Søgeresultat: hafa emotion
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Barbra Streisand Yentl/EmotionSe flere produkter fra AmazonRelease Date: 2007-07-09, Audio CD, Sonybmg Fragt: Ukendt! |
Pris 103.75,-
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Chris De Burgh High On EmotionSe flere produkter fra AmazonOddly, for someone who once had such a major international hit (with "The Lady In Red", of course), de Burgh plays out his almost folk-y rock music to fanatical, almost cult-size audiences nowadays. Maybe it's for the best. For it's in the live setting that de Burgh's own distinctive brand of soft rock--full-on narratives full of climatic themes, painted with broad sweeps of emotion--really comes into its own. Stand-outs here include "Spanish Train"--a Paradise Lost for the late 20th Century--and its fellow Spanish Train And Other Stories track, the haunting "A Spacemen Came Travelling". High On Emotion is a good place as any to catch the de Burgh live experience. --Everett True Fragt: Ukendt! |
Pris 28.13,-
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![Richie Kotzen Wave of Emotion [Us Import]](http://img.kelkoo.com/dk/small/272/994/00130046398869612559955452265406378994272.jpg) |
Richie Kotzen Wave of Emotion [Us Import]Se flere produkter fra AmazonRelease Date: 2000-05-09, Audio CD, Riot Fragt: Ukendt! |
Pris 122.63,-
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Richie Kotzen Wave on EmotionSe flere produkter fra AmazonAudio CD, Universal Fragt: Ukendt! |
Pris 212.32,-
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Kenna Out of Control (State of Emotion)Se flere produkter fra AmazonRelease Date: 2008-05-05, Audio CD, Polydor Group Fragt: Ukendt! |
Pris 37.67,-
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Various Artists Grand Theft Auto Vol 3 - Emotion 98.3Se flere produkter fra AmazonRelease Date: 2002-11-07, Audio CD, Epic Fragt: Ukendt! |
Pris 47.01,-
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Havana Life: Living in Fearless EmotionSe flere produkter fra AmazonRelease Date: 2006-04-17, Audio CD, Fragt: Ukendt! |
Pris 122.63,-
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Scene Creamers I Suck on That EmotionSe flere produkter fra AmazonRelease Date: 2003-02-17, Audio CD, Drag City Fragt: Ukendt! |
Pris 122.63,-
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Karla Mclaren Becoming An Empath: How to Develop the Power of Your EmotionSe flere produkter fra AmazonRelease Date: 2006-09-20, Audio CD, Sounds True Fragt: Ukendt! |
Pris 160.40,-
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Franck - Symphony. Stravinsky - PetrushkaSe flere produkter fra AmazonFranck's only symphony (1890) came from nowhere in his output but led to a whole generation of French symphonies. Although his only such work, its logic and control, the main themes developing intently over its 35-minute duration, suggest an experienced symphonist in full flight: a pity time ran out soon afterwards. There have been many recordings, but few really successful ones. As a conductor equally at home with the ballet as with the symphony, Pierre Monteux was ideally placed to do it justice, and his 1961 recording does just that. The Fritz Reiner-trained Chicago SO respond with obvious enjoyment: whether in the brooding opening pages, the slow movement's gentle charm, or the finale's heart-on-sleeve emotion, there's a life-enhancing quality that no other performance has bettered. Monteux brings a lifetime's experience conducting Petrushka to his 1959 account with the Boston SO. This isn't a high-powered virtuoso reading, but it conveys the music's passion and pain like few others. An unexpected coupling, but a mandatory purchase. -- Richard Whitehouse Fragt: Ukendt! |
Pris 84.87,-
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Appliance Imperial MetricSe flere produkter fra AmazonThe music on Appliance's Imperial Metric--gentle, dreamy washes of sound and electronica, tumbling together through kaleidoscopes of diffused emotion--used to be called shoe gazing. The description indicated contemplation and shyness, heads bowed: music was similarly simultaneously euphoric and detached. At various places on the second full-length album from this aquatic Exeter trio, Appliance recall a very downbeat Oasis ("Land, Sea And Air"), old school Spiritualised, To Rococo Rot ("Skylight"), even New Order's synthetic rock and of course, the beloved drifting Krautrock of Can and Neu that touches virtually every analogue electronic pop band in 2001. This is music for fish tanks: a bewildering glass bubble away from the realities of life. -- Everett True Fragt: Ukendt! |
Pris 75.43,-
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Original Soundtrack Full Metal JacketSe flere produkter fra AmazonStan Kubrick's 1987 take on Vietnam is a strange disorientating "wriggle" through film genres and human psyche alike, and the movie ends up as a kind of docu-drama road movie where the protagonists are being wasted one by one. The original score is by Abigail Mead. Admittedly she only had to come up with a few, eerie underscore themes, but they do their job, although unaided by images her mid-1980s samples sound a bit dated. The title track is a groovy medley over the Marine training camp's hilarious marching songs--a nice header to the album. The "Ruins" theme is an illustrative piece of film music, and "Sniper" a classic emotion-trigger. The soundtrack's covers-inventory has obvious post punk characteristics, the only music from the period is the raunchy "I Like It Like That". Stones classic "Paint It Black" never made it through the copyright trap, which is a shame, but lovers of grunge can enjoy "Surfin' Bird" by the Trashmen and "Woolly Bully" all the same. The sickeningly sentimental pro-war Country smoocher "Hello Vietnam" by Johnny Wright, and Nancy Sinatra's reminder to the "gooks" what's in store, "These Boots Are Made For Walking", illustrate Kubrick's dark sense of humour, as does the Dixie Cups' "Chapel Of Love". --Yngvil V.G. Fragt: Ukendt! |
Pris 28.13,-
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Ornette Coleman The Shape of Jazz to Come: RemasteredSe flere produkter fra AmazonOn this highly influential 1959 album, Ornette Coleman's unique writing style and idiosyncratic solo language forever changed the jazz landscape. On classics such as "Lonely Woman", "Congeniality", and "Focus on Sanity", Coleman used the tunes' moods and melodic contours, rather than their chords, as a basis for his improvisations. In so doing, he opened up jazz soloing immensely and ushered in new freedoms--both individually and collectively. Lest these innovations sound too dry or abstract, it must be noted that both Coleman and trumpeter Don Cherry play with a deep-felt emotion and joy that is as infectious today as it was then. This is truly an essential jazz recording, marking the end of one era, providing the blueprint for the next. -- Wally Shoup Fragt: Ukendt! |
Pris 75.34,-
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Mavis Staples We'll Never Turn BackSe flere produkter fra AmazonAs musical activists in the 1960s civil rights movement, the Staple Singers were powerful voices for equality and change. And more than 40 years after Pops's daughter Mavis spent a night in a West Memphis, Arkansas, jail at the behest of a racist cop, she still remembers the terror of the experience, as well as the counsel of Dr. Martin Luther King. That episode is at the centerpiece of "My Own Eyes," one of the most moving offerings on this collection of songs of racial struggle in the '50s and '60s, produced by guitarist Ry Cooder and featuring backing from the original Freedom Singers and Ladysmith Black Mambazo. Throughout, the album proves both emotionally chilling and spiritually uplifting. On J .B. Lenoir's "Down in Mississippi" and Marshall Jones's "In the Mississippi River," for example, Cooder makes fine use of pounding percussion and snaky electric guitar to capture the danger and fear inherent in the Deep South at the time, while the title song and "Jesus Is on the Main Line" draw on gospel and the traditional framework of church hymns to promise positive solutions. Staples, who ad-libs on several cuts, connecting the injustice of yesterday to the continuing marginalization of blacks in the wake of Hurricane Katrina, remains a remarkable performer, employing a throaty sensuality that rises from a deep well of tremulous emotion. If her album is musically uneven at times, her artistry and strength continue to shine as undimmed beacons. --Alanna Nash Fragt: Ukendt! |
Pris 103.66,-
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Luke Slater WirelessSe flere produkter fra AmazonThe musical ghosts of Gary Numan, Kraftwerk, Mantronix and Afrika Bambaataa hover in the air as one listens to Luke Slater's Wireless, a far more focused, four-on-the-floor, electro-flavoured platter than his vibrantly all-over-the-place 1997 debut Freek Funk. But don't worry, Wireless pays distinct homage to the past, yet this is one of those rare albums that pushes the envelope of techno forward while partying all night like tomorrow will never come. It's a cheerful record that's difficult to describe without sounding cheesy; it rarely lags in energy even during the moody, deranged down-tempo bits such as "Bolt Up." Created with layers of live drums and electrobreaks and in a manner that coaxes the most emotion possible out of every musical gesture, Wireless is a maximalist triumph, a study in the essential contradictions (man vs. machine; robot vs. human) that characterise life at the turn of the century. You can totally dance to it, too. --Mike McGonigal Fragt: Ukendt! |
Pris 84.87,-
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Various Artists Black Hawk Down - Original Motion Picture SoundtrackSe flere produkter fra AmazonBlack Hawk Down is the fifth collaboration between composer Hans Zimmer and director Ridley Scott, and following Gladiator (2000) and Hannibal (2001), their third in fewer than two years. Though set two millennia after Gladiator, Black Hawk Down's unrelenting African warfare has much in common with the former blockbuster. Zimmer opens with comparable Arabic flavoured atmospherics leading to his trademark pulsating percussion and razor-sharp digital production values. The Andalusian colours of his Mission: Impossible 2 inflect the catchy world music/dance ballad "Barra Barra" before the score diversifies through textures that blend moody American (blues) and African folk elements with passages of programmed suspense underscore and electronic, sequenced fury. With so many elements fused into polished, perfectly organised musical landscapes, the result is occasionally like a compilation of elements from all Zimmer's recent hit scores. In battle cues such as "Tribal War", relentless rhythm takes over, but it is for the hymnal "Gortoz a ran", the haunted pure beauty of "Still", and the lament of "Mogadishu Blues" that this release is more likely to be remembered. As with Pearl Harbor, Zimmer concentrates on emotion over action, though here his work is influenced by the real folk music of the people involved, and hence the more moving for it.-- Gary S Dalkin Fragt: Ukendt! |
Pris 94.22,-
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Destiny's Child SurvivorSe flere produkter fra AmazonOne listen to the eagerly anticipated third album from "The World's Biggest Girl Group" and it's clear there is one child with the most destiny. To paraphrase the hip-hop legends; who's house? Beyoncé's house, and with the lead vocalist producing or cowriting all of the 14 tracks it's hard to imagine what those other two chicks even do (other than act grateful to still have a gig). Seizing creative control is a bold move for Miss Knowles, and anytime an R&B act eschews the beat of the week, they have to be commended. But the problem is that Beyoncé, even with her ambition, has yet to suss out that the key to a pop-R&B smash is hook and melody. With the exception of the now-played-out title track (Can we all take moratorium on this mighty goddess theme for a second, please?) and the equally you-go-girlish "Independent Woman Part 1", most of the tracks here lack a strong core. Beyoncé crams a litany of thoughts and motifs into her mini-anthems, with samples ranging from Stevie Nicks to Tarzan Boy, but though the cuts sizzle and sparkle and throw off much attitude, Survivor is way too frenetic. Even with some strong singing and songs (most notably the laid back "Fancy"), Survivor lacks real emotion. --Amy Linden Fragt: Ukendt! |
Pris 61.08,-
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Original Soundtrack The Cardinal (Moross)Se flere produkter fra AmazonIn The Cardinal (1963) composer Jerome Moross and director Otto Preminger avoided the simple associative route of crafting musical themes for particular characters. Instead, Moross produced five distinct "cells" of score, which Preminger then applied broadly across the finished film. This alternate method has the effect of drawing the flashback elements of the narrative into a context that takes no account of their timeframe. After the grandly resounding cathedral bells which open the "Main Title", the overture introduces these cells across a range of styles. Being the story of one man's life, the score has an entire gamut of emotion and events to portray: the disc schizophrenically passes back and forth between orchestral music for the Cardinal's reflection, and the upbeat swinging tunes from his past. Not that this back-and-forth is at all distracting. Moross will always be best known for the rousing Americana of The Big Country, but here's another side of his music that's well worth discovering. -- Paul Tonks Fragt: Ukendt! |
Pris 89.59,-
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Bright Eyes Fevers and MirrorsSe flere produkter fra AmazonIt's rare that pop music reaches such depths of emotion. Fevers And Mirrors, the debut album from Conner Oberst's Bright Eyes, may recall many other classic tortured artists-- Tim Buckley, naive blues poet Daniel Johnston and Leonard Cohen not least among them--but its fragility and melancholy is most definitely its own. The pivotal track is the opening "A Spindle, A Darkness, A Fever, And A Necklace" wherein the Nebraska-born singer's trembling voice attempts to answer a fuzzy recording of a child pleading a dread of separation, and fails. Elsewhere, on songs like the frantic "The Calendar Hung Itself" and "Sunrise, Sunset", the melodies become even more poignant, even more beautiful. Tinny keyboards, rapid-fire drum-beats and the odd guitar all sweeten the mix. Oberst first started detailing his desire and lack of fulfilment six years ago, as a 14-year-old prodigy in the band Commander Venus--and one can only imagine that a major cult will grow up around this tortured, mysterious, ex-Catholic. An extraordinary album. --Everett True END Fragt: Ukendt! |
Pris 47.01,-
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Alex De Grassi The Water GardenSe flere produkter fra Amazon"Meditation and water are wedded forever," says New Acoustic progenitor Alex de Grassi, quoting Herman Melville in the liner notes to this 10-song cycle of solo steel-string guitar pieces "on the theme of water." There's a stillness at the heart of this Garden, but don't expect placid performances; de Grassi's stunning finger style exploits rapidslike torrents of open-tuned chords ("Prelude"), babbling brooks of uplifting hammer-on melodies ("The Zipper"), and buoyant themes floating over liquid counterpoint ("Another Shore"). Sure, the former Windham Hill mainstay, whose Turning: Turning Back and Slow Circle helped define that label's identity, is capable of brooding, contemplative work--the lovely title track is a good example--but he rarely gets stuck in meditative mud, preferring, as in "Cumulus Rising," to wring great emotion from even his quietest moments. The Water Garden suggests that de Grassi's vision has only gotten deeper and clearer over time; he's a jazz composer with a folkie's fingers and the Northern California coastline in his soul. --James Rotondi Fragt: Ukendt! |
Pris 174.56,-
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