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Various Artists Now That's What I Call Music! Vol 53Se flere produkter fra AmazonIf you're going to buy a sturdy compilation of hits from the pop charts, Now That's What I Call Music 53 is the one to get. Weathering the storm for many years, the brand has survived thanks to its blend of pop, rock, soul and dance. This instalment includes a good selection of number ones from DJ Sammy ("Heaven") and the Sugababes ("Round Round"), to name but two. Other pop favourites include Blue ("One Love"), Las Ketchup ("Ketchup Song") and Darius with his number one "Colourblind". On an indie guitar note, there's the giant "In My Place" by Coldplay and "Check the Meaning" by ex-Verve Richard Ashcroft. From the heavy rock camp there's Puddle of Mudd ("She Hates Me") and Bowling for Soup ("Girl All the Bad Guys Want") and in the urban corner there's Eminem's "Without Me" and "Ms Dynamite's "Dy-Na-My-Tee". As ever there are bizarre inclusions: it's hard to imagine anyone listening to the likes of Liberty X or Britney Spears then getting deep down and dirty with Status Quo or Eva Cassidy but at the end of the day, diversity is the nature of this beast. -- Georgina Collins Fragt: Ukendt! |
Pris 138.84,-
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Damned Grave DisorderSe flere produkter fra AmazonAt the beginning of the Damned's Grave Disorder, "I suspend the sitting, grave disorder having broken out", is barked by the admonished voice of then Speaker of The House Of Commons, Bernard Weatherill, before chunky fuzzed-up guitars and power drums jump-start a frantic poppy rant about revolution changing nothing and voting changing even less. Ah, the mirth and the mayhem. And--come to think of it--the melody and the macabre. The Damned are back and--thank hell--all their faculties are intact. Superannuated punks, ceaselessly providing live music for Britain's gnarly pallbearers to pogo to, Grave Disorder is only the Damned's fourth studio album in 16 years and, remarkably, the first to feature bereted loonball Captain Sensible since October 1982. Rat Scabies has gone, to be replaced by ex-English Dogs tubthumper Pinch, Monty Oxy Moron is in on keyboards and Dave Vanian--he of the one-time gothic Dickie Davies hairstyle--remains at the vocal helm. Vanian even gets to sing a manly-voiced love song to missus and bassist Patricia Morrison (formerly of Sisters Of Mercy) which humorously robs Chris Isaak's "Wicked Game" of a few chords. Vanian, actually, is at the top of his game: "Absinthe" , his tribute to the hallucinogenic washing-up liquid of Fin De Siecle Paris is a wonder; "Amen", a grimly insurgent anti-religion rocker with clanging church bell samples is hilarious; and the Andrew Lloyd-Webber treatment on the brilliant "Beauty of the Beast" (Vanian's tribute to the flesh-crawling artfulness of the vintage black and white horror flick) only makes you mad that the Damned never got around to doing a gothic version of Phantom of the Opera in their 1980s heyday. Even so--from the spiky, surfed-up ode to Internet addiction on "Song.com" to the political wryness of "W" (surely pronounced "Dubya")--this is neat, neat, neat all the way and probably the finest album the Damned have ever made. --Kevin Maidment Fragt: Ukendt! |
Pris 106.40,-
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Nils Petter Molvaer Solid EtherSe flere produkter fra AmazonNorwegian trumpeter Nils Petter Molvaer has cropped up as a sideman on a number of ECM releases by Arild Andersen, Jon Balke, Sidsel Endresen and others, and was a regular in George Russell's orchestra, when he made his sensational debut as leader on ECM. 1997's Khmer brought the contemporary sounds of drum & bass to a label mostly noted for a mixture of cool and minimalist Scandinavian jazz and the work of selected American masters. Tracks were remixed by leading names from the club scene, and the record won a roster of awards. This follow-up inevitably lacks a little of the shock value that accompanied Khmer but it's a fascinating project. It once again pits Molvaer's fragile, soft trumpet against rock and dance drum beats, programmed electronically by Molvaer, played live by Per Lindvall (ex-Abba) and Rune Arnesen, and looped by DJ Strangefruit. Most of the record's more interesting moments happen over a rattling drum & bass background. However, Solid Ether still reflects most on the combination of busy electric rhythm section and sparse, breathy, introverted brass of Miles Davis' 70s and 80s recordings. -- Linton Chiswick Fragt: Ukendt! |
Pris 120.40,-
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Bright Eyes Letting Off the HappinessSe flere produkter fra AmazonLast year, Wichita released Fevers and Mirrors in the UK, an album that some of us erroneously believed to be the debut from tortured, soulful, ex-Catholic and Nebraskan, 20-year-old Conner Oberst. Erroneously, because in fact Oberst had already released two previous albums, A Collection of Songs (written and recorded between 1995-1997) and 1998s Letting Off The Happiness. (This, after forming Commander Venus at the age of 14, and releasing another two albums!. As might be expected from a precocious artist who has excited comparisons with Elliott Smith and Daniel Johnston, this is a raw and intimate affair: "Contrast And Compare" strangely sounding like Flaming Lips, "The City Has Sex" as frantic and oversensitive as Oberst's British fans have come to expect, "Touch" saturated in layers of emotion. Members of Neutral Milk Hotel and Of Montreal contribute, and the resulting album is less polished than Fevers And Mirrors, less accomplished, but nonetheless wonderfully affecting. -- Jerry Thackray Fragt: Ukendt! |
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Hot Chip The WarningSe flere produkter fra AmazonThe second album from Hot Chip, The Warning sees these inspired pop alchemists pull off some truly devious musical juxtapositions. Scholars of music from Timbaland to Stevie Wonder to the Aphex Twin, this South London quartet make quirky, ideas-packed vocal electronica perpetually veering between moments of bliss, humour, and sheer sonic mentalism - take the opening "Careful", vocalists Alexis Taylor and Joe Goddard sweetly harmonising "Every year, exactly this time of year/They float a balloon up into the air", as the tune leapfrogs along on the sort of demented breakbeat rave seldom seen outside a Squarepusher record. Luckily, Hot Chip know enough not to sabotage all their elegant pop moments. "Boy From School" cribs deliciously from Stardust's robo-Balearic anthem "Music Sounds Better With You", while "Over And Over" ("Like a monkey with a miniature cymbal/The joy of repetition really is in you") is bouncy testament to the joy of dumb, fun dance music. Further in, too, there's sweet moments like "Look After Me", an R&B-tinged plea to an ex-lover, that sees these clever-clever white boys succeed in getting sentimental without resorting to irony. A dream synthesis of warmth and intelligence. -- Louis Pattison Fragt: Ukendt! |
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Le Tigre Le TigreSe flere produkter fra AmazonLe Tigre's self-titled debut is a wonder of postmodern, lo-fi indie rock. Ex-Bikini Kill Riot Grrrl Kathleen Hanna has toned down the tuneless rage of her former band, and with the assistance of her artsy friends Johanna Fateman and Sadie Benning, has created an album of tuneful rage. Pop songs, no less. Casting a critical eye over the contemporary urban scene they inhabit, Le Tigre is packed with acerbic wit and referential wordplay shouted against a backdrop of guitars, sythesizers, beats, samples and, apparently, anything else to hand in the studios and bedrooms where it was recorded. "What's Yr Take On Cassavetes" starts off with a Shangri-Las-inspired spoken intro, before launching into a shouted debate about the merits of the film director ("Misogynist?/Genius?"); "Hot Topic" namedrops dozens of feminist icons; and "My My Metrocard" attacks the controversial policies of New York City mayor Giuliani ("He's such/A fucking jerk/Shut down/All the strip bars/Workfare/Doesn't work"). A raw, inspired and altogether promising debut. --Robert Burrow END Fragt: Ukendt! |
Pris 83.23,-
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James Hardway Moors and ChristiansSe flere produkter fra AmazonMoors and Christians is the fourth album from Englishman James Hardway, aka David Harrow, ex-member of Jah Wobble's Invaders Of The Heart and collaborator with the likes of Andy Weatherall and Billie Ray Martin. His previous albums have operated at the mellower end of the admittedly unsettling spectrum where jungle-y breakbeats meet improvised jazz. With this album, though, he's obviously decided that his net of inspiration wasn't spread wide enough and has gone raiding in the Caribbean for an invigorating set of world beats to supplement his previous sound. This input was initially recorded live and feels fresh, with percussion contributions reminiscent of the Buena Vista Social Club coming from Havana sessions and vocal contributions recorded both there and in Kingston, Jamaica. Fitting singing over danceable grooves is always a delicate art and the vocals feel crude and clunky on "Crystal Ball". Usually, however, they fit the spirit of the music well and sometimes, as on "Movin On" and "Choco Blanco", (incidentally the two well-chosen singles) they are quite brilliant. With the help of London-based musicians including Theo Gordon's Urban Horn section and his own intrumental and production contributions Hardway creates a seamless package from these disparate elements. The admirable aim seems to be to create a modern music driven by meaty real-time grooves and his success makes Moors and Christains a genuinely interesting exploration. -- James Swift Fragt: Ukendt! |
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Chris Isaak Wicked GameSe flere produkter fra AmazonIt only took one song from a David Lynch film ( Wild At Heart) to launch a coiffed Canadian ex-boxer on the international stage but, as this anthology of songs culled from his first three albums shows, Wicked Game was far from a fluke. A voice seemingly cloned from Roy Orbison's very own DNA--coupled with the kind of looks that go straight to a woman's knees--meant that Chris Isaak didn't need to be a great songwriter. And yet only one of these haunting hymns to heartbreak (The Yardbirds' classic "Heart Full Of Soul") wasn't written by Isaak. So what does this teach us? Merely that: (a) God isn't exactly fair in his distribution of qualities; and (b) don't believe those nay-sayers who claim that all the best tunes have been taken up. "Lie To Me", "Blue Hotel" and, of course, that awesome theme to Wild At Heart are melancholy masterpieces of their genre. -- Peter Paphides Fragt: Ukendt! |
Pris 55.33,-
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Haunted One Kill Wonder: Special EditionSe flere produkter fra AmazonAs they feature several ex-members of At the Gates, you'd expect the Haunted to deliver superior material. But One Kill Wonder, the follow-up to the excellent The Haunted Made Me Do It, is unexpectedly superb. Only 38 minutes in length, it's short but perfectly formed--there are no fillers. And it's not a simple, adrenalin-fuelled rush, either. Tracks blend into one another, piercing guitars meld beautifully with vocal shrieks, grand melodies dominate the awe-inspiring charge. The Haunted claim to be inspired by old-school thrashers like Testament, but their influences clearly stretch back further to more classically musical outfits like Rainbow and the Scorpions (though they eschew the vocal pyrotechnics of Dio and Klaus Meine). The eastern-tinged dual guitar assaults of "Shadow World" and "DOA" recall the Schenker brothers at their most brutal, while the super-dramatic instrumental "Demon Eyes" fades out with a medieval swing worthy of Ritchie Blackmore. Naturally, of course, One Kill Wonder is also righteously heavy. Few can match the intensity and power of "Urban Predator", "Downward Spiral" and "Bloodletting" and this--with all five members sharing songwriting duties and the same unshakeable firmness of intention--is surely thanks to a genuine group effort. It's quite brilliant. --Dominic Wills Fragt: Ukendt! |
Pris 120.40,-
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Eyes Adrift Eyes AdriftSe flere produkter fra AmazonEyes Adrift represents the first teaming up of Krist Novoselic with guitarist Curt Kirkwood and drummer Bud Gaugh. Novoselic's previous project, Sweet 75--a misplaced team-up with a Seattle-based Brazilian singer--should never have merited a release, but rock has always placed great store in its own heritage. Fortunately so, as the ex-Nirvana bassist's new band Eyes Adrift--a "tragedy all stars"--draws on a rich vein of lilting psychedelic country rock that borrows heavily from the mid-period career of another of its members, the Meat Puppets' Curt Kirkwood (Nirvana had already famously acknowledged the Meat Puppets' influence on their MTV Unplugged album). No worrying third language vocals here: instead, there's resonant Americana, strung out over solid, mature vignettes like "Alaska" and "Pyramids", augmented by Gaugh (ex-Sublime)'s sensitive drums. No howls of rage here, just lyrical poignancy. --Everett True Fragt: Ukendt! |
Pris 83.32,-
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Foreigner Very Best of Foreigner... and BeyondSe flere produkter fra AmazonFeaturing three new tracks and liner notes, The Very Best attempts to bring Foreigner into the 1990s as a viable, working band. Problem is, the most convincing songs here are those recorded during the band's first four albums when they were young and, if not hungry, at least not played out. "Jukebox Hero", "Hot Blooded", "Head Games", and "Cold As Ice" all sound as ripe and ready for radio as the day they were released. Singer Lou Gramm gave Foreigner its face and with the counterpunch of ex-Spooky Tooth guitarist Mick Jones proved a formidable team. The inclusion of their gospel-influenced hit "I Want to Know What Love Is" is the only addition from the 10-cut greatest hits album Records. --Rob O'Connor Fragt: Ukendt! |
Pris 41.52,-
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Various Artists At Least You Can Die With a Smile on Your Face: a Bella Union Compilation 1997-2002Se flere produkter fra AmazonCelebrating five years of London-based indie label Bella Union, At Least You Can Die... brings together the diverse and innovative sounds that have dominated its output to date. One minute it's apocalyptic country rock from self-styled Texas rangers Lift to Experience, the next it's indie pop from one-time trip-hopper Kid Loco. Rothko's desolate contribution is a real treat, just check out those haunting, disembodied voice samples above the mournful violins. Likewise, the Dirty Three take their heavenly, folk-laden strings to dramatic peaks reinforcing the cinematic element so important for many of the acts here. But it is not all downbeat soundscapes, as new signing Garlic with their Pavement stylings or indeed Jack Dangers with his dub influenced electronica prove. A label founded by ex-members of the Cocteau Twins (Simon Raymonde and Robin Guthrie) was never going to shy away from taking a risk on something a little more interesting; thankfully for us it certainly paid off. It's not bad for your first five years, keep up the good work. -- Caroline Butler Fragt: Ukendt! |
Pris 83.32,-
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Mark Knopfler All The RoadrunningSe flere produkter fra AmazonOver the last seven years, Mark Knopfler and Emmylou Harris quietly recorded an album by stealing "a few precious hours of studio time here and there," as the ex-Dire Straits singer/guitarist puts it. Good thing they kept it largely under wraps--expectations would have pushed through the clouds, especially as Knopfler conjured 10 of the 12 cuts, and Harris, who writes potently, but little, contributed two ("Love and Happiness," "Belle Starr"). Yet now that it's here, All the Roadrunning--while beautiful--seems somehow underwhelming, and without a true centerpiece. Anyone familiar with the artists' famous catalogues would expect the repertoire to be poetic and brooding, and that Harris's ethereal soprano would add light to Knopfler's dark Prozac rumblings. But the surprise is that the album is too tame, never breaks out of its midtempo groove, and never takes any big chances. That said, there is much to like: The marital scrapbook romp of "This Is Us," the bluesy bickering of "Right Now," the wrenching poignancy of the 9/11-inspired ballad "If This Is Goodbye." Knopfler, ever the hypnotic guitarist, turns in some thrillingly droll and laconic vocals, and Harris brings the spirited coltishness of her early work to "Belle Starr." In the end, though, this is not so much a duet album as two famously melancholy musicians singing together--at times, strikingly so. -- Alanna Nash Fragt: Ukendt! |
Pris 92.50,-
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Catatonia Paper Scissors StoneSe flere produkter fra AmazonWhat a welcome surprise. Paper Scissors Stone represents a major rebirth for Catatonia. Two years previously, the Welsh band's outlook appeared bleak. Sales of their 1999 album, Equally Cursed and Blessed, foundered at 300,000, less than one-third the sales of its predecessor, International Velvet. A UK tour was cancelled among whispers of alcohol abuse and breakdown s; Britpop's demise looked to have claimed another victim, which is why this startling return to form is so heartening. Catatonia have never sounded better. From the opening "Godspeed", a lush, orchestral lament for a dying love, Paper Scissors Stone is a vivacious and flamboyant suite of music. Cerys Matthews is in tremendous voice, her husky, litling Valleys tones lending quavering humour and pathos to "The Mother of Misogyny" and "Blues Song". Truly, nobody else sings like this. Yet Cerys' idiosyncratic rasp resonates only because her ex-beau, guitarist and songwriter Mark Roberts pens such strong and expressive songs. She must surely find it claustrophobic to sing bitter love songs written by a former partner, but it works, compellingly. "Imaginary Friend" and "Village Idiots" are luscious and lovely, yet the stand-out track is the raucous "Is Everybody Here on Drugs?" Roberts claims it's an anti-Prozac anthem but, face facts, it'll be a defiant sing-along anthem at every Catatonia gig for years. --Ian Gittins Fragt: Ukendt! |
Pris 27.62,-
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Richie Hawtin Decks Efx and 909Se flere produkter fra AmazonEx-Plastikman techno artist Richie Hawtin's latest release continues his predilection for stripped-down beats and less-is-more aesthetics, slamming down the needle on a record of merciless mixes and remixes. It's quite a workout, with relief coming only in the form of occasional, slightly quieter thumps. Hawtin works with slices of his own material, along with the ruthless concoctions of Jeff Mills and a selection of other DJs from Detroit's influential techno community. Other eclectic influences make their way onto his turntables, the most obvious being a flash of industrial rock courtesy of Nitzer Ebb. Most of it gets swallowed up in Hawtin's metronomelike devotion to rote bpms and hard, minimalist stylings. Still, when it's done with this level of driving force, the sheer momentum is enough to force your limbs into involuntarily movement. From the opening pulse of Ratio's "Early Blow," Hawtin extrapolates on a short beat structure with perfectly rhythmic precision, growing and building through a series of melodyless phases. The album peaks with the Nitzer Ebb break, leading into Hawtin's short, irresistible remix of his own "Orange/Minus 1" then abruptly stopping with one of the album's few respites--a quick clip of movie dialogue. It's a brief pause, and the omnipresent beat restarts only slightly less demanding and brutally danceable than before. Hawtin's record is a stellar example, at a time when twisted jungle beats rule the dance floors, of getting people to dance a lot more by using a lot less. --Matthew Cooke Fragt: Ukendt! |
Pris 78.60,-
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International Noise Conspiracy New MorningSe flere produkter fra AmazonThe CD booklet for A New Morning comes replete with a lengthy rant against the "'evil' capitalist appropriation of authentic cultural practices". The songs draw inspiration from the Toxteth Riots, Jean Genet, Milan Kundera, George Orwell and Bikini Kill. The album title was inspired by the Weathermen and Bob Dylan. Even their name is a call to arms. So it comes as no surprise that this fiercely polemic, intelligent agit-pop group from Umea, Sweden have a chequered history: from touring hidden underground clubs in China during 1999, to releasing a "too political" debut album (2000's Survival Sickness) supporting At the Drive In and Monster across the Western world. Their music has an edgy, rhythmic quality reminiscent of fellow counter-culture heroes Holland's Ex and the UK's Chumbawamba, and early punks such as the Clash and Au Pairs. Sometimes, it sounds a little outdated (the Redskins-style white soul of "Bigger Cages, Longer Chains") but music this inspirational never sounds old for long. -- Everett True Fragt: Ukendt! |
Pris 74.06,-
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Mark Lanegan Band Here Comes That Weird ChillSe flere produkter fra AmazonHere Comes That Weird Chill could be the album that finally brings Mark Lanegan to the fore. After 17 years' diligent toil at the grunge yoke fronting Seattle rockers the Screaming Trees, Mark Lanegan chose to jump ship, drifting free from the band he'd steered since he was a teenager and letting the tides carry him. Mere months later, he'd washed up as a key touring member of one of rock's most notorious companies, Queens of the Stone Age. It's this band that makes up the key players of this monolithic sixth solo album from Lanegan. With a revolving team of musicians that includes QOTSA's Josh Homme and Nick Oliveri, Masters of Reality's Chris Goss, Ween's Dean Ween, and Greg Dulli (ex-Afghan Whigs, now fronting the Twilight Singers), this is something of an all-star cast. But Lanegan is nothing if not a commanding presence, his grizzled vocal chords, rough as sandpaper and deep as a grave, musing long and hard on love, mortality, narcotic bliss and the inevitable hangover that follows. Grim opener "Methamphetamine Blues" is a hefty slab of deathly psychedelia, marching forth on a violent metallic drum-loop, while a cover of Captain Beefheart's "Clear Spot" is roughshod lo-fi to its super-dense core. But it's the majestic piano lament of "Lexington Slow Down" that suggests Lanegan may still have a seat next to Nick Cave and Tom Waits in the canon of rock's doomed romantics. --Louis Pattison Fragt: Ukendt! |
Pris 50.79,-
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Richie Hawtin Decks, EFX & 909Se flere produkter fra AmazonEx-Plastikman techno artist Richie Hawtin's latest release continues his predilection for stripped-down beats and less-is-more aesthetics, slamming down the needle on a record of merciless mixes and remixes. It's quite a workout, with relief coming only in the form of occasional, slightly quieter thumps. Hawtin works with slices of his own material, along with the ruthless concoctions of Jeff Mills and a selection of other DJs from Detroit's influential techno community. Other eclectic influences make their way onto his turntables, the most obvious being a flash of industrial rock courtesy of Nitzer Ebb. Most of it gets swallowed up in Hawtin's metronomelike devotion to rote bpms and hard, minimalist stylings. Still, when it's done with this level of driving force, the sheer momentum is enough to force your limbs into involuntarily movement. From the opening pulse of Ratio's "Early Blow," Hawtin extrapolates on a short beat structure with perfectly rhythmic precision, growing and building through a series of melodyless phases. The album peaks with the Nitzer Ebb break, leading into Hawtin's short, irresistible remix of his own "Orange/Minus 1" then abruptly stopping with one of the album's few respites--a quick clip of movie dialogue. It's a brief pause, and the omnipresent beat restarts only slightly less demanding and brutally danceable than before. Hawtin's record is a stellar example, at a time when twisted jungle beats rule the dance floors, of getting people to dance a lot more by using a lot less. --Matthew Cooke Fragt: Ukendt! |
Pris 115.76,-
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Hilary Duff DignitySe flere produkter fra AmazonIn the most dignified way possible, "Dignity"--the title track to this fizz-bomb of a dance-pop disc--sends a disgusted eye-roll and a flagrant puh- lease to underwear-eschewing celebutantes everywhere: "You'd show up to the opening of an envelope," sings Duff, who hangs onto her signature sweetness despite having entered full-on diss mode. "It's not news when you've got a new bag/It's not news when you're looking your best/Come on, give it a rest." Well said. And sung. Not that calling out the phony and the full of it is what Duff, or Dignity, is all about. Mostly, the disc is a beat-studded chronicling of an incredibly healthy 19-year-old psyche: On "Happy," she's happy despite an ex's attempts to make her miserable; on "With Love"--maybe her catchiest, most grown-up song to date--she's willing to accept rejection as long as kindness plays a role in its delivery. Musically, with the help of groove-conscious producers like Tim & Bob and Will.i.am, Duff edges ever closer to adult sensibilities; her goofball Lizzie McGuire days seem far behind. It's an evolution anybody could have seen coming, actually. Has there ever been a starlet with her head on straighter? --Tammy La Gorce Fragt: Ukendt! |
Pris 83.23,-
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Proud Mary Love and LightSe flere produkter fra AmazonFormer protégés of Noel Gallagher, Proud Mary came and went with one rather dull album, little fanfare and fewer record sales. Or so we thought. Enter Love & Light, the album that not many folk would have considered possible. And, even better than that; it's awesome. Peeling the band down to its nucleus of gravel-throated singer Greg Griffin and songwriter/guitarist Paul Newsome (along with the late addition of ex-Smiths bassist Andy Rourke) seems to have done the band some good as their previously scorned West Coast via Manchester Shipping Canal sound has become spacious and airy. Songs now employ finesse--sprightly acoustics and tight Crosby, Stills & Nash-style harmonies are welcome touches--where there was previously bluster, and occasional Zep/Stones funk pops up (most explicitly on "Blues"), though the melancholy spirit of latest single "Mexico" is certainly prevalent through out the album. The whole brew adds up to create a consistently excellent album, with the highlights being the anthemic Stephen Stills-alike productions of "Lady of the Country" and Neil Young-ish "Mundane Morning". This album is sure to delight fans of the first album who have willed them to return stronger, and will doubtless pick them up some new devotees along the way. --Thom Allott Fragt: Ukendt! |
Pris 92.50,-
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