her sexual fantasies to her psychiatrist (Michael Caine) before actually living one of them out after the film's celebrated cat-and-mouse sequence in a Manhattan art museum. The focus then switches to a murder witness (De Palma's then-girlfriend Nancy Allen) and Dickinson's grieving whiz-kid son (Keith Gordon), who attempt to solve the murder while staying one step ahead (or so they think) of the crude detective (Dennis Franz) assigned to the case. Propelled by Pino Donaggio's lush and stimulating score, De Palma's visuals provide seductive counterpoint to his brashly candid dialogue, and the plot conceals its own implausibility with morbid thrills and intoxicating suspense. If you're not laughing at De Palma's shameless audacity, you're sure to be on the edge of your seat. -- Jeff Shannon, Amazon.com
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Pris 55.68,-

Dressed To Kill [1979]
Tootsie [1982]

Tootsie [1982]

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Tootsie inevitably looks dated in some respects now, but it's still fabulous in others--the sexual politics look distinctly faded in their sniggering approach to sexual ambiguities, while the sardonic portrayal of a showbiz that loathes perfectionism is still both timely and hysterically funny. Dustin Hoffman's portrayal of Michael Dorsey is a memorable self-caricature--the man is so obsessed with the craft of acting that he refuses to sit down when playing a tomato in a commercial, and so producers run away rather than work with him. By playing Dorothy Michaels playing her soap character, Dorsey gives himself the freedom to be a bad and popular actor. He is so busy with the surface of being a woman--the voice, the hair, the frocks--and with all the bad faith of his and Dorothy's emotional lives, that he learns to relax into the pleasure of performance. This aspect of the film is far more interesting, ironic and funny than the corny New Man moralising about sexual roles that goes with it. Jessica Lange got, and earned, an Oscar for her sensitive straight woman performance as the colleague Michael falls for, and Bill Murray, Teri Garr, Geena Davis (momentarily) and Charles Durning all turn in reliable supporting roles. Sydney Pollack directs efficiently rather than inspiredly--oddly, he earns almost more credit for his well-observed performance as Michael's world-weary agent. On the DVD: The DVD is presented in crisp Dolby Digital sound and with the original theatrical visual ratio of 2.35:1; enhanced for 16:9 widescreen televisions. It is dubbed into French, German, Italian and Spanish and has subtitles in most European languages as well as Arabic, Hindi and Hebrew. The only special features are the theatrical trailer and filmographies for the leading performers and director. -- Roz Kaveney
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Tootsie [1982]
The Land Before Time [1988]

The Land Before Time [1988]

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The Land Before Time This 1988 animated feature from Don Bluth ( An American Tail) focuses on an orphaned young dinosaur, Littlefoot, who has to make his way to the paradise of the Great Valley in order to survive a plague. Along the way, he meets up with some other dinos from different species, and they all bond and travel together. On the way, they have plenty of adventures. Even with elements of suspense, this is a pretty relaxed movie that isn't in a particular hurry to roll out its story. Kids will like the originality of the concept, and the themes of friendship and cooperation are well woven into the fabric of the entertainment, plus the music is great. Bluth's artwork looks good, though--as always--he never seems to quite catch up with the quality of the Disney machine. -- Tom Keogh The Land Before Time 2 - The Great Valley Adventure Young brontosaurus Littlefoot and his pals venture out of the Great Valley into the Mysterious Beyond and encounter a T-rex and a pair of omnivores who just want to be friendly. (Gulp.) The gang learns how hard it is to be a kid on one's own in a scary place--what with landslides and ferocious "sharptooths." This first sequel to The Land Before Time mostly holds up the visual quality of Don Bluth's original, though the story is narrower and less interesting. Music by the Roches and James Horner. -- Tom Keogh
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Pris 46.45,-

The Land Before Time [1988]
Nosferatu (Definitive Fully-restored version with original score) [Masters of Cinema] [1921]

Nosferatu (Definitive Fully-restored version with original score) [Masters of Cinema] [1921]

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"Nosferatu ... the name alone can chill the blood!". F.W. Murnau's Nosferatu, released in 1922, was the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula. Nearly 80 years on, it remains among the most potent and disturbing horror films ever made. The sight of Max Schreck's hollow-eyed, cadaverous vampire rising creakily from his coffin still has the ability to chill the blood. Nor has the film dated. Murnau's elision of sex and disease lends it a surprisingly contemporary resonance. The director and his screenwriter Henrik Gaalen are true to the source material, but where most subsequent screen Draculas (whether Bela Lugosi, Christopher Lee, Frank Langella or Gary Oldman) were portrayed as cultured and aristocratic, Nosferatu is verminous and evil. (Whenever he appears, rats follow in his wake.) The film's full title-- Nosferatu, eine Symphonie des Grauens ( Nosferatu, A Symphony of Horror)--reveals something of Murnau's intentions. Supremely stylised, it differs from Robert Wiene's The Cabinet of Dr Caligari (1919) or Ernst Lubitsch's films of the period in that it was not shot entirely in the studio. Murnau went out on location in his native Westphalia. As a counterpoint to the nightmarish world inhabited by Nosferatu, he used imagery of hills, clouds, trees and mountains (it is, after all, sunlight that destroys the vampire). It's not hard to spot the similarity between the gangsters in film noir hugging doorways or creeping up staircases with the image of Schreck's diabolic Nosferatu, bathed in shadow, sidling his way toward a new victim. Heavy chiaroscuro, oblique camera angles and jarring close-ups--the devices that crank up the tension in Val Lewton horror movies and edgy, urban thrillers such as Double Indemnity and The Postman Always Rings Twice--were all to be found first in Murnau's chilling masterpiece. -- Geoffrey Macnab
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Nosferatu (Definitive Fully-restored version with original score) [Masters of Cinema] [1921]
DVD: Gia

DVD: Gia

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Vi befinder os i New York i slutningen af 70erne: Studio 54, designerjeans, stoffer og disko. En pige lever et liv i overhalingsbanen. Hun kan få enhver mand eller kvinde hun ønsker. Sex, penge, glamour, berømmelse ... alt ligger for hendes fødder. Hun kommer gående hen imod dig over dansegulvet, spankulerer lige imod dig på catwalken, betragter dig fra forsiden af et blad. Hun er en gudinde. Hun er en stjerne. Hendes navn er GIA.Da Gia Carangi (Angelina Jolie) ankommer til New York, er hun en smuk pige fra Philadelphia, der er droppet ud af skolen og hun braser uden blusel gennem de lukkede døre ind til topmodelagenten Wilhelmina Cooper (Faye Dunaway). Gias dragende personlighed og potente seksualitet finder hurtigt vej til forsiderne på Amerikas bedst sælgende blade. Men det er ikke det samme at være elsket af hele verden som at være elsket af den eneste ene en længsel, der kan føre Gia ud på dybt vand. Og når man er en smuk kvinde på verdens tinde, kan et enkelt fejltrin føre til et frygtindgydende fald.
Fragt: fra kr 19
Pris 99.00,-

DVD: Gia
War Of The Worlds - Dvd [1954]

War Of The Worlds - Dvd [1954]

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After the success of 1950's Destination Moon and 1951's When Worlds Collide, visionary producer George Pal brought the classic HG Wells story of a Martian invasion to the big screen, and it instantly became a science-fiction classic and winner of the 1953 Academy Award for Best Special Effects. It's a work of frightening imagination, with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe, the military is helpless to stop this enemy while scientists race to find an effective weapon. Gene Barry and Ann Robinson play the hero and heroine roles that were de rigueur for movies like this in the 50s, and their encounter with one of the Martians is as creepy today as it was in 1953. It finally takes an unseen threat--simple Earth bacteria--to conquer the alien invaders, but not before War of the Worlds has provided a dazzling display of impressive visual and sound effects. This is a movie for the ages, the kind of spectacle that inspired little kids such as Steven Spielberg (not to mention Roland Emmerich and Dean Devlin, whose Independence Day is a remake in all but name) and still packs a punch. -- Jeff Shannon, Amazon.com
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War Of The Worlds - Dvd [1954]
54 (Dvd)

54 (Dvd)

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Shane (Rhyan Philippe), smart, ung fyr hænger ud i New Yorks hippe fortrop i Studio 54 – før successen. Steve Rubell (Mike Myers), klubbens uforlignelige drivkraft, hyrer ham til at rydde borde, og han ender som bartenderen! Egentlig er han idiot, men han har et vindende smil og definitivt godt hår. Plus et godt øje til sin bedste vens vens kone (Salma Hayek), der vil være sanger, og indimellem kigger Neve Campbell forbi, iført et smil og solbriller, som en soap-stjerne bør. Skuespillere: Neve Campbell Salma Hayek Mike Myers Ryan Phillippe
Fragt: fra kr 29
Pris 99.95,-

54 (Dvd)
The Road To El Dorado [2000]

The Road To El Dorado [2000]

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In its third foray into animated features, The Road to El Dorado, Dreamworks came up with something unfortunate: the routine animated picture. Plagued with production problems (it was originally conceived as a mould-breaking 12-rated adventure), the likable film is a Hope/Crosby-style road picture about two scallywags who stumble upon the Latin American paradise of El Dorado, the mythical city with riches of gold. Kenneth Branagh and Kevin Kline are quite fun as Miguel and Tuilo, two Spanish con artists who are shipwrecked in the New World with a scene-stealing horse. The pair follow a map to the secret city where their loyalty will be tested: do they return home rich men or continue to live in this paradise? Of course there are some obstacles: a high priest (Armand Assante) is locked in a power struggle with the benevolent chief (Edward James Olmos) and the perfunctory girlfriend (Rosie Perez) puts the two friends at odds. Like too many of the animated features of its time, The Road to El Dorado impresses only on a visual level (it's drenched in gorgeous greens and golds). The story and Elton John's songs are quite forgettable; only Branagh and Kline's playful banter keeps the film alive. Slick and light, it's a fine 83-minute entertainment for ages 5 and up, including the non-discriminating adult. -- Doug Thomas, Amazon.com
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The Road To El Dorado [2000]
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