Søgeresultat: gatineau hudpleje produkter peeling
Leahy Live From Gatineau, Quebec

Leahy Live From Gatineau, Quebec

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Release Date: 2006-10-03, Audio CD, Foreign Media Music
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Pris 126.64,-

Leahy Live From Gatineau, Quebec
Proud Mary Love and Light [Digipack]

Proud Mary Love and Light [Digipack]

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Former protégés of Noel Gallagher, Proud Mary came and went with one rather dull album, little fanfare and fewer record sales. Or so we thought. Enter Love & Light, the album that not many folk would have considered possible. And, even better than that; it's awesome. Peeling the band down to its nucleus of gravel-throated singer Greg Griffin and songwriter/guitarist Paul Newsome (along with the late addition of ex-Smiths bassist Andy Rourke) seems to have done the band some good as their previously scorned West Coast via Manchester Shipping Canal sound has become spacious and airy. Songs now employ finesse--sprightly acoustics and tight Crosby, Stills & Nash-style harmonies are welcome touches--where there was previously bluster, and occasional Zep/Stones funk pops up (most explicitly on "Blues"), though the melancholy spirit of latest single "Mexico" is certainly prevalent through out the album. The whole brew adds up to create a consistently excellent album, with the highlights being the anthemic Stephen Stills-alike productions of "Lady of the Country" and Neil Young-ish "Mundane Morning". This album is sure to delight fans of the first album who have willed them to return stronger, and will doubtless pick them up some new devotees along the way. --Thom Allott
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Pris 121.95,-

Proud Mary Love and Light [Digipack]
Kills No Wow

Kills No Wow

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Born out of a transatlantic writing partnership that saw Alison Mosshart and Jamie Hince - aka VV and Hotel - exchange tapes via airmail, it perhaps makes sense that The Kills should be a thing of meticulous care and economy. Second album No Wow is perhaps even more stripped and lean than its predecessor, 2003's Keep On Your Mean Side, peeling back the skin on tracks like "Dead Road 7" and "At The Back Of The Shell" to reveal little more than the propulsive hiss of a drum machine, the looming, shark-like presence of Hotel's fuzzed-out guitar, and the pair's drawled, alley-cat vocals. Sonically, there's clear comparisons to be drawn to PJ Harvey's 2004 album, Uh Huh Her: both trawl through the waters of doomed romance and pitch-black blues, both are aware that sometimes less is more. And although some rock fans may prefer a little more meat on their musical bones, as a daring experiment to strip the genre down to its bleached skeleton, No Wow succeeds just fine. --Louis Pattison
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Pris 93.78,-

Kills No Wow
Proud Mary Love and Light

Proud Mary Love and Light

Se flere produkter fra Amazon
Former protégés of Noel Gallagher, Proud Mary came and went with one rather dull album, little fanfare and fewer record sales. Or so we thought. Enter Love & Light, the album that not many folk would have considered possible. And, even better than that; it's awesome. Peeling the band down to its nucleus of gravel-throated singer Greg Griffin and songwriter/guitarist Paul Newsome (along with the late addition of ex-Smiths bassist Andy Rourke) seems to have done the band some good as their previously scorned West Coast via Manchester Shipping Canal sound has become spacious and airy. Songs now employ finesse--sprightly acoustics and tight Crosby, Stills & Nash-style harmonies are welcome touches--where there was previously bluster, and occasional Zep/Stones funk pops up (most explicitly on "Blues"), though the melancholy spirit of latest single "Mexico" is certainly prevalent through out the album. The whole brew adds up to create a consistently excellent album, with the highlights being the anthemic Stephen Stills-alike productions of "Lady of the Country" and Neil Young-ish "Mundane Morning". This album is sure to delight fans of the first album who have willed them to return stronger, and will doubtless pick them up some new devotees along the way. --Thom Allott
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Pris 93.69,-

Proud Mary Love and Light
Company Flow Little Johnny from the Hospital

Company Flow Little Johnny from the Hospital

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If Company Flow's instrumental album Little Johnny from the Hospital: Breaks and Instrumentals, Vol.I is musical wallpaper then it's of the peeling, stained and cockroach-ridden variety. Opening with a track that tells the story of a little girl shooting a man who is trying to molest her ("Suzy Pulled a Pistol on Henry"), Little Johnny plays less like hip-hop than the soundtrack to some weird sci-fi horror film as performed by Pete Rock or The Wiseguys on a bad comedown. Unintelligible alien voices gibber and moan over skipping, stuttering beats; distorted, off-key samples struggle to keep time and deranged rock guitars roar over squealing horns and organs. The creeping paranoia of early tracks "Be Aware" and "Workers Needed" quickly gives way to the manic, insectoid madness of "Giga Pet Epiphany" and "Worker Ant Uprise" before careering towards the screaming mental-breakdown conclusion of "Happy Happy Kill Kill". Content and subject matter that can only be classified as "difficult listening" might be off-putting, but repeated listening is rewarded with appreciation of an album that is unique, multi-layered and above all, deliriously catchy. Listen, but listen with the lights on. -- Paul Philpott
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Pris 121.95,-

Company Flow Little Johnny from the Hospital
Company Flow Little Johnny from the Hospital [VINYL]

Company Flow Little Johnny from the Hospital [VINYL]

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If Company Flow's instrumental album Little Johnny from the Hospital: Breaks and Instrumentals, Vol.I is musical wallpaper then it's of the peeling, stained and cockroach-ridden variety. Opening with a track that tells the story of a little girl shooting a man who is trying to molest her ("Suzy Pulled a Pistol on Henry"), Little Johnny plays less like hip-hop than the soundtrack to some weird sci-fi horror film as performed by Pete Rock or The Wiseguys on a bad comedown. Unintelligible alien voices gibber and moan over skipping, stuttering beats; distorted, off-key samples struggle to keep time and deranged rock guitars roar over squealing horns and organs. The creeping paranoia of early tracks "Be Aware" and "Workers Needed" quickly gives way to the manic, insectoid madness of "Giga Pet Epiphany" and "Worker Ant Uprise" before careering towards the screaming mental-breakdown conclusion of "Happy Happy Kill Kill". Content and subject matter that can only be classified as "difficult listening" might be off-putting, but repeated listening is rewarded with appreciation of an album that is unique, multi-layered and above all, deliriously catchy. Listen, but listen with the lights on. -- Paul Philpott
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Pris 150.11,-

Company Flow Little Johnny from the Hospital [VINYL]
INXS Switch

INXS Switch

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Switch, INXS's first release since re-fashioning itself as a prime-time reality show spectacle, could earn somebody an A in sociology. A poll of inter-generational hipsters is bound to show that the degree to which you like it correlates directly to your age. The over-30 crowd--those who once shimmied to the late Michael Hutchence's hugely sexy vocal turns on hits such as "Need You Tonight" and "What You Need"--might have a hard time dissing it, mainly because J.D. Fortune succeeds so unswervingly at imitating him. On the other hand... there it is: imitation doesn't always sit well with the generation that recently ripped into Paul Rodgers for parading around stages as Freddie Mercury, and as much as 30-something rock sophisticates will want to relive INXS's heyday, they'll do so suspiciously without Hutchence at the helm. Younger fans, on the other hand--the ones that discovered the band on reality TV--can enjoy J.D. Fortune and co. without reservation, and they will love this disc best. For them, "Devil's Party" (reminiscent of "Original Sin") will arrive without reference, thereby making near-impossible funk-rock coolness seem new. Ditto that effect on "Pretty Vegas," a vampy number co-written by Fortune that owes its guitar riff to "Devil Inside." "Like It or Not" and "Hot Girls," two other standouts, also go a long way toward peeling away the poser tag Hutchence fans may want to affix to Fortune, but may not entirely remove it. For some fans, Hutchence's "Never Tear Us Apart" plea is a personal thing. --Tammy La Gorce
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Pris 84.30,-

INXS Switch
Rancid Rancid

Rancid Rancid

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Critics love to throw mud at Rancid. After all, they say, Rancid have sold out; Rancid aren't punk enough; Rancid don't stand for anything; Rancid can't play and they certainly can't sing; Rancid rip off the Clash at every turn, etc. While Rancid have certainly wrestled with all of these catcalls, one high-volume spin of Rancid is more than enough to convince even the most self-righteous punk that the pride of the Bay Area are back with a ragged vengeance. Gone are the reggae, ska, and dub experiments of Life Won't Wait: in their place is a furious attack of guitars, yelling, and more guitars. From its cover to the mostly illegible lyric sheet and on to the chaos inside, Rancid is paint-peeling punk rock of the highest order. Most of the 22 songs on this recording clock in at well under two minutes, and there are absolutely no ballads. Guitars are driven to within inches of meltdown, the bass careens just barely in control and vocals are delivered with raging conviction and sometimes even a touch of melody. No, the notes aren't always right, and nothing here is presented with polish or precision, but what Rancid might lack in virtuoso technique they more than make up for in intensity. Songs like "Antennas" and "It's Quite Alright" are lean, tough, and gritty. This recording never lets up, never takes a breath, and never compromises. That's punk. --S Duda
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Pris 84.30,-

Rancid Rancid
Company Flow Little Johnny From The Hospital

Company Flow Little Johnny From The Hospital

Se flere produkter fra Amazon
If Company Flow's instrumental album Little Johnny from the Hospital: Breaks and Instrumentals, Vol.I is musical wallpaper then it's of the peeling, stained and cockroach-ridden variety. Opening with a track that tells the story of a little girl shooting a man who is trying to molest her ("Suzy Pulled a Pistol on Henry"), Little Johnny plays less like hip-hop than the soundtrack to some weird sci-fi horror film as performed by Pete Rock or The Wiseguys on a bad comedown. Unintelligible alien voices gibber and moan over skipping, stuttering beats; distorted, off-key samples struggle to keep time and deranged rock guitars roar over squealing horns and organs. The creeping paranoia of early tracks "Be Aware" and "Workers Needed" quickly gives way to the manic, insectoid madness of "Giga Pet Epiphany" and "Worker Ant Uprise" before careering towards the screaming mental-breakdown conclusion of "Happy Happy Kill Kill". Content and subject matter that can only be classified as "difficult listening" might be off-putting, but repeated listening is rewarded with appreciation of an album that is unique, multi-layered and above all, deliriously catchy. Listen, but listen with the lights on. -- Paul Philpott
Fragt: Ukendt!
Pris 121.95,-

Company Flow Little Johnny From The Hospital
Kills No Wow [CD + DVD]

Kills No Wow [CD + DVD]

Se flere produkter fra Amazon
Born out of a transatlantic writing partnership that saw Alison Mosshart and Jamie Hince - aka VV and Hotel - exchange tapes via airmail, it perhaps makes sense that The Kills should be a thing of meticulous care and economy. Second album No Wow is perhaps even more stripped and lean than its predecessor, 2003's Keep On Your Mean Side, peeling back the skin on tracks like "Dead Road 7" and "At The Back Of The Shell" to reveal little more than the propulsive hiss of a drum machine, the looming, shark-like presence of Hotel's fuzzed-out guitar, and the pair's drawled, alley-cat vocals. Sonically, there's clear comparisons to be drawn to PJ Harvey's 2004 album, Uh Huh Her: both trawl through the waters of doomed romance and pitch-black blues, both are aware that sometimes less is more. And although some rock fans may prefer a little more meat on their musical bones, as a daring experiment to strip the genre down to its bleached skeleton, No Wow succeeds just fine. This is the Limited Edition version. --Louis Pattison
Fragt: Ukendt!
Pris 121.95,-

Kills No Wow [CD + DVD]
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