Søgeresultat: babybj rn skr stol
Bj rn Svin Mer Str m Æ 2

Bj rn Svin Mer Str m Æ 2

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Bj rn Svin Mer Str m Æ 2
Adolphson Olle En Stol På Tegner

Adolphson Olle En Stol På Tegner

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Pris 59.00,-

Adolphson Olle En Stol På Tegner
Bj rn Svin Mer Str m Æ 2

Bj rn Svin Mer Str m Æ 2

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Pris 39.95,-

Bj rn Svin Mer Str m Æ 2
Bj rn Svin Benene P$ Nakken

Bj rn Svin Benene P$ Nakken

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Pris 74.95,-

Bj rn Svin Benene P$ Nakken
Bj rn Svin Mer Str m

Bj rn Svin Mer Str m

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Bj rn Svin Mer Str m
Download: Olle Adolphson - En Stol På Tegnér

Download: Olle Adolphson - En Stol På Tegnér

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Download: Olle Adolphson - En Stol På Tegnér
Download: Marit & Irene - Stol På Gud

Download: Marit & Irene - Stol På Gud

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Download: Marit & Irene - Stol På Gud
Björn Schmelzer Ockeghem - Missa Caput

Björn Schmelzer Ockeghem - Missa Caput

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Release Date: 2006-04-03, Audio CD, Glossa
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Pris 129.67,-

Björn Schmelzer Ockeghem - Missa Caput
El órgano Stoltz-Fr�res de la iglesia San Pedro Apóstol de Bergara

El órgano Stoltz-Fr�res de la iglesia San Pedro Apóstol de Bergara

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Release Date: 2007-05-08, Audio CD, Aeolus
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Pris 143.57,-

El órgano Stoltz-Fr�res de la iglesia San Pedro Apóstol de Bergara
Esbjorn Svensson Trio (E.S.T.) Tuesday Wonderland

Esbjorn Svensson Trio (E.S.T.) Tuesday Wonderland

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E.S.T. like to play with expectations, and they begin Tuesday Wonderland as you might assume, with a spare solo piano line hinting at a delicate baroque counterpoint. It's the kind of feather-stroked chamber jazz they've been working for a few years now. But just as you settle in, crushing drums and fuzzed arco bass drop in a groove from the apocalypse. This ominous track, "Fading Maid Preludium," and its second half, "Fading Maid Postludium," frame Tuesday Wonderland, setting in bas-relief an album of careening, intuitive improvisation. E.S.T. are frighteningly varied in their technique and deep in their understanding of jazz lore. You can hear echoes of Keith Jarrett and Ahmad Jamal in pianist Esbjörn Svensson, from whom the trio take their name, but he also embraces a more modern vocabulary, hinting at Cecil Taylor while dancing gospel vamps and dropping rock power-chords. Drummer Magnus �ström can lay down the shuffling brush strokes of "The Goldhearted Miner," pour out a progressive rock fusillade, or do a ballet of polyrhythmic shadings and colors that recall the late Steve McCall. The real chameleon of the group is bassist Dan Berglund. He plays soulful, muscular double bass lines, but he also triggers a synthesizer for both subtle shading and the hellion roar heard on that opening track. E.S.T. remain a group exploring the edges of jazz improvisation, managing to be free and intuitive while also maintaining melodic and rhythmic touchstones. Tracks like "Brewery of Beggars" are multipart journeys shifting from gentle lyricism to electric storms. E.S.T. have evolved from being the most ECM-like band that wasn't on ECM into their own natural and thoroughly modern hybrid. --John Diliberto
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Esbjorn Svensson Trio (E.S.T.) Tuesday Wonderland
Arild Andersen Triangle

Arild Andersen Triangle

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The Triangle, the second ECM release from this world-class post-Bill Evans trio, is both a consolidation of and an advance on their fine 1999 debut Achirana. In particular, Tsabropolous, a classically trained musician with little if any previous exposure to jazz, has acquired a more subtle yet potent fluidity of phrasing and sensitivity of touch than he revealed on that first release: sample the beautifully weighted mood he builds and sustains on the opening "Straight" (one of the best pieces here) and Ravel's "Pavane", for example. As on the previous release, the excellent Marshall is both muscular and sensitive to requisite degree (hear his brush work on the lovely "Choral") while Andersen brings an essential dimension to the maturely conceived and characterful material through both a big, full, singing tone and a widely deployed rhythmic sensitivity (hear him kick on the driving "Lines" and caress on the limpid "Simple Thoughts"). If you'd like to explore some of the rich, essentially lyrical European terrain that lies between the trios of Keith Jarrett and Esbjörn Svensson, the 53 or so minutes of The Triangle offer as good a place as any to start. -- Michael Tucker
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Arild Andersen Triangle
E S T Tuesday Wonderland

E S T Tuesday Wonderland

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E.S.T. like to play with expectations, and they begin Tuesday Wonderland as you might assume, with a spare solo piano line hinting at a delicate baroque counterpoint. It's the kind of feather-stroked chamber jazz they've been working for a few years now. But just as you settle in, crushing drums and fuzzed arco bass drop in a groove from the apocalypse. This ominous track, "Fading Maid Preludium," and its second half, "Fading Maid Postludium," frame Tuesday Wonderland, setting in bas-relief an album of careening, intuitive improvisation. E.S.T. are frighteningly varied in their technique and deep in their understanding of jazz lore. You can hear echoes of Keith Jarrett and Ahmad Jamal in pianist Esbjörn Svensson, from whom the trio take their name, but he also embraces a more modern vocabulary, hinting at Cecil Taylor while dancing gospel vamps and dropping rock power-chords. Drummer Magnus �ström can lay down the shuffling brush strokes of "The Goldhearted Miner," pour out a progressive rock fusillade, or do a ballet of polyrhythmic shadings and colors that recall the late Steve McCall. The real chameleon of the group is bassist Dan Berglund. He plays soulful, muscular double bass lines, but he also triggers a synthesizer for both subtle shading and the hellion roar heard on that opening track. E.S.T. remain a group exploring the edges of jazz improvisation, managing to be free and intuitive while also maintaining melodic and rhythmic touchstones. Tracks like "Brewery of Beggars" are multipart journeys shifting from gentle lyricism to electric storms. E.S.T. have evolved from being the most ECM-like band that wasn't on ECM into their own natural and thoroughly modern hybrid. --John Diliberto
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Pris 138.93,-

E S T Tuesday Wonderland
Elvis Costello For the Stars

Elvis Costello For the Stars

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For the Stars is the result of a unique collaboration between songwriting legend Elvis Costello and Anne Sofie Von Otter, one of the world's leading mezzo-sopranos. Working with a host of acclaimed musicians, including Abba's Benny Andersson, Costello takes Von Otter out of the concert hall and off the opera stage, and into Stockholm's Atlantis studios, birthplace of Abba's early albums. The outcome is an hour-long disc of 18 perfectly-crafted tracks, including several new numbers penned by Costello as well as songs by the likes of Tom Waits, Benny Andersson and Björn Ulvaeus, and Lennon and McCartney. Throughout, Otter's warm and elegant voice is utterly captivating, adding a new dimension to many familiar songs (I defy anyone not to be touched by her heartbreaking rendition of "Baby Plays Around"). On the handful of tracks where both Otter and Costello sing, her controlled and refined tones contrast with--and complement--his familiar gruffness. Instrumental colour also has a vital role to play--credited instruments include: celeste, Hammond organ, accordion, marimba, flugelhorn, baritone guitar, electric five-string violin and Moog bass. In his liner note, Costello explains that many songs had to be discarded along way, so here's to For the Stars II -- Rebecca Agnew
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Pris 111.04,-

Elvis Costello For the Stars
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