Søgeresultat: titan tsm
Titan Raining Sun of Light and Love for You and You and You

Titan Raining Sun of Light and Love for You and You and You

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Release Date: 2007-04-02, Audio CD, Teepee
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Titan Raining Sun of Light and Love for You and You and You
Various Artists Titan: It's All Pop!

Various Artists Titan: It's All Pop!

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Release Date: 2008-11-17, Audio CD, Numero
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Pris 209.11,-

Various Artists Titan: It's All Pop!
Mahler: Symphony No. 1 in D "Titan"

Mahler: Symphony No. 1 in D "Titan"

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Release Date: 1999-08-10, Audio CD, EMI
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Mahler: Symphony No. 1 in D "Titan"
Carpathian Forest Through Chasm Caves and Titan Woods

Carpathian Forest Through Chasm Caves and Titan Woods

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Release Date: 2008-02-25, Audio CD, Peaceville
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Pris 68.77,-

Carpathian Forest Through Chasm Caves and Titan Woods
Joe Henry Scar [Us Import]

Joe Henry Scar [Us Import]

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From roots rocker to song-writing impressionist to sonic adventurer, the musical progression of Joe Henry resists category and defies expectation, nevermore so than on Scar. The album-opening "Richard Pryor Addresses a Tearful Nation" is Henry's most audacious move to date, as his smoky voice channels the comedian's tragic spirit while a saxophone break from free-jazz titan Ornette Coleman provides achingly poignant punctuation. The rest of the song cycle ranges from the sophisticated atmospherics of "Stop" (adapted by Henry's sister-in-law Madonna into her hit single, "Don't Tell Me") to the insistent funk of "Rough and Tumble". The production by Henry and Craig Street gives the music plenty of room to breathe, augmenting the organic interplay of guitarist Marc Ribot, pianist Brad Mehldau and bassist Me'shell Ndegeocello with bittersweet string arrangements. Though there are echoes of Van Morrison in "Mean Flower" and the Band in "Cold Enough to Cross", Henry is less a classicist than a restless visionary. --Don McLeese
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Joe Henry Scar [Us Import]
Original Soundtrack Monster-In-Law

Original Soundtrack Monster-In-Law

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It's not exactly Oscar bait, but the romantic comedy Monster-In-Law is still a valuable artistic undertaking--from a musical perspective, that is. In a just world, acts like Tegan and Sara, Ivy, and Rachael Yamagata wouldn't need Hollywood to expand their audience, but in our universe it helps. In return, this talented, mostly-female collection of vocalists, have made Monster-In-Law one of the best compilations of the year. Virtually every track on this album is a success, from "Won't U Please B Nice" (trademark bite from Nellie McKay) to "Don't Wait Too Long" from rising jazz titan Madeleine Peyroux. Sara Bareilles' "Love on the Rocks," is a piece of pop so addictive that it will almost certainly land you in musical rehab. What more is there to say? Monster-In-Law proves true love can existÂ…with a soundtrack. --Leah Weathersby
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Original Soundtrack Monster-In-Law
Steely Dan Pretzel Logic

Steely Dan Pretzel Logic

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Pretzel Logic marked a transition for Steely Dan from a studio-bound rock band producing hits such as "Reeling in the Years" and "Do It Again" to a looser constellation of studio musicians under the direction of songwriters Walter Becker and Donald Fagen. That later version of Steely Dan would paint its masterpiece with Aja. Pretzel Logic is much more playful than that, and also jazzier than the albums that came before. The jazz intentions are made perfectly clear on "Parker's Band", a swinging tribute to bebop titan Charlie Parker, and a crafty cover of Duke Ellington's "East St. Louis Toodle-oo". The lyrics displayed their own twisted logic, presenting a tumble of images in search of a unifying principle that most often remained elusive. Steely Dan was that rare act that could work such purposeful obscurity to its advantage: "Rikki Don't Lose That Number" was a top-five hit even though nobody had a clue as to what it was about. Or, perhaps, everybody had a clue, but nobody could agree. --John Milward
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Steely Dan Pretzel Logic
Sha Na Na One More Saturday Night

Sha Na Na One More Saturday Night

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Release Date: 2006-06-06, Audio CD, Titan
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Pris 132.41,-

Sha Na Na One More Saturday Night
Johnny Cash The Best Of

Johnny Cash The Best Of

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Every home should have a Johnny Cash compilation. Cash is a genuine titan of popular music, whose finest work should be as venerated as anything by Elvis Presley, Bob Dylan, Bob Marley, David Bowie or Brian Wilson, and this collection does as good a job of beginning to explain why as any. The virtue of Cash's music is its simplicity. His brutally reductive take on country, set to his distinctive boom-chicka-boom backbeat, directs all of the listener's attention to his supernaturally world-weary voice (even as a teenager, Cash sounded about a thousand years old). This collection is a judicious mix of covers (Hank Williams' "I'm So Lonesome I Could Cry", Bob Dylan's "It Ain't Me Babe" among them) and original Cash standards. That the producers of this record have a genuine empathy with their subject is confirmed by their inclusion of a live version of the triumphantly nihilist "Folsom Prison Blues" (once identified by Ice-T, no less, as a progenitor of gangsta rap) taped at one of Cash's famous prison concerts . The cheers that greet the line "I shot a man in Reno, just to watch him die" are the eeriest confirmation of credibility by an audience upon a performer ever recorded. --Andrew Mueller
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Johnny Cash The Best Of
Richard Thompson You Me Us

Richard Thompson You Me Us

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Sometimes even a legend just wants to have fun. Having gradually achieved his lofty position as a titan of British folk-rock and as one of Britain's finest songwriters, Richard Thompson allows his instincts as a sublime guitarist to dominate this casually brilliant double album. Separated into distinct electric and acoustic programmes, the "voltage-enchanced" Disc 1 gives us generous doses of a rockin' Richard, featuring some of his most extroverted string-bending in years and some terrific songs, capped by "Razor Dance" and an acid "Put It There Pal". On the "nude" second disc, Thompson unplugs to reel off some of the most beautiful guitar filigree and keening acoustic leads imaginable, focusing on a programme largely devoted to ballads. As always, his ability to couple timeless musical forms with trenchant commentary gives these songs power--try the closing "Woods of Darney", set during World War I, which combines an anti-war message, a love song, and a ghost story in its concise verses. --Sam Sutherland
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Richard Thompson You Me Us
Eric Dolphy The Complete Prestige Recordings

Eric Dolphy The Complete Prestige Recordings

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Eric Dolphy, like Clifford Brown, was a musical angel, who made the most of his short stay on Earth. One of the great musical innovators of the 20th century, Dolphy was a wailing, fearless spirit with impeccable instrumental skills, and an authentic jazz pedigree, just as much at home in swing and bop settings as we was in avant garde and classical contexts. Over the course of nine discs, Eric Dolphy: The Complete Prestige Recordings documents his growth as a composer and improviser, both as a leader and a sideman. Dolphy could do it all, with a phenomenal technical and emotional command of the reed and woodwind family, most prominently alto sax, flute, and bass clarinet (an instrument he elevated into an archetypal jazz voice, as evidenced by his speech-like turns of phrase on an unaccompanied "God Bless the Child"). Among a rich buffet of highlights, his studio recordings with Roy Haynes and Jaki Byard are standouts, but it's his spiritual partnership with the youthful trumpet titan Booker Little (on the studio recording of Far Cry and their legendary live sets at Manhattan's Five Spot) that produce this box's most compelling moments. --Chip Stern
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Eric Dolphy The Complete Prestige Recordings
Herndon Ty Right About Now

Herndon Ty Right About Now

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Release Date: 2007-01-09, Audio CD, Titan
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Herndon Ty Right About Now
Various Artists A Christmas Present From Motown - Volume 2

Various Artists A Christmas Present From Motown - Volume 2

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A Christmas Present From Motown Volume Two contains a further 18 festive offerings from the Sound Of Young America. Once again, selections include traditional carols, seasonal standards and newly penned yuletide numbers, mostly recorded during the 60s. Not surprisingly, there is yet another version of "White Christmas". This time Diana Ross & the Supremes provide a schmaltzy Disney-esque reading... bah humbug. Far better is Diana and the gals' "Little Bright Star", a stomping pocket symphony. Remarkably, the titan-tonsilled Kim Weston injects genuine emotion into hubby William "Mickey" Stevenson's otherwise flimsy "Wish You A Merry Christmas". More substantial is a stately "Silent Night", which finds the Four Tops hooking up with Aretha Franklin. The Four Tops also contribute a bizarre version of "'Twas The Night Before Christmas", which appears to be narrated by a black Detroit equivalent of "the laughing Policeman". Also entering into the mood of rosy cheeked capering are the Jackson 5, who gleefully scamper through the aptly frivolous version of "I Saw Mommy Kissing Santa Claus". -- Chris King
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Various Artists A Christmas Present From Motown - Volume 2
Johnny Cash The Best of Johnny Cash

Johnny Cash The Best of Johnny Cash

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Every home should have a Johnny Cash compilation. Cash is a genuine titan of popular music, whose finest work should be as venerated as anything by Elvis Presley, Bob Dylan, Bob Marley, David Bowie or Brian Wilson, and this collection does as good a job of beginning to explain why as any. The virtue of Cash's music is its simplicity. His brutally reductive take on country, set to his distinctive boom-chicka-boom backbeat, directs all of the listener's attention to his supernaturally world-weary voice (even as a teenager, Cash sounded about a thousand years old). This collection is a judicious mix of covers (Hank Williams' "I'm So Lonesome I Could Cry", Bob Dylan's "It Ain't Me Babe" among them) and original Cash standards. That the producers of this record have a genuine empathy with their subject is confirmed by their inclusion of a live version of the triumphantly nihilist "Folsom Prison Blues" (once identified by Ice-T, no less, as a progenitor of gangsta rap) taped at one of Cash's famous prison concerts . The cheers that greet the line "I shot a man in Reno, just to watch him die" are the eeriest confirmation of credibility by an audience upon a performer ever recorded. --Andrew Mueller
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Pris 34.69,-

Johnny Cash The Best of Johnny Cash
Titan Este Es Mi Mundo [Import]

Titan Este Es Mi Mundo [Import]

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Pris 199.00,-

Titan Este Es Mi Mundo [Import]
Titan Steele Force [Import]

Titan Steele Force [Import]

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Pris 229.00,-

Titan Steele Force [Import]
Skullbot Titan [Import]

Skullbot Titan [Import]

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Pris 189.00,-

Skullbot Titan [Import]
Titan Force Winner/loser [Import]

Titan Force Winner/loser [Import]

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Titan Force Winner/loser [Import]
Titan Este Es Mi Mundo Ii Reggaeton- [Import]

Titan Este Es Mi Mundo Ii Reggaeton- [Import]

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Titan Este Es Mi Mundo Ii Reggaeton- [Import]
Titan Go King's Ultrasonic Wave 01 [Import]

Titan Go King's Ultrasonic Wave 01 [Import]

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Titan Go King's Ultrasonic Wave 01 [Import]
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