Sřgeresultat: masculine
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Various Artists Masculine Women & Feminine MenSe flere produkter fra AmazonRelease Date: 1995-05-30, Audio CD, Flapper Fragt: Ukendt! |
Pris 94.48,-
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![Zach Hill and the Holy Smokes Masculine Drugs [Includes Book]](http://img.kelkoo.com/dk/small/126/351/99389053725614964272820533768841351126.jpg) |
Zach Hill and the Holy Smokes Masculine Drugs [Includes Book]Se flere produkter fra AmazonRelease Date: 2004-09-20, Audio CD, Suicide Squeeze Fragt: Ukendt! |
Pris 141.76,-
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No Doubt Tragic KingdomSe flere produkter fra AmazonThere have been more baffling occurrences than the late-1990s ska revivial in the US--but not many. Yet somehow, this distinctly British movement--arising specifically out of the country's polarised racial dynamic--managed to cross over, finding an eager audience among suburban American teens, most of whom viewed it less as a social determinant, than as a stylistic outcrop of skate-punk and hardcore. Fronted by platinum-blonde Gwen Stefani, No Doubt defied the genre's traditionally masculine archetype, just as their sound--part Two-Tone, part Blondie--hinted at broader commercial ambitions. The supremely annoying "Just A Girl" might have bought them to mainstream attention, showcasing Stefani's little-girl delivery, but it was their subsequent singles--"Don't Speak", a melodramatic power-ballad, and the bouncy, irrepressible "Sunday Morning"--which really proved their mettle, even as their new-found success alienated many long-time fans. -- Andrew McGuire Fragt: Ukendt! |
Pris 28.18,-
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Trio Mediaeval Words of the AngelSe flere produkter fra AmazonFormed in 1997, Trio Mediaeval from Norway follows in the footsteps of American ensemble Anonymous 4, demonstrating with Words of the Angel that medieval church repertoire need not be the preserve of male singers. And there is some quite ravishing singing here. The main thread running through the album is the 13th/14th century Tournai Mass rediscovered in the 19th century. Just occasionally you might miss a certain masculine sonority, but that's the most minor of quibbles set against such accomplished and painstaking performances. The Mass's generally spare lines are set against more florid and sensuous English sacred repertoire and a selection of monophonic music from Cortona, which offers the chance to hear each singer's solo qualities--Anna Maria Friman makes a heavenly, knee-trembling impression in "Venite a laudere". Also included is Ivan Moody's Words of the Angel, written in 1998 as a miniature showcase for the Trio Mediaeval's remarkable virtuosity. Overall, the ensemble's sound is more robust than the thin tones that occasionally, regrettably pass as "authentic", but it never becomes overblown. One gain here is in the ringing timbre at the top of the range--quite mind-blowing at times (just wait for that moment in "Benedicta es celorum"). -- Andrew Green Fragt: Ukendt! |
Pris 122.85,-
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Black Mountain In the FutureSe flere produkter fra AmazonIt's a funny old title, for a band that hark so clearly back to the thatch-shaking glory days of `70s rock--but for all their aesthetic groundings in the music of the past, it's pleasing to report that on second album In the Future, Vancouver's Black Mountain most certainly sound like a band chasing no-one's dream but their own. Within, you'll find musky, masculine rock with something of the technical proficiency and seismic grooves of Led Zeppelin, grandiose swathes of vintage synthesiser, jaded rock lullabies, and in the shape of "Bright Lights", a 17 minute song in several movements that travels from snaking, raga-like like beginnings to a solo-strewn thrash by way of one lengthy mid-section of funereal organ and a couple of bouts of blazing, horizon-chasing rock boogie. Newcomers tempted in by the presence of "Stay Free", Black Mountain's desolate cactus-soul contribution to the Spiderman III soundtrack, might at first be alarmed by In the Future's instinct for exploring rock's more cosmic reaches. But two songs lead by sultry-voiced bassist Amber Webber, "Queens Will Play" and the closing, valedictory "Night Walks", offer melodic gems amongst the hairy, progressive jams--a reminder that up the Black Mountain, it pays to take the rough with the smooth. --Louis Pattison Fragt: Ukendt! |
Pris 75.47,-
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Bartók/Eötvós/Kurtág: Viola WorksSe flere produkter fra AmazonKim Kashkashian's interpretation of three Hungarian composers' works for viola is peerless. The viola is a perplexing, complex instrument that always seems out of time, almost out of place with the modern repertory. But the melancholy and directness of the instrument, especially in the hands of such an accomplished performer as Kashkashian, make for a listening experience that is profoundly contemporary. Bartók's Concerto for Viola and Orchestra was one of the last pieces the composer wrote. In a sense unfinished, fragmentary (Griffiths, in his liner notes, says the piece is "partial, imminent, not yet arrived"), the work is balanced by Eötvös' Replica, written especially for Kashkashian and recorded here for the first time. Kurtág's Movement, his graduation exercise presented to the Liszt Academy in Budapest in 1954, has a clear Bartókian hue but also shows the influence of Brahms and Haydn. While it is a youthful work it is no minor piece and, especially in the context of Kurtág's usual miniatures, is a fascinating listening experience. Eötvös shows himself to be a wonderful director, drawing from Kashkashian a precision and subtlety that the masculine viola sometimes lacks, while encouraging the Netherlands Radio Chamber Orchestra to support the fullest exploration of the pieces in hand. This is a remarkable, beautiful and haunting recording. -- Mark Thwaite Fragt: Ukendt! |
Pris 122.85,-
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Dowland: Lachrimae/Byrd: Consort Music and SongsSe flere produkter fra AmazonThe counter-tenor Michael Chance, the lutenist Christopher Wilson and the consort of viols Fretwork present the most exquisite of double albums. These recordings were made in 1989 and 1987 respectively, but that hardly matters as the music was written 400 years ago. The composers are the doleful John Dowland and the sweet-voiced William Byrd , the so-called "Father of English Music". Chance's half dozen songs are spread out among the instrumental pieces on the first disc. Four are by Byrd including the beautiful lullaby "My Sweet Little Baby" and the haunting memorial to his friend and mentor, "Ye Sacred Muses", with the sighing refrain "Tallis is dead and music dies"; and two are by Dowland: "Lasso Mia Vita Mi Fa Morire" and "Goe Nightly Cares", although some of the consort pieces are instrumental forms of his ayres. Indeed, most of the second disc is given to variations on Dowland's greatest hit Lachrimae. Chance's singing is cool, softly masculine, enunciated with appreciation of the poetry (alas no lyrics are included), and infused with Elizabethan melancholy. Wilson touches the lute with fleshy brilliance, never overdoing the ornaments and never hiding behind the viols whose sandpaper tone revives this musical golden age much more vividly than violins ever can. -- Rick Jones Fragt: Ukendt! |
Pris 56.46,-
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