Søgeresultat: gigaset 3000
Andre 3000 Class of 3000

Andre 3000 Class of 3000

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Release Date: 2007-08-06, Audio CD, La Face
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Andre 3000 Class of 3000
Bran Van 3000 Discosis

Bran Van 3000 Discosis

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Discosis, the follow-up to Bran Van's 1998 debut (which featured the slow-burning summer hit "Drinking in LA"), is another ambitious mix of beats and space-age pop. The stand-out track is the opener, "Astounded", which came about when main Bran-man James Di Salvio approached Curtis Mayfield, shortly before his death. Too ill to perform, Mayfield offered Di Salvio use of his archive, and the latter sampled an unused vocal to create this large, luscious and deeply moving tribute to a soul hero. For the rest, Di Salvio has recorded satirical tales of urban loving and living with some classy collaborations--Momus, for instance, doing an admirable Jacques Brel impression on "More Shopping"; Big Daddy Kane playing blaxploitation king on "Loaded"; and Youssou N'Dour singing with his customary soaring lilt on "Senegal". --Lucy O'Brien
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Bran Van 3000 Discosis
Various Artists 3000 Volts of Stax

Various Artists 3000 Volts of Stax

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Release Date: 1994-03-28, Audio CD, Stax
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Pris 123.26,-

Various Artists 3000 Volts of Stax
Ost. Gumball 3000

Ost. Gumball 3000

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Release Date: 2004-05-03, Audio CD, Commercial Marketing
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Pris 85.31,-

Ost. Gumball 3000
Bran Van 3000 Glee

Bran Van 3000 Glee

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Audio CD, Audiogram
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Pris 137.49,-

Bran Van 3000 Glee
Original Soundtrack 3000 Miles to Graceland

Original Soundtrack 3000 Miles to Graceland

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Release Date: 2005-06-06, Audio CD, Tvt
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Pris 132.75,-

Original Soundtrack 3000 Miles to Graceland
Squire Hits from 3000 Years Ago: Remastered

Squire Hits from 3000 Years Ago: Remastered

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Release Date: 2007-07-23, Audio CD, Hi Lo
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Squire Hits from 3000 Years Ago: Remastered
Chris Liebing Collabs 3000: Metalism

Chris Liebing Collabs 3000: Metalism

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Release Date: 2005-11-14, Audio CD, Novamute
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Chris Liebing Collabs 3000: Metalism
Original Soundtrack Mr. 3000 [Us Import]

Original Soundtrack Mr. 3000 [Us Import]

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Release Date: 2004-09-14, Audio CD, Hollywood
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Pris 142.24,-

Original Soundtrack Mr. 3000 [Us Import]
Various Artists Mo'plen 3000

Various Artists Mo'plen 3000

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Release Date: 2002-06-24, Audio CD, La Douce
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Various Artists Mo'plen 3000
Various Artists Chicago Boogie: Paradisco 3000 Presents

Various Artists Chicago Boogie: Paradisco 3000 Presents

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Release Date: 2004-05-03, Audio CD, Eskimo
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Various Artists Chicago Boogie: Paradisco 3000 Presents
Schneider TM Skoda Mluvit

Schneider TM Skoda Mluvit

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Dirk Dresselhaus, aka Schneider TM, has long been adept at bringing together the worlds of indie and electronic music. His most famous moment to date was `The Light 3000', a cover of The Smith's "There's A Light That Never Goes Out", though he is also responsible for a plethora of other interesting experiments and hybrids. Skoda Miuvit - a phrase his Czech grandmother apparently used to say to banish anything disagreeable - sees the producer draw on everything from pop, blues, glitch, electronica, hip hop and indie rock to create a series of charming, if unpredictable, sonic vignettes. As with most Schneider projects there's a surprise around every corner, though his capacity to write compelling songs is more manifest here than on anything he's done before. Guests such as Berlin MC/poet Max Turner, Icelandic cellist Hildur Gudnadottir and regular collaborator Kpt. Michi.Gan all help keep the odd assemblages of sound engaging with vocal contributions that range from the funky to the profound. It's not to be recommended to fans of Madonna or Kylie, but Skoda Miuivit does boast plenty of deviant pop moments. --Paul Sullivan
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Schneider TM Skoda Mluvit
Original Soundtrack Practical Magic Ost

Original Soundtrack Practical Magic Ost

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How do you put together a soundtrack for a comedy about witches, 1990s style? Well, if she's young and her name is Sabrina, you compile an album of relentless teen pop and R&B hits. But if your witches are a little more mature (and, perhaps, suburban), as in Practical Magic, you use a different formula. And the brew found here is actually a good mix: Faith Hill gets as much play (one track) as Nick Drake and Joni Mitchell. Mitchell's "A Case of You" is simply great, and Bran Van 3000's "Everywhere" fits the folk-pop mould nicely, as does upstart Michelle Lewis's "Nowhere and Everywhere". The guys are the oddities here: Elvis Presley's "Always on My Mind" and Harry Nilsson's "Coconut" give this disc some fun quirks. Michael Nyman's two scoring tracks are light fare, but at least they're kept at the end of the disc. --Jim Young
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Original Soundtrack Practical Magic Ost
Led Zeppelin Presence

Led Zeppelin Presence

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Presence is one of Led Zeppelin's more overlooked albums, languishing in the monstrous shadow of its predecessor, Physical Graffiti. It's more noted in Zeppelin mythology for the circumstances in which it was recorded, in double-quick time with vocalist Robert Plant's leg in plaster after a car accident. The lack of time does show--much of the album feels like generic heavy rock, bigger on volume than variety. It's worth the price of the album, however, for the ten and a half minute long "Achilles Last Stand", a crashing, galloping epic with John Bonham sounding like he's eschewed drumsticks in favour of tree trunks--and "Nobody's Fault But Mine", a Blind Willie Johnson blues standard regenerated with a 3000-watt boost by Jimmy Page. Led Zeppelin's contribution to rock was primarily physical--raising its heat and density levels, heightening its sensual force. --David Stubbs
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Led Zeppelin Presence
Tracy Chapman Where You Live

Tracy Chapman Where You Live

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Tracy Chapman's seventh studio album, Where You Live, is not only a reflection of the issues concerning her own domicile but of the wider tribalist rancourings--class, race, religion and the economic divide--which fracture human accord. She's no ribbons and bows girl. Her spiritual (at least in a humanist sense) folk muse has often appeared hostile to window-dressing and affection (didn't Boyzone really miss the point by a mile with "Baby Can I Hold You"?) and the naked but steely-resolved material on "Where I Live" requires a commitment from the listener to eek out the essence. There's the terrifying personal assault tale of "3000 Miles" ("Soft skin against the cold concrete...i'll die here soon if i don't leave") and on a less individual footing the disgusted, martial-booted "America", like some nightmarish resurrection of Bob Dylan's "115th Dream" for the neo-conservative generation. Equally blessed are "Change" (surely Chapman's most mainstream-friendly venture since "Fast Car") and the ruefully blue "Don't Dwell", a timid unsentimental shiver of a warmer past. -- Kevin Maidment
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Tracy Chapman Where You Live
Led Zeppelin Presence [VINYL REPLICA]

Led Zeppelin Presence [VINYL REPLICA]

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Presence is one of Led Zeppelin's more overlooked albums, languishing in the monstrous shadow of its predecessor, Physical Graffiti. It's more noted in Zeppelin mythology for the circumstances in which it was recorded, in double-quick time with vocalist Robert Plant's leg in plaster after a car accident. The lack of time does show--much of the album feels like generic heavy rock, bigger on volume than variety. It's worth the price of the album, however, for the ten and a half minute long "Achilles Last Stand", a crashing, galloping epic with John Bonham sounding like he's eschewed drumsticks in favour of tree trunks--and "Nobody's Fault But Mine", a Blind Willie Johnson blues standard regenerated with a 3000-watt boost by Jimmy Page. Led Zeppelin's contribution to rock was primarily physical--raising its heat and density levels, heightening its sensual force. --David Stubbs
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Led Zeppelin Presence [VINYL REPLICA]
Mos Def The New Danger

Mos Def The New Danger

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More than a mere rap album, Mos Def's long-awaited The New Danger combines hip-hop, blues, soul, and rock in an 18-track package that seeks to transcend convention. In that sense, it shares a similar spirit with Andre 3000's The Love Below or Common's Electric Circus, with mixed results. Mos's reputation has been built on the strength of his lyrical charisma, and songs like "Close Edge," "Grown Man Business," and "Sunshine" show that his skills haven't faded just because he's Emmy-nominated. He's already proven that he can cut more than just street heat--best evinced on the soulful, poetic "Umi Says," a surprise hit from his previous release, 1999's Black on Both Sides. Yet, the rock- and blues-inspired songs here, while by no means poor, are acquired tastes, given their tendency to noodle--they simply can't compare with Mos's cutting verbal displays. The album's length and sometimes clunky sequencing can make for challenging listening, especially when so many of his more experimental cuts come early on. New fans might find the album's eclecticism intriguing, although older fans will likely be a bit perplexed. --Oliver Wang
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Mos Def The New Danger
Outkast Speakerboxxx / The Love Below [Explicit Version]

Outkast Speakerboxxx / The Love Below [Explicit Version]

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At a time when experimentation is taboo in most overground rap, that's all Outkast seem intent on executing. Firstly, the double CD Speakerboxxx/The Love Below has no cohesive link, other than the fact that it sounds like a pair of solo albums stitched together to demonstrate exactly how Andre's yin works to augment Big Boi's yang. Andre 3000's The Love Below disc rates as the more eclectic of the two, given that, on it, he's turned in his emcee credentials to become a full-on funk-soul-jazz vocalist who mostly sings about items of love ("Happy Valentine's Day"), carnal lust ("Spread") and female adoration ("Prototype"). Minus the big band schmaltz of "Love Hater" and cheesy cover jobs ("My Favorite Things"), Andre's disc is great. As is to be expected, the Big Boi disc is less arty, more gangsta and worldly, and features the less-progressive guest raps of ATL crunk purveyors Lil' Jon and the Eastside Boyz ("Last Call") and Jay-Z, who rhymes the hook on "Flip Flop Rock". Unlike Big Boi, Andre keeps his collaborations to a minimum, once crooning alongside Norah Jones on the cool yet sappy "Take Off Your Cool", and once with Kelis. Boi fulfils his Dungeon Family duty with flying colours by flipping some dirty southern up-tempo raps over electro beats on "GhettoMusick". By the time Cee-Lo sermonises on "Reset", Speakerboxx and Love Below rate mostly as majestic and inspiring, with the remaining 23 per cent being just plain incredible. --Dalton Higgins
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Outkast Speakerboxxx / The Love Below [Explicit Version]
Soundtrack Practical Magic

Soundtrack Practical Magic

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How do you put together a soundtrack for a comedy about witches, 1990s style? Well, if she's young and her name is Sabrina, you compile an album of relentless teen pop and R&B hits. But if your witches are a little more mature (and, perhaps, suburban), as in Practical Magic, you use a different formula. And the brew found here is actually a good mix: Faith Hill gets as much play (one track) as Nick Drake and Joni Mitchell. Mitchell's "A Case of You" is simply great, and Bran Van 3000's "Everywhere" fits the folk-pop mould nicely, as does upstart Michelle Lewis's "Nowhere and Everywhere". The guys are the oddities here: Elvis Presley's "Always on My Mind" and Harry Nilsson's "Coconut" give this disc some fun quirks. Michael Nyman's two scoring tracks are light fare, but at least they're kept at the end of the disc. --Jim Young
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Pris 118.42,-

Soundtrack Practical Magic
Outkast Stankonia

Outkast Stankonia

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With their fourth-album, Outkast invoke the rebel Southern spirit to full effect. Realising there is something rotten in the state of hip hop, the Atlantan local heroes have staked out their own territory, Stankonia, a Utopian republic representing the best of the Dirty South. As if in tribute to Funkadelic's America Eats Its Young , the album cover finds Dre and Big Boi staring out in front of a black and white stars and stripes. Inside they waste no time in revealing their radical agenda. "Don't everyone like the smell of gasoline?" hollers Andre 3000 on opener "Gasoline Dreams", as he sets fire to the constitution over a scorching electric guitar. The single "B.O.B." (aka "Bombs Over Baghdad") is Outkast's state-of-the-union address, a rousing gothic gospel number that advocates a "power music electric revival" as it approaches the speed of Reprazent's "Who Told You" and the epic feel of "Bohemian Rhapsody". On "Miss Jackson", they assume the role of exemplary southern Gentleman begging forgiveness from their hoochie's mama over a backing with spooky shades of Prince's "When Doves Cry". Elsewhere they eschew tradition (on tracks like "?", "Snappin & Trappin" and the B-Real-guesting "Xplosion") to invest their dirty funk with a distinctly avant-garde afro-sheen. Come election day, just sniff this stank to inhale freedom. -- Chris Campion
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Outkast Stankonia
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