Søgeresultat: siemens gas kogesektion
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Rawsthorne - Orchestral WorksSe flere produkter fra AmazonThe composer Alan Rawsthorne (1905-1971) trained as a dentist before he turned to music, and there is something in his output which reminds me of surgery. Anguish, sorrow and relief infuse his works of which three are represented here. The best of them is the Symphonic Studies of 1939 which was his first big international success. Here the Royal Scottish National Orchestra under David Lloyd-Jones grinds out its whining, drooping, chromatic theme in a one-movement sequence of variations which are almost filmic in their abruptness and colour. The Oboe Concerto of 1947 is a more modest work exploiting the plaintive and moody tone of the instrument until the last movement which is as improbably light-hearted as a dose of laughing-gas. Soloist Stéphane Rancourt plays with prominent exuberance. The Cello Concerto of 1966 is the least appealing work although it is given star billing on the CD cover. Gloom pervades the first movement, a sinister ticking motif the second and a somewhat ponderous and elderly tread the finale. Soloist Alexander Baillie does his best against heavy odds. His cadenza is poetic until the triangle enters ringing like a quiz show bell telling him he has run out of time. -- Rick Jones Inkl. fragt: Ukendt |
Pris 44.16,-
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Taking Back Sunday Louder NowSe flere produkter fra AmazonIf you want the two word review, it's right there in the title: Louder Now, the third album from New York's Taking Back Sunday, is heavier, ballsier and all round bigger than its predecessors, like the soggy-hanky emo of 2004's Where You Want To Be took some lessons from Charles Atlas and came back to kick sand in everyone's face. In part, this is down to the visceral production of Eric Valentine, last seen working the desk for Queens Of The Stone Age. But the band have hardened up, too: 'Liar (It Takes One To Know One' builds from a tricksy, ska-tinged verse to a seismic chorus, frontman Adam Lazzara and guitarist Fred Mascherino sparring manfully atop a roar of rock guitars, while 'Make Damn Sure' is perhaps the album's stand-out, a canyon-sized chorus that renders emo passion with stadium scope. The irony here, perhaps, is that in toughening up their sound, Taking Back Sunday have actually made a more straightforward "rock" record than anything came before. Later in the album, though, there's a few moments where TBS ease off the gas, with interesting results: see 'Divine Intervention', a spare, introspective acoustic track with distant percussion and subtle, strange tape effects. Meanwhile, a limited reissue adds a 90 minute DVD and four live tracks. --Louis Pattison Inkl. fragt: Ukendt |
Pris 79.38,-
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Fog FogSe flere produkter fra AmazonTwo turntables and a microphone--and, a box load of old synths, a guitar, a four-track recorder and a crate of truly weird vinyl: that's the way it is with Minneapolis-based hip-hop project Fog. Forget all that equipment a second, though, because this is a one man band--the creation of Andrew Broder, a hip-hop fan frustrated by the genre's limitations, and determined to explode them. He came to Ninja Tune's attention through his ties to hip-hop surrealists cLOUDEAD, and this, his debut album, has much in common with that group's pioneering work: eerie soundscapes, feverishly weird turntable scratching, lyrics that walk the tightrope between genius and pretension and a total disregard for anything approaching formula. The gorgeous "Pneumonia" is a bare, confessional strum-a-long that could almost pass for a ramshackle early work by Badly Drawn Boy, while the likes of "Truth And Laughing Gas" come on like a punk-rock DJ Shadow, ripping up atmospheric beats and spitting them back in a riot of splintered breaks and wild scratch gymnastics. Dose One of cLOUDEAD even crops up with a guest lyric on "Glory". This is indie-rap as it should be done. -- Louis Pattison Inkl. fragt: Ukendt |
Pris 114.96,-
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Blur ParklifeSe flere produkter fra AmazonAlthough Blur had long been recognised as one of the premier bands responsible for the reinvigoration of Britpop in the 1990s, it's 1994's Parklife that truly provided the template for the entire movement. At a time when Oasis were aping the sounds of their pub-rock heroes on Definitely Maybe, Blur drew from the legacy of the Kinks and Small Faces to create an album that's as English as a rainy Sunday in front of the gas fire. Parklife is full of songs that, quite frankly, don't make much sense outside of the British Isles, songs that find joy in the mundane, like "Girls & Boys" (a song about working-class holidaymakers in the sun) and "Parklife" (a day in the life of a cheeky, unemployed bench-sitter). Witty, ironic and irreverent, Parklife remains one of those rare albums that sum up a specific place and time (Britain in the mid-1990s). For that reason alone, it can be considered one of Blur's finest albums. -- Robert Burrow Inkl. fragt: Ukendt |
Pris 35.22,-
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![Southern Culture On The Skids Countrypolitan Favorites [VINYL]](http://img.kelkoo.com/dk/small/038/581/130981408136383323438451971809112581038.jpg) |
Southern Culture On The Skids Countrypolitan Favorites [VINYL]Se flere produkter fra AmazonWhat a blast! Applying garage-band urgency to a selection of material that extends well beyond countrypolitan favorites, the freewheeling SCOTS demonstrate surprising range and ferocious chops. At the heart of this labor of love, as the album's title suggests, are crossover country favorites from an era when the music was a staple on Top 40 AM radio (where many fans first heard "Oh, Lonesome Me," "Wolverton Mountain," and "Rose Garden"). Yet the release shows an equal affinity for the rock of that era, as the band gives the Kinks' "Muswell Hillbillies" an arrangement that recalls the Sir Douglas Quintet, injects a guitar surge from "Gloria" into the (pre-Creedence) Golliwogs' "Fight Fire," savors the fuzztone dreaminess of T. Rex's "Life's a Gas," and transforms the Who's "Happy Jack" into a banjo-driven hoedown. In other highlights, the band puts pedal-to-the-metal overdrive into the psychedelic shimmer of the Byrds' "Have You Seen Her Face" and adds some pop bounce to the swamp blues of Slim Harpo's "Te Ni Ne Ni Nu." The result is an irresistible party platter. --Don McLeese Inkl. fragt: Ukendt |
Pris 106.11,-
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Various Artists Punkorama Vol.4: Straight Outta the PitSe flere produkter fra AmazonThe latest in a series of punk compilations courtesy of Epitaph Records, Straight Outta the Pit is a snarling, high-energy affair featuring 24 acts. With fervent music from the likes of Rancid, the New Bomb Turks, and Bad Religion, this collection showcases several top-notch punk ensembles. While all of the selections have been previously released, except for "Fight It" by L.A.'s Pennywise, there are some neglected classics to savor, including "Don't Panic" by Seattle's Gas Huffer, and "It's My Life" by the infamous Agnostic Front. The only performance that doesn't complement the raucous nature of Punk-O-Rama 4 is Tom Waits singing "Big In Japan," but it's a slice of skewed weirdness all the same. With a slew of superlative punk rock bands rounding out the lineup, this compilation consistently delivers. --Mitch Myers Inkl. fragt: Ukendt |
Pris 53.01,-
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Sex Pistols The Great Rock 'n' Roll Swindle: HighlightsSe flere produkter fra AmazonGiven that punk was supposed to blow away the hegemony of self-appointed "albums" artists, it's perhaps a little optimistic to expect a classic album by the Sex Pistols. Some would say that Never Mind The Bollocks was indeed such a thing; few though, would make the same claim about this, the accompanying album to the band's eponymous movie. That's not, however, to say that The Great Rock'n'Roll Swindle doesn't yield some top moments: "God Save The Queen" and "Anarchy In The UK" still remain as beautifully nihilistic as pop can get. Alas though, Glen Matlock didn't stick around long enough to write a few more. What fills the gaps, in his absence, is a slew of occasionally amusing novelty songs ("Who Killed Bambi", Sid's "My Way", "Friggin In The Riggin"), lame covers ("Substitute", "Johnny B Goode", the afro-funk Pistols medley "Black Arabs") and a charming cameo from great train robber Ronnie Biggs on "Belsen Was A Gas". Perhaps you had to be there. --Peter Paphides Inkl. fragt: Ukendt |
Pris 48.41,-
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Original Cast Recording Guys and Dolls ObcrSe flere produkter fra AmazonThe original 1950 production of this classic played the mythical Damon Runyon world of New York City gamblers a lot straighter than the 1992 Broadway revival did. In fact, 1950 reviewers called this the " South Pacific of crapshooters." Alas, Guys and Dolls plays a lot better as a cartoon-like "fable" in the 1990s--which is why the revival is probably the definitive recording while this one is more a historical artifact. Still, it's a gas to hear Robert Alda (Alan's dad!) and Sam Levene originate the roles of Sky Masterson and Nathan Detroit, while both Vivian Blaine and Stubby Kaye (who actually gets most of the showstoppers) would repeat their roles in the otherwise dreadful 1955 Brando/Sinatra film version. And the Frank Loesser music is always great. --Bill Holdship Inkl. fragt: Ukendt |
Pris 57.26,-
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Oasis Standing on the Shoulder Of GiantsSe flere produkter fra AmazonWith Standing On The Shoulder Of Giants, Oasis--the self-professed "biggest rock & roll band in the world"--continue exploring their fascination with Great British Bands of the late 1960s. Paying homage to your heroes is one thing, but many of Standing On The Shoulder's best moments sound like their icons' worst. However, this is Oasis, and they do manage to pull some stunners out of their hats: "Gas Panic" and "Where Did It All Go Wrong?" demonstrate the command of catchy hooks and epic anthems that made their first two albums-- Definitely Maybe and (What's The Story) Morning Glory?--such classics. Elsewhere, their influences are more obvious. The psychedelic "Who Feels Love?" is a perfect example of George Harrison in full Eastern Mystic mode, complete with sitars, tablas and tape-loops. Outright rocker "Put Yer Money Where Yer Mouth Is" has the strut and stomp of vintage Doors or Rolling Stones, but is ultimately let down by its weak songwriting ("Ready or not, come what may/The bets are going down for judgement day"). The most dubious lyrics are saved for the Liam Gallagher-penned "Little James", his paean to paternal love which--perhaps unintentionally--contains some of rock's most laughable couplets ("You live for your toys, even though they make noise"). Standing On The Shoulder Of Giants doesn't represent a major step forward for Oasis, but it is a definite improvement on the band's previous album, Be Here Now. For stronger evidence as to why Oasis is credited with resurrecting Britpop in the late 20th century, newcomers to the band would do well to investigate Definitely Maybe or (What's The Story) Morning Glory?. -- Rob Burrow Inkl. fragt: Ukendt |
Pris 52.92,-
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Gong Ok Friends - 2001 TourSe flere produkter fra AmazonRelease Date: 2003-12-09, Audio CD, Gas Inkl. fragt: Ukendt |
Pris 114.96,-
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Southern Culture On The Skids Countrypolitan FavoritesSe flere produkter fra AmazonWhat a blast! Applying garage-band urgency to a selection of material that extends well beyond countrypolitan favorites, the freewheeling SCOTS demonstrate surprising range and ferocious chops. At the heart of this labor of love, as the album's title suggests, are crossover country favorites from an era when the music was a staple on Top 40 AM radio (where many fans first heard "Oh, Lonesome Me," "Wolverton Mountain," and "Rose Garden"). Yet the release shows an equal affinity for the rock of that era, as the band gives the Kinks' "Muswell Hillbillies" an arrangement that recalls the Sir Douglas Quintet, injects a guitar surge from "Gloria" into the (pre-Creedence) Golliwogs' "Fight Fire," savors the fuzztone dreaminess of T. Rex's "Life's a Gas," and transforms the Who's "Happy Jack" into a banjo-driven hoedown. In other highlights, the band puts pedal-to-the-metal overdrive into the psychedelic shimmer of the Byrds' "Have You Seen Her Face" and adds some pop bounce to the swamp blues of Slim Harpo's "Te Ni Ne Ni Nu." The result is an irresistible party platter. --Don McLeese Inkl. fragt: Ukendt |
Pris 97.26,-
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Grandaddy Just Like the Fambly CatSe flere produkter fra AmazonIf ever there were a band built to fade away rather than burn out, Grandaddy were it. For all their many highs they nearly always sounded like the batteries were running low. Sumday, their last album proper, especially was the sound of a band bumbling towards a dusty horizon with a squiffy smile and a tranquilizer dart hanging from a main artery. So to meet a resurgent Grandaddy is not only surprising, it also verges on cruel--they already have one foot out of the door following their split earlier this year. This goodbye album, in the context of the band alone, is remarkable for its success rate, not to mention its pulse. It makes a pretty bold statement in the context of the wider world too. It may not be directly comparable to their hermetically-sealed psychedelic masterpiece The Sophtware Slump, but it does draw brightly from all aspects of their existence and feels like it's sticking right behind the pace-maker. It doesn't slump once. "Jeez Louise" is old school Flaming Lips weird pop with the wind in their beards and the phaser guns out; "Summer.. It's Gone" is a gorgeous weightless acoustic ditty; "Rear View Mirror" is a box of 70s rock riffs in space and "Skateboarding Saves Me Twice" sounds like a synthesised Belle & Sebastian backing track on laughing gas. As posthumous releases go it is a triumph and needn't just rely on the charity of loyal completists.-- James Berry Inkl. fragt: Ukendt |
Pris 88.32,-
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Funker Vogt Execution TracksSe flere produkter fra AmazonWar and death are preoccupations of many industrial bands, but few are quite so engrossed by the topics as Germany's Funker Vogt. Execution Tracks, their third full-length, thus fits in nicely with past titles such as 1997's We Came to Kill and the double-EP collection Killing Time Again. Song titles like "The Voices of the Dead" and "Fortunes of War" indicate the kind of lyrical content FV traffic in, and the pictures of tanks and warplanes on the CD jacket should clean up any lingering confusion. As for the music, this time around the band goes for a cleaner, even more techno-influenced aggression--as if one were present at a rave held in a World War I trench following a mustard-gas attack. The rhythm patterns aren't quite as aggressive as they've been in the past (battle fatigue, perhaps?), but Jens Kästel's growled, processed Vocals of Doom pack enough of a wallop to scare the combat boots off you. A competent, solid effort. --Steve Landau Inkl. fragt: Ukendt |
Pris 141.51,-
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Bloc Party Silent AlarmSe flere produkter fra AmazonStyled more along the lines of a revolutionary cell than a band, Bloc Party approach the medium of rock'n'roll with the sort of high seriousness usually reserved for philosophy lectures. Yet on their debut album, Silent Alarm, this "autonomous unit" of smart, wiry London youth don't just succeed in reinvigorating the artform - they come pretty close to reinventing it from the ground up. Whereas early singles like "She's Hearing Voices" found the band still attempting to chisel their own image out of familiar post-punk reference points - The Fall, Joy Division, and Gang Of Four, to name but three - newer tracks such as "Like Eating Glass" and the prickly "Price Of Gas" find Bloc Party pioneering a freshly-minted template of staccato percussion, expansive soundscapes, and cryptic lyrics that artfully straddle the political and the personal. Russell Lissack has forsaken that overdone hallmark of post-punk, brittle tortured-fretboard skronk, in favour of an effects-laden guitar sound that adds genuine prettiness to Bloc Party's edgy rush. But it's Kele Okereke's vocal that's the band's most flexible facet, morphing from frothing anger to breathless desperation. "Are you hoping for a miracle?" he bays, on "Helicopter". Yes? Well Silent Alarm ably fits the bill. --Louis Pattison Inkl. fragt: Ukendt |
Pris 35.13,-
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Joe Bonamassa Sloe GinSe flere produkter fra AmazonIn the liner notes of Sloe Gin, emerging guitar great Joe Bonamassa explains that one of his objectives is to experiment with acoustic elements he first encountered while listening to Rod Stewart's earliest work. "I think the heavy blues and acoustic mix well together," he writes, and the inviting variety of the disc's 11 tracks--from the rousing electric rave-up of the title track to the closing, tabla-propelled acoustic instrumental--persuasively underscores his point. Bonamassa is a major talent with a growing following, and as his fan base inevitably expands it may become difficult for him to keep everyone happy. Hardcore blues devotees no doubt will yearn for Bonamassa to stay perpetually plugged in, but in the long term that would be a disservice to his broad range of skills. Bonamassa rocks formidably and convincingly on "Dirt in My Pocket" (a bristling original composition), the title track (well suited for air guitar), and his Clapton-esque rendering of John Mayall's "Another Kind of Love." Yet his softer works suggest that he sounds a little more comfortable and natural--vocally, at least--on the acoustic tracks. His retooled version of "Around the Bend" (his first take on this original composition is found on an earlier release) is an engaging, pastoral gem, and his paean to his upstate New York home ("Richmond") is perhaps this disc's most memorable selection. Bonamassa knows the blues (at the time of this release, he was the youngest member on the board of the Blues Foundation), but he also knows how to rock and how to sagaciously, artfully ease off the gas. --Terry Wood Inkl. fragt: Ukendt |
Pris 79.47,-
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Gong 25th Birthday PartySe flere produkter fra AmazonRelease Date: 1995-07-31, Audio CD, Gas Inkl. fragt: Ukendt |
Pris 114.96,-
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Joe Bonamassa Sloe GinSe flere produkter fra AmazonIn the liner notes of Sloe Gin, emerging guitar great Joe Bonamassa explains that one of his objectives is to experiment with acoustic elements he first encountered while listening to Rod Stewart's earliest work. "I think the heavy blues and acoustic mix well together," he writes, and the inviting variety of the disc's 11 tracks--from the rousing electric rave-up of the title track to the closing, tabla-propelled acoustic instrumental--persuasively underscores his point. Bonamassa is a major talent with a growing following, and as his fan base inevitably expands it may become difficult for him to keep everyone happy. Hardcore blues devotees no doubt will yearn for Bonamassa to stay perpetually plugged in, but in the long term that would be a disservice to his broad range of skills. Bonamassa rocks formidably and convincingly on "Dirt in My Pocket" (a bristling original composition), the title track (well suited for air guitar), and his Clapton-esque rendering of John Mayall's "Another Kind of Love." Yet his softer works suggest that he sounds a little more comfortable and natural--vocally, at least--on the acoustic tracks. His retooled version of "Around the Bend" (his first take on this original composition is found on an earlier release) is an engaging, pastoral gem, and his paean to his upstate New York home ("Richmond") is perhaps this disc's most memorable selection. Bonamassa knows the blues (at the time of this release, he was the youngest member on the board of the Blues Foundation), but he also knows how to rock and how to sagaciously, artfully ease off the gas. --Terry Wood Inkl. fragt: Ukendt |
Pris 114.87,-
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Original Cast Recording Guys and Dolls - Original Cast AlbumSe flere produkter fra AmazonThe original 1950 production of this classic played the mythical Damon Runyon world of New York City gamblers a lot straighter than the 1992 Broadway revival did. In fact, 1950 reviewers called this the " South Pacific of crapshooters." Alas, Guys and Dolls plays a lot better as a cartoon-like "fable" in the 1990s--which is why the revival is probably the definitive recording while this one is more a historical artifact. Still, it's a gas to hear Robert Alda (Alan's dad!) and Sam Levene originate the roles of Sky Masterson and Nathan Detroit, while both Vivian Blaine and Stubby Kaye (who actually gets most of the showstoppers) would repeat their roles in the otherwise dreadful 1955 Brando/Sinatra film version. And the Frank Loesser music is always great. --Bill Holdship Inkl. fragt: Ukendt |
Pris 128.23,-
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Original Soundtrack Smoke SignalsSe flere produkter fra AmazonAt its best, the soundtrack to Smoke Signals is a beautiful experience--simple orchestrations with plaintive flute and guitar (just check out "Arnold Is Dead") give the soundtrack to this Native American-directed, -written, and -acted film an introspective feel. Too often, however, the otherwise moving score by B.C. Rich resorts to standard rock clichés. The electric guitar used throughout has a generic '80s metal sound, which does little to enhance the film's tone (unlike the included and wonderful vocal contributions from Native American ensembles Ulali and the Eaglebear Singers). Guitar-shaded soundtracks can work extremely well (check out the excellent Gas Food Lodging score). Here, however, the ax is up-front and distracting. It's a shame because on more subdued tracks like "Charles Bronson," "Fry Bread Riot," and "That's My Father," the Northwest Sinfonia is simply sublime. Cuts by singer/songwriters Dar Williams and Jim Boyd are also featured, making this soundtrack all the more powerful. --Jason Verlinde Inkl. fragt: Ukendt |
Pris 96.99,-
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Chieftains The Wide World Over: the Very Best of the Chieftains/a 40 Year CelebrationSe flere produkter fra AmazonOne of the elements that's made the Chieftains the stellar Celtic band in the world is their love of innovative collaborations with mainstream pop stars. The Wide World Over: A 40-Year Celebration gathers into a single collection some of the Irish ensemble's most memorable moments, including predictable alliances with artists such as Van Morrison, who sings "Shenandoah", to additional backing by the Irish Film Orchestra and unlikely pairings like the Rolling Stones, who add a rock kick and the "Satisfaction" riff to "The Rocky Road To Dublin". Cross-cultural experts Linda Ronstadt and Los Lobos demonstrate their versatility on the Mexican ditties "Txalaparta" and "Guadalupe", on which pipes and pennywhistle don't seem a whisker out of place, while Ricky Skaggs points to the Irish and British roots of American country music on the rousing "Cotton-Eyed Joe". Art Garfunkel, Sting, Sinead O'Connor, Joni Mitchell and Elvis Costello are also featured in classic performances with the band, while a brand-new collaboration with Ziggy Marley yields a gorgeous Don-Was-produced rendition of Bob Marley's "Redemption Song". The cliché that there's a bit of the Irish in all of us proves true in this wide-ranging, constantly rewarding and frequently surprising collection. And the tracks on which the Chieftains go it alone are also a gas. --Bob Tarte Inkl. fragt: Ukendt |
Pris 44.07,-
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