Søgeresultat: computer
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Beastie Boys Hello NastySe flere produkter fra AmazonOn their previous album, Ill Communication, the Beastie Boys expanded their parameters yet again, melding cutting-edge hip-hop with slinky jazz, butt-wiggling funk, weepy classical, and combustive punk rock. Four years down the line, the group's music isn't nearly as organic. They've all but abandoned the guitars and returned to the kind of old-school beats and rhythms that defined their groundbreaking 1989 disc, Paul's Boutique. But Hello Nasty isn't a regression, and it's anything but a cop-out: in addition to resurrecting the best elements from their past, the Beastie Boys have embraced the dopest high tech gizmos of the computer age. Hello Nasty gurgles like galactic sulfur pools, whizzes like a Sega game, and slurps and thumps like the best backward Hendrix loops. Add in a cavalcade of Latin percussion, calliope keyboards, and exotic samples (Stravinsky, Stephen Sondheim, Jazz Crusaders, Rachmaninoff), and you're left with one of the most creative and jubilant hip-hop records to date, even if you exclude witty lyrics like, "I'm the king of Boggle / There is none higher / I get 11 points off the word quagmire" ("Putting Shame in Your Game"). To paraphrase über-critic Robert Christgau, Paul's Boutique may have been the band's Pet Sounds, but Hello Nasty is the Beasties' Sgt. Pepper's. --Jon Wiederhorn Inkl. fragt: Ukendt |
Pris 86.99,-
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Fatboy Slim You've Come a Long Way BabySe flere produkter fra AmazonBiographers of Norman Cook should look no further than the title of this--his second album under the pseudonym Fatboy Slim. From humble beginnings as the bass player in prole rock band The Housemartins, through chart-topping fame with Beats International, and even a spell scraping a meagre living from writing computer game soundtracks in the early 90s, Norman Cook has done it all. You've Come A Long Way, Baby, though, is the Fatboy's culmination; the quintessential, and utterly essential big-beat album. "The Rockafeller Skank" is a manic collage of surf-guitar looped into ever-tightening spirals; utterly simplistic, but a work of devilish genius. "Gangster Tripping" and "Fucking In Heaven" are in a similar celebratory mood, but to prove that the Fatboy doesn't always work by a formula, try the purloined gospel of "Praise You", or the rave nostalgia of "Acid 8000". It's seldom poetry, but dumb dance music doesn't get much better. -- Louis Pattison Inkl. fragt: Ukendt |
Pris 42.45,-
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Jaga Jazzist The StixSe flere produkter fra AmazonThe Stix is the follow-up to Jaga Jazzist's debut album, A Livingroom Hush, which created enough of a fuss to get them picked up by leftfield pioneers Ninja Tune. The ten-piece, who hail from Norway, have been operating as a live entity for some nine years. Main production duties are taken care of by Jorgen Traen (aka Sir Dupermann, aka the man behind the studios in Berlin that Royksopp and Kings of Convenience call home), but Jaga Jazzist are overtly fuelled by a love of live music and improvisation rather than studio tricknology--and it shows. An ardent experimentalism is at play on The Stix which manifests itself via glitchy computer rhythms, playful dissonance and thrillingly spontaneous interchanges between keys, upright bass, vibraphone, tuba, sax, melodica, flute and trombone. This all perhaps smacks of indulgent noodling, but to the band's credit they manage to create the impression of a more "grounded" or coherent type of improv. Making restless, erratic music sound fluid and coherent isn't easy but Jaga Jazzist handle it like young masters. -- Paul Sullivan Inkl. fragt: Ukendt |
Pris 78.28,-
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Original Soundtrack A Bug's LifeSe flere produkter fra AmazonOne of the truly great ironies of modern American pop culture is the evolution of Randy Newman, social critic and songwriter superb, into one of the 1990s' preeminent scorers of animated films. As in Toy Story, Newman's music for A Bug's Life forms much of the crucial human dimension of the computer-generated visuals, replete with an upbeat, if ever-so-slyly fatalistic "theme" song, "The Time of Your Life." Newman's mastery of the orchestra sparkles here as he playfully romps from '40s-tinged big-band swing through Stalling-esque parodies and tomfoolery to mock-heroics worthy of Korngold and Waxman (or Randy's uncles--Alfred, Lionel, and Emil--for that matter). The brain trust at Pixar may have made impressive strides in forging their digital illusions of life, but they still seem eons away from replicating the musical synapses of Randy Newman's brain. If Walt's impending, much-rumored big thaw actually works out, will Newman be next in line for the Disney deep freeze? --Jerry McCulley Inkl. fragt: Ukendt |
Pris 52.13,-
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![Juan Luis Guerra Ni Es Lo Mismo [Us Import]](http://img.kelkoo.com/dk/small/370/763/147510291481818680910306091138365763370.jpg) |
Juan Luis Guerra Ni Es Lo Mismo [Us Import]Se flere produkter fra AmazonBeginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer/songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers he left behind but not wanting to simply re-create the past. He has a couple of potential hits in "Mi PC," a catchy merengue in which Guerra romances using the imagery and language of our computer world, and "El Primo," a witty, crisp merengue about a cousin who "knows Michael Jordan and is an actor / Breathes underwater and is a painter / Is a sociologist and pilot planes...." The highlight of the disc is "El Niagara en Bicicleta," a merengue-rap that deals with the tragicomic miseries of health care in the contemporary Dominican Republic and shows Guerra at his very best: a devastating social critic with a fine-tuned pop sensibility. No Es lo Mismo is solid rather than impressive. But still, solid, for Guerra, is already better than most anything else on the Latin music charts. --Fernando Gonzalez Inkl. fragt: Ukendt |
Pris 158.55,-
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Peter Thomas Moonflowers and Mini SkirtsSe flere produkter fra AmazonMoonflowers & Mini-Skirts is a journey through interstellar cool and nova-hot genius via the martini-soaked soundtrack compositions of Peter Thomas. Originally, these travelogues navigated through such diverse '60s and '70s projects as the German television series Babeck and the snow-bunny-bingo film Happening in White. While Thomas is probably best known for the otherworldly, experimental themes of science fiction series Raumpatrouille, this collection is more like a rocket in the pocket of Esquivel and John Barry. In fact, Barry's James Bond influence can be felt like a quake in Thomas's "Black Power," as Donna Summer belts out the title words like Shirley Bassey singing the main theme from Goldfinger. Other audacious sparks include the swinging trumpet nod to 2001: A Space Odyssey on the track "Opium" and the fast-forward punk energy (if punk had been a movement then) of "Rockin' Computer." If anything, rereleasing Peter Thomas's material shows how contemporary electronica bands such as Stereolab and Add N to X are simply discovering trails pioneered 30 years ago. --Michael Woodring Inkl. fragt: Ukendt |
Pris 110.61,-
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Goldie TimelessSe flere produkter fra AmazonGoldie was deservedly the first crossover star to emerge from the jungle/drum & bass underground scene, although credit for this astonishing debut album must also go to his collaborator and engineer, Rob Playford. This music is almost three-dimensional--the soundtrack to some undreamt of, heavenly computer game--and the cavernous dub breaks, rapid-fire rhythms and morphing twists and turns of "Jah The Seventh Seal" and "This Is A Bad" is intoxicating. Its centrepiece, however, is the epic, three-part title track featuring Diane Charlemagne's vocals; its all-enveloping rhythms and shadowy synths take the listener on a palpable musical descent into the darkest horrors of inner city life. Drum & bass was quickly subsumed to become the lingua franca of TV adverts before dropping from fashion, yet Timeless stands the test, genuinely living up to its name. --David Stubbs Inkl. fragt: Ukendt |
Pris 125.34,-
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Omni Trio Even Angels Cast ShadowsSe flere produkter fra AmazonRob Haigh, a.k.a. Omni Trio, is one of drum & bass's most influential producers. A veteran of the scene, prior to Even Angels Cast Shadows, productions such as Renegade Snares and Trippin' on Broken Beats inspired many budding switch doctors who have gone on to become big names. This album is the producer's fifth and stays true to his love of tough, floor-carved breaks coupled with deep, ethereal ambience. Famously, Haigh dislikes the notion of live instrumentation in electronic music, believing that it should be totally computer-generated. If this seems strange at first, his compositions have consistently revealed the logic of his view, and this latest album is no exception. A master of building up emotive soundscapes and searing beat formations through competent keyboard skills and intricate programming / sampling techniques, Haigh once again presents us with drum & bass redolent of the misty-eyed idealism and sonic futurism so prevalent back in the day but which still packs a punch and sounds utterly up to date. Juxtaposing the languid with the sanguine, the soulful with the distant, Even Angels is further confirmation that Haigh is a true musical maverick who can wring warm soul from technology like no other drum & bass producer around. -- Paul Sullivan Inkl. fragt: Ukendt |
Pris 96.58,-
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Kelis WanderlandSe flere produkter fra AmazonWanderland is the follow-up to Kelis' massively successful debut, Kaleidoscope. Easily the most original and exciting thing to happen to R&B in 2000, Kaleidoscope gave new meaning to the word attitude, pairing the unique sci-fi bleeps and beats of production duo The Neptunes, with the big haired singer's own, very individual, innocent/psychotic persona. Subsequently The Neptunes, under the guise of NERD, released their own spectacular debut album, In Search Of, and worked similar magic for Britney Spears. That both projects bore so many of Kelis' trade marks, not only illustrated what a major hand the duo had in Kelis' identity, it meant that her once edgy sound wasn't edgy anymore. With the same creative backbone, Wanderland, understandably, doesn't pack the same fresh punch as its predecessor. It is, however, still a phenomenal album. The clinical computer game backing tracks may be more familiar this time around, but it's to Kelis' credit that she manages to make them her own once again with her screaming aggression and chilling melodies ("Get Even"), childlike vulnerability ("Shooting Stars", "Digital World", "Mr UFO Man") and street savvy defiance ("Popular Thug", "Daddy", "Junkie"). In snarling single "Young, Fresh 'n' New", there's enough sleazy futuristic funk and attention-grabbing attitude to keep Kelis a safe distance ahead of R&B's rank and file. -- Dan Gennoe Inkl. fragt: Ukendt |
Pris 34.69,-
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![Coldplay X and Y [VINYL]](http://img.kelkoo.com/dk/small/532/433/00141522644771244085542467169578972433532.jpg) |
Coldplay X and Y [VINYL]Se flere produkter fra AmazonColdplay were faced with a difficult choice as they set to work on X&Y. They could either follow Radiohead’s lead and use their enormous success and financial security as a springboard to a brave experimental future--or they could play it safe, repeat the tricks used on the 16 million-selling A Rush Of Blood To The Head, and consolidate their position as one of the biggest bands in the world. In truth, despite the Tetris-inspired artwork and presence of teaser track "Talk"--which steals its melody line from electro-futurists Kraftwerk’s gorgeous "Computer Love"-- X&Y is more the latter than the former. Fans will be delighted by "What If?", a piano elegy that takes flight on strings, and slowly builds towards a Beatles' "A Day In The Life"-style climax, while the likes of "Fix You" and hidden track "'Til Kingdom Come"--originally written for country hero Johnny Cash--proves Martin’s skill for simple, affecting songwriting remains intact. One development, however, comes through the judicious inclusion of some rather pleasant synthesiser work--see "White Shadows", where Martin gently beseeches "Come on love, stay with me" over a gentle Eno-esque keyboard wash. Fair enough: the experimental albums can come later. -- Louis Pattison More Coldplay A Rush of Blood to the Head (CD) Parachutes (CD) Coldplay: Live 2003 (Limited Edition DVD with Live CD) Coldplay: Look at the Stars (Paperback) Find more from Coldplay Inkl. fragt: Ukendt |
Pris 217.74,-
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Anathema A Fine Day to ExitSe flere produkter fra AmazonA Fine Day to Exit, the sixth album in 12 years from Liverpool's portentous Anathema, sees them moving away from their gothic roots and towards a strange hinterland, one where the dynamics and brooding passion of Radiohead's OK Computer goes hand in hand with the dark edge of the final Soundgarden records and the full-on rock power of Cradle Of Filth. Vincent Cavanagh's deep, sonorous voice invites comparison with both Cornell and Roger Walters, and songs like the opening, piano-led "Pressure" and heartfelt title track revelin their sense of isolation and grandeur. "Underworld" meanwhile repeats the line "this feeling is over" like it's the penultimate event of the band's existence. Perhaps a little too in thrall to Radiohead in spots, this is still a powerful and moving album. --Everett! True Inkl. fragt: Ukendt |
Pris 42.62,-
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Original Soundtrack Tomb RaiderSe flere produkter fra AmazonEverything about crypt crawler Lara Croft is fake: her boobs, her archaeological background, her identity. So it's fitting that the equally synthetic Tomb Raider Soundtrack should arrive in time for her big-screen debut. U2 reel out the album's strongest track, a glossy remix of "Elevation" that skids all over glam-rock terrain and is just sexy enough to make it work as a single (as well as a scene-stealing video featuring Tomb Raider star Angelina Jolie). Nine Inch Nails' Trent Reznor works himself into a fit on the grinding "Deep", but his tirade sounds outdated with its dumb lyrics and clunky, hookless programming. Speaking of computer blues, Groove Armada's wordless snoozer "Edge Hill" is about as far from shakin' that ass as a dance act can get. Thankfully, club reliables like the Chemical Brothers and Moby can still get it done; the former brings out the funk with a writhing dance tune that's as tireless as the film's heroine, while the latter's fuzzed-out big beats explode into a giddy freak-out that helps tighten up the album's bland midsection. Oddly, the only ladies in the house, Missy "Misdemeanor" Elliot and young Nelly Furtado, are the ones who get Lara Croft's modus operandi right; no matter how perfect she may be, she still needs to "get her freak on". -- Kristy Martin Inkl. fragt: Ukendt |
Pris 55.52,-
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Beastie Boys Hello NastySe flere produkter fra AmazonOn their previous album, Ill Communication, the Beastie Boys expanded their parameters yet again, melding cutting-edge hip-hop with slinky jazz, butt-wiggling funk, weepy classical, and combustive punk rock. Four years down the line, the group's music isn't nearly as organic. They've all but abandoned the guitars and returned to the kind of old-school beats and rhythms that defined their groundbreaking 1989 disc, Paul's Boutique. But Hello Nasty isn't a regression, and it's anything but a cop-out: in addition to resurrecting the best elements from their past, the Beastie Boys have embraced the dopest high tech gizmos of the computer age. Hello Nasty gurgles like galactic sulfur pools, whizzes like a Sega game, and slurps and thumps like the best backward Hendrix loops. Add in a cavalcade of Latin percussion, calliope keyboards, and exotic samples (Stravinsky, Stephen Sondheim, Jazz Crusaders, Rachmaninoff), and you're left with one of the most creative and jubilant hip-hop records to date, even if you exclude witty lyrics like, "I'm the king of Boggle / There is none higher / I get 11 points off the word quagmire" ("Putting Shame in Your Game"). To paraphrase über-critic Robert Christgau, Paul's Boutique may have been the band's Pet Sounds, but Hello Nasty is the Beasties' Sgt. Pepper's. --Jon Wiederhorn Inkl. fragt: Ukendt |
Pris 192.55,-
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![Original Soundtrack Die Another Day [Enhanced]](http://img.kelkoo.com/dk/small/066/195/006506237888859628783840587564846195066.jpg) |
Original Soundtrack Die Another Day [Enhanced]Se flere produkter fra AmazonPierce Brosnan's 007 is the very model of a modern secret agent, but updating his mission's musical accompaniment has proved altogether more problematic. With Die Another Day, his third score, David Arnold seems to have found the answer. After the dismal techno-rock assault that made The World Is Not Enough just another action blockbuster soundtrack, Arnold--who came to prominence providing the epic strings for Bjork's "Play Dead"--has largely returned to Bond staples, namely the rasping horns and brooding military marches that defined John Barry's classic scores. Yet all real moments of drama are subtly underpinned with futuristic add-ons. As the stunning orchestration of "On the Beach" lowers to a chilling hush, the sense of foreboding is guaranteed by a murmuring electronic pulse. The clattering mechanical beats of "Hovercraft Chase" add frantic urgency as the rallying horn salvos punch out the Bond theme and the bleeps and squelches of "Laser Fight" carry as much suspense as the vintage aquatic strings. This time around Arnold's computer-enhanced atmospheres meld rather than compete with his orchestration. For sure, it's not perfect: the excessive use of choirs is more Star Wars than Bond and Madonna's club-friendly title song lacks the grace and drama to do the opening credits justice. For the most part though, it's a glorious return to form that's as welcome as the return of 007's Aston Martin. -- Dan Gennoe Inkl. fragt: Ukendt |
Pris 104.42,-
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Dennis McCarthy Star Trek: EnterpriseSe flere produkter fra AmazonGene Roddenberry's Star Trek franchise now encompasses five television series, a cartoon show, 10 feature films, an IMAX presentation and an interactive Las Vegas spectacular--not bad for a much-mocked 1960s TV show discarded by its network after barely three seasons. With Enterprise, composer and previous ST series veteran Dennis McCarthy takes the saga's musical reins, instantly imbuing it with a familiar, if more dignified and restrained, sense of discovery and adventure with his pastoral "New Enterprise" and "New Horizons" themes. If his "Archer's Theme" briefly strays into overwrought rock heroics, the composer's edgy, rhythmic Klingon cues add a sense of almost palpable danger to the soundtrack. Tense, unusually brooding, and marvellously atmospheric, McCarthy's scoring here harks back to the best of Goldsmith's ST film work. "The Rescue" even recalls the powerfully dramatic brass writing of Herrmann in his prime. Another sure sign of the show's pop culture stature: it now has its own bona fide Diane Warren overwrought pop-ballad theme, "Where My Heart Will Take Me" (in both its TV version and an extended album mix here) performed by Russell Watson. Expanded PC media features include a mock Enterprise computer interface containing a performance video of Watson's song, and cast and character profiles.-- Jerry McCulley Inkl. fragt: Ukendt |
Pris 101.90,-
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Blue Chip Orchestra Red Sky BeatSe flere produkter fra AmazonFor all that Native American music (and art, and culture, ad nauseum) is all the rage these days, it's still pretty unusual to come across a recording that at least tries to incorporate elements of that music without destroying it. At first, one would hesitate to bet on Blue Chip Orchestra, an Austrian group that likes to play with electronics. But Red Sky Beat works surprisingly well, with a light touch on the synthesizers and much attention paid to musicality. A synth bass pairs off with a sung melody; electronic sounds, bubbly as a glass of champagne, complement a flute; there are acoustic and electronic drums and percussion and natural sounds that might or might not be computer-generated. That two such apparently disparate forms of music are even brought together on one recording places Red Sky Beat in a select group; that for the most part the result is successful places the CD in a class by itself. --Genevieve Williams Inkl. fragt: Ukendt |
Pris 192.55,-
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![Franz Ferdinand Franz Ferdinand [VINYL]](http://img.kelkoo.com/dk/small/739/257/00148435993801857640108368335544471257739.jpg) |
Franz Ferdinand Franz Ferdinand [VINYL]Se flere produkter fra AmazonTouted as being the first great album of 2004, Franz Ferdinand's eponymous debut may be the secret weapon that'll kick-start the British fight against the White Strokes. Though they have a reputation as being bohemian art-obsessed dilettantes, they're at the vanguard of the Art Wave scene, and possess a fierce determination to change the face of modern music--their twin aims: to bring back cerebral rock that makes you want to dance, and to bring frontline music back home (witness exclusively British lyrics such as "I'm on BBC 2 now; telling Terry Wogan how I made it"). So what weapons do these four skinny lads engage to galvanise the UK music scene? Unsurprisingly, they roll out the big guns of Britpop past. "Cheating on You" bounces like early Blur; "Come on Home" soars like pre- OK Computer Radiohead; "Michael" flirts with Suede-esque sexual androgyny; and "Matinee" sleazes onto you like Pulp at their most lascivious. Though they draw on the past, they do so wisely, injecting voguish angular 80s synth-pop with old-fashioned heart and soul. Their debut embraces the experimental, featuring time-signature changes and mid-song tempo drops, yet its solidity prevents it from consignment to the gratuitously quirky bin. If you feel that the Rapture lack a sense of drama and Interpol lack joy and energy, then Franz Ferdinand are the boys for you. Their stated ambition is to erase the Archduke Franz Ferdinand from the annals of history and replace him in the collective consciousness with themselves. Archduke who? -- Paul Eisinger Inkl. fragt: Ukendt |
Pris 128.05,-
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![Laurie Anderson Us Live [Us Import]](http://img.kelkoo.com/dk/small/773/317/0051880124806291252632308629342786317773.jpg) |
Laurie Anderson Us Live [Us Import]Se flere produkter fra AmazonFor most musicians and groups, the live box set marks the culmination of a lengthy recording and concert career. Not so for Laurie Anderson, whose United States Live appeared in 1984, following her tenure in academic and bohemian circles and a small handful of releases on Warner Bros. and smaller labels. The release was an unusual event, though perhaps less so for a musician who seeks to upend musical traditions, most notably the distinctions between pop and classical, spoken and sung, live and Memorex. The lengthy set is a recording of a live performance composed of dozens of carefully defined experiments in form and technique, most of them fitting into one or two of these three categories: show pieces for items from her technological music arsenal (like her emblematic electric violin), witty narrative snippets (back when "spoken word" was called "performance art," prior to the rise of the poetry slam), and full-band performances, featuring, among others, Peter Gordon and David Van Tieghem. "O Superman" and "Big Science" are the familiar titles that appear amid the nearly 80 tracks. "Just a slow accumulation of details," her computer-enhanced voice intones moments before the intro to "Blue Lagoon" (later heard in a studio version on Mister Heartbreak). That makes a nice epigram for the collection as a whole, which is essential to understanding art music of the '80s in general and the New York scene in particular. --Marc Weidenbaum Inkl. fragt: Ukendt |
Pris 431.38,-
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Original Soundtrack The IncrediblesSe flere produkter fra AmazonPixar Studios continues its string of computer animation successes with this satirical tale of a family of superheroes (picture a flabby, suburbanized Fantastic Four) forced out of retirement by--what else?--an evil genius and his plot for world domination. Director Brad Bird, whose Iron Giant was one of the 90's most sublime, if underappreciated animated triumphs, decided he wanted his Incredibles score to be a throwback to the spy-action genre of the mid-60's. Enter Michael Giacchino, the young composer who'd previously conjured a marvellously eclectic range of musical styles in service of TV's Alias. In his feature film debut, Giacchino (with a key assist from veteran arranger Jack Hayes) ups the ante of Bird's back-to-the-future spy-score gambit with an orchestral jazz soundtrack powered by the brash rhythms of television's Mannix and Man From U.N.C.L.E. beneath a veneer of melodic intrigue and detached elegance that recalls the prime of John Barry's James Bond oeuvre. More importantly, the young composer serves it all up with a sense of assured retro-cool and a distinct lack of irony that makes it all the more inviting. --Jerry McCulley Inkl. fragt: Ukendt |
Pris 113.23,-
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Coldcut Let Us Play: +CD-RomSe flere produkter fra AmazonComprised of ex-art teacher Jonathan More and computer programmer Matt Black, Coldcut have been active in the UK electronica scene since the heyday of Acid House in the mid-1980s: releasing the first UK "sampling" disc ("Hey Kids"), launching the careers of Yazz and Lisa Stansfield, and establishing a formidable reputation as producers and remixers. Their fourth album--and the first on their own Ninja Tune label-- Let Us Play is at once as dizzyingly eclectic yet as consistent in tone as one would expect from these innovators. Who else would (or, for that matter, could) bring together guests as diverse as ex-Dead Kennedys frontman Jello Biafra, legendary funk drummer Bernard Purdie and poet Salena Saliva? Hardly surprising: in applying the cut-and-paste aesthetics of multimedia, Coldcut delight in collisions of form and meaning: "Timber," for example, is an audio-visual collage that manages to be both a protest song (campaigning for an end to industrial logging, and using footage supplied by Greenpeace) and a hypnotic dance track. Electronic music at its most intelligent. --Andrew McGuire Inkl. fragt: Ukendt |
Pris 76.53,-
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