Søgeresultat: ego kugleventil
Jerry Lee Lewis Live at the Star Club, Hamburg

Jerry Lee Lewis Live at the Star Club, Hamburg

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Take one oversize talent with an ego the size of the chip on his shoulder. Put him in front of a frenzied German audience, and set him loose. What do you have? One of the greatest live albums in rock & roll history. Recorded in 1964 at the same club where the Beatles cut their teeth, Live at the Star Club, Hamburg captures the Killer when he was on the outs as a recording artist. (It took him years to recover from the scandal that ensued when he wed his 13-year-old cousin, Myra Gale Brown.) Lewis didn't require acceptance, however; he just needed an audience, a piano, and a rhythm section willing to hang on to "old Jerry Lee" for dear life. The repertoire is rife with staples of the day--"Money," "Mean Woman Blues," "Long Tall Sally," "Hound Dog"--but the Killer has no trouble customizing them with his pumping piano and insinuating vocals. "When Jerry does something, I do it mighty good," he boasts in "What'd I Say." No argument here. --Steven Stolder
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Jerry Lee Lewis Live at the Star Club, Hamburg
Bigz The Best of the Big-Inning

Bigz The Best of the Big-Inning

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Release Date: 2006-02-27, Audio CD, Altered Ego
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Bigz The Best of the Big-Inning
D'Angelo Yoda

D'Angelo Yoda

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Release Date: 2007-10-15, Audio CD, Altered Ego
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D'Angelo Yoda
Mase Minister to Sinister

Mase Minister to Sinister

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Release Date: 2006-06-19, Audio CD, Altered Ego
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Mase Minister to Sinister
Michael Jackson Invincible

Michael Jackson Invincible

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For such a boldly titled and apparently driven attempt to reinstate Michael Jackson at the centre of the pop world, Invincible is a listless thing. Split between scratchy funk workouts and mid-tempo ballads that might have appeared as Bad B-sides, the album plays on and on while never seriously promoting dancing or romancing. Its handful of weird moments--the resurrection-by-tape of Biggie Smalls on the bridge of the title track, for instance--are hardly large-scale bizarre like the first disc of HIStory. The title track turns out to be hardly the rampant ego-fest you'd imagine; instead, its subject is a female whom Jackson cheers on. Likewise, the most ear-catching moments of the "comeback" single "You Rock My World" come with Chris Tucker's jivey introduction. Despite a debt to "Payback"-era James Brown, "Rock" floats away like steam midway through. It's almost a relief when the old self-regard turns up: on the growling "Privacy", Jackson rants about muckrakers "stalking" him in search of "the stories you need to bury me", all this long after foundering divas and troubled boy-group members have replaced him on tabloid covers. The man may occasionally break away from the mirror, but he seems unsure about where else to find inspiration. -- Rickey Wright
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Michael Jackson Invincible
Movemeant Scope Of Things,The

Movemeant Scope Of Things,The

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Release Date: 2007-09-10, Audio CD, Altered Ego
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Movemeant Scope Of Things,The
Statik Connected

Statik Connected

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Release Date: 2005-10-10, Audio CD, Altered Ego
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Statik Connected
Baby Blue Out of the Blue

Baby Blue Out of the Blue

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Release Date: 2005-10-24, Audio CD, Altered Ego
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Baby Blue Out of the Blue
Jay Z Black Chronic

Jay Z Black Chronic

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Release Date: 2006-11-06, Audio CD, Altered Ego
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Jay Z Black Chronic
Nas God's Son

Nas God's Son

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Despite its grandiose title, God's Son features a semi-repentant Nas. After his stunning debut, many moons ago, it's been downhill ever since for the New York MC. Embroiled in petty spats, overblown productions, large paydays and a huge case of ego-itus, his original brilliance seemed lost forever. However the two-disc God's Son is a return to form. The first single, "Made You Look" is a barnstorming collaboration with Fat Joe. "The Book of Rhymes" is Nas back to his lyrical best, once again showing himself as the real inheritor to Rakim's MC crown. Nas goes deep into the funk on "Get Down", which features a heavy chunk of James Brown, another echo of Rakim's work to which Nas has openly aspired to. There are unsavoury moments. Nas's referral to sleeping with hookers on "Pussy Killz" veers between a sexual-health warning and a tongue lashing of women in general. He also advocates the creationist theory on "Dance". Perhaps he's trying to get the Texas Christian vote? However, such lyrical theorising will probably pass most by--those who just want to hear the beats. On this, God's Son delivers particularly well, especially with the Alicia Keys-enhanced tribalist "Warrior's Song". God's Son suffered heavy bootlegging prior to release and the track listing changed radically. Plenty of (good) material wasn't officially released--undoubtedly there's another Lost Tapes album on the way. Tupac's appearance on "Thugz Mansion" is proof positive that the Tupac impersonator out there is doing very good business. Why didn't they work the same trick with Elvis? --Jake Barnes
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Nas God's Son
Twista Kamikaze: Parental Advisory

Twista Kamikaze: Parental Advisory

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Twista's warp-speed raps may have got him into the Guinness Book of World Records, but Kamikaze confirms that there's more to him than just outpacing the competition. He can out-boast them too. Straight out of the blocks he's taunting his peers, waving his bank balance, record sales and gangsta credentials in their faces, challenging them to come and have a go if they think they're fast enough. Though hardly abnormal rap behaviour, for once, having an ego bigger than America isn't without reason. "Get Me" and "Pimp On" may be stock gangsta frontin', but their respective bleak drama and cruising slouch would make Jay-Z nod along approvingly. But it's when he turns his hyperactive couplets to having fun that really scores. Relaxing to a G-funk strut, "Drink" has him cheekily working through the cocktail menu, recalling various ladies that the exotic concoctions (Sex on the Beach, Slow Screw) remind him of. Meanwhile, running through a list of smooth soul artists who will improve his pulling power, single "Slow Jamz" rolls out a satiny groove and a sly sense of humour: "I'm gonna play this Vandross, you gonna take your pants off." For sure there's a lot of uninspired droning about cash and guns, but when he finds his imagination, Twista makes being a pimpmobile-driving rap star sound like a lot of fun. --Dan Gennoe
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Twista Kamikaze: Parental Advisory
Thorns The Thorns

Thorns The Thorns

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If ever a group's name were wrapped in florid irony, it's surely that of the Thorns. The Thorns is a bright, buoyant summit meeting of contemporary popmeisters Matthew Sweet, Shawn Mullins and Pete Droge. Backed by an all-star studio ensemble that includes Jim Keltner, Greg Leisz, Brendan O'Brien and Roy Bittan, the three nominally insulated musicians do more than claim the legacy of Crosby, Stills & Nash on the harmonic riches of "Think It Over" and the glorious "Now I Know". (It's equally hard to imagine the baby-boom icons wrapping themselves around the chunky funk of the title track here or the pointed impressionistic allegory of "Dragonfly".) They also find a musical common ground that can't help but echo history in its folk-rooted vocal glories yet forges an ego-sublimating higher ground that's anything but nostalgic. Fans of the three musicians may recognise their various sensibilities at work throughout, but this is a rewarding collaboration that virtually defies deconstruction. Don't be misled by the name--this is a beautiful, accessible, musically fragrant bouquet. --Jerry McCulley
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Thorns The Thorns
Bigg Steele Chronicles Vol1

Bigg Steele Chronicles Vol1

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Release Date: 2005-07-11, Audio CD, Altered Ego
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Bigg Steele Chronicles Vol1
Game 2006 Uncovered

Game 2006 Uncovered

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Release Date: 2005-10-31, Audio CD, Altered Ego
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Game 2006 Uncovered
The Game Gameplan

The Game Gameplan

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Release Date: 2006-11-06, Audio CD, Altered Ego
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The Game Gameplan
Pat Metheny As Falls Wichita, So Falls Wichita Falls

Pat Metheny As Falls Wichita, So Falls Wichita Falls

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Guitarist Pat Metheny and his long-time keyboard collaborator/alter ego Lyle Mays saw in their rural American roots a mystical connection to an entire world of sounds, and with As Falls Wichita, So Falls Wichita Falls, they began the process of fashioning an idiomatic folk expression all their own. With the help of master percussionist Nana Vasconcelos, they create a whistlestop tour of musical outposts on the extended title track that is at once Gothic and atmospheric in the manner of Weather Report, bucolic and harmonious like the Byrds, with echoes of small-towns, strip malls and lonely railyards, over expanses of wide-open space that reflect their familial origins and countless miles wandering the interstate on a string of college-town one-nighters. In the four square major modes of "Ozark" and "It's for You" you can hear the beige tinge of the American experience that melded with African-American music to give this nation it's musical depth and breadth, while "September Fifteenth" is a prayerful, ruminative reflection on the spirit of their romantic forebear, pianist Bill Evans. --Chip Stern
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Pat Metheny As Falls Wichita, So Falls Wichita Falls
EinstÃ?rzende Neubauten Faustmusik

EinstÃ?rzende Neubauten Faustmusik

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Release Date: 1996-05-07, Audio CD, Ego
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EinstÃ?rzende Neubauten Faustmusik
Clinton Sparks Smash Time Radio Vol 2

Clinton Sparks Smash Time Radio Vol 2

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Release Date: 2006-11-06, Audio CD, Altered Ego
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Clinton Sparks Smash Time Radio Vol 2
Echoboy Echoboy Vol.1

Echoboy Echoboy Vol.1

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Echoboy is a nom de plume adopted by Nottingham musician Richard Warren; Volume One is the first report from his self-imposed mission to meld the greatest music of bygone ages into a dazzling synthesis of modernist pop. Whatever weaknesses Volume One suffers from, a lack of ego or ambition is not one of them. The major problem with Echoboy, at this early stage, is Warren's apparent difficulty in locating the line that divides impressive diversity from bewildering lack of focus: a list of the influences that have inspired his music would include such disparate sources as Stereolab, Television, the Stone Roses, Kraftwerk and the Chemical Brothers. Sometimes it works okay--especially with "Walking" which is a lovely pastoral ballad. Volume Two will be the better for more of these, and less of such preposterous indulgences as "Constantinople", which is nine minutes of nothing much. --Andrew Mueller
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Echoboy Echoboy Vol.1
Thorns The Thorns [Special Edition]

Thorns The Thorns [Special Edition]

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If ever a group's name were wrapped in florid irony, it's surely that of the Thorns. The Thorns is a bright, buoyant summit meeting of contemporary popmeisters Matthew Sweet, Shawn Mullins and Pete Droge. Backed by an all-star studio ensemble that includes Jim Keltner, Greg Leisz, Brendan O'Brien and Roy Bittan, the three nominally insulated musicians do more than claim the legacy of Crosby, Stills & Nash on the harmonic riches of "Think It Over" and the glorious "Now I Know". (It's equally hard to imagine the baby-boom icons wrapping themselves around the chunky funk of the title track here or the pointed impressionistic allegory of "Dragonfly".) They also find a musical common ground that can't help but echo history in its folk-rooted vocal glories yet forges an ego-sublimating higher ground that's anything but nostalgic. Fans of the three musicians may recognise their various sensibilities at work throughout, but this is a rewarding collaboration that virtually defies deconstruction. Don't be misled by the name--this is a beautiful, accessible, musically fragrant bouquet. --Jerry McCulley
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Pris 54.75,-

Thorns The Thorns [Special Edition]
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