Søgeresultat: wii fit wii
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Jackie Lee Cochran The 1985 Sessions: Fiddle Fit Man/Tearin' Up the BorderSe flere produkter fra AmazonRelease Date: 2005-08-01, Audio CD, Ace Inkl. fragt: Ukendt |
Pris 114.96,-
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Macc Lads Beer and Sex and Chips 'n' Gravy/Bitter Fit CrackSe flere produkter fra AmazonRelease Date: 2008-04-21, Audio CD, Anagram Inkl. fragt: Ukendt |
Pris 70.71,-
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Donna Hughes Gaining WisdomSe flere produkter fra AmazonAs a singer, Donna Hughes's languid, conversational phrasing barely hints at the depth and range of her songwriting. That songwriting has attracted the stellar support of producer-guitarist Tony Rice, harmony vocalists such as Alison Krauss, Mary Chapin Carpenter, and Rhonda Vincent, and some of the top musicians in bluegrass. While uptempo breakdowns such as "Sad Old Train," "Too Many," and "Bottom of a Glass" (with Sam Bush on flying-fingers mandolin) fit comfortably within bluegrass tradition, much of the rest goes well beyond. On "Father Time" and "Not Anymore," she shows her mastery of the piano-based introspective ballad, while the harmonies and cello of "Find Me Out on a Mountain Top" could be described as chamber-grass. There's also a cover of Cyndi Lauper's "Time After Time" that splits the difference, beginning as midtempo melancholy but then picking up the tempo for a bluegrass transformation. Hughes is still a stronger writer than a singer, but the investment she makes in her own material pays emotional dividends. --Don McLeese Inkl. fragt: Ukendt |
Pris 114.96,-
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Alabama 3 Exile on Coldharbour LaneSe flere produkter fra AmazonThey're not from Alabama, and there's many, many more than three of them. In fact, Exile On Coldharbour Lane is the product of a warped gang of Scottish DJs, reformed junkies and sideshow entertainers. Don't be cynical, though--they've had a calling; the Alabama 3 gospel embraces Deep Southern Christian fundamentalism, revolutionary Marxism, serious drug abuse and the loved-up embrace of acid house music. Exile On Coldharbour Lane, however artificial, is a thoroughly enjoyable cabaret record. With titles like "Bourgeoisie Blues", "Mao Tse Tung Said" and let's not forget "Hypo Full Of Love (The 12 Step Plan)", Alabama 3 have created a peculiar fusion of country, techno, and hip-hop, and somehow made it funny. There's even time to fit in "Speed Of The Sound Of Loneliness"--a traditional American folk number, performed with po-faced aplomb. You'll consider converting. -- Louis Pattison Inkl. fragt: Ukendt |
Pris 70.62,-
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Travis Ode to J. SmithSe flere produkter fra AmazonOur obsession with the weather has long been entrenched in the national psyche, but rarely--if ever--has it had so very much influence over the fortunes of one music career. But in the same way that it supposedly informs our resolute British demeanour (and capacity for standing hail-lashed in queues), seldom have we seen a band quite as stoic in the face of diminishing interest. Travis' existence, in spite of a decent smattering of personable successes, begins and ends with the enduring popularity of "Why Does It Always Rain on Me?" and those festival sets at the turn of the century that celebrated career-defining downpours. Everything before and after, with a couple of brief exceptions, became mere footnotes. Agreeable albums hung off an agreeable single or two continue to come and go, but sixth album Ode to J. Smith is a rarity for Travis in that it wholeheartedly answers their original manifesto--namely "All I Wanna Do Is Rock". Well and truly plugged back in after a decade of polite acoustic dalliances "J. Smith" condenses a fit of prog-rock audacity down to a surprisingly effective three minute pop song and "Something Anything" thrashes out a guitar solo to conduct the lightening. The banjo-waltz of "Last Words" and piano lament of "Before We Were Young" may tip their hat at the pocket-sized Travis of old, but even those songs burst with certainty from beneath their beige woollens before they're done. No longer should they be considered musical "Driftwood", then. --James Berry Inkl. fragt: Ukendt |
Pris 70.62,-
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Lene Marlin Another DaySe flere produkter fra AmazonWhile cliché has it that second albums are difficult, Lene Marlin's Another Day almost didn't happen at all. So shell-shocked was the Norwegian singer-songwriter by the runaway success of her debut album Playing My Game--which thanks to chirpy first single "Sitting Down Here" sold almost two million copies worldwide--that she contemplated retiring from music altogether, feeling ill-equipped for stardom. Understandably then, her follow-up, which was four years in the making, is littered with fragile songs of insecurity and doubt, with Marlin sounding every inch the little-girl-lost looking for answers and comfort. Much to her credit, she's stayed true to herself rather than trying to fit the pop-star profile and supply catchy hits. The irrepressibly cute sing-along of "Sitting Down Here" was always the odd one out among her debut album's folksy laments, and wisely Another Day sticks to her original plan with a raft of beautifully intimate lullabies. And while written with all the ambiguity of love songs, the hushed sways of "Fight Against the Hours" and "From This Day", and tale of separation "You Weren't There", resonate with a tangible loneliness and alienation that suggest her wilderness years weren't totally in vain. --Dan Gennoe Inkl. fragt: Ukendt |
Pris 97.17,-
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Ron Sexsmith Cobblestone RunwaySe flere produkter fra AmazonFrom the first notes of Cobblestone Runaway's sweet-swinging opener, "Former Glory", it's clear that on this follow-up to the aptly titled Blue Boy, Sexsmith's forlorn folk-pop is in for a reinvention. Cobblestone Runway adds synthesizers and danceable beats to his usual guitar and vocal melodies, and for the most part the new sounds enliven Sexsmith's songs without strangling them. The disc recalls Beth Orton and Jeb Loy Nichols, but not everything will sound alien to an established Sexsmith admirer: "The Less I Know" is a calm, Beatlesesque pop tune, and cuts like "Best Friends" and "God Loves Everyone" would fit on any of his previous discs. Inevitably there are a few missteps--among them the disco-fied "Dragonfly on Bay Street"--but overall Sexsmith's electro-folk experiment proves refreshingly successful. --Anders Smith Lindall Inkl. fragt: Ukendt |
Pris 88.32,-
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Peanut Butter Wolf Peanut Butter Wolf's Jukebox 45'sSe flere produkter fra AmazonThis compilation from DJ, producer and Stones Throw label honcho Peanut Butter Wolf succeeds on many levels: as a collection of his label's 7" singles it allows digital collectors to cop what had only been available to vinyl heads. But more than that, Jukebox 45's functions as an introduction to and celebration of the Stones Throw ethos, an amazing sampling of the indie label's envelope-pushing hip-hop, experimental soul and old-school funk. Madlib, the "star" of the Stones Throw stable, is well represented across these 22 tracks (as a rapper as well as producer), contributing to a variety of projects. There are also five rare-groove tracks dug up from the late 1960s and early 1970s that fit rather nicely next to the original material. Kudos to PBW and Stones Throw Records for this nasty set--and for all their innovative, rump-shaking and head-spinning music. --Marc Greilsamer Inkl. fragt: Ukendt |
Pris 88.32,-
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AC/DC Highway to HellSe flere produkter fra AmazonWhat Highway to Hell has that Back in Black doesn't is Bon Scott, AC / DC's original lead singer who died just months after this album was released. Scott had a rusty, raspy, scream of a voice, like he might break into a coughing fit at any moment. In other words, on crunchy, hook-heavy metal classics like the title track and on "Get It Hot" which is more roadhouse rock than metal, he had the perfect instrument for such wild-living anthems. Too perfect, it turned out. --David Cantwell Inkl. fragt: Ukendt |
Pris 52.92,-
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Salif Keita PapaSe flere produkter fra AmazonMali's Salif Keita might possess one of Africa's great voices, but in the past there have been times when his material hasn't done him real justice. That's not the case here-- Papa is as close to brilliance as he's likely to get, with enough of a real roots feel to bring out his emotive qualities. For once, the Western studio overlays (done in New York and Paris) don't overwhelm everything else. In fact, the only time they really intrude is when co-producer Vernon Reid (ex-Living Colour) takes a wild guitar solo at the end of the record, and that's an ideal fit. The title track is Keita at his very best, as his voice cracks and soars. This time he's hit it perfectly. --Chris Nickson Inkl. fragt: Ukendt |
Pris 114.96,-
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Nina Simone EssentialSe flere produkter fra AmazonAt the turn of the century, Lauryn Hill was crowned as the soul talent par excellence on the basis of her work with the Fugees and one solo album, the fêted The Miseducation of. Still, she's a good a choice as any to make the point: without Nina Simone, there would be no Hill. Before even Aretha Franklin demanded "Respect", Simone was commanding audiences with her voice, virtuoso piano and powerful presence. In the early 1960s, she wrote "Mississippi Goddam" in response to the murder of civil-rights activist Medgar Evers; it remains one of the most potent protest songs of the era. Whether singing her own compositions or interpreting others, Simone puts her own stamp on every song, be it sad and bluesy ("Don't Smoke In Bed") or up-tempo and playful (but still deadly serious on "Love Me or Leave Me"). Amazon.co.uk contributor Lucy O'Brien compiled this Essential collection, and her take on Simone is joyously expansive, covering best-known works ("My Baby Just Cares For Me"), live tracks and some of O'Brien's favourites. The definitive Simone wouldn't fit on a single disc, so while there are plenty of greats not here, The Essential Nina Simone lives up to its billing. --Randy Silver Inkl. fragt: Ukendt |
Pris 35.22,-
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![Martin L. Gore Counterfeit Vol.2 [VINYL]](http://img.kelkoo.com/dk/small/066/464/142756056778590369598590633502932464066.jpg) |
Martin L. Gore Counterfeit Vol.2 [VINYL]Se flere produkter fra AmazonOne thing that Counterfeit proves is that Martin Gore has exemplary taste in music. The Depeche Mode songwriter's first full-length solo excursion is a covers album in the tradition of Bowie's Pin-Ups. The 11 tracks range from obviously classic works by rock lords Lou Reed, Nick Cave, Brian Eno, Iggy Pop and John Lennon to a pop trash wild card--a winsome version of David Essex's "Stardust". What's more, most of the songs fit in with Depeche Mode's key themes of masochism, drugs, decay, disillusion and general perviness. The problem lies in Gore's lack of emotional and musical range. Fans will take great comfort in the set's familiar moody minor chords, electronic glitches, echoey darkness and Gore's Dave-Gahan-lite vocals. But the end result is a sameness of texture and tempo and songs as originally powerful as "In My Time of Dying" or Cave's "Loverman" just seem to float into the background, deprived of edge and individuality. Still, Gore plays Weill's "Lost in the Stars" piano-and-strings straight, and seekers of tasteful ambience may enjoy the idea of various cult rock, folk and country songs being transformed into Mode-ish mood music. --Garry Mulholland Inkl. fragt: Ukendt |
Pris 132.66,-
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Alan Jackson Like Red On A RoseSe flere produkter fra AmazonThe idea of twang king Alan Jackson pairing up with Alison Krauss for an album of love songs might seem heretical to some, especially if they heard only the first cut, the adult-contemporary ballad "Anywhere on Earth You Are." But producer Krauss, whom Jackson approached to make a traditional bluegrass record, always knew there was a sensuous heart beating beneath Jackson's aw-shucks demeanour, one that would fit perfectly with the intimate repertoire, genre-bending musical framework and virtuoso players she'd always chosen for herself. (Robert Lee Castleman, one of Krauss's favorite writers, weighs in with four tunes, and Ron Block, Jerry Douglas, and Dan Tyminski, Krauss's Union Station cohorts, anchor the band.) If there's a downside to this brilliant, if unlikely pairing, it's that Krauss's sombre program could benefit from something a tad more libidinous or uptempo. But what is here is so beautifully chosen and performed (with spare, affecting harmony vocals by Lee Ann Womack, Cheryl White, Sidney and Suzanne Cox and Krauss herself) that it's hard to quibble. Throughout, and especially on the ballad "Wait a Minute" and his own dusted-off "A Woman's Love" (1998), Jackson, who explores his rich, lower register more frequently than in the past, comes across like Don Williams in his prime. He's a middle-aged man taking stock of what and who matters most to him in life and speaking his heart without artifice. In the title track, a song so bone-marrow deep it might bring you to your knees, Jackson declares, "I love you like all little children love pennies." That line that may sound odd and superficial by itself, but in Jackson's nuanced reading, it takes on a nearly spiritual yearning. This album, like the gospel Precious Memories before it, proves that while Jackson--the most nominated performer in CMA history--may be nearing 50, he's not ready to quit challenging himself as an artist. --Alanna Nash Inkl. fragt: Ukendt |
Pris 52.83,-
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![Robbie Williams Escapology [Explicit Lyrics]](http://img.kelkoo.com/dk/small/639/621/72588482394497522656384958088405621639.jpg) |
Robbie Williams Escapology [Explicit Lyrics]Se flere produkter fra AmazonHe's tried his hand at indie-rock, big-band swing and brash pop music--so where does Robbie Williams' fifth album take the popular British entertainer? Escapology is far removed from his previous albums: it's a serious attempt to make something as credible as it is accessible--so no more bubble-gum wonders such as "Rock DJ" or "Kids". Robbie has now matured and makes adult-orientated rock or middle-of-the road pop music. Lead single "Feel" is standard adult-pop fare that one might expect from the likes of Phil Collins or David Gray; it's redeemed, however, by Robbie's noticeably heartfelt vocals--though perhaps not the best singer in the world, you can tell he means every word he sings. The highlight of Escapology is the gigantically epic ballad "Love Somebody" in which his voice is pushed to its very limits and is pitched over a lush backdrop of brooding strings and a rousing gospel choir. Unquestionably the ballads reign supreme--the heavier rock numbers are large and impressively produced with a cheesy touch of soul, filled with brash horns and pub-rock arrangements in what feels like an attempt to follow Oasis but ends up being more like Toploader. Robbie's lyrical content is still very personal and much of it harps on about what a hard time he has being a pop star ("How Peculiar" and "Something Beautiful"). To fit his new mature style, there is less self parody, although his sense of humour and wry observations do shine though on "Handsome Man" and the catchy but silly "Me & My Monkey". Last but not least, the first track written entirely by Robbie himself, "Nan's Song" is a simple and moving tribute to his late grandmother. Although by far not the best on the album, Robbie will probably take comfort in that, firstly, it's good enough to be on the album and, secondly, it's better than Liam Gallagher's first effort. -- David Trueman Inkl. fragt: Ukendt |
Pris 92.75,-
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Various Artists The Annual 2002Se flere produkter fra AmazonThe Annual 2002 is in fact a retrospective of 2001, and, coming from the satisfaction-guaranteed Ministry stables, contains all the big tunes from another great year for dance music. From Ibiza 2001 faves Roger Sanchez's "Another Chance", Raven Maize's "Real Life" and Iio's "Rapture" to Ayia Napa's garage flavas such as So Solid Crew's "21 Seconds" and DJ Pied Piper and the Master of Ceremonies' "Do You Really Like It", there's not a duff track to be found. Bringing it right up to date are more recent tracks such as Supermen Lovers' "Starlight", Jean-Jacques Smoothies' "2 People" and Par-T-One's "I'm So Crazy", which should be packing the dance floors well into 2002. 2001 was such a great year that the good people at the Ministry couldn't fit all the tracks onto their usual two discs, so this time you get three for your money, but this doesn't dilute the quality in any way. This is the essential souvenir of the year. -- Helen Marquis Inkl. fragt: Ukendt |
Pris 141.51,-
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Girls Aloud Tangled UpSe flere produkter fra AmazonWatch your backs, people, for the armour-plated Girls Aloud stretch hit-machine is swinging in to dock again and it will not wait for you to move out of the way. Au contraire--it literally has you in its full-beams. The girl group that many had, as a matter of course, written off the moment the TV talent show they won ceased transmission, hit the ground dancing furiously with album number four, covering as dizzying a myriad of styles as we have grown accustomed to, courtesy of celebrated pop production house Xenomania, with all the propulsive force of a freshly cracked atom (and the ability to still apply their make up without smudging). Tangled Up is draped in neon with strobe lights matching every throb of its very up-for-it pulse--there's plenty for clubland to get excited about from the sleek Kylie-esque "Call the Shots", 80s chart-house of "Girl Overboard" and full-on drum `n' bass (with not a hint of irony) on `What You Crying For'. Elsewhere the likes of the excellent styled disco "Can't Speak French", Gwen Stefani overtones on the irresistible "Black Jacks" and vocoder future-power-funk of "Sexy! No No No..." amount to some of the best material they've released. If you wanted to be critical you could deem them mere mannequins off which these peerlessly crafted songs hang, but everything's such a perfect fit those complaints seem moot. Sets a high benchmark for pop music in 2007. --James Berry Inkl. fragt: Ukendt |
Pris 44.07,-
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Xtc Transistor Blast: The Best of the BBC SessionsSe flere produkter fra Amazon"XTC live" has been an oxymoron ever since the band's stage-fright-stricken frontman, Andy Partridge, collapsed during a U.S. tour in 1982. Freed of the burden of touring and reproducing their material live, XTC spent their next five recordings gussying-up their sound--layering piano, strings, and ethereal harmonies where herky-jerky chord changes and caterwauling vocals used to reside. Transistor Blast is a heavy dose of early XTC, the Swindon, England, postpunk quartet who couldn't even spell "cello." Disc 3 features 1978 and '79 live takes of early singles such as "Life Begins at the Hop" and "This is Pop," as well as less-recognizable--and often less-listenable--album tracks along the lines of "Danceband" and "Neon Shuffle." Disc 4, a re-release of the band's legendary 1980 Hammersmith Palais show (previously only available as an import), best illustrates the dynamic, hyperkinetic live band that was once XTC. Discs 1 and 2 erect a bridge between the band's early and later material. Recorded live for BBC Radio, the 25 tracks are jumbled chronologically but still flow. Devoid of their elaborate arrangements and syrupy production, songs such as 1986's "Another Satellite" fit nicely after the likes of 1978's "I'm Bugged." --Bill Crandall Inkl. fragt: Ukendt |
Pris 482.23,-
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Pleeth Cello Ensemble Lesley Garrett - TranquilitySe flere produkter fra AmazonTranquility is a 16-track compilation of recordings made by soprano Lesley Garrett, one the UK's most popular classical artists, during her time signed to BMG. This is a budget release, reflected in the presentation of the CD--unfortunately the booklet contains no information other than the list of tracks and performers. The disc begins with Caccini's soaring version of the Ave Maria; probably the most famous setting of that text--Schubert's--follows on later. Other sacred pieces include Franck's much-loved "Panis Angelicus" and a slightly wobbly Pie Jesu from Fauré's Requiem. There is plenty of opera too with arias by Puccini, Verdi, Humperdinck, Mozart and Bellini. Garrett's fine interpretation of Handel is represented by "Ombra Mai Fù" from Xerxes. Most tracks fit with the disc's title, especially treats such as Villa Lobos' Bachianas Brasileiras No 5 where the soprano weaves her way over a scrumptious cello ensemble and "Casta Diva" from Bellini's opera Norma. But who knows what "Vissi d'arte" from Tosca and Malotte's melodramatic setting of the Lord's Prayer are doing there? -- Rebecca Agnew Inkl. fragt: Ukendt |
Pris 57.26,-
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Melinda Lightfoot Hit Me With a Hot NoteSe flere produkter fra AmazonRelease Date: 2006-08-21, Audio CD, Fit Dog Inkl. fragt: Ukendt |
Pris 79.56,-
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Supergrass Supergrass is 10 - The Best of 1994-2004Se flere produkter fra AmazonOne of the most charming British bands of the last decade, Supergrass managed to fit in everywhere but not be part of any scene. Supergrass Is 10: The Best of 94-04 reminds us just how many catchy hits they had from their breakthrough BritPop anthem "Alright" to new single "Kiss of Life". In no particular order, the 21 songs here (including two new ones and an old B-side) cover catchy pop ("Alright", "Grace", "Sun Hits the Sky"), slick retro-rock ("Pumping on Your Stereo", "Seen the Light", "Going Out"), spikey punk-rock ("Caught by the Fuzz", "Richard III", "Lenny") and gentle acoustic numbers ("Moving", "Late in the Day"). Wearing their influences on their sleeve, Supergrass manage to successfully pull off pastiches of songs by Bowie, Bolan and the Monkees. The single made for this album, "Kiss of Life", harks back, even more strangely, to the theme from "Grease". This is a great collection of music from a great band. Here's hoping Supergrass make it to their 20th birthday. -- David Trueman Inkl. fragt: Ukendt |
Pris 44.07,-
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