Søgeresultat: nintendo 64
Various Artists Greensleeves Rhythm Album Vol.64: Klymaxx

Various Artists Greensleeves Rhythm Album Vol.64: Klymaxx

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Release Date: 2005-01-10, Audio CD, Greensleeves
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Various Artists Greensleeves Rhythm Album Vol.64: Klymaxx
Gerd T�rk Bach: Cantatas, Vol 13 (BWV 64, 25, 69a, 77, 50) /Concerto Palatino · Bach Collegium Japan · Suzuki

Gerd T�rk Bach: Cantatas, Vol 13 (BWV 64, 25, 69a, 77, 50) /Concerto Palatino · Bach Collegium Japan · Suzuki

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Release Date: 2000-11-21, Audio CD, BIS
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Gerd T�rk Bach: Cantatas, Vol 13 (BWV 64, 25, 69a, 77, 50) /Concerto Palatino · Bach Collegium Japan · Suzuki
Amadeus Quartet Haydn: String Quartets, Opp.51, 54, 55, 64, 71 & 74

Amadeus Quartet Haydn: String Quartets, Opp.51, 54, 55, 64, 71 & 74

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Release Date: 2004-10-11, Audio CD, Universal Classics
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Amadeus Quartet Haydn: String Quartets, Opp.51, 54, 55, 64, 71 & 74
Steve Coleman On the Rising of the 64 Paths

Steve Coleman On the Rising of the 64 Paths

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Release Date: 2003-05-27, Audio CD, Label Bleu
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Steve Coleman On the Rising of the 64 Paths
Olaf Kubler When I'm 64

Olaf Kubler When I'm 64

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Release Date: 2002-02-04, Audio CD, Village
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Olaf Kubler When I'm 64
Bach, J.S.: Christmas Cantatas BWV 63, 64, 121 & 133

Bach, J.S.: Christmas Cantatas BWV 63, 64, 121 & 133

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Release Date: 2000-11-20, Audio CD, Universal Classics
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Bach, J.S.: Christmas Cantatas BWV 63, 64, 121 & 133
Various Artists They Sold a Million: 1960 - 64

Various Artists They Sold a Million: 1960 - 64

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Release Date: 2006-06-19, Audio CD, K West
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Various Artists They Sold a Million: 1960 - 64
Mike Preston Mr Blue - Decca Singles Compilation 1958 - 64

Mike Preston Mr Blue - Decca Singles Compilation 1958 - 64

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Release Date: 2005-11-07, Audio CD, Vocalion
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Mike Preston Mr Blue - Decca Singles Compilation 1958 - 64
Lionel Hampton The Legendary 1963-64 Sessions

Lionel Hampton The Legendary 1963-64 Sessions

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Release Date: 2008-01-21, Audio CD, Lonehill Jazz
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Lionel Hampton The Legendary 1963-64 Sessions
Daniel Hope Chamber Orchestra of Europe Thomas Hengelbrock Mendelssohn Mendelssohn Violin Concerto op. 64 Octet for Strings op. 20

Daniel Hope Chamber Orchestra of Europe Thomas Hengelbrock Mendelssohn Mendelssohn Violin Concerto op. 64 Octet for Strings op. 20

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Release Date: 2007-10-08, Audio CD, DG
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Daniel Hope Chamber Orchestra of Europe Thomas Hengelbrock Mendelssohn Mendelssohn Violin Concerto op. 64 Octet for Strings op. 20
Jeffrey Biegel Cui: 25 Preludes, Op. 64

Jeffrey Biegel Cui: 25 Preludes, Op. 64

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Release Date: 2002-02-04, Audio CD, Naxos
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Jeffrey Biegel Cui: 25 Preludes, Op. 64
Joan Baez Live at Newport

Joan Baez Live at Newport

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The voice that launched a thousand earnest young fare-thee-well folkies cut her teeth in the first half of the '60s at the Newport Folk Festivals. This 17-song collection allows fans of Baez to sample her star-making 1963, '64, and '65 sets. (She'd first appeared at the event as a teenager in 1959 as the teenage guest of Bob Gibson, though that milestone has apparently been lost to the ages.) Balancing comely traditionals such as "Come All Ye Fair" and "Tender Maidens" with grittier Bob Dylan tunes, Baez demonstrates how she came to define folk music for a generation of female folksingers. Duets with Dylan, Mary Travers, Peter Yarrow, and the Lilly Brothers provide some extra texture to compliment Baez's smooth-as-silk delivery. --Steven Stolder
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Joan Baez Live at Newport
Paul McCartney Memory Almost Full (including Limited Edition Folded Booklet)

Paul McCartney Memory Almost Full (including Limited Edition Folded Booklet)

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"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone. Does the world need a new Paul McCartney album? The answer is yes, at least as much as it needs anything else that passes for music these days. With Memory Almost Full, Macca is back. No, it's not Ram or Band on the Run. It might not even be Flowers in the Dirt--in 1989, he had a full band, the support of Linda, and Elvis Costello as a collaborator. Here, he's on his own. Literally: on the majority of the tracks, everything but the strings is multi-instrumentalist Paul. But the surprise is that it's one of his freest, loosest affairs in years, sonically reminiscent of the Tug of War/Pipes of Peace era with nods to Abbey Road in the album-closing medley, McCartney's gravelly tones on "Gratitude," and 2007's version of "Her Majesty," the palate-cleansing "Nod Your Head." It's a surprise because of the album's inescapable sense of retrospection ("Ever Present Past," "Vintage Clothes," "That Was Me") and even a bit of weariness. The next-to-last song is "The End of the End," after all, in which McCartney tells us about what he'd like to happen "on the day that I die." (He wants "songs that were sung/to be hung out like blankets/that lovers have played on/and laid on while listening to songs that were sung," and will likely get his wish.) But it never gets overwhelming, for McCartney mostly resists his tendency to get plodding and maudlin. In fact, Memory Almost Full must be the most sanguine album made during the dissolution of a marriage since...well, ever. "What went out is coming back," he sings in "
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Paul McCartney Memory Almost Full (including Limited Edition Folded Booklet)
Paul McCartney Memory Almost Full (Deluxe Packaging)

Paul McCartney Memory Almost Full (Deluxe Packaging)

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"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone. Does the world need a new Paul McCartney album? The answer is yes, at least as much as it needs anything else that passes for music these days. With Memory Almost Full, Macca is back. No, it's not Ram or Band on the Run. It might not even be Flowers in the Dirt--in 1989, he had a full band, the support of Linda, and Elvis Costello as a collaborator. Here, he's on his own. Literally: on the majority of the tracks, everything but the strings is multi-instrumentalist Paul. But the surprise is that it's one of his freest, loosest affairs in years, sonically reminiscent of the Tug of War/Pipes of Peace era with nods to Abbey Road in the album-closing medley, McCartney's gravelly tones on "Gratitude," and 2007's version of "Her Majesty," the palate-cleansing "Nod Your Head." It's a surprise because of the album's inescapable sense of retrospection ("Ever Present Past," "Vintage Clothes," "That Was Me") and even a bit of weariness. The next-to-last song is "The End of the End," after all, in which McCartney tells us about what he'd like to happen "on the day that I die." (He wants "songs that were sung/to be hung out like blankets/that lovers have played on/and laid on while listening to songs that were sung," and will likely get his wish.) But it never gets overwhelming, for McCartney mostly resists his tendency to get plodding and maudlin. In fact, Memory Almost Full must be the most sanguine album made during the dissolution of a marriage since...well, ever. "What went out is coming back," he sings in "
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Paul McCartney Memory Almost Full (Deluxe Packaging)
Bob Dylan Unplugged

Bob Dylan Unplugged

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MTV Unplugged finds Dylan recasting 11 of his old songs, both famous and obscure. The most obvious example of how Dylan can transform his own songs is his new rendering of "The Times They Are A-Changin'." When he first recorded it for the '64 album of the same name, the song was a clarion call to action, a triumphant promise that better times were just around the corner. When he performed it for MTV, it became a dirge-like march, a prophet's dire warning that the world is going down the tubes in a hurry. The new version opens with weepy dobro and funereal organ, and Dylan's slowed-down, low moan gives an entirely different spin to such phrases as "The line it is drawn, the curse it is cast," or "Your sons and your daughters are beyond your command." --Geoffrey Himes
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Bob Dylan Unplugged
Paul McCartney Memory Almost Full [VINYL]

Paul McCartney Memory Almost Full [VINYL]

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"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone. Does the world need a new Paul McCartney album? The answer is yes, at least as much as it needs anything else that passes for music these days. With Memory Almost Full, Macca is back. No, it's not Ram or Band on the Run. It might not even be Flowers in the Dirt--in 1989, he had a full band, the support of Linda, and Elvis Costello as a collaborator. Here, he's on his own. Literally: on the majority of the tracks, everything but the strings is multi-instrumentalist Paul. But the surprise is that it's one of his freest, loosest affairs in years, sonically reminiscent of the Tug of War/Pipes of Peace era with nods to Abbey Road in the album-closing medley, McCartney's gravelly tones on "Gratitude," and 2007's version of "Her Majesty," the palate-cleansing "Nod Your Head." It's a surprise because of the album's inescapable sense of retrospection ("Ever Present Past," "Vintage Clothes," "That Was Me") and even a bit of weariness. The next-to-last song is "The End of the End," after all, in which McCartney tells us about what he'd like to happen "on the day that I die." (He wants "songs that were sung/to be hung out like blankets/that lovers have played on/and laid on while listening to songs that were sung," and will likely get his wish.) But it never gets overwhelming, for McCartney mostly resists his tendency to get plodding and maudlin. In fact, Memory Almost Full must be the most sanguine album made during the dissolution of a marriage since...well, ever. "What went out is coming back," he sings in "
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Paul McCartney Memory Almost Full [VINYL]
The Beatles Sgt. Pepper's Lonely Hearts Club Band

The Beatles Sgt. Pepper's Lonely Hearts Club Band

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Before Sgt. Pepper's, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 3-plus decades, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds", the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64", to Harrison's Eastern-leaning "Within You Without You", and the avant-garde mini-suite, "A Day in the Life", Sgt. Pepper's was a milestone for both 1960s music and popular culture in general. --Billy Altman
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The Beatles Sgt. Pepper's Lonely Hearts Club Band
The Beatles Sgt. Pepper's Lonely Hearts Club Band

The Beatles Sgt. Pepper's Lonely Hearts Club Band

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Before Sgt. Pepper's, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 3-plus decades, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds", the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64", to Harrison's Eastern-leaning "Within You Without You", and the avant-garde mini-suite, "A Day in the Life", Sgt. Pepper's was a milestone for both 1960s music and popular culture in general. --Billy Altman
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The Beatles Sgt. Pepper's Lonely Hearts Club Band
The Drifters The Very Best of the Drifters

The Drifters The Very Best of the Drifters

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A by-the-numbers, chronological collection that hits all the commercial highlights of the Drifters' Golden Era (1959-64)--after the frequently dazzling early records with Clyde McPhatter, but featuring the consummate vocal stylings of Ben E. King, Rudy Lewis, Johnny Moore, and more on 16 memorable hits. Among the pinnacles: "There Goes My Baby", the record whose unsettling, soaring strings launched the soul era; the romantic perfection of "Save the Last Dance for Me", "This Magic Moment" and the catchy, Latin-bouncing "Sweets for My Sweet"; and the eternally evocative cityscapes of "Up on the Roof", "Under the Boardwalk" and the stark, gritty "On Broadway". Sleepers include the heartrending Bacharach ballad "Please Stay", "I Count the Tears" (ripped off later on the Grass Roots hit "Let's Live for Today") and "When My Little Girl Is Smiling", on which strings foreshadow the folk-rock movement. This is an ideal starter kit on these seminal uptown soul pioneers; those seeking further revelations (and there are plenty of them) are referred to Rockin' & Driftin': The Drifters Box. -- Ken Barnes
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The Drifters The Very Best of the Drifters
Hot Chip Made in the Dark [VINYL]

Hot Chip Made in the Dark [VINYL]

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Hot Chip have always been the sort of band happy to flaunt their intelligence, but the smartest trick they pull on Made in the Dark is to show a little wisdom, too. 2006's The Warning was a fine record, albeit one sometimes difficult to take seriously thanks to its taste for pop pastiche--here's the Prince track, there's a 2-step garage track--or the occasional ironic wisecrack. On their third album, though, it's satisfying to report Hot Chip sound like no one but themselves. That is, shuffling, synthesiser-smeared electro-pop with a gooey emotional core and, in the shape of Alexis Taylor, one of the greatest white-boy soul voices since that of his hero, Green Gartside of Scritti Politti. "Ready for the Floor" sounds halfway between Detroit techno and the soundtrack to a Nintendo RPG, Taylor's clear, honest vocal reaching out hopefully: "I'm hoping by chance/You might take this dance", while the album's title track is a slow piano ballad that finds him laid blue over the ruins of a love affair. There is mischief, too of course: take "Wrestlers", a dinky R&B track where the group show off their knowledge of wrestling slang. Even when they're ready to rumble, though, Hot Chip show off the sort of emotion and elation we've rarely seen since the glory days of New Order, and that's high praise indeed. --Louis Pattison
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Hot Chip Made in the Dark [VINYL]
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