Søgeresultat: armani
Download: Armani & Ghost - My House / After School

Download: Armani & Ghost - My House / After School

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Download: Armani & Ghost - My House / After School
Download: Joseph Armani Pres. Corkskrew - Elbow

Download: Joseph Armani Pres. Corkskrew - Elbow

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Download: Joseph Armani Pres. Corkskrew - Elbow
Roxy Music Avalon

Roxy Music Avalon

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Hipper students of 1980s pop might like to pretend that Joy Division and The Smiths had a monopoly on melancholia, but for the older, more suave miserabilist, nothing could match the stylised desolation of Roxy Music's last album. Avalon was recorded in the wake of the band's first number one hit--a version of John Lennon's "Jealous Guy"--and although that song isn't on here, its tortured shadow looms large over "While My Heart Is Still Beating", the title track, and the unlikely Balearic anthem "More Than This". If time has been kind to Bryan Ferry's crumpled Armani chic, it hasn't exactly been vicious to his back catalogue: Avalon sounds even more sumptuous now that the CD age has caught up with Rhett Davis' pristine production. --Peter Paphides
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Roxy Music Avalon
The Kills Midnight Boom

The Kills Midnight Boom

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Jamie "Hotel" Hince might have become tabloid fodder thanks to his relationship with Kate Moss, but the third album by The Kills, his band with American vocalist Alison "VV" Mosshart, does relatively little to tidy itself up for mainstream consumption. Midnight Boom is a typically lean set of makeshift punk-blues characterised by Hince's raw, Nick Zinner-style guitar, and Alison's bad-attitude drawl: see the opening "U.R.A Fever", a beat-up call-and-response number reminiscent of Royal Trux than sees Hince and Mosshart swapping sour quips over loping bass and drum machine thud, while "Cheap and Cheerful" sees Mosshart declaring "I want you to be crazy/'Cos you're boring baby when you're straight". The presence of producer Armani XXXchange of Baltimore hip-hop outfit Spank Rock means there's a greater emphasis here on rhythm, often of a synthetic nature: "Alphabet Pony" bumps along on robust, lo-fi drum kicks and bursts of primitive electronics, while "Black Balloon" is a slow-burner that toys with layered percussion built from hand claps, scrapers, and tapped snare. The Kills still have problems with a big, memorable chorus--assuming, indeed, that was ever their intention--but Midnight Boom is all about grit and grooves, and it does that just fine. -Louis Pattison
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The Kills Midnight Boom
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