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Davis Steve Update

Davis Steve Update

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Davis Steve Update
Download: V.a - Update Party Vol.5

Download: V.a - Update Party Vol.5

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Download: Uhf - Update Party Vol.2

Download: Uhf - Update Party Vol.2

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Tribute Allstars Update Miles Live

Tribute Allstars Update Miles Live

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Tribute Allstars Update Miles Live
Download: Anouk - Update

Download: Anouk - Update

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Download: Anouk - Update
Download: Various Artists - Update Party Vol. 1

Download: Various Artists - Update Party Vol. 1

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Download: Various Artists - Update Party Vol. 1
Download: Various Artists - Update Party Vol. 1

Download: Various Artists - Update Party Vol. 1

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Download: Various Artists - Update Party Vol. 1
Download: Various Artists - Update Party Vol.2

Download: Various Artists - Update Party Vol.2

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Download: Various Artists - Update Party Vol.2
Download: Dj Suni - Update Party Vol.5

Download: Dj Suni - Update Party Vol.5

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Download: Dj Suni - Update Party Vol.5
Download: Various Artists - Update Party Vol.3

Download: Various Artists - Update Party Vol.3

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Download: Various Artists - Update Party Vol.3
Download: Various Artists - Update Party Vol.4

Download: Various Artists - Update Party Vol.4

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Download: Various Artists - Update Party Vol.4
Download: Funpunk Feat. Radspitz - Update Party Vol.3

Download: Funpunk Feat. Radspitz - Update Party Vol.3

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Download: Frank Zander - Nur Nach Hause-das Update

Download: Frank Zander - Nur Nach Hause-das Update

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Download: Frank Zander - Nur Nach Hause-das Update
Anouk Update

Anouk Update

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Anouk Update
Andy Farley Hardhouse Update: Mixed By Andy Farley

Andy Farley Hardhouse Update: Mixed By Andy Farley

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Release Date: 2005-10-17, Audio CD, Dmc
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Andy Farley Hardhouse Update: Mixed By Andy Farley
Genesis Turn It on Again

Genesis Turn It on Again

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The sound of Phil Collins's distinctive voice set against a pulsing synthesizer and pounding electro/acoustic percussion became one of the most characteristic and ubiquitous sounds of 1980s (and early '90s) rock. And if Collins's solo work during that period seemed occasionally indistinguishable from that of his band, it was only evidence of the remarkable transformation that Genesis had undergone from its late '60s art-school roots. Indeed, the idea of an eventual Greatest Hits package would have been laughable then. But as the original quintet turned quartet (with the departure of vocalist Peter Gabriel) and then trio (when guitarist Steve Hackett left), the spotlight focused with increasing intensity on Collins and his pop and R&B sense. Though it overlooks a few contenders ("No Reply at All" and "Taking It All Too Hard") in service of balance (and the inclusion of late-model Genesis frontman Ray Wilson), this is a good sampler of one of rock's most consistent (if predictable) hit-makers. Gabriel and Hackett also return for one new track, reuniting the original quintet for a richly textured update of The Lamb Lies Down on Broadway 's "The Carpet Crawlers." --Jerry McCulley
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Genesis Turn It on Again
Junior Wells Hoodoo Man Blues

Junior Wells Hoodoo Man Blues

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This 1965 album is where vocalist and harmonica player Junior Wells comes into his own. An early collaboration with Buddy Guy, the two of them sum up the 1960s funk-rock-blues that lay ahead. Hoodoo Man Blues inspired Paul Butterfield, Eric Clapton and a host of other musician-fans. Wells and Guy don't shy from creating James Brown-funkified blues, or from putting a rock edge to their blues; but neither do they shy from traditional blues. Their version of "Good Morning Little School Girl" is a proper update--still menacing, with less of a country blues feel. Also not to be missed is the instrumental workout "Chitlin Con Carne". -- Robert Gordon
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Junior Wells Hoodoo Man Blues
Original Soundtrack Pretty Woman Ost

Original Soundtrack Pretty Woman Ost

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Alongside Ghost, another romantic comedy drama, Pretty Woman dominated the box office of 1990. The movie revitalised Richard Gere's career, and made a superstar of Julia Roberts, launching her on a string of hugely successful romantic comedies including My Best Friend's Wedding (1997), Notting Hill (1999), and, reuniting her with Gere and Pretty Woman director, Garry Marshall, The Runaway Bride (1999). Inevitably the movie's theme song is Roy Orbison's "Oh Pretty Woman", sounding fresh as ever. And if that is a typically male view of feminine attractions, Natalie Cole tells the other side of the story with the unrepentant "Wild Women Do". David Bowie provides an update of one of his greatest hits, with "Fame 90" and Robert Palmer describes "Life In Detail". The remainder of the album is a snapshot of up-and-coming acts at the beginning of the 90s, with Go West's massive hit, "King Of Wishful Thinking" and Roxette's chart smash "It Must Have Been Love" setting the agenda for slick, well produced power-pop. As nostalgia for the time just before dance took over the charts, or simply as a highly polished souvenir of one of the most popular movies ever made, Pretty Woman requires, as Peter Cetera appropriately adds, "No Explanation". --Gary S. Dalkin
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Original Soundtrack Pretty Woman Ost
Deep Purple Abandon

Deep Purple Abandon

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With Abandon, Deep Purple sound closer to the hard-riffing blues-rock of their classic 1970 release In Rock than to any other of their albums. Nevertheless, an attempt has been made to update that sound for the 1990s. Mostly, this is due to guitarist Steve Morse, formerly of the Dixie Dregs, who replaced Ritchie Blackmore and first featured on Purpendicular. He has a style common to most second-generation hard rock guitarists--bitingly tight and aggressive, but lacking character or originality and little of Blackmore's soulfulness. Considering that four-fifths of this band are the same as on the classic Machine Head the songwriting is lazy, with very little structure to the tunes, nearly all of which fade out gradually on a tide of relatively aimless jamming rather than coming to a definite end. The most obvious exception to this is "Fingers To The Bone", which is mostly keyboard-dominated and works well by comparison. This is not a disastrous album, but one that will only be appreciated by committed fans. Look elsewhere for prime Deep Purple. -- James Swift
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Deep Purple Abandon
Kings Of Convenience Versus

Kings Of Convenience Versus

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Given that remixers' recourse to acoustica is the next logical link to down-tempo electronica, it's no surprise that the Kings of Convenience's beguiling debut has undergone this treatment. Versus sees the winsome, lovelorn ditties of Quiet is the New Loud reinterpreted by the likes of fellow Norwegians Royksopp (whose lovely remix of "I Don't Know What to Save You From" appeared on the "Failure" single), Four Tet, Ladytron and Alfie, amongst others. Apart from Ladytron, who opt for their characteristic warped synth-pop, on the whole the assembled cast choose to gently tweak the songs, rather than offer any radical reworking of them. Evil Tordivel update "Leaning Against the Wall" with sprightly horns and keyboards, leaving the song less introspective, but still recognisable. Wayward folksters Alfie remake "Failure" (also included on the single), but are less successful, as its skewed lo-fi tends to overbear much of the all-important melody. Riton's remix of "The Girl From Back Then" adds gentle sprinkles of nonchalant, shuffling beats, but the highlight, is the "Weight of My Words" remix by Kieran Hebden aka Four Tet. As showcased on his glorious Pause album, he melds bubbling electronica with an organic, folky ambience, perfectly demonstrating the premise of Versus. - Suzannah Brown
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Kings Of Convenience Versus
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