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Fall The Unutterable

Fall The Unutterable

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Despite his status as indie's scabrous saint, Mark E. Smith is still too full of violent life to put on a pedestal. Impervious to public acclaim or dismay, Britain's perennial musical outsider is like an antiquarian northern hawk preaching on matters profane like an impious pope. And from the string-suffused skiffle of opener "Cyber Insekt" which buries Smith's ravaged intonations deep into the mix (and counters it with disharmonious female backing vocals), it's clear that this is classic Fall--discordant, spiky, rancid and rocking like a bunch of reprobates. On "W.B.", Smith adopts the tone of another British heretic, spewing William Blake's fire and brimstone visions of Albion's salvation. "Octo Realm/Ketamine Sun" finds him scoffing at the modern dictionary of hip and comparing people to "towers of Adidas crap". On "Serum" he is backed by scattershot beats, swaggering electronics, an eerie guitar melody and a perpetual bass rumble like the flatulence of God. Despite the trance-like tin pot percussion behind it, the title track is more like a curse than a mantra, leading into "Pumpkin Soup And Mashed Potatoes" impressions of a Mancunian Sinatra swilling gin-soaked love songs to pique his appetite. Inimitable, unflappable and now Unutterable, The Fall clearly remain in a constant state of enlightened irritation. -- Chris Campion
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Fall The Unutterable
Bloodhound Gang Hooray For Boobies

Bloodhound Gang Hooray For Boobies

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LA's Bloodhound Gang revel in their juvenilia, delight in their offensiveness. Like the Beastie Boys, Carry On's Sid James and Eminem, there's nothing these bored white-trash rich kids like to do more than be smutty. And, like the Beasties and Eminem, Bloodhound Gang are clearly rather smart underneath their parent-baiting. Check out their hilariously deadpan "A Lap Dance Is So Much Better When The Stripper Is Crying" ("I never thought missing children could be so sexy. Did I say that out loud?") or the killer pay-off line in "Three Point One Four"("You know what I really want in a girl? Me!"). The music is immaculate, state-of-the-art 1999: Sugar Ray, some refined white-boy rapping and an oddly disembodied voice thrown in. The clobber is perfect: regulation Adidas. And the samples are suitably cheesy: "Rock Me Amadeus", Frankie Goes To Hollywood, and so on. This is for anyone who appreciates the thrill of behaving like a 14-year-old schoolboy. -- Everett True
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Pris 70.90,-

Bloodhound Gang Hooray For Boobies
Mansun Attack of the Grey Lantern

Mansun Attack of the Grey Lantern

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Mansun--whose records regularly go Top 10 in the UK, whose tours sell out effortlessly, but whose lead singer most people would be hard-pressed to name--are impossible to figure out; one gets the impression they prefer things that way. In successive photo shoots, they've been known to appear as safety-pinned punks, eyelinered New Romantics and Adidas-clad lads just to mess with people's perceptions, and never feature in their own videos. Led by singer Paul Draper and guitarist Dominic Chad, Mansun arrived in 1996 straight outta Chester. While their peers were worshipping at the altar of Lennon, Marriott and Weller, Mansun were name-checking such off-limits influences as Duran Duran, Talk Talk, the Associates, Simple Minds and ABC. It's this blatant disregard for indie credibility that allowed Mansun to make such an ambitious, astonishingly opulent debut album. Attack Of The Grey Lantern creates a lucid musical narcosis, a waking dream, all multi-layered guitars and spooky samples: the mewing of drowning cats, the tolling of submerged church bells, WW2 air raid sirens (smoothed and airbrushed to sound like whalesong), ghostly operatic tenors, oceanic strings, and the Fahrenheit 451 crackle of burning paper (money? books? bibles?). It's almost--whisper it--a CONCEPT album. The titular Grey Lantern is a superhero exposing the moral hypocrisy of smalltown England, as exemplified by the irresistible "Stripper Vicar", the true story of a female friend, the daughter of a church minister, who found S&M apparatus in her father's wardrobe. A fantastic debut. --Simon Price
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Pris 47.20,-

Mansun Attack of the Grey Lantern
Run DMC Raising Hell: Remastered

Run DMC Raising Hell: Remastered

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By the time Joseph (Run) Simmons, Daryl (DMC) McDaniel and Jam Master Jay (Jason Mizell) released their third album, 1986's Raising Hell, they'd already made hip-hop history by releasing the first real hip-hop album (their self-titled debut). This album eclipsed that--and then some. It's hard to imagine now the impact of Run DMC's team-up with Aerosmith for "Walk That Way"; more than revitalising the ageing rockers careers, it made the Hollis, Queens-based trio rap's first superstars and changed the way that rock, pop and rap were classified forever. The album is no one hit wonder, though--packed with classics like "It's Tricky", "Peter Piper", "You Be Illin'" and "My Adidas", it's an absolute classic. --Randy Silver
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Pris 99.43,-

Run DMC Raising Hell: Remastered
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