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Gary Wilson Mary Had Brown Hair

Gary Wilson Mary Had Brown Hair

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Release Date: 2007-10-04, Audio CD, Stones Throw
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Gary Wilson Mary Had Brown Hair
Ralph Vaughan Williams Kissing Her Hair - Twenty Early Songs Of Ralph Vaughan Williams

Ralph Vaughan Williams Kissing Her Hair - Twenty Early Songs Of Ralph Vaughan Williams

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Release Date: 2008-02-18, Audio CD, Albion
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Ralph Vaughan Williams Kissing Her Hair - Twenty Early Songs Of Ralph Vaughan Williams
Fonda 500 Number One Hi-Fi Hair

Fonda 500 Number One Hi-Fi Hair

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Audio CD, Truck
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Fonda 500 Number One Hi-Fi Hair
Tyrannosaurus Rex My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows [Expanded Edition]

Tyrannosaurus Rex My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows [Expanded Edition]

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Release Date: 2004-10-18, Audio CD, Commercial Marketing
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Tyrannosaurus Rex My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows [Expanded Edition]
McFly 5 Colours in Her Hair [CD 1]

McFly 5 Colours in Her Hair [CD 1]

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Release Date: 2004-03-29, Audio CD, Mca
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McFly 5 Colours in Her Hair [CD 1]
Marc Bolan My People Were Fair and Had Sky in Their Hair...: But Now They're Content to Wear Stars in Their Brows [VINYL]

Marc Bolan My People Were Fair and Had Sky in Their Hair...: But Now They're Content to Wear Stars in Their Brows [VINYL]

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Release Date: 2008-03-10, Vinyl, Vinyl Lovers
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Marc Bolan My People Were Fair and Had Sky in Their Hair...: But Now They're Content to Wear Stars in Their Brows [VINYL]
Eric Clapton One More Car One More Rider [2CD Plus DVD]

Eric Clapton One More Car One More Rider [2CD Plus DVD]

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For a man renowned for his sartorial elegance and the most prudently maintained facial hair in rock, you'd expect One More Car, One More Rider--Eric Clapton's first live album since 1992's zeitgeist-capturing Unplugged set--to be full of well-tailored highlights from his biblically-proportioned (well, some people still call him "God") back-catalogue of bristly, well kempt blues. And of course you'd be absolutely right. Recorded in Los Angeles and Tokyo during his 2001 world tour (the simultaneously released DVD of the same name is taken exclusively from the Los Angeles show) and featuring the musical accompaniment of such luminary hired-hands as Andy Fairweather-Low and Billy Preston, it's an album that serves to satisfy both the Clapton purist (there's a four-song segue of tracks from Pilgrim, shorn of their original anodyne synthesizer embellishments) and the adult popsters who prefer their blues from the decanter rather than the bottle ("Tears In Heaven", a sublime "Bell Bottom Blues" and a rather poised, applause-ridden "Layla"). It's a shame that the solo-slot extemporisations of Reptile--Joe Pass meets George Benson meets Weather Report--arrive a little too early in the main course for the listener to prepare for full-on mastication. And there also remains a minority of people for whom "Wonderful Tonight" is the biggest pre-coital turn-off this side of farting in bed (or "Lady in Red" by Chris de Burgh). However, such pallid flaws are only trifling grievances for One More Car, One More Rider is an engaging live document that finds Clapton far from asleep at the wheel. -- Kevin Maidment
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Eric Clapton One More Car One More Rider [2CD Plus DVD]
Spinal Tap This Is Spinal Tap

Spinal Tap This Is Spinal Tap

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One of the greatest ironies surrounding This Is Spinal Tap is that it's actually better than many of the recordings it parodies. Songs like "Tonight I'm Gonna Rock You Tonight", "Hell Hole", "Heavy Duty" and even "Stonehenge" are fun, 1980s-style rockers that any closet hair-band fan will enjoy, and "Sex Farm" and "Big Bottom" are hilarious, especially to those same closet fans. There's also the hippie-drippy "Listen to the Flower People" (even funnier if you've seen Rob Reiner's film of the same title), although Michael McKean and Christopher Guest singing "Cry, Cry, Cry All the Way Home" is sadly absent. The CD does lose some of its entertainment value if you haven't seen the film, but its mix of comedy and unabashed pop metal makes it the perfect party album. --Genevieve Williams
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Spinal Tap This Is Spinal Tap
Spinal Tap This Is Spinal Tap: Original Soundtrack

Spinal Tap This Is Spinal Tap: Original Soundtrack

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One of the greatest ironies surrounding This Is Spinal Tap is that it's actually better than many of the recordings it parodies. Songs like "Tonight I'm Gonna Rock You Tonight", "Hell Hole", "Heavy Duty" and even "Stonehenge" are fun, 1980s-style rockers that any closet hair-band fan will enjoy, and "Sex Farm" and "Big Bottom" are hilarious, especially to those same closet fans. There's also the hippie-drippy "Listen to the Flower People" (even funnier if you've seen Rob Reiner's film of the same title), although Michael McKean and Christopher Guest singing "Cry, Cry, Cry All the Way Home" is sadly absent. The CD does lose some of its entertainment value if you haven't seen the film, but its mix of comedy and unabashed pop metal makes it the perfect party album. --Genevieve Williams
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Spinal Tap This Is Spinal Tap: Original Soundtrack
Grinderman Grinderman

Grinderman Grinderman

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Grinderman is the sound of indie rock legends growing old disgracefully, and that is by no means a criticism. From the opening rant of "Get It On", this is an album with all the menace of an angry drunk, dripping with anger and testosterone (as the surfeit of facial hair in the band's interior photo will attest). It could even be the sound of Nick Cave's midlife crisis, but it doesn't matter, because Grinderman rocks. It's the sound of four musicians having a grand time, turning the volume up to eleven and really cutting loose. For that reason, it's the more upbeat tracks here that are probably the best: "Honey Bee (Let's Fly to Mars)" with its driving electric organ, the primal urgency of "Depth Charge Ethel" and the strutting album closer "Love Bomb". After all the po-faced seriousness he's displayed in recent years, it's good to know that Cave has rediscovered his sense of humour: "I cleaned the sheets on my bed, I combed the hairs across my head, I sucked in my gut and still she said, 'I don't want to'", he sings on "No Pussy Blues", with his tongue firmly in cheek (amongst other places). Simply put, Grinderman is a hoot. --Ted Kord
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Grinderman Grinderman
McFly Room on the 3rd Floor

McFly Room on the 3rd Floor

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McFly's Room On the 3rd Floor represents the triumphant welding of a major label's big-budget pop spend and bona-fide talent--a calculated attempt to win over kids who have grown cynical about the manufactured pop industry and crave something more real. Like those other "real" popstars Busted, they play their own instruments and write their own songs, but where McFly differ significantly is in their influences: they actually have some. The sound of lead single "Five Colours in Her Hair" and "That Girl" virtually (and refreshingly) pre-date the Beatles, harking back to Bill Haley and Chuck Berry, even if "Five ColoursÂ?" sounds like it's trying too hard in places--a forgivable and charming trait. It's a major gamble (how many 15 year olds are into the Beach Boys?) but it works. Both "Obviously" and the title track are simple, breezy acoustic strumathons ("Wake up early / Round seven thirty / Housekeeping knocking on my door") with the filtered influence of Noel Gallagher hanging around in the background. The only weakness is in the vocals, which too often sound whiney and diluted. With such blatant influences, there's an obvious lack of originality, but here the originality lies in actually having influences. Pop has come full circle. --Ben Johncock
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McFly Room on the 3rd Floor
Ligeti: Chamber Music

Ligeti: Chamber Music

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These chamber works bring Sony's adventurous, timely Ligeti series to a natural pinnacle. Long the challenger of stylistic stasis and customary demonstrations of excellence, Ligeti has outdone himself here (as he did with the fantastic Mechanical Music release). The Trio for Violin, Horn, and Piano (1982) challenges its players to stay in step with each other even while expanding virtuosity to the breaking point. Marie-Luise Neunecker plays such full horn parts that they roll flow over the tonal bounds, as does Saschko Gawriloff's violin and Pierre-Laurent Aimard's piano. The Ten Pieces for Wind Quintet (1968) and Six Bagatelles for Wind Quintet (1953) are each pivoted on a mixture of elongated and quickly abrupted figures. The wind quintets echo Neunecker's horn parts in their extensions of typical note ranges. Ligeti writes in the liner essay about looking to script extremities. The power of the writing comes across in the mottled mix of multiple instrumental pitches, making these fantastic. --Andrew Bartlett
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Ligeti: Chamber Music
We Are Scientists With Love and Squalor

We Are Scientists With Love and Squalor

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With their daft facial hair and questionable fashion sense, tank-top sporting Brooklyn supernerds We Are Scientists resemble those eccentric mathematics lecturers one use to see on Open University in the early 1970s. Do not be deceived by this veil of foolishness for With Love and Squalor is a splendidly dexterous debut, a lubricated salvo of trim pop-punk cramming 13 songs into an honorably waffle-free 36 minutes. Obvious touchstones include Franz Ferdinand (on fun setting) and the wit, jerk and pop inclination of XTC circa Drums And Wires and Black Sea. Exploding into action with the adrenalin swoop of "Nobody Move, Nobody Get Hurt" and "This Scene Is Dead" and taking in such other fine moments as the reggaefied "Can't Lose", the Terrorvision-meets-Buzzcocks "Callbacks" and nods to the mope-rock of The Cure on the philosophical experience-is-the-best-teacher procrastination of "Textbook". With Love And Squalor places "We Are Scientists" in line for this years Nobel Prize for punk-pop novelty. -- Kevin Maidment
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We Are Scientists With Love and Squalor
Gourds Bolsa De Agua

Gourds Bolsa De Agua

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Bolsa De Agua has all the Gourds' characteristic elements--guitarist Kevin Russell's barrel-chested vocals and cleanly strummed acoustic guitars; Jimmy Smith's tipsy vocals and thick, sometimes slappy bass; Keith Langford's thwacking drum punctuations; Claude Bernard's accordion (and more); and a host of here rootsily narrative, there freaked, lyrics. To wit: Smith singing woefully, with dramatic violin and accordion backing, "I drank so much coffee/Now my hair it sticks up like the startled squirrels". Even with such lines, though, the Gourds manage to balance (perfectly) the offhand humour of being Texans with small-town stories and musicians with a grasp and reach that connect in a way that defies alt-country stereotypes and blazes trails that only the Gourds will follow. -- Andrew Bartlett
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Gourds Bolsa De Agua
Andy Griggs You Won't Ever Be Lonely [Us Import]

Andy Griggs You Won't Ever Be Lonely [Us Import]

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A quick glance at the cover and inner-sleeve photos of Andy Griggs's debut album reveals this kid's most obvious selling point, aside from his light, twangily expressive baritone: an alluring Leonardo DiCaprio-Brad Pitt "look"--the stringy blonde hair, the fashionably stubbly beard. No doubt he'll make hearts throb in the teenage-female target group that the Nashville record hucksters seem to be lusting after these days. Griggs has a serious weakness for generic-sounding country-pop ballads. Yet the 26-year-old Louisiana-born singer delivers some impressive country grit and soul on gutsier songs like "Waitin' On Sundown," "A Side of Me," and the anguished "Ain't Done Nothin' Wrong"--one of four songs that Griggs cowrote. And he really rips things up on his spirited, worthy reprise of the Rodney Crowell classic "Ain't Livin' Long Like This." It just goes to show that you can't always judge a book (or a country CD) by its pretty-boy cover. --Bob Allen
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Andy Griggs You Won't Ever Be Lonely [Us Import]
Various Artists Rent

Various Artists Rent

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Into Broadway's creative vacuum of revivals, movie adaptations, and Hollywood star vehicles comes Rent, the story of squatters, junkies, performance artists, struggling musicians, drag queens, aspiring filmmakers, and HIV-positives (and you thought Miss Saigon's helicopter landing was cool). Undoubtedly among the defining pop cultural events of 1996, Rent has already won four Tony awards and a Pulitzer Prize for Drama. More importantly, it threatens to bring substance back to the Great White Way. Transposing Puccini's 100-year-old opera La BohÃ?me into modern day Bohemia (19th century Paris's Left Bank becomes late 20th century New York's East Village where the scourge of tuberculosis becomes the plague of AIDS) Rent celebrates life among the young, sick, and unconventional. While Broadway shows are hardly the place for authentic portrayals of the latest marginalized hipsters, composer Jonathan Larson (who died at age 36, days before his musical opened) managed to sculpt vivid characters and scenes that bring Avenue A as close as it will ever come to 42nd Street. And by telling a socially relevant story of living without the guarantee of a future (renting, that is), Larson does his own little bit to define an X'ed generation. At worst, Rent is the Hair of the 90s. For the majority of us who won't be seeing Rent any time soon, the Original Cast Recording is more than just an after-show souvenir. Well-packaged with a complete libretto, the two-CD set is a worthwhile album separate of live performance. Full of songs that are funny and catchy, inspiring and touching, smart and hip and not overly sentimental, Rent mixes show-tune pop with elements of rock, R&B, dance, gospel, and tango to make one of the best albums of the year--certainly the best rock opera in decades. La vie bohÃ?me, indeed. --Roni Sarig
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Various Artists Rent
Night Ranger Greatest Hits

Night Ranger Greatest Hits

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Night Ranger's career was certainly buttressed by MTV, which made the San Francisco Bay Area group a video staple in the early '80s. "Don't Tell Me You Love Me" stands as a fine piece of '80s hair metal, with bassist Jack Blades chunk-a-chunking his pickups to create that rock-locomotive sound. The band slows things down with "Sister Christian," a not-so-powerful power ballad that gave Night Ranger another significant single. Packaging a select portion of their catalog under the Greatest Hits banner is a bit of a stretch, though. Blades didn't even stick around for long, breaking away to join former Styx guitarist Tommy Shaw and Ted Nugent in Damn Yankees. For true devotees of '80s metal, Night Ranger's Greatest Hits is a must-have; for everyone else, enjoyment will last as long as a Night Ranger video. --Steve Gdula
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Night Ranger Greatest Hits
Various This American Life: Lies, Sissies & Fiascoes

Various This American Life: Lies, Sissies & Fiascoes

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Are you a sucker for a well-told story--one that'll make you hoot with pleasure, drop your mouth in disbelief, tear up with empathy? If that be the case, you're likely already a fan of the brilliant beyond-hip This American Life. If you're not yet familiar with the Public Radio show and its ingenious host, Ira Glass, Lies, Sissies & Fiascoes will tickle your ears and engage your sense of wonderment. Underscored by adroitly chosen musical bits from Jonathan Richman to Liz Phair to Yo La Tengo, The Best of TAL springs into action illustrating the criterion for true fiasco with Jack Hitt's lively narrative of an uproariously bad production of Peter Pan. David Sedaris recounts reeling off insults and complaints in iambic pentameter as a teen bitten by the Drama Bug (which bites "Jews, homosexuals and plump women who wear their hair in bangs" the hardest). Dishwasher Pete tells how he duped the Letterman show, Scott Carrier gives a moving account of how his life unraveled and came back together during the season he conducted interviews with schizophrenics, and Ira Glass sounds off on getting over heartbreak. --Paige La Grone
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Various This American Life: Lies, Sissies & Fiascoes
Bon Jovi Keep The Faith

Bon Jovi Keep The Faith

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Four years on from New Jersey, Bon Jovi re-emerged with stern expressions, short hair and outfits noticeably lacking on the sequinned codpiece front. New Jersey had hinted that Jon Bon Jovi wished to be taken seriously--as seriously as Bruce Springsteen, for example--and Keep The Faith confirms this suspicion. However, while Springsteen has been able to redeem himself for his occasional buffooneries with an innate self-conscious modesty, Jon Bon Jovi's career has been characterised by a failure to get to grips with his own absurdity--this, remember, is the man who sang "I've seen a million faces/And I've rocked them all" without so much as smirking. This is why the songs on Keep The Faith where Bon Jovi attempt profundity--like the interminable, point-free "Dry Country"--are virtually unlistenable, and why such ear candy as "I'll Sleep When I'm Dead" and "Bed Of Roses" is harmlessly beguiling. -- Andrew Mueller
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Bon Jovi Keep The Faith
Guitar Slim The Things That I Used to Do

Guitar Slim The Things That I Used to Do

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Slim's extreme stage persona has become legend: his habit of wearing a blue suit and blue shoes, topped off by a blue hair rinse; his audience walkabouts with an extended guitar lead; his cranked-up volume and distorted amp sound. He was a terminally competitive performer. Born down in Mississippi as plain Edward Jones, Slim's career was painfully short. He started recording in 1951, but after indulging in too much fast and hard living, was deep in the grave by 1959, buried with his axe. The core of a small but significant output was recorded for the Speciality label between 1953 and 1955. Slim's eponymously named theme tune lays down the manifesto, with its trebly, tooth enamel- scraping guitar, wired vocals and driving beat. His voice always came out tense, coiled with aggressive intent, his succinct solos replying argumentatively to each lyric line. "Well I Done Got Over It" has horns smeared across a finger-snapping beat, a rugged tenor solo emerging briefly, giving way to Slim's curt guitar scribbles. Ray Charles received an early break, playing piano on the album's brilliant title track, the tune by which Guitar Slim is most often remembered today. -- Martin Longley
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Guitar Slim The Things That I Used to Do
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