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Squarepusher Hard Normal DaddySe flere produkter fra AmazonThe fusion of jazz and drum & bass has become the toast of the chattering classes, throwing up a canon of overlong epics like Goldie's Saturn Returnz. What a relief, then, for Squarepusher; Hard Normal Daddy comes as a gleefully psychotic antidote to such Tubular Bells-esque pomposity. In the spirit of Warp Records' prolific, dazzling, but sometimes difficult output, Hard Normal Daddy is a trailblazing work of half-mad genius. It's also the sort of record that might force your neighbours to buy earplugs. Shrugging off lightweight soundscapes with a pneumatic battery of drum & bass and cut-glass jazz, and forever goading you--the confused and frightened listener--to keep up the pace, the likes of "Vic Acid" are high-tempo blasts of solidified confusion. No, it isn't coffee table music. But whatever you do, don't try and dance to it either. --Louis Pattison Fragt: Ukendt! |
Pris 113.19,-
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Queens of the Stone Age Songs for the DeafSe flere produkter fra AmazonOn Songs for the Deaf, core Queens of the Stone Age members Nick Oliveri and Josh Homme, with the help of like-minded consorts Dave Grohl and Mark Lanegan, balance pure guitar-induced carnage with more complex, though no less aggressive, speed rock that whips by so fast it creates its own breeze. The disc explodes with "You Think I Ain't Worth a Dollar, But I Feel Like a Millionaire", a toxic squall of power chords and now-classic Oliveri death howls. It's here the album's recurring concept/conceit is introduced, as a generic-sounding announcer from LA's "Clone" radio spits out some psychobabble reinforcing the tired if true cliché that commercial radio stinks. Similar mock broadcasts surface elsewhere, but they're easily forgivable, given the bounty on offer. Homme-powered tracks dominate--the lurching, weirdly springy single "No One Knows" is a kind of "Monster Mash" for grown-ups; the vocal harmony-driven "The Sky Is Falling" is almost dreamy until a small army of guitars surge to the front lines to begin firing. And a lyrically winking hidden track, "Mosquito Song", is either an in-joke of ridiculous proportions or a declarative statement about the level of musicianship lurking just beneath the quaking veneer of the Queens' sound. Either way, genuine excitement comes early and often on Songs for the Deaf. It's a remarkable achievement--a hard rock record so good that it immediately evokes a conspiratorial fervour that makes you want to tell everyone you can about it. Er, job done. --Kim Hughes Fragt: Ukendt! |
Pris 141.52,-
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Marti Pellow Between the CoversSe flere produkter fra AmazonJudging by the boudoir innuendo of the title and Marti Pellows' dashingly ruffled appearance on the sleeve (the shagged-out Financial Advisor on-the-pull look), Between the Covers could be misinterpreted as an album aimed at maturer ladies who hanker after cheeky chappies but who'd probably rather prefer an unproblematic night in with the choccies and a pulp weepie. Actually, Between the Covers--cover versions of some of Marti Pellow's favourite songs, from James Taylor and Stevie Wonder through to such curmudgeonly charmers as Leonard Cohen is neither stuffed with blushing love odes nor does it pretend to be a jolly Robbie Williams-type thing. The former Wet Wet Wet pin-up has had his ups-and-downs but his stoical re-emergence and fresher state of mind is reflected, rather obviously, in numbers such as Paul Weller's "Brand New Start", the Beatles' "Don't Let Me Down" and Bill Withers' "Grandma's Hands"; songs that either espouse optimism or the probity of loyalty, friendship and familial strength. While Pellow's stark version of Joni Mitchell's "River" ("an optimistic song" he says, "depressing enough to bring tears to the eyes of Santa Claus" says everybody else) is cold and beautiful. Other numbers show a little too much respect (his rendition of the Pretenders' "Brass in Pocket" is as faithful as a nun), but when Pellow grabs a song by the privates and squeezes tightly, as on the blazing, string-drenched soul stomp through Neil Young's previously brittle "Lotta Love" it really is worth it. -- Kevin Maidment Fragt: Ukendt! |
Pris 28.13,-
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Nine Inch Nails Live: And All That It Could Have BeenSe flere produkter fra AmazonThe biggest difference between a kick-ass studio album and a kick-ass live album? Intensity. And All That Could Have Been, recorded on Nine Inch Nails' 2000 "Fragility 2.0" US tour, provides that trait in abundance. It helps that Trent Reznor has a band, instead of just a battery of keyboards, to help him work through 16 tracks of the raging yet surprisingly listenable musical vitriol that made him a star. The live musicians, who allow him some freedom to play with tempo, help kick "Closer" up a notch and lend some atmospheric weight to a slow version of "The Frail". The band rips into older material with gusto; Reznor sounds just as pissed off performing "Head Like a Hole" as he did in 1989. The CD closes with "Hurt", which might seem like an odd choice, but somehow, after everything that's come before, it's like the denouement of a tragedy. While a CD can only capture a piece of NIN's onstage energy, their first live album is an intense, sometimes overwhelming recording, further vindication of NIN's continuing popularity and influence. --Genevieve Williams Fragt: Ukendt! |
Pris 47.01,-
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Mazzy Star She Hangs BrightlySe flere produkter fra AmazonAfter Los Angeles's "Paisley Underground" movement ground to a halt, Rain Parade founder David Roback formed Opal with Dream Syndicate's Kendra Smith, whose replacement by relative newcomer Hope Sandoval gave birth to Mazzy Star. With one foot in ethereal art-rock and the other in high, lonesome psychedelia, this debut album has all the elements of the band's haunting sound. On "Before I Sleep" and "Sailing", Sandoval's vocals sound like the last bit of molasses dripping from a large, echo-laden jug, while Roback's guitar slips easily from shimmery arpeggios to earthy slides. They even rock out on "Ghost Highway" and get downright Doors-like on the title cut. And while their cover of Slapp Happy's "Blue Flower" may, er, pale before Pale Saints' version of same, this freshman effort is worth working your way back to. -- Bill Forman Fragt: Ukendt! |
Pris 51.74,-
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Poozies Raise Your HeadSe flere produkter fra AmazonThree albums-- Chantoozies, Dansoozies and Infinite Blue--and a great live reputation have established The Poozies as Britain's top all-female folk band. Drawing on the albums in chronological order, this anthology begins with two numbers from the EP Come Raise Your Head, the risqué title referring to "The Widow", a lady who "entertains" the devil 99 times in an exhausting evening. Songs such as "Honesty" and "Another Train" first appeared on Sally Baker's This Rhythm Is Mine, though these versions, recorded for Chantoozies after Baker formed The Poozies with harp duo Sileas, Mary Macmaster & Patsy Seddon, and Karen Tweed (accordion) prove remakes can top the originals. Baker's replacement, folk fiddle superstar Kate Rusby, features on the numbers drawn from Infinite Blue, though she only takes lead vocals on "Maid Of Llanwellyn". Seddon has the lead on two numbers, yet often the strength of The Poozies is their collective singing, whether in English or, more occasionally, in Gaelic on "Faca Sibh". Between the songs are several delightful instrumentals, the combination of harps, guitar, accordion or fiddle making for a clean, infectiously energetic and beautiful sound. A great introduction to the band, but be warned, you may soon be buying all the original albums as well. -- Gary S. Dalkin Fragt: Ukendt! |
Pris 113.10,-
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Michelle McManus The Meaning of LoveSe flere produkter fra AmazonThe unlikely but nevertheless welcome winner of Pop Idol 2003, the Scottish Cass-Elliot-like Michelle McManus is ill-served by some of the material and an awful lot of the presentation on her debut album The Meaning of Love. But that's surely par for the course: depending on one's viewpoint, Pop Idol's "viewer's choice" methodology is either a healthy, consumer-enfranchising democratisation of mainstream popular music or merely another way of cynically spoon-feeding the masses the opium they've already grown accustomed to. In winning Pop Idol, McManus defied existing stereotypes and thus deserves something a little more inventive than some of this prescriptive whitewash. She's been let down. Every potential nuance of individuality and spirituality on The Meaning of Love (standard themes are make-ups and break-ups, but this is no Pet Sounds) is smothered as the songs are shoehorned into an easy-listening straitjacket. So, poor Michelle can only sound polite when singing "Sometimes I'm mad and break something" on "Emotional" when she ought to sound like she's hurling the crockery around in a fit of anger. While the tunes are serviceable (it isn't hard to imagine the Bee Gees performing "Say It Isn't So") and the production is as smooth as an infant's rear only the hit single "All This Time" and the title track (slightly gospel, slightly Caledonian, slightly Lena Martell) fit her personality. -- Kevin Maidment Fragt: Ukendt! |
Pris 117.82,-
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Unsane Scattered Smothered and CoveredSe flere produkter fra AmazonIt's ironic that while Unsane's debut release, Total Destruction, chose to keep their tribal noise grindings fully intact and raw, when they dropped back to indie they added elements to make their music slightly more accessible. That's not to say Scattered, Smothered & Covered is any less visceral than their previous releases, but if their earlier work hacked into the listener's skull like a rusty saw, this one slices cleanly with a more refined, razor-sharp precision. You don't bleed any less, it's just slightly less painful. Gone is the incessant, driving tribal beat that their original drummer, Charlie Ondras (who died of a heroin overdose), made an Unsane trademark. His replacement, Vinnie Signorelli, provides a more standard rock-oriented thump that makes some of the tunes downright groovy. Were it not for all of the distortion the bass, guitar, and vocals are pushed through, Scattered, Smothered & Covered might actually find some FM radio success. Unsane, however, is nowhere near ready to compromise the extreme, bleak noise rock they've gnashed out since 1991. Still, this tightening of their sound is a great step forward for a band that seemed to have reached a musical dead end, and it'll surely prove that they're more than one-dimensional distortion-mongers. --Adem Tepedelen Fragt: Ukendt! |
Pris 84.87,-
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Original Soundtrack Tin CupSe flere produkter fra AmazonThis classy spinoff from the Kevin Costner golf comedy could be the real deal. Rather than oldies or pick-me-ups, this soundtrack features all -new tunes from a marquee cast led by Bruce Hornsby, Mary-Chapin Carpenter, Chris Isaak, Shawn Colvin, Jimmy Vaughan, and George Jones. --Jeff Bateman Fragt: Ukendt! |
Pris 99.03,-
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James Blunt All the Lost SoulsSe flere produkter fra AmazonIn 2005, James Blunt was everybody's favorite overnight success story. In 2007, he's the guy who's making rock meaningful again. All the Lost Souls, the sophomore effort from the Brit responsible for restoring the seriousness of "beautiful" as a compliment, brims with big build-ups, epic-sounding ballads, and lyrics to lose yourself in. The vibe, laid out neatly on first single and opening track "1973", is clear-eyed and heavy-hearted; in anybody over 35, it'll produce nostalgia tempered by hopefulness. Here's a set that suggests rock has got its head screwed on straight again, that the path to real feelings need not necessarily be led by Norah Jones. In anybody younger, it'll cause the unsinkable suspicion that a lot of modern balladeers should be digging deeper. But in both cases it will satisfy. Compared with David Gray and Damien Rice last time out, this time Blunt seems to owe a debt to Barry Gibb--his voice quavers as sweetly and with the same delicate reach. Stand-outs on a brief but dud-less set include "I Really Want You," in which the sound of Blunt's breaking heart is set sparely and elegantly to something approximating the chirp of a cricket, the poignant and desperate "Give Me Some Love", and the VH-1 ready "Same Mistakes." - Tammy La Gorce Fragt: Ukendt! |
Pris 188.72,-
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Ian Brown Unfinished Monkey BusinessSe flere produkter fra AmazonFormer Stone Roses front man Ian Brown's first solo album, Unfinished Monkey Business is a lo-fi indie offering. A raw, slightly unfinished feel pervades throughout, which can probably be attributed to Brown's insistence on playing even those instruments with which he is not really an expert, lending the album an irresistible unrefined ambience. Brown and co-writer Aziz Ibrahim, who was briefly John Squire's replacement in the Roses, draw on influences from the East with the use of tabla on tracks such as "Sunshine". There are also guest appearances by ex-Roses colleagues Reni (drums) and Mani (bass) on third single "Can't See Me", and Primal Scream/ Electronic chanteuse Denise Johnson on the fabulously unhinged "Lions". While there are a few misguided and self-indulgent noisy meanderings--"What Happened to Ya Part 2", for example--this is a great debut, notwithstanding the constant jibes at John Squire, whose dreary album with The Seahorses this eclipses on every count. --Ronita Dutta Fragt: Ukendt! |
Pris 37.48,-
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Blur 13Se flere produkter fra AmazonIt all begins with a music-box noise, not entirely unlike the beginning of Trumpton (you know, the kids' programme with the curiously named firemen). Welcome to yet another new identity for Blur. Gone are the caricatures of bed-and-breakfast owners and bankers, the cockernee knees-ups, football and pub laddisms. 13 is the starkest, most personal Blur album ever, going further in the direction the previous self-titled album hinted at. Dealing, for the most part, with frontman Damon Albarn's broken relationship with Elastica's Justine Frischmann, it's as if Blur have ripped their heart out and left the bloody mess for all to see. "Tender", with its repetitive cycle of a tune and gorgeous gospel choir, must surely remind you of someone special, while "No Distance Left to Run" is pure, unashamed heartbreak. Relief comes in the form of the sweet, Graham Coxon-penned "Coffee and TV" and "B.L.U.R.E.M.I", which recalls their punkier days. Oh, and "Bugman" appears to have utilised the previously untapped musical properties of a vacuum cleaner. "Country House" this is not. --Emma Johnston Fragt: Ukendt! |
Pris 47.01,-
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Original Soundtrack Happy FeetSe flere produkter fra AmazonOutside of Shrek and The SpongeBob SquarePants Movie, few kiddie flicks have fed a need to hear certain songs again as effectively. That's in part because of "Song of the Heart," a suitably frisky Prince number you won't find anywhere else. But it also has something to do with the efforts of some unlikely performers. Who knew Brittany Murphy could sing? "Boogie Wonderland," her cover of the '70s classic, crackles with big-voiced confidence, and "Somebody to Love," another classic cover, claws listeners in by the flipper-ful. Even Robin Williams' typically manic "My Way (a Mi Manera)" isn't without its charms. Nicole Kidman's "Kiss" mashed with Hugh Jackman's "Heartbreak Hotel" may be among the disc's weaker moments, but the grown-ups will like it that way--with their kind of star wattage, they're already stealing enough shows. And there's plenty to focus on besides them: standouts include Pink's untethered rendition of "Tell Me Something Good," K.D. Lang's beautiful Beatles medley "Golden Slumbers/The End," and the Beach Boys' underappreciated gem, "Do It Again." --Tammy La Gorce Fragt: Ukendt! |
Pris 103.66,-
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Monkees The Monkees Music BoxSe flere produkter fra AmazonAssembled via casting call as American television's answer to the Beatles, the Monkees incurred the wrath of "serious" critics from L.A. to London. But as initially manufactured pop commodities, the band distinguished itself from latter-day pretenders to the throne like The Backstreet Boys with a willful--and sometimes perverse--drive to wrest control of their own musical destiny from the all-star stable of songwriters and producers (including Boyce and Hart, King and Goffin, Mann and Weil, Neil Diamond and Chip Douglas) who made them pop stars. But then, maybe the notoriously frenzied 1960s had something to with it: their artistic legacy in that decade bridged both Don Kirshner and Jack Nicholson; it was Jimi Hendrix who opened for them. Even more unlikely, that legacy had a three-decade-plus staying power well beyond its obvious nostalgic charms. While Rhino has previously reissued and anthologised the Monkees' catalogue to seemingly exhaustive extremes, this four-disc, 99-track compendium (each individually annotated by band members and songwriters in the set's colourful booklet) is the only one that spans their full recorded output. Structured around the A- and B-sides of the band's singles, strong album cuts and outtakes (including three previously unreleased) it's a journey that's both comfortably familiar and occasionally surprising. The band's individual parts are showcased well: Mike Nesmith's tuneful, pioneering country-rock; Davy Jones' Broadway-honed panache; Peter Tork's spirituality and innate musical chemistry; Micky Dolenz' loopiness and occasionally avant-garde instincts. But by the sometimes spotty fourth disc (largely spanning the mid-70s to mid-90s), the band's output was hampered by partial line-ups, part-time commitments and, perhaps ironically, the lack of the very pop song-crafter thoroughbreds who helped establish their legend in the first place. -- Jerry McCulley Fragt: Ukendt! |
Pris 368.00,-
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James Blunt All The Lost SoulsSe flere produkter fra AmazonIn 2005, James Blunt was everybody's favorite overnight success story. In 2007, he's the guy who's making rock meaningful again. All the Lost Souls, the sophomore effort from the Brit responsible for restoring the seriousness of "beautiful" as a compliment, brims with big build-ups, epic-sounding ballads, and lyrics to lose yourself in. The vibe, laid out neatly on first single and opening track "1973", is clear-eyed and heavy-hearted; in anybody over 35, it'll produce nostalgia tempered by hopefulness. Here's a set that suggests rock has got its head screwed on straight again, that the path to real feelings need not necessarily be led by Norah Jones. In anybody younger, it'll cause the unsinkable suspicion that a lot of modern balladeers should be digging deeper. But in both cases it will satisfy. Compared with David Gray and Damien Rice last time out, this time Blunt seems to owe a debt to Barry Gibb--his voice quavers as sweetly and with the same delicate reach. Stand-outs on a brief but dud-less set include "I Really Want You," in which the sound of Blunt's breaking heart is set sparely and elegantly to something approximating the chirp of a cricket, the poignant and desperate "Give Me Some Love", and the VH-1 ready "Same Mistakes." - Tammy La Gorce Fragt: Ukendt! |
Pris 65.90,-
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![Girl Called Eddy A Girl Called Eddy [VINYL]](http://img.kelkoo.com/dk/small/594/437/152630197508647299200506771371879437594.jpg) |
Girl Called Eddy A Girl Called Eddy [VINYL]Se flere produkter fra AmazonA Girl Called Eddy is the rather unassuming name used by American-born singer-songwriter Erin Moran. On this, her debut album, she teams up with former Pulp guitarist and acclaimed solo artist Richard Hawley to produce an album of elegance and depth. Quite simply, A Girl Called Eddy is music made by grown-ups for grown-ups. The band, who also featured on Hawley's own opus Lowedges, create sophisticated arrangements that add an almost jazz-like feel to tracks like "Tears All Over Town", "Girls Can Really Tear You Up Inside" and "Life Through the Same Lens", yet they never threaten to overpower Moran's own tender and emotive voice. She is, after all, the real star here, and she proves her abilities both as a singer and as a lyricist throughout. "You're lonely like only the broken can know", she broods on "Somebody Hurt You", and her voice conveys both sympathy and intimacy, never an easy feat on a recording. This is a surprisingly accomplished debut album--dignified, literate and well-observed. Its mellow, relaxed pace may sound perfect for late-night listening, but A Girl Called Eddy will command your attention. --Robert Burrow Fragt: Ukendt! |
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Nick Warren Global Underground 24: Nick Warren in ReykjavikSe flere produkter fra AmazonAs the original Massive Attack tour DJ, Bristol's Nick Warren knows a thing or two about stringing a bunch of records together. As Reykjavik #024 shows, this is a man who weaves his cloth from the rumblings of both old and new, finding inspiration in the ponderous and more pumping ends of trance culture. Warren starts the first CD in finely chilled style. Dropping anything from slo-mo ambient to deep quilted dub (check out Boards Of Canada's weird rustic hip-hop melding into the nu-skool malevolence of Justin Simmons' "Helga Moller"), it's a head-nodder's delight. CD2 ups the dancefloor ante and brings together an alarmingly steady supply of top quality trancey prog-house cuts, battling it out for supremacy with hard to define bruisers like the rifftastic white label "Headpusher" from Dream Traveller. Truly, this man is to be trusted. -- Paul Tierney Fragt: Ukendt! |
Pris 141.52,-
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Ultrasound Everything PictureSe flere produkter fra AmazonThis album is huge. That might sound a wonderful thing: epic scope, lush arrangements, dizzying eclecticism. But no; Everything Picture, as the name might suggest, is a case of the let's-throw-in-the-kitchen-sink-as-well approach to ambition, and while in the case of the Beta Band, this can lead to some gloriously addled pile-ups, Ultrasound have decided to stretch their few good ideas shamefully thin. Over 102 minutes, and straddling the diverse genres of glam-rock, prog-psychedelia and ambient techno, it stands to reason that Ultrasound should hit the mark a few times. "Stay Young2 is a slow-burning wonder, and the sleek, concise "Same Band" barely sounds like the, uh, same band that's responsible for Everything Picture's bloated forty-minute finale. Sure, Everything Picture has some sweet peaks; so plentiful is the dross, though, it's about as satisfying as fishing for pennies in the dustbin. --Louis Pattison Fragt: Ukendt! |
Pris 122.63,-
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Original Soundtrack Spawn - the AlbumSe flere produkter fra AmazonAn ingenious idea: as the darker end of electronica turns up the volume with scant regard for petty glitches like distortion, and the massed ranks of big-shorted proto-industrial metallers discover that, like, a sampler is a really good way of annoying the neighbours, Spawn seeks to unite both tribes with an album of collaborations, all marching under the banner of neo-gothic cinematic ultra-violence. This is a good thing, mainly because it produces some inspired match-ups; Slayer and Atari Teenage Riot's "No Remorse (I Wanna Die)" is the track that was just begging to be written, but elsewhere Metallica's Kirk Hammet adds a whole lot of metal to Orbital's "Satan", and Roni Size teams up with Yank abstractionists Soul Coughing, offering the chopped-up jazz of "A Plane Scraped Its Belly On A Sooty Yellow Moon." Not quite the sum of its parts, but close. --Louis Pattison Fragt: Ukendt! |
Pris 65.90,-
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![Sepultura Arise [VINYL]](http://img.kelkoo.com/dk/small/458/631/59524873946428292025587506728894631458.jpg) |
Sepultura Arise [VINYL]Se flere produkter fra AmazonIn their previous seven years' existence Sepultura had steadily established themselves as Brazil's premier metal outfit, but it wasn't until 1991's breakthrough album Arise that they truly captured the hearts and minds of the international rock mainstream. Subsequently re-released with the addition of four bonus tracks--including the band's monumental annihilation of Motorhead's "Orgasmatron"-- Arise highlights Sepultura's irrefutable stylistic kinship to Metallica. The harmonic interplay between Max Cavalera's rock-solid rhythm work and Andreas Kisser's lead lines--on occasions the six stringed equivalent of a fully-throttled dentist's drill--is devastating. Max's tortured vocal, meanwhile, absolutely refuses to take prisoners while brother Igor's rhythmic battery is sheer, unfettered aggression. Moments of restraint, as on the quite astonishing "Altered State", merely accentuate the band's trademark brutality. Even with historical perspective, Arise retains its original ignominious appeal; an essential purchase. --Ian Fortnam Fragt: Ukendt! |
Pris 188.72,-
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