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Solex The Laughing Stock Of Indie Ro

Solex The Laughing Stock Of Indie Ro

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Pris 159.00,-

Solex The Laughing Stock Of Indie Ro
Solex + M.a.e. In The Fishtank

Solex + M.a.e. In The Fishtank

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Pris 99.00,-

Solex + M.a.e. In The Fishtank
Solex Low Kick And Hard Bo

Solex Low Kick And Hard Bo

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Solex Low Kick And Hard Bo
Eidel Philippe/philippe Harel Le Vélo De Ghislain Lambert

Eidel Philippe/philippe Harel Le Vélo De Ghislain Lambert

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Eidel Philippe/philippe Harel Le Vélo De Ghislain Lambert
Solex & M.A.E. Solex & M.A.E.

Solex & M.A.E. Solex & M.A.E.

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Solex & M.A.E. Solex & M.A.E.
Solex Pick Up

Solex Pick Up

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The way that Elisabeth Esselink, aka Solex, creates her très moderne dance music is both disarmingly simple and ingenuous. For Pick Up, her second album, the songstress holed out underneath a second-hand record store in Amsterdam for three months, venturing out only to bootleg live concerts (classical, jazz, pop) on her hand-held tape recorder. To these samples--cut-up and cleverly dispersed--were added live drum pattens and a curiously disembodied female voice, plus a few off-kilter atmospheric noises. The result is bewitching and genuinely disorientating. Tracks like the chunky "Dork At 12 O'Clock" and bewildering "That'll Be $22.95" sound like a disco-fied, stilted take on Japanese high-voiced pop, with the surface gloss and sheen amplified to the nth degree. You could call Elisabeth the female Beck ... only she's way too original for easy comparisons. Excellent. --Everett True
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Solex Pick Up
Solex Solex Vs. the Hitmeister

Solex Solex Vs. the Hitmeister

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Release Date: 1998-05-18, Audio CD, Matador
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Solex Solex Vs. the Hitmeister
Solex Close to the Edge [CD 1]

Solex Close to the Edge [CD 1]

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Release Date: 2003-11-17, Audio CD, Free2air
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Pris 46.92,-

Solex Close to the Edge [CD 1]
Solex In the Fishtank

Solex In the Fishtank

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Release Date: 2005-09-05, Audio CD, In the Fishtank
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Pris 75.12,-

Solex In the Fishtank
Caetano Veloso Velo

Caetano Veloso Velo

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Audio CD, Universal
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Pris 211.45,-

Caetano Veloso Velo
Go Team Proof Of Youth

Go Team Proof Of Youth

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Is it possible to sound like you're having more fun than The Go! Team? Probably not, going on Proof of Youth, the second album from Brighton's brightest pop experimentalists. As on its predecessor, 2004's Thunder, Lightning, Strike, the eleven songs of Proof of Youth burst out your speakers like tangy pop bubblegum, but on closer inspection, suggest a broader, braver web of influences; many bands can remind you of the chirpy soul singalongs of The Jackson 5, the metallic guitar clang of Sonic Youth, or the cut-and-paste sonic collages of Public Enemy's The Bomb Squad, but only one can do it in a single song. "Grip Like a Vice" and "Titanic Vandalism" prove The Go! Team template is present and correct, joyful melanges of car-chase horns, double dutch vocals, melodic guitar, and crowd-hyping rapping from MC/cheerleader Ninja. But there's more here than formula. "My World" is a simple, pretty interlude of acoustic guitar, shaker, and synthesiser straight from some Look Around You-style 1980s science show, "I Never Needed It Now So Much" is a naïve pop song featuring vocals from Solex, and the glorious "Flashlight Fight" is a Public Enemy pastiche that actually features Chuck D. Skill. --Louis Pattison
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Go Team Proof Of Youth
Go Team Proof of Youth [VINYL]

Go Team Proof of Youth [VINYL]

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Is it possible to sound like you're having more fun than The Go! Team? Probably not, going on Proof of Youth, the second album from Brighton's brightest pop experimentalists. As on its predecessor, 2004's Thunder, Lightning, Strike, the eleven songs of Proof of Youth burst out your speakers like tangy pop bubblegum, but on closer inspection, suggest a broader, braver web of influences; many bands can remind you of the chirpy soul singalongs of The Jackson 5, the metallic guitar clang of Sonic Youth, or the cut-and-paste sonic collages of Public Enemy's The Bomb Squad, but only one can do it in a single song. "Grip Like a Vice" and "Titanic Vandalism" prove The Go! Team template is present and correct, joyful melanges of car-chase horns, double dutch vocals, melodic guitar, and crowd-hyping rapping from MC/cheerleader Ninja. But there's more here than formula. "My World" is a simple, pretty interlude of acoustic guitar, shaker, and synthesiser straight from some Look Around You-style 1980s science show, "I Never Needed It Now So Much" is a naïve pop song featuring vocals from Solex, and the glorious "Flashlight Fight" is a Public Enemy pastiche that actually features Chuck D. Skill. --Louis Pattison
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Pris 131.54,-

Go Team Proof of Youth [VINYL]
Walkabouts The Train Leaves at Eight

Walkabouts The Train Leaves at Eight

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The Parisian cafe ambience of the instrumental title track which opens this intriguing Walkabouts side-project, tells pretty much the whole story. For one album only, Chris Eckman, Carla Torgerson and their chums are exploring the torchy, film noir environs of European song, covering the works of a diverse range of continental composers. The best-known are probably Mikis Theodorakis, Jacques Brel and Stina Nordenstam, but far more of the 14 tracks come from the pens of such obscure talents as Goran Bregovic from Bosnia, or Vlado Kreslin, hailed--believe it or not--as the Slovenian Bob Dylan. Often reminiscent of Leonard Cohen at his most wrist-slittingly emotive, this is an album of almost unremitting melodrama, luscious melody and classic arrangement, with Carla straying occasionally into mannerisms more traditionally associated with Edith Piaf. The last six tracks come more up to date, with interpretations of material by contemporary European artists including Deus, Midnight Choir and, most impressively, Solex, before closing with "Leb Wohl", a truly haunting re-interpretation of an ambient electronic piece by 1970s Krautrock wizards, Neu. Once more, against the odds, the Walkabouts have delivered a work of rare genius which, although a long way from the mainstream, will send thrilling shivers down the backbones of those who demand that their music reaches the parts others can't. --Johnny Black
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Pris 84.43,-

Walkabouts The Train Leaves at Eight
Go! Team Proof of Youth

Go! Team Proof of Youth

Se flere produkter fra Amazon
Is it possible to sound like you're having more fun than The Go! Team? Probably not, going on Proof of Youth, the second album from Brighton's brightest pop experimentalists. As on its predecessor, 2004's Thunder, Lightning, Strike, the eleven songs of Proof of Youth burst out your speakers like tangy pop bubblegum, but on closer inspection, suggest a broader, braver web of influences; many bands can remind you of the chirpy soul singalongs of The Jackson 5, the metallic guitar clang of Sonic Youth, or the cut-and-paste sonic collages of Public Enemy's The Bomb Squad, but only one can do it in a single song. "Grip Like a Vice" and "Titanic Vandalism" prove The Go! Team template is present and correct, joyful melanges of car-chase horns, double dutch vocals, melodic guitar, and crowd-hyping rapping from MC/cheerleader Ninja. But there's more here than formula. "My World" is a simple, pretty interlude of acoustic guitar, shaker, and synthesiser straight from some Look Around You-style 1980s science show, "I Never Needed It Now So Much" is a naïve pop song featuring vocals from Solex, and the glorious "Flashlight Fight" is a Public Enemy pastiche that actually features Chuck D. Skill. --Louis Pattison
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Pris 46.82,-

Go! Team Proof of Youth
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