Søgeresultat: melton
Melton, James Hist. Recordings 1945-1949

Melton, James Hist. Recordings 1945-1949

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Melton, James Hist. Recordings 1945-1949
James Melton James Melton - Recital

James Melton James Melton - Recital

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Release Date: 2007-11-19, Audio CD, Preiser
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James Melton James Melton - Recital
James Melton Souvenirs: 23 Original Mono Recordings 1927-1951

James Melton Souvenirs: 23 Original Mono Recordings 1927-1951

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Release Date: 2006-03-06, Audio CD, Living Era
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Pris 74.06,-

James Melton Souvenirs: 23 Original Mono Recordings 1927-1951
Rich Hopkins & Barry Melton Duel in the Desert

Rich Hopkins & Barry Melton Duel in the Desert

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Audio CD, Taxim
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Pris 134.30,-

Rich Hopkins & Barry Melton Duel in the Desert
Jesse Sykes Like, Love, Lust & the Open Halls of the Soul [VINYL]

Jesse Sykes Like, Love, Lust & the Open Halls of the Soul [VINYL]

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Jesse Sykes is hard to pin down--and that's a good thing indeed. She overlaps with current trends, but is completely her own artist. There are elements of alt-country, psych-folk, and singer-songwriter-troubadour, but also others that add alluring breadth to her sound, most notably in the band's penchant for drawing upon the best aspects of Haight-Ashbury ballroom sonics. "How Will We Know" swirls and builds with guitar tones that evoke John Cippolina (Quicksilver Messenger Service) and Barry Melton (Country Joe & the Fish). Sykes has taken those sounds (which were often the best part of the era's rather feeble cowboy machismo) and added finesse, poetics, and a woman's vantage point. Her lyrics are rife with cold winds and loneliness, but never without hope, even if that element is handled by the warm glow of the music. The band is a sympathetically balanced entity with supple power and grace. They move between loud and soft without the now cliched extreme dramatics originally pioneered by the Pixies--another example of Sykes eschewing trends and forging her own path. --David Greenberger
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Jesse Sykes Like, Love, Lust & the Open Halls of the Soul [VINYL]
Jesse Sykes Like Love Lust and the Open Halls of the Soul

Jesse Sykes Like Love Lust and the Open Halls of the Soul

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Jesse Sykes is hard to pin down--and that's a good thing indeed. She overlaps with current trends, but is completely her own artist. There are elements of alt-country, psych-folk, and singer-songwriter-troubadour, but also others that add alluring breadth to her sound, most notably in the band's penchant for drawing upon the best aspects of Haight-Ashbury ballroom sonics. "How Will We Know" swirls and builds with guitar tones that evoke John Cippolina (Quicksilver Messenger Service) and Barry Melton (Country Joe & the Fish). Sykes has taken those sounds (which were often the best part of the era's rather feeble cowboy machismo) and added finesse, poetics, and a woman's vantage point. Her lyrics are rife with cold winds and loneliness, but never without hope, even if that element is handled by the warm glow of the music. The band is a sympathetically balanced entity with supple power and grace. They move between loud and soft without the now cliched extreme dramatics originally pioneered by the Pixies--another example of Sykes eschewing trends and forging her own path. --David Greenberger
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Jesse Sykes Like Love Lust and the Open Halls of the Soul
Jesse Sykes/Sweet Hereafter Like, Love, Lust and the Open Halls [Australian Import]

Jesse Sykes/Sweet Hereafter Like, Love, Lust and the Open Halls [Australian Import]

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Jesse Sykes is hard to pin down--and that's a good thing indeed. She overlaps with current trends, but is completely her own artist. There are elements of alt-country, psych-folk, and singer-songwriter-troubadour, but also others that add alluring breadth to her sound, most notably in the band's penchant for drawing upon the best aspects of Haight-Ashbury ballroom sonics. "How Will We Know" swirls and builds with guitar tones that evoke John Cippolina (Quicksilver Messenger Service) and Barry Melton (Country Joe & the Fish). Sykes has taken those sounds (which were often the best part of the era's rather feeble cowboy machismo) and added finesse, poetics, and a woman's vantage point. Her lyrics are rife with cold winds and loneliness, but never without hope, even if that element is handled by the warm glow of the music. The band is a sympathetically balanced entity with supple power and grace. They move between loud and soft without the now cliched extreme dramatics originally pioneered by the Pixies--another example of Sykes eschewing trends and forging her own path. --David Greenberger
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Pris 176.01,-

Jesse Sykes/Sweet Hereafter Like, Love, Lust and the Open Halls [Australian Import]
Country Joe McDonald Electric Music for the Mind and Body

Country Joe McDonald Electric Music for the Mind and Body

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Given their origins, both geographically (San Francisco) and stylistically (founder Joe McDonald and lead guitarist Barry Melton first hooked up in a jug band), it wasn't surprising that the ragtag Fish sounded like an acid-soaked, plugged-in folk band when they debuted in '67. Simultaneously the most political and funniest of all the Northern California bands, the Fish's yippie-hippie philosophy was reflected in songs like "Superbird" (about Lyndon Johnson), "Flying High" (about getting you-know-what), and the bluesy free love saga, "Not So Sweet Martha Lorraine." That they could periodically wax serious as well (the wide-angled instrumental "Section Forty Three" and the moody "Bass Strings") only added more bite to their satiric pungency. --Billy Altman
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Country Joe McDonald Electric Music for the Mind and Body
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