Søgeresultat: hafa emotion
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Havana Life: Living in Fearless EmotionSe flere produkter fra AmazonRelease Date: 2006-04-17, Audio CD, Fragt: Ukendt! |
Pris 119.68,-
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Scene Creamers I Suck on That EmotionSe flere produkter fra AmazonRelease Date: 2003-02-17, Audio CD, Drag City Fragt: Ukendt! |
Pris 119.68,-
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Karla Mclaren Becoming An Empath: How to Develop the Power of Your EmotionSe flere produkter fra AmazonRelease Date: 2006-09-20, Audio CD, Sounds True Fragt: Ukendt! |
Pris 156.53,-
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Franck - Symphony. Stravinsky - PetrushkaSe flere produkter fra AmazonFranck's only symphony (1890) came from nowhere in his output but led to a whole generation of French symphonies. Although his only such work, its logic and control, the main themes developing intently over its 35-minute duration, suggest an experienced symphonist in full flight: a pity time ran out soon afterwards. There have been many recordings, but few really successful ones. As a conductor equally at home with the ballet as with the symphony, Pierre Monteux was ideally placed to do it justice, and his 1961 recording does just that. The Fritz Reiner-trained Chicago SO respond with obvious enjoyment: whether in the brooding opening pages, the slow movement's gentle charm, or the finale's heart-on-sleeve emotion, there's a life-enhancing quality that no other performance has bettered. Monteux brings a lifetime's experience conducting Petrushka to his 1959 account with the Boston SO. This isn't a high-powered virtuoso reading, but it conveys the music's passion and pain like few others. An unexpected coupling, but a mandatory purchase. -- Richard Whitehouse Fragt: Ukendt! |
Pris 55.00,-
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Appliance Imperial MetricSe flere produkter fra AmazonThe music on Appliance's Imperial Metric--gentle, dreamy washes of sound and electronica, tumbling together through kaleidoscopes of diffused emotion--used to be called shoe gazing. The description indicated contemplation and shyness, heads bowed: music was similarly simultaneously euphoric and detached. At various places on the second full-length album from this aquatic Exeter trio, Appliance recall a very downbeat Oasis ("Land, Sea And Air"), old school Spiritualised, To Rococo Rot ("Skylight"), even New Order's synthetic rock and of course, the beloved drifting Krautrock of Can and Neu that touches virtually every analogue electronic pop band in 2001. This is music for fish tanks: a bewildering glass bubble away from the realities of life. -- Everett True Fragt: Ukendt! |
Pris 73.61,-
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Original Soundtrack Full Metal JacketSe flere produkter fra AmazonStan Kubrick's 1987 take on Vietnam is a strange disorientating "wriggle" through film genres and human psyche alike, and the movie ends up as a kind of docu-drama road movie where the protagonists are being wasted one by one. The original score is by Abigail Mead. Admittedly she only had to come up with a few, eerie underscore themes, but they do their job, although unaided by images her mid-1980s samples sound a bit dated. The title track is a groovy medley over the Marine training camp's hilarious marching songs--a nice header to the album. The "Ruins" theme is an illustrative piece of film music, and "Sniper" a classic emotion-trigger. The soundtrack's covers-inventory has obvious post punk characteristics, the only music from the period is the raunchy "I Like It Like That". Stones classic "Paint It Black" never made it through the copyright trap, which is a shame, but lovers of grunge can enjoy "Surfin' Bird" by the Trashmen and "Woolly Bully" all the same. The sickeningly sentimental pro-war Country smoocher "Hello Vietnam" by Johnny Wright, and Nancy Sinatra's reminder to the "gooks" what's in store, "These Boots Are Made For Walking", illustrate Kubrick's dark sense of humour, as does the Dixie Cups' "Chapel Of Love". --Yngvil V.G. Fragt: Ukendt! |
Pris 27.45,-
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Ornette Coleman The Shape of Jazz to Come: RemasteredSe flere produkter fra AmazonOn this highly influential 1959 album, Ornette Coleman's unique writing style and idiosyncratic solo language forever changed the jazz landscape. On classics such as "Lonely Woman", "Congeniality", and "Focus on Sanity", Coleman used the tunes' moods and melodic contours, rather than their chords, as a basis for his improvisations. In so doing, he opened up jazz soloing immensely and ushered in new freedoms--both individually and collectively. Lest these innovations sound too dry or abstract, it must be noted that both Coleman and trumpeter Don Cherry play with a deep-felt emotion and joy that is as infectious today as it was then. This is truly an essential jazz recording, marking the end of one era, providing the blueprint for the next. -- Wally Shoup Fragt: Ukendt! |
Pris 64.21,-
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Mavis Staples We'll Never Turn BackSe flere produkter fra AmazonAs musical activists in the 1960s civil rights movement, the Staple Singers were powerful voices for equality and change. And more than 40 years after Pops's daughter Mavis spent a night in a West Memphis, Arkansas, jail at the behest of a racist cop, she still remembers the terror of the experience, as well as the counsel of Dr. Martin Luther King. That episode is at the centerpiece of "My Own Eyes," one of the most moving offerings on this collection of songs of racial struggle in the '50s and '60s, produced by guitarist Ry Cooder and featuring backing from the original Freedom Singers and Ladysmith Black Mambazo. Throughout, the album proves both emotionally chilling and spiritually uplifting. On J .B. Lenoir's "Down in Mississippi" and Marshall Jones's "In the Mississippi River," for example, Cooder makes fine use of pounding percussion and snaky electric guitar to capture the danger and fear inherent in the Deep South at the time, while the title song and "Jesus Is on the Main Line" draw on gospel and the traditional framework of church hymns to promise positive solutions. Staples, who ad-libs on several cuts, connecting the injustice of yesterday to the continuing marginalization of blacks in the wake of Hurricane Katrina, remains a remarkable performer, employing a throaty sensuality that rises from a deep well of tremulous emotion. If her album is musically uneven at times, her artistry and strength continue to shine as undimmed beacons. --Alanna Nash Fragt: Ukendt! |
Pris 73.52,-
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Luke Slater WirelessSe flere produkter fra AmazonThe musical ghosts of Gary Numan, Kraftwerk, Mantronix and Afrika Bambaataa hover in the air as one listens to Luke Slater's Wireless, a far more focused, four-on-the-floor, electro-flavoured platter than his vibrantly all-over-the-place 1997 debut Freek Funk. But don't worry, Wireless pays distinct homage to the past, yet this is one of those rare albums that pushes the envelope of techno forward while partying all night like tomorrow will never come. It's a cheerful record that's difficult to describe without sounding cheesy; it rarely lags in energy even during the moody, deranged down-tempo bits such as "Bolt Up." Created with layers of live drums and electrobreaks and in a manner that coaxes the most emotion possible out of every musical gesture, Wireless is a maximalist triumph, a study in the essential contradictions (man vs. machine; robot vs. human) that characterise life at the turn of the century. You can totally dance to it, too. --Mike McGonigal Fragt: Ukendt! |
Pris 82.82,-
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Various Artists Black Hawk Down - Original Motion Picture SoundtrackSe flere produkter fra AmazonBlack Hawk Down is the fifth collaboration between composer Hans Zimmer and director Ridley Scott, and following Gladiator (2000) and Hannibal (2001), their third in fewer than two years. Though set two millennia after Gladiator, Black Hawk Down's unrelenting African warfare has much in common with the former blockbuster. Zimmer opens with comparable Arabic flavoured atmospherics leading to his trademark pulsating percussion and razor-sharp digital production values. The Andalusian colours of his Mission: Impossible 2 inflect the catchy world music/dance ballad "Barra Barra" before the score diversifies through textures that blend moody American (blues) and African folk elements with passages of programmed suspense underscore and electronic, sequenced fury. With so many elements fused into polished, perfectly organised musical landscapes, the result is occasionally like a compilation of elements from all Zimmer's recent hit scores. In battle cues such as "Tribal War", relentless rhythm takes over, but it is for the hymnal "Gortoz a ran", the haunted pure beauty of "Still", and the lament of "Mogadishu Blues" that this release is more likely to be remembered. As with Pearl Harbor, Zimmer concentrates on emotion over action, though here his work is influenced by the real folk music of the people involved, and hence the more moving for it.-- Gary S Dalkin Fragt: Ukendt! |
Pris 91.95,-
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Destiny's Child SurvivorSe flere produkter fra AmazonOne listen to the eagerly anticipated third album from "The World's Biggest Girl Group" and it's clear there is one child with the most destiny. To paraphrase the hip-hop legends; who's house? Beyoncé's house, and with the lead vocalist producing or cowriting all of the 14 tracks it's hard to imagine what those other two chicks even do (other than act grateful to still have a gig). Seizing creative control is a bold move for Miss Knowles, and anytime an R&B act eschews the beat of the week, they have to be commended. But the problem is that Beyoncé, even with her ambition, has yet to suss out that the key to a pop-R&B smash is hook and melody. With the exception of the now-played-out title track (Can we all take moratorium on this mighty goddess theme for a second, please?) and the equally you-go-girlish "Independent Woman Part 1", most of the tracks here lack a strong core. Beyoncé crams a litany of thoughts and motifs into her mini-anthems, with samples ranging from Stevie Nicks to Tarzan Boy, but though the cuts sizzle and sparkle and throw off much attitude, Survivor is way too frenetic. Even with some strong singing and songs (most notably the laid back "Fancy"), Survivor lacks real emotion. --Amy Linden Fragt: Ukendt! |
Pris 59.61,-
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Bright Eyes Fevers and MirrorsSe flere produkter fra AmazonIt's rare that pop music reaches such depths of emotion. Fevers And Mirrors, the debut album from Conner Oberst's Bright Eyes, may recall many other classic tortured artists-- Tim Buckley, naive blues poet Daniel Johnston and Leonard Cohen not least among them--but its fragility and melancholy is most definitely its own. The pivotal track is the opening "A Spindle, A Darkness, A Fever, And A Necklace" wherein the Nebraska-born singer's trembling voice attempts to answer a fuzzy recording of a child pleading a dread of separation, and fails. Elsewhere, on songs like the frantic "The Calendar Hung Itself" and "Sunrise, Sunset", the melodies become even more poignant, even more beautiful. Tinny keyboards, rapid-fire drum-beats and the odd guitar all sweeten the mix. Oberst first started detailing his desire and lack of fulfilment six years ago, as a 14-year-old prodigy in the band Commander Venus--and one can only imagine that a major cult will grow up around this tortured, mysterious, ex-Catholic. An extraordinary album. --Everett True END Fragt: Ukendt! |
Pris 45.88,-
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Original Soundtrack The Cardinal (Moross)Se flere produkter fra AmazonIn The Cardinal (1963) composer Jerome Moross and director Otto Preminger avoided the simple associative route of crafting musical themes for particular characters. Instead, Moross produced five distinct "cells" of score, which Preminger then applied broadly across the finished film. This alternate method has the effect of drawing the flashback elements of the narrative into a context that takes no account of their timeframe. After the grandly resounding cathedral bells which open the "Main Title", the overture introduces these cells across a range of styles. Being the story of one man's life, the score has an entire gamut of emotion and events to portray: the disc schizophrenically passes back and forth between orchestral music for the Cardinal's reflection, and the upbeat swinging tunes from his past. Not that this back-and-forth is at all distracting. Moross will always be best known for the rousing Americana of The Big Country, but here's another side of his music that's well worth discovering. -- Paul Tonks Fragt: Ukendt! |
Pris 87.43,-
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Alex De Grassi The Water GardenSe flere produkter fra Amazon"Meditation and water are wedded forever," says New Acoustic progenitor Alex de Grassi, quoting Herman Melville in the liner notes to this 10-song cycle of solo steel-string guitar pieces "on the theme of water." There's a stillness at the heart of this Garden, but don't expect placid performances; de Grassi's stunning finger style exploits rapidslike torrents of open-tuned chords ("Prelude"), babbling brooks of uplifting hammer-on melodies ("The Zipper"), and buoyant themes floating over liquid counterpoint ("Another Shore"). Sure, the former Windham Hill mainstay, whose Turning: Turning Back and Slow Circle helped define that label's identity, is capable of brooding, contemplative work--the lovely title track is a good example--but he rarely gets stuck in meditative mud, preferring, as in "Cumulus Rising," to wring great emotion from even his quietest moments. The Water Garden suggests that de Grassi's vision has only gotten deeper and clearer over time; he's a jazz composer with a folkie's fingers and the Northern California coastline in his soul. --James Rotondi Fragt: Ukendt! |
Pris 151.92,-
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Tierney Sutton Something CoolSe flere produkter fra AmazonSomething Cool is Tierney Sutton's third CD in as many years, and it marks her rapid maturation into one of the most complete contemporary jazz singers, one who can range from high-speed scat to moody, emotion-charged ballads. She can fly through chord changes with real harmonic invention, as on her witty version of "Ding-dong! The Witch Is Dead", while her wistful way with a ballad recalls June Christy on the title song. Her warmth shows on Willie Nelson's "Crazy", with pianist Christian Jacob's jazz harmonies helping to develop Sutton's personal take on the country standard. She's joined here by her working trio of Jacob, Trey Henry on bass, and Ray Brinker on drums, and the group sounds both inspired and inspiring, alert to the nuances in Sutton's vocals and quick to supply any needed stimulus. The trio's welling power on the modally inflected "Out of this World" prods Sutton to some stunning high notes, while several special moments arise between Sutton and Henry, as on "Alone Together," with her voice intertwining with his elastic bass glissandos. This is varied and entertaining work, with Sutton's musicianship apparent everywhere. -- Stuart Broomer Fragt: Ukendt! |
Pris 119.68,-
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Boyzone ...By RequestSe flere produkter fra AmazonBoyzone have always favoured covers--from their earliest singles (versions of 1970s pop groups the Detroit Spinners' "Working My Way Back To You" and the Osmonds' "Love Me For A Reason") to their first million-selling hit, a faithful reading of Australian high-pitched harmony singers, the Bee Gees' "Words". So the release of By Request compilation of cover versions in 1999 came as no real surprise, then. What is a surprise, however, is the amount of emotion and pathos Ronan and co-manage to invest in songs like Cat Stevens' "Father & Son" and Tracy Chapman's "Baby Can I Hold You"--far exceeding the brief most boy bands have of merely smiling sweetly at the camera and making sure the dance steps are inch perfect. Musically, all the songs here veer towards the brand of harmony-laden, lightweight dance-pop Boyzone have virtually claimed for their own. --Everett True Fragt: Ukendt! |
Pris 45.88,-
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![Biffy Clyro Puzzle [Us Version] [Us Import]](http://img.kelkoo.com/dk/small/855/152/00102145312985548089109528024399237152855.jpg) |
Biffy Clyro Puzzle [Us Version] [Us Import]Se flere produkter fra AmazonNo one could ever accuse Biffy Clyro of lacking in ambition. Puzzle, the fourth album from this grungey Kilmarnock power-trio, not only builds heavily on the band's more - whisper it - progressive influences, they've even enlisted a genuine Hollywood composer, Graeme Revell, who adds symphonic strings and choir to "9/15ths" and the opening "Living Is A Problem Because Everything Dies". At there most out-there, Biffy hint at the complex prog arrangements of The Mars Volta or their '70s predecessors, Rush. That's not to say this is a record that will bewilder the more casual rock fan, though. Puzzle's more difficult moments are neatly counterbalanced with storming, yet straightforward post-hardcore rockers like "The Conversation Is..." and "Semi-Mental" -- not to mention moments of raw, heart-on-sleeve emotion: see "Folding Stars", a raw song about the death of Biffy vocalist Simon Neil's mother. There's moments where the outsider won't be able to totally shake the feeling Biffy are a neat conglomeration of rock influences (Foo Fighters, Fugazi, At The Drive-In) rather than an innovative band in their own right, but for their fanatical fanbase, Puzzle will be greeted as the band's most evolved, ambitious album to date. --Louis Pattison Fragt: Ukendt! |
Pris 119.68,-
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Agent Orange This Is the VoiceSe flere produkter fra AmazonSetting the stage for platinum-clad progeny like the Offspring, this Orange County, California combo welded hyper-charged surf dynamics to a punky sonic assault, and, as evidenced by this studio swan-song, never lost sight of the notion that a catchy melody was its most powerful weapon. Of course, the fact that frontman Mike Palm possessed one of the most powerful voices in early-'80s punk didn't hurt matters--especially on songs like the emotion-drenched "Tearing Me Apart." Palm likewise adds some ripping guitar to the genre classic "I Kill Spies." A fine, if somewhat mellower, bookend for the quartet's must-have debut, Living in Darkness. --David Sprague END Fragt: Ukendt! |
Pris 82.82,-
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![Nitin Sawhney Beyond Skin [VINYL]](http://img.kelkoo.com/dk/small/773/882/00160150438017242911185450166764797882773.jpg) |
Nitin Sawhney Beyond Skin [VINYL]Se flere produkter fra AmazonA compulsive and unclassifiable mixture of Indian classical music, flamenco, killer acoustic drum & bass, hip-hop, jazz and soul, Beyond Skin is one of those albums that vibes in its own excellent orbit. A profoundly humanist album, Beyond Skin should further enhance Nitin Sawhney's reputation as one of Britain's most exciting and imaginative musicians. It may be based on concepts, a challenge to ideas of identity and nationality, but it's also a fluid, meditative atomic jam with Instrumental, Marque Gilmore, Jayanta Bose, Steve Sheehan and the nephews of Nusrat Fateh Ali Khan amongst others. Sawhney creates some incredibly moving pieces at a slow, elegiac tempo--"Homelands" is a deep bliss-out tune where the astonishing playing of the string quartet, Instrumental combines in ethereal beauty with chanting tablas and the call and response vocals of Bose. On "Broken Skin" and "Immigrant", Sawhney scales new heights: political songs with exhilarating melodies and sing-along soul hooks. Yes--this is edge music full of rare invention, where atmosphere and austerity coalesce. A music vividly constructed around textures and rhythms, glimpses--echoes completely in tune with the tenor of our times. Beyond Skin is a fantastic album, an album so beautiful that it plays every emotion like a SP1200. This is a brit-pop album in the mould of ADF, Drum FM, Massive Attack and Primal Scream. -- Maxine Kabuubi Fragt: Ukendt! |
Pris 138.10,-
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Shelby Lynne Suit YourselfSe flere produkter fra AmazonLynne's follow-up to 2003's Identity Crisis works the same sparse, moody territory, but if the title of the former spoke to her self-esteem at the time, Suit Yourself shows her being more confident in every way. Again acting as her own producer, Lynne took the demo tapes she made in her California home studio to Nashville, where she augmented her first-take vocals with guitar (the Wallflowers' Michael Ward), keyboards (Tom Petty & the Heartbreakers' Benmont Tench), bass, drums, pedal steel, Dobro, and mandolin, employing those instruments merely as brush strokes on a wide-open canvas of voice and emotion. Throughout, Lynne strives to make the project so relaxed that a listener feels as if he's sitting cross-legged in the room--the first track begins with studio chatter, and elsewhere you can hear ice cubes clinking in a glass and the sound of someone pushing the stop button on a tape recorder. For those who prefer a more polished production, this fly-on-the-wall approach may be disconcerting, especially as the occasional track seems unfinished or a bit too rough, with an out-of-tune guitar or a rhythmic disconnect between singer and players. But ultimately, the album satisfies with the honesty and strength of the material, which ranges from Lynne's killer cover of guest Tony Joe White's "Rainy Night in Georgia" (here titled simply "Track 12") to the smoky groove of "I Cry Everyday," the wistful ballad "Old Time's Sake," and the Waylon Jennings-like "Iced Tea." Speaking of outlaws, "Johnny Met June," one of the most memorable tracks, details the Cashes' "meeting" on the far banks of the Jordan. Lynne wrote it the day Johnny died. --Alanna Nash Fragt: Ukendt! |
Pris 101.16,-
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