Søgeresultat: eh 77p
Tom Ze Danc-Eh-Sa

Tom Ze Danc-Eh-Sa

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Audio CD, Tratore
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Pris 137.35,-

Tom Ze Danc-Eh-Sa
Shirehorses Our Kid Eh

Shirehorses Our Kid Eh

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Our Kid Eh is quite possibly the most hotly anticipated album of 2001. Forget the new releases from Radiohead and Travis--who needs them when you've got Radioshed and Dave Lee Travisty, just two of the many aliases of Britain's greatest pub rockers, Shirehorses. Probably better known for their day jobs as Radio One DJ Mark Radcliffe and his trusty sidekick The Boy Lard, by night they transform themselves into the popular beat combo beloved by dozens, the mighty 'Horse. With the top-selling bargain-bin album The Worst Shirehorses Album in the World...Ever! behind them, there's no stopping them, as they take on the finest British bands around... and lose. Highlights include "Bellow"--a tenderly shouted tribute to the Boy Lard which puts Coldplay to shame--and "Fucking Around", a song that raises a smile with the taunt "you chuffing wizened chimp". Things do go a bit flat in the middle with "Pardon?" and "Quorn Medley", but they soon pick up again with "A Roll with This". In a world of po-faced serious musicians, Our Kid, Eh? is truly refreshing and should see itself slam-dunking its way straight into the Top 10. Biddly, biddly, bong. -- Helen Marquis
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Pris 56.59,-

Shirehorses Our Kid Eh
Samo Zaen Aaref Eh

Samo Zaen Aaref Eh

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Release Date: 2007-10-09, Audio CD, EMI Arabia
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Pris 137.35,-

Samo Zaen Aaref Eh
Erykah Badu New Amerykah Part One (4th World War) - UK Edition

Erykah Badu New Amerykah Part One (4th World War) - UK Edition

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Subtitled 4th World War (when was the third, eh?), New Amerykah Part One is the first release in five years from the woman born Erica Wright. The wait was worthwhile though, as this smart, eclectic set, her fourth, adds to the grand tradition of socially conscious soul music. Literally so in the case of opener "Amerykahn Promise", spun by Badu straight over an obscure seventies funk track by Roy Ayers's protégés Ramp. "The Healer" is effectively a tribute to the power of hip hop to ground otherwise lost lives, while the deeply felt "Telephone" commemorates her friend, the late producer J Dilla (and was in fact written the day after his funeral). "The Healer" and "That Hump" deal with the damage caused by drug dependency and "Soldier" is a hard-hitting analysis of the state of Black America. None of which would count for much if the music didn't connect. Though Badu's quirks remain intact--the vocal/saxophone duet at the conclusion of the otherwise ice-cool "Me" (what else) is easily resisted--a terrific team of collaborators including idiosyncratic producers Madlib, 9th Wonder and the three man unit Sa-Ra keep New Amerykah Part One endlessly imaginative, tough, twisted beats sitting alongside softer jazz-funk grooves. The US public certainly assented, sending New Amerykah towards the top of the album charts. Only the eighties-style slow jam "Honey", charming in itself, seems at odds with the serious mood and is thus tagged on the end. The now eagerly anticipated Part Two is due later this year. --Steve Jelbert
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Erykah Badu New Amerykah Part One (4th World War) - UK Edition
Mike Oldfield Tres Lunas: +CD-Rom

Mike Oldfield Tres Lunas: +CD-Rom

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Tr3s Lunas, eh? Ever wondered what it must be like to live on a strange faraway planet orbited by three moons? Thought not. However, this is the very same question asked (and answered) by the dependably adaptable and not-mad-really multi-instrumentalist Mike Oldfield on the title track of this, his 22nd album. This kind of New Age mumbo-jumbo not withstanding, Tr3s Lunas is a perfectly pleasant record. Conceived at a favourite restaurant during a recuperative sojourn in the haste-sapping sunshine of Ibiza, Tr3s Lunas is Oldfield's self-confessed "chill out" album. Given the it's unhurried pace, emphasis on creamy guitar lines and shimmering atmospherics together with--thematically speaking--some contented personal reflections on the joys of a non-materalistic lifestyle, it couldn't be any more "chilled out" if it came with an advisory sticker cautioning against listening to it whilst operating machinery. Not a man much given to the daily hurly-burly and cut-and-thrust of today's shop-'til-you-drop society, Oldfield prefers his own company, be it wandering alone in a desert (on the Spanish flavoured "No Man's Land") or browsing the tombstones in Venetian graveyards ("Daydream") whilst the beauty of horses, insects and turtles are similarly addressed in an atmosphere of tranquil instrumental wonderment. The interactive element of the CD, namely "MusicVR Tr3s Lunas Game", is billed as a "non-violent" musical adventure through deserts and cities, meeting cats, dolphins and scorpions along the way. Bloodlusting, Playstation-fingering thrill-seekers may find its pleasantness hugely off-putting. --Kevin Maidment
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Pris 75.64,-

Mike Oldfield Tres Lunas: +CD-Rom
Erykah Badu New Amerykah Part One: 4th Wor [VINYL]

Erykah Badu New Amerykah Part One: 4th Wor [VINYL]

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Subtitled 4th World War (when was the third, eh?), New Amerykah Part One is the first release in five years from the woman born Erica Wright. The wait was worthwhile though, as this smart, eclectic set, her fourth, adds to the grand tradition of socially conscious soul music. Literally so in the case of opener "Amerykahn Promise", spun by Badu straight over an obscure seventies funk track by Roy Ayers's protégés Ramp. "The Healer" is effectively a tribute to the power of hip hop to ground otherwise lost lives, while the deeply felt "Telephone" commemorates her friend, the late producer J Dilla (and was in fact written the day after his funeral). "The Healer" and "That Hump" deal with the damage caused by drug dependency and "Soldier" is a hard-hitting analysis of the state of Black America. None of which would count for much if the music didn't connect. Though Badu's quirks remain intact--the vocal/saxophone duet at the conclusion of the otherwise ice-cool "Me" (what else) is easily resisted--a terrific team of collaborators including idiosyncratic producers Madlib, 9th Wonder and the three man unit Sa-Ra keep New Amerykah Part One endlessly imaginative, tough, twisted beats sitting alongside softer jazz-funk grooves. The US public certainly assented, sending New Amerykah towards the top of the album charts. Only the eighties-style slow jam "Honey", charming in itself, seems at odds with the serious mood and is thus tagged on the end. The now eagerly anticipated Part Two is due later this year. --Steve Jelbert
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Pris 203.70,-

Erykah Badu New Amerykah Part One: 4th Wor [VINYL]
Engelbert Humperdinck The Winding Road (Bonus Track) [Us Import]

Engelbert Humperdinck The Winding Road (Bonus Track) [Us Import]

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Release Date: 2007-09-25, Audio CD, Eh
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Pris 194.22,-

Engelbert Humperdinck The Winding Road (Bonus Track) [Us Import]
Tom Lehrer An Evening Wasted (Us Import)

Tom Lehrer An Evening Wasted (Us Import)

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"If, after hearing my songs," Lehrer says in this disc's liner notes, "just one human being is inspired to say something nasty to a friend, or perhaps strike a loved one, it will all have been worth the while." Makes him sound like a modern punk, eh? Not so, though. Lehrer, ever the king of jolly vitriol, recorded these still potent parodies in the 1950s--and the best of them, "Poisoning Pigeons in the Park", "The Masochism Tango", and "The Elements" (which joins science with Gilbert & Sullivan) remain both nasty and striking. Musically, Lehrer comes across like a demented Cole Porter, wrapping sophisticated, showy tunes around his acerbic jokes. Lyrically, he's a clear forebear to folks like Phil Ochs and Barry Crimmins, who also cloak their commentary in comedy. --Michael Ruby
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Pris 118.30,-

Tom Lehrer An Evening Wasted (Us Import)
Roger Waters Amused to Death

Roger Waters Amused to Death

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Perfectly titled--conveying both its maker's mordant humour, and his underlying pessimism--Waters' third solo album allowed a faint but perceptible return to the sound of his estranged former band, Pink Floyd: there are moments here ("What God Wants", "Three Wishes") which recall nothing so much as the densely textured sound of Animals and The Wall. And like those works, this is a concept album--the concept (as ever with Waters) being how staggeringly and comprehesively crap modern life is. Fair enough, but as usual, his satire is blunt, and the targets of his scorn crashingly obvious. (So, war is bad, eh? And television saps the mind? And fast food is less than exactly nutritious? Well, blow me down.) Former Eagle Don Henley duets on "Watching TV", while Jeff Beck contributes taut, lyrical solos to a number of tracks, notably "It's A Miracle". Waters' voice, however, remains the same: a weary whisper, positively dripping with contempt. -- Andrew McGuire
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Roger Waters Amused to Death
Tortoise Standards

Tortoise Standards

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The fulcrum of Chicago's underground musical scene, Tortoise pretty much are the group responsible for plotting the blueprint of what's commonly--if vaguely--referred to as post-rock. Certainly, they are an outfit who, since their inception, have remained in a constant state of flux, their ever-shifting line-up reflecting a constantly mutating musical ethos. Where 1996's Millions Now Living Will Never Die largely comprised of maudlin guitar-bass-and-drums instrumentals and 1998's TNT embraced the modern electronic studio as the group's primary instrument, the lofty aim of Standards is to unite both approaches under a pioneering banner: analogue and digital technology used as complementary forces. Sounds thrilling, eh? Well, probably not, unless you puzzle over circuit boards of an evening in. But forget, just for a minute, Tortoise's pseudo-intellectual reputation and just listen to the sounds. It's somewhat appropriate that Standards is the group's debut for adventurous British techno label Warp; this is Tortoise's least categorisable album yet--a kaleidoscope of sound, where Miles Davis glides serenely past Autechre, each individual instrument melding into a hypnotic fog, and then swiftly congealing into sudden, breathtaking movements: the sudden, florid bloom of xylophone from the casual swing of "Benway", or the rumble of warm saxophone, shaking up the electronic foundations of "Monica". Still flying the flag for the experimental vanguard, this might just be Tortoise's greatest album yet. -- Louis Pattison
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Pris 66.16,-

Tortoise Standards
Tortoise Standards [VINYL]

Tortoise Standards [VINYL]

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The fulcrum of Chicago's underground musical scene, Tortoise pretty much are the group responsible for plotting the blueprint of what's commonly--if vaguely--referred to as post-rock. Certainly, they are an outfit who, since their inception, have remained in a constant state of flux, their ever-shifting line-up reflecting a constantly mutating musical ethos. Where 1996's Millions Now Living Will Never Die largely comprised of maudlin guitar-bass-and-drums instrumentals and 1998's TNT embraced the modern electronic studio as the group's primary instrument, the lofty aim of Standards is to unite both approaches under a pioneering banner: analogue and digital technology used as complementary forces. Sounds thrilling, eh? Well, probably not, unless you puzzle over circuit boards of an evening in. But forget, just for a minute, Tortoise's pseudo-intellectual reputation and just listen to the sounds. It's somewhat appropriate that Standards is the group's debut for adventurous British techno label Warp; this is Tortoise's least categorisable album yet--a kaleidoscope of sound, where Miles Davis glides serenely past Autechre, each individual instrument melding into a hypnotic fog, and then swiftly congealing into sudden, breathtaking movements: the sudden, florid bloom of xylophone from the casual swing of "Benway", or the rumble of warm saxophone, shaking up the electronic foundations of "Monica". Still flying the flag for the experimental vanguard, this might just be Tortoise's greatest album yet. -- Louis Pattison
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Pris 123.13,-

Tortoise Standards [VINYL]
Lady Saw The Best of Lady Saw

Lady Saw The Best of Lady Saw

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This roundup of 19--count 'em--mega boomshots demonstrates unequivocably that Lady Saw is not just reggae's most gifted female. She belongs to a genderless, genreless elite whose recording and performing skill and chemistry transcends musical and cultural divides. Picking out highlights is nearly impossible, but to name a few, "If Him Lef," "Good Wuk," "It's Raining," and "Eh-Em" present Saw at her most gloriously bawdy and satirical. Yet her most awesome feat just might be navigating the Scylla and Charybdis of reggae's testosterone-saturated dancehalls and "uptown" Jamaica's "little old lady in the Cotswolds" prudery to arrive intact at favored status for hardcore and culture reggae fans alike. "Best of" signals loud and clear that this inheritor of twin legacies--the storytelling Caribbean women-warrior and the laser-tongued comic beauty--is poised to take over arenas beyond reggae. -- Elena Oumano
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Lady Saw The Best of Lady Saw
One Republic Dreaming Out Loud

One Republic Dreaming Out Loud

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If, like most of the pop-listening public, you heard Timbaland's chart-topping remix of OneRepublic's single "Apologize" before you heard the original, you may be mildly confused about what kind of music the band makes. Timabaland's signature electronic swizzles and "eh-eh-eh"s leave the impression that OneRepublic is a style-heavy outfit a la Maroon 5, but frontman Ryan Tedder's plaintive words and woebegone themes don't fall far from forerunners Keane, Coldplay, and the Fray. Dreaming out Loud chisels away at the dichotomy. "Apologize", stripped of its swizzles, is a gorgeous modern rock song made all the more gorgeous by the urgency in Tedder's striking, unscuffed voice, and a lot of the songs on this record stack up similarly. Which is to say that, although tracks like "Tyrant" and opener "Say (All I Need)" wrap themselves around some seriously stylish production, substance is really this band's thing. A piano played by turns ferociously and tenderly drives the point home, and so do some choice lyrics; if you are inclined to choke up at feelings laid bare, check out "Goodbye, Apathy" and "Come Home" at your own risk. --Tammy La Gorce
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One Republic Dreaming Out Loud
Ivor Biggun The Fruity Bits of Ivor Biggun

Ivor Biggun The Fruity Bits of Ivor Biggun

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Who'd have thought it, eh? All those years that Doc Cox was wowing millions of That's Life viewers with his witty ditties and novelty tank tops, he was leading a secret double life as Ivor Biggun, smutty king of the double entendre. Effortlessly straddling the gulf between all-out filth like The Macc Lads and cheesy comedy like The Barron Knights, Ivor Biggun specialises in end-of-the-pier-saucy-postcard-ooer-missus-where's-my-trousers-more-tea-vicar comedy. It's not witty or clever, but it does have a certain charm, plus there's something inherently funny in Esther Rantzen's former right-hand man repeatedly shouting, "I'm a wanker". After hearing this, I doubt she'll ever want to go anywhere near his right hand again. --Helen Marquis
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Ivor Biggun The Fruity Bits of Ivor Biggun
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