Søgeresultat: ups
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Various Artists Pin UpsSe flere produkter fra AmazonRelease Date: 2003-11-24, Audio CD, U.M.T.V. Fragt: Ukendt! |
Pris 150.96,-
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David Bowie Pin Ups: RemasteredSe flere produkter fra AmazonRelease Date: 1999-09-06, Audio CD, EMI Fragt: Ukendt! |
Pris 94.22,-
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The Lodger Grown-UpsSe flere produkter fra AmazonRelease Date: 2007-05-28, Audio CD, Angular Fragt: Ukendt! |
Pris 94.31,-
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David Bowie Pin Ups: Japanese Vinyl Replica EditionSe flere produkter fra AmazonRelease Date: 2007-01-22, Audio CD, EMI Fragt: Ukendt! |
Pris 160.40,-
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Good Riddance Cover UpsSe flere produkter fra AmazonRelease Date: 2007-01-22, Audio CD, Rude Fragt: Ukendt! |
Pris 103.75,-
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Ralph Lalama Music for Grown-UpsSe flere produkter fra AmazonRelease Date: 1999-10-01, Audio CD, Criss Cross Fragt: Ukendt! |
Pris 122.63,-
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Red Smiley & The Bluegrass Cut-Ups Best Of Red Smiley & The Bluegrass Cut-Ups, Vol. 2Se flere produkter fra AmazonRelease Date: 2006-11-07, Audio CD, Rural Rhythm Fragt: Ukendt! |
Pris 122.63,-
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Various Ain't I'm a Dog: 25 More Rockabilly Rave-UpsSe flere produkter fra AmazonAudio CD, Sonybmg Fragt: Ukendt! |
Pris 136.80,-
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Sophie Barker Lullaby: a Beautiful and Soothing Collection of Night Time Songs for Children and Grown UpsSe flere produkter fra AmazonRelease Date: 2004-11-22, Audio CD, Bmg Fragt: Ukendt! |
Pris 75.34,-
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Sophie Barker Lullaby: A Beautiful and Soothing Collection of Night Time Songs for Children and Grown UpsSe flere produkter fra AmazonRelease Date: 2008-02-11, Audio CD, Sonybmg Fragt: Ukendt! |
Pris 75.34,-
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Robin Galloway Real Radio Wind Ups Volume 8Se flere produkter fra AmazonRelease Date: 2007-11-12, Audio CD, Fragt: Ukendt! |
Pris 122.63,-
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Cabaret Voltaire The Original Sound of Sheffield: the Best of the Virgin/EMI YearsSe flere produkter fra AmazonNow that techno is both a dance genre and a central part of the "intellectual pop" landscape, Sheffield electronica renegades Cabaret Voltaire are routinely described as a massive influence on the rave era. Oddly, this excellent compilation of their early work accidentally reveals that they were more followers than followed. Formed in pre-punk 1973 by Richard H Kirk, Stephen Mallinder and Chris Watson and named after a Dadaist club, it is true that they were experimenting with early synths, loops, cut-ups and political paranoia before most other arty types. But the good stuff starts with 1979's "Nag Nag Nag", which was simply 1977 punk rock played on machines. By the time we've reached 1980's "Obsession" (which blatantly rips off Metal Box by Public Image Ltd), we get the idea. This isn't just a primer for the Cabs; it's a handy summing-up of post-punk, an enthusiastic meld of PiL, The Fall, Gang of Four, The Pop Group, dub, Suicide and the pre-pop Human League. So... deep, meaningful and influential? No. Mutant art-pop fun? Definitely. And what's wrong with that? -- Garry Mulholland Fragt: Ukendt! |
Pris 37.57,-
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John Hartford Steam Powered Aereo-TakesSe flere produkter fra AmazonFollowing years of ups and downs at RCA, John Hartford moved to Warner Brothers in 1971. Working with fiddler Vassar Clements, guitarist Norman Blake and dobroist Tut Taylor, he found his creative muse on the landmark progressive bluegrass album Aereo-Plain, issued in 1972. Hartford's quirky humour was the focus, but his deep love for traditional music served as a framework. This entrancing, occasionally off-centre collection assembles selected demos, alternate takes and unreleased material (including Taylor and Blake instrumentals) from those sessions. While he credibly tackled oldies like "Where the Old Red River Flows" and Jimmie Skinner's "Doin' My Time", Hartford's originals made the difference. "Don't Ever Take Your Eyes Off the Game, Babe", "Howard Hughes Blues" and "Strange Old Man" were good enough for release at the time. His fearlessness even extended to such obvious duds as the inane pun-ditty "Emanuel Cant" and ponderous "Blame It on Joann". Hearing a take of "Boogie", his famous guttural chant from Aereo-Plain, dissolve into coughing and laughter can't help but bring a smile. --Rich Kienzle Fragt: Ukendt! |
Pris 122.63,-
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Faith Hill CrySe flere produkter fra AmazonWith her big voice and soaring melodies, Faith Hill is seen in the UK as a cross between Celine Dion and Shania Twain. But musically speaking (and based upon the evidence on Cry), she's far more intriguing than either. Though often concentrating on power ballads (the title track here is another storming example), this Nashville resident has managed to combine country, rock, pop and contemporary R&B into an eminently consumable package. Cry sees Hill move into Twain territory, or rather that of Twain's husband and producer Mutt Lange. With the songs such as "One", "If This Is the End" and "I Think I Will", she employs the sweeping guitars and massive melodrama of prime-time Foreigner (one of Lange's earlier successes). In fact, she even ups the ante with her superb backing vocals, "Back to You" in particular possessing an overlapping series of brilliant melodies. There are let-downs: "Beautiful" has Faith spilling spoken-word goo over a Clapton-style guitar solo, "Unsaveable" and "Baby You Belong" are rock throwaways, and "This Is Me" features the fabulously ignorant line "I'm just like everybody else / I try to love Jesus and myself." But all in all this very well produced album is as good as today's mainstream gets. -- Dominic Wills Fragt: Ukendt! |
Pris 117.82,-
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![DJ Shadow Pre-Emptive Strike [VINYL]](http://img.kelkoo.com/dk/small/345/182/48462503696949680181039342978930182345.jpg) |
DJ Shadow Pre-Emptive Strike [VINYL]Se flere produkter fra AmazonThis set compiles much of DJ Shadow's pre-major label material in one convenient package in an attempt to foil bootleggers and bring new fans up-to-date in the curriculum. The results are naturally varied, but all point to a marvellous evolution of talent. The collection is kept together primarily by its propensity for jazzy beats and psychedelic loops. Shadow (né Josh Davis) moves through everything from old school funk ("In/Flux") to grungy 1960s-style guitar rave-ups ("High Noon"). The centrepiece of the set, however, is a four-part composition called "What Does Your Soul Look Like", which is likely to be the first ever entirely sample-driven rock opera. It's a brilliant piece of work, laced with intriguing sounds, sound bites, and a detectable set of motion. It is also quite possibly better than anything on the critically -acclaimed Entroducing. --Aidin Vaziri Fragt: Ukendt! |
Pris 127.36,-
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![Martin L. Gore Counterfeit Vol.2 [VINYL]](http://img.kelkoo.com/dk/small/066/464/142756056778590369598590633502932464066.jpg) |
Martin L. Gore Counterfeit Vol.2 [VINYL]Se flere produkter fra AmazonOne thing that Counterfeit proves is that Martin Gore has exemplary taste in music. The Depeche Mode songwriter's first full-length solo excursion is a covers album in the tradition of Bowie's Pin-Ups. The 11 tracks range from obviously classic works by rock lords Lou Reed, Nick Cave, Brian Eno, Iggy Pop and John Lennon to a pop trash wild card--a winsome version of David Essex's "Stardust". What's more, most of the songs fit in with Depeche Mode's key themes of masochism, drugs, decay, disillusion and general perviness. The problem lies in Gore's lack of emotional and musical range. Fans will take great comfort in the set's familiar moody minor chords, electronic glitches, echoey darkness and Gore's Dave-Gahan-lite vocals. But the end result is a sameness of texture and tempo and songs as originally powerful as "In My Time of Dying" or Cave's "Loverman" just seem to float into the background, deprived of edge and individuality. Still, Gore plays Weill's "Lost in the Stars" piano-and-strings straight, and seekers of tasteful ambience may enjoy the idea of various cult rock, folk and country songs being transformed into Mode-ish mood music. --Garry Mulholland Fragt: Ukendt! |
Pris 141.52,-
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![Various Artists Spawn [Australian Import]](http://img.kelkoo.com/dk/small/888/447/81404056999777952472495854802668447888.jpg) |
Various Artists Spawn [Australian Import]Se flere produkter fra AmazonAn ingenious idea: as the darker end of electronica turns up the volume with scant regard for petty glitches like distortion, and the massed ranks of big-shorted proto-industrial metallers discover that, like, a sampler is a really good way of annoying the neighbours, Spawn seeks to unite both tribes with an album of collaborations, all marching under the banner of neo-gothic cinematic ultra-violence. This is a good thing, mainly because it produces some inspired match-ups; Slayer and Atari Teenage Riot's "No Remorse (I Wanna Die)" is the track that was just begging to be written, but elsewhere Metallica's Kirk Hammet adds a whole lot of metal to Orbital's "Satan", and Roni Size teams up with Yank abstractionists Soul Coughing, offering the chopped-up jazz of "A Plane Scraped Its Belly On A Sooty Yellow Moon." Not quite the sum of its parts, but close. --Louis Pattison Fragt: Ukendt! |
Pris 150.96,-
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Isao Tomita The PlanetsSe flere produkter fra AmazonThe Tchaikovsky offers dazzling technical challenges and heart-on-sleeve emotional ups and downs. The Mendelssohn is Olympian, cool, beautifully formed--music that is immediately recognizable as the work of the composer who produced the magical Midsummer Night's Dream music. Jascha Heifetz is equally at home with Tchaikovsky's fervor and Mendelssohn's calm. --Joe McLellan Fragt: Ukendt! |
Pris 146.24,-
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DJ Shadow Pre-Emptive StrikeSe flere produkter fra AmazonThis set compiles much of DJ Shadow's pre-major label material in one convenient package in an attempt to foil bootleggers and bring new fans up-to-date in the curriculum. The results are naturally varied, but all point to a marvellous evolution of talent. The collection is kept together primarily by its propensity for jazzy beats and psychedelic loops. Shadow (né Josh Davis) moves through everything from old school funk ("In/Flux") to grungy 1960s-style guitar rave-ups ("High Noon"). The centrepiece of the set, however, is a four-part composition called "What Does Your Soul Look Like", which is likely to be the first ever entirely sample-driven rock opera. It's a brilliant piece of work, laced with intriguing sounds, sound bites, and a detectable set of motion. It is also quite possibly better than anything on the critically -acclaimed Entroducing. --Aidin Vaziri Fragt: Ukendt! |
Pris 136.80,-
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Dirty Dozen Brass Band Buck JumpSe flere produkter fra AmazonHaving dropped the "Brass Band" part of their moniker for their disappointing Ears to the Wall in 1996, the Dirty Dozen return to their former, fuller-named persona for Buck Jump. And it's a relief. The band is in full bloom from the opening, funk-fueled track, even if the old snare-bass drum marching format gives way to a more standard drum kit for much of the session. With production from John Medeski (he of the vaunted groove outfit Medeski Martin & Wood), the DDBB steps up to blow on a wild array of songs, from "Run Joe," long an item for Louis Jordan, to a feverish read of Marvin Gaye's "Inner City Blues." There's a great balance struck throughout the CD between the old school march-rhythm rave-ups and their more complex compositions that began coming to the fore on the excellent Open Up! Medeski has the whole party right in your face, too, from virtually the first seconds, when the horns blow brightly and never back off. --Andrew Bartlett Fragt: Ukendt! |
Pris 136.80,-
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