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Morrissey You Are The Quarry [Deluxe Edition]

Morrissey You Are The Quarry [Deluxe Edition]

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It's been a long while coming and the world is a very different place, but there's something remarkably timely about You Are the Quarry, the album that marks the return of Manchester's most famous miserablist to the pop arena. And be assured, this biting, lyrically ambiguous collection of songs is pop through and through, albeit pop with its heart on hold and its loins full of unrequited lust. "America" is typical Morrissey vitriol, a big, contentious opener that slams you in the jaw with a critical knuckleduster lyric. It's strange though that somebody now resident in LA should take a swipe at a country "where a president is never black, female or gay". Even odder, for this normally purist rocker, is the suggestion of a breakbeat (think George Michael rather than George Clinton) and almost--gasp--funky guitars. Elsewhere, bass and drums are pushed upfront in that swaggering Moz style, although "I Have Forgiven Jesus" is welcomingly reflective and nostalgic. "The World is Full of Crashing Bores" is another highlight and a caustic comment on the curse of Pop Idol culture, but the best track here, "You Know I Couldn't Last", is what the people really want. Both melancholy and euphoric in equal measure, it's a fine reminder of why hit-and-miss Morrissey is still so revered. Welcome back misery guts; all is forgiven. --Paul Tierney
Fragt: Ukendt!		 Pris 69.80,-

Morrissey You Are The Quarry [Deluxe Edition]
Morrissey You Are The Quarry

Morrissey You Are The Quarry

 Se flere produkter fra Amazon
It's been a long while coming and the world is a very different place, but there's something remarkably timely about You Are the Quarry, the album that marks the return of Manchester's most famous miserablist to the pop arena. And be assured, this biting, lyrically ambiguous collection of songs is pop through and through, albeit pop with its heart on hold and its loins full of unrequited lust. "America" is typical Morrissey vitriol, a big, contentious opener that slams you in the jaw with a critical knuckleduster lyric. It's strange though that somebody now resident in LA should take a swipe at a country "where a president is never black, female or gay". Even odder, for this normally purist rocker, is the suggestion of a breakbeat (think George Michael rather than George Clinton) and almost--gasp--funky guitars. Elsewhere, bass and drums are pushed upfront in that swaggering Moz style, although "I Have Forgiven Jesus" is welcomingly reflective and nostalgic. "The World is Full of Crashing Bores" is another highlight and a caustic comment on the curse of Pop Idol culture, but the best track here, "You Know I Couldn't Last", is what the people really want. Both melancholy and euphoric in equal measure, it's a fine reminder of why hit-and-miss Morrissey is still so revered. Welcome back misery guts; all is forgiven. --Paul Tierney
Fragt: Ukendt!		 Pris 46.38,-

Morrissey You Are The Quarry
Grainger Edition, Vol. 3 - Works for Chorus & Orchestra 1

Grainger Edition, Vol. 3 - Works for Chorus & Orchestra 1

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This third volume of music for chorus and orchestra, interspersed with small orchestra pieces, is as intelligently put together as its two predecessors. The version of "Died for Love" is even more powerful than that included in the recital of Grainger's songs for tenor; Susan Gritton is almost unbearable in her sorrow in the first verse, and the underlying accompaniment of pipe organ and piano produce an eerie effect into which the brass occasionally breaks powerfully. Varcoe is always fine in Grainger's morbid moments; his authoritative version of "The Three Ravens" is beautifully supported by a hushed chorus, and he and a male chorus are gloriously hard-hearted in the pipe-organ and piano-supported version of Kipling's tale of a military execution "Danny Deever". "Random Round" here includes plucked instruments, marimbas and three wordless soloists--an even odder work than usual in this version. Among the purely orchestral pieces, the early Scherzo indicates just how spookily young Grainger found his voice; most of the others are string arrangements of Grainger favourites. -- Roz Kaveney
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Grainger Edition, Vol. 3 - Works for Chorus & Orchestra 1
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