Søgeresultat: hafa emotion
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Tierney Sutton Something CoolSe flere produkter fra AmazonSomething Cool is Tierney Sutton's third CD in as many years, and it marks her rapid maturation into one of the most complete contemporary jazz singers, one who can range from high-speed scat to moody, emotion-charged ballads. She can fly through chord changes with real harmonic invention, as on her witty version of "Ding-dong! The Witch Is Dead", while her wistful way with a ballad recalls June Christy on the title song. Her warmth shows on Willie Nelson's "Crazy", with pianist Christian Jacob's jazz harmonies helping to develop Sutton's personal take on the country standard. She's joined here by her working trio of Jacob, Trey Henry on bass, and Ray Brinker on drums, and the group sounds both inspired and inspiring, alert to the nuances in Sutton's vocals and quick to supply any needed stimulus. The trio's welling power on the modally inflected "Out of this World" prods Sutton to some stunning high notes, while several special moments arise between Sutton and Henry, as on "Alone Together," with her voice intertwining with his elastic bass glissandos. This is varied and entertaining work, with Sutton's musicianship apparent everywhere. -- Stuart Broomer Fragt: Ukendt! |
Pris 122.63,-
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Various Artists ShrekSe flere produkter fra AmazonAnimated movie Shrek, like The Muppet Show or The Simpsons, is tiered with visual appeal, fantasy, and sophisticated humour that appeals to children and adults on two mutually exclusive levels. Judging by the soundtrack alone, there is some genuine emotion coming from this movie; Rufus Wainwright, the Proclaimers, and especially the Eels all pen winsome, longing tunes. Dana Glover's "It Is You (I Have Loved)" represents the soundtrack's requisite glossy ballad, but it's better than most, and John Powell's climactic, orchestral "True Love's First Kiss" makes one wish there was a full score to accompany this soundtrack. On the flip side, Smash Mouth cover the Monkees' "I'm a Believer" with a groovy treatment of crunchy hip-hop beats, and Leslie Carter (sister of Aaron and Nick) gives a perky performance on the Britney-esque "Like Wow!" The soundtrack squeezes the last drops of juice from the overplayed Smash Mouth hit "All Star," but other than that, it strikes a great balance between cute-but-not-precious pop hits, and more grown-up songs that are well within reach of young ears. -- Beth Massa Fragt: Ukendt! |
Pris 47.01,-
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Boyzone ...By RequestSe flere produkter fra AmazonBoyzone have always favoured covers--from their earliest singles (versions of 1970s pop groups the Detroit Spinners' "Working My Way Back To You" and the Osmonds' "Love Me For A Reason") to their first million-selling hit, a faithful reading of Australian high-pitched harmony singers, the Bee Gees' "Words". So the release of By Request compilation of cover versions in 1999 came as no real surprise, then. What is a surprise, however, is the amount of emotion and pathos Ronan and co-manage to invest in songs like Cat Stevens' "Father & Son" and Tracy Chapman's "Baby Can I Hold You"--far exceeding the brief most boy bands have of merely smiling sweetly at the camera and making sure the dance steps are inch perfect. Musically, all the songs here veer towards the brand of harmony-laden, lightweight dance-pop Boyzone have virtually claimed for their own. --Everett True Fragt: Ukendt! |
Pris 56.46,-
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![Biffy Clyro Puzzle [Us Version] [Us Import]](http://img.kelkoo.com/dk/small/855/152/00102145312985548089109528024399237152855.jpg) |
Biffy Clyro Puzzle [Us Version] [Us Import]Se flere produkter fra AmazonNo one could ever accuse Biffy Clyro of lacking in ambition. Puzzle, the fourth album from this grungey Kilmarnock power-trio, not only builds heavily on the band's more - whisper it - progressive influences, they've even enlisted a genuine Hollywood composer, Graeme Revell, who adds symphonic strings and choir to "9/15ths" and the opening "Living Is A Problem Because Everything Dies". At there most out-there, Biffy hint at the complex prog arrangements of The Mars Volta or their '70s predecessors, Rush. That's not to say this is a record that will bewilder the more casual rock fan, though. Puzzle's more difficult moments are neatly counterbalanced with storming, yet straightforward post-hardcore rockers like "The Conversation Is..." and "Semi-Mental" -- not to mention moments of raw, heart-on-sleeve emotion: see "Folding Stars", a raw song about the death of Biffy vocalist Simon Neil's mother. There's moments where the outsider won't be able to totally shake the feeling Biffy are a neat conglomeration of rock influences (Foo Fighters, Fugazi, At The Drive-In) rather than an innovative band in their own right, but for their fanatical fanbase, Puzzle will be greeted as the band's most evolved, ambitious album to date. --Louis Pattison Fragt: Ukendt! |
Pris 122.63,-
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![Nitin Sawhney Beyond Skin [VINYL]](http://img.kelkoo.com/dk/small/773/882/00160150438017242911185450166764797882773.jpg) |
Nitin Sawhney Beyond Skin [VINYL]Se flere produkter fra AmazonA compulsive and unclassifiable mixture of Indian classical music, flamenco, killer acoustic drum & bass, hip-hop, jazz and soul, Beyond Skin is one of those albums that vibes in its own excellent orbit. A profoundly humanist album, Beyond Skin should further enhance Nitin Sawhney's reputation as one of Britain's most exciting and imaginative musicians. It may be based on concepts, a challenge to ideas of identity and nationality, but it's also a fluid, meditative atomic jam with Instrumental, Marque Gilmore, Jayanta Bose, Steve Sheehan and the nephews of Nusrat Fateh Ali Khan amongst others. Sawhney creates some incredibly moving pieces at a slow, elegiac tempo--"Homelands" is a deep bliss-out tune where the astonishing playing of the string quartet, Instrumental combines in ethereal beauty with chanting tablas and the call and response vocals of Bose. On "Broken Skin" and "Immigrant", Sawhney scales new heights: political songs with exhilarating melodies and sing-along soul hooks. Yes--this is edge music full of rare invention, where atmosphere and austerity coalesce. A music vividly constructed around textures and rhythms, glimpses--echoes completely in tune with the tenor of our times. Beyond Skin is a fantastic album, an album so beautiful that it plays every emotion like a SP1200. This is a brit-pop album in the mould of ADF, Drum FM, Massive Attack and Primal Scream. -- Maxine Kabuubi Fragt: Ukendt! |
Pris 141.52,-
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Shelby Lynne Suit YourselfSe flere produkter fra AmazonLynne's follow-up to 2003's Identity Crisis works the same sparse, moody territory, but if the title of the former spoke to her self-esteem at the time, Suit Yourself shows her being more confident in every way. Again acting as her own producer, Lynne took the demo tapes she made in her California home studio to Nashville, where she augmented her first-take vocals with guitar (the Wallflowers' Michael Ward), keyboards (Tom Petty & the Heartbreakers' Benmont Tench), bass, drums, pedal steel, Dobro, and mandolin, employing those instruments merely as brush strokes on a wide-open canvas of voice and emotion. Throughout, Lynne strives to make the project so relaxed that a listener feels as if he's sitting cross-legged in the room--the first track begins with studio chatter, and elsewhere you can hear ice cubes clinking in a glass and the sound of someone pushing the stop button on a tape recorder. For those who prefer a more polished production, this fly-on-the-wall approach may be disconcerting, especially as the occasional track seems unfinished or a bit too rough, with an out-of-tune guitar or a rhythmic disconnect between singer and players. But ultimately, the album satisfies with the honesty and strength of the material, which ranges from Lynne's killer cover of guest Tony Joe White's "Rainy Night in Georgia" (here titled simply "Track 12") to the smoky groove of "I Cry Everyday," the wistful ballad "Old Time's Sake," and the Waylon Jennings-like "Iced Tea." Speaking of outlaws, "Johnny Met June," one of the most memorable tracks, details the Cashes' "meeting" on the far banks of the Jordan. Lynne wrote it the day Johnny died. --Alanna Nash Fragt: Ukendt! |
Pris 103.66,-
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Ornette Coleman Beauty Is a Rare Thing: the Complete Atlantic RecordingsSe flere produkter fra AmazonThe opportunity to possess--in one convenient package--every recording Ornette Coleman made for Atlantic is an opportunity most fans of modern jazz would be hard pressed to turn down. (It must be noted, however, that many jazz fans would have a very easy time turning down anything Coleman recorded, thank you very much). But for Coleman fans, this collection is an embarrassment of riches. Arranged chronologically by recording date, the set collects music from 1959 to 1961, the period many consider Ornette's most vital. Included are sessions from Free Jazz, Ornette!, The Shape of Jazz to Come, Twins, The Art of the Improvisers, Change of the Century, To Whom Who Keeps a Record and This Is Our Music. As a bonus, producers have also included a handful of previously unreleased tracks. Packaged with gorgeous photos, terrific liner notes from Robert Palmer, as well as copious discographic information, Beauty is a terrific package. As for the music, the recordings are clean, with excellent stereo separation (usually featuring Coleman in one channel and pocket trumpeter Don Cherry in another). But what really sets this collection apart is how clearly the spirit of the music is visible. Beauty bristles with that coiled, edge- of-the-chair excitement that Coleman could so easily summon capture, and manipulate. And while Coleman's horn playing here is genuinely pulse-quickening and vital, what also emerges from this set is the strength of his band. While Coleman was tensed and ready to pounce, the more esoteric Cherry was able to float and drift with the currents of music's emotion. Behind them, bassist Charlie Haden and drummer Ed Blackwell could roar like an open-throttle race car or purr like an idling sedan. But no matter what speed, this is music that gives the listener the impression it is going somewhere. And, of course, for Ornette Coleman, the destination isn't the point, it's the journey. -- S Duda Fragt: Ukendt! |
Pris 622.90,-
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Enrique Iglesias EnriqueSe flere produkter fra AmazonEnrique's bid to firmly place the son of Julio in the mainstream pop firmament leads off with mid-tempo dance-pop airwaves candidate "Rhythm Divine". The track is typical of the rest that follow: highly wrought emotion recalled in a bed of glossy production that uses Latin syncopation as a reminder of the singer's roots while resolutely aiming for chart supremacy next to the likes of Celine Dion. Filled with pop romanticism--a duet with Whitney Houston, a cover of Bruce Springsteen's "Sad Eyes" and proclamations on the order of "I've seen the sun make love to the sea"-- Enrique is easy enough on the ears and sounds like a surefire hit. --Rickey Wright Fragt: Ukendt! |
Pris 47.01,-
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Joan Baez Joan Baez [VINYL]Se flere produkter fra AmazonHistory's ear hasn't been kind to Joan Baez: in retrospect, set against the traditional voices whose material she interpreted, her own versions seem painfully pretty, her soprano icy and removed. But it's hard to gauge now the force of her first record, a folk revival landmark: Released in 1960 after a triumphant Newport Festival appearance, the record had deep material and emotion that few of her urban folk contemporaries possessed. Her version of "John Riley" is compelling, "East Virginia," glowing, and "Silver Dagger," concentrated, while "Preso Numero Nueve" showed her future political turn. -- Roy Francis Kasten Fragt: Ukendt! |
Pris 198.16,-
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![Patty Loveless Mountain Soul [Us Import]](http://img.kelkoo.com/dk/small/054/204/18438891294546927458342711296723204054.jpg) |
Patty Loveless Mountain Soul [Us Import]Se flere produkter fra AmazonLike too few of her 21st-century post-hillbilly peers could do, Patty Loveless makes Mountain Soul--an all-acoustic sampling of classics and a handful of new songs--far more than a nod to her mountain music roots. Loveless's clear voice and sensitivity to narrative lyrics have made ballads her most fertile ground, and here she turns in as consistently affecting an album as she's ever made. Whether offering a remake of Reno & Smiley's "I Know You're Married (But I Love You Still)", hard-country-influenced duets with Travis Tritt and Jon Randall ("Out of Control Raging Fire" and "Someone I Used to Know", respectively), or a rewritten "Soul of Constant Sorrow ", she channels emotion in a straightforward way that could serve as a master class for many current vocalists. Even while celebrating a sound rooted in another time, though, Loveless takes an artistic chance or two: Darrell Scott's long, downbeat story song "You'll Never Leave Harlan Alive " isn't the record's best cut, but it's one of its most intriguing. --Rickey Wright Fragt: Ukendt! |
Pris 136.80,-
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![Alejandro Fernandez Me Estoy Enamorando [Us Import]](http://img.kelkoo.com/dk/small/045/123/0069965822089209211876880869956408123045.jpg) |
Alejandro Fernandez Me Estoy Enamorando [Us Import]Se flere produkter fra AmazonPushing the musical envelope with each successive album, the young Alejandro Fernandez went for broke on this fusion of pop balladry and trad rancheras. In a smart move, he picked veteran studio wiz Emilio Estefan Jr. to come up with a winning recipe--great material and excellent musicianship to back up a topflight singer. Gloria Estefan teams up with Fernandez in the duet "En el Jardin," a touching tune about finding true love. But it's on the inspirational song "Yo Naci para Amarte" that Fernandez's velvety baritone fuses passion with power as he sings of coming to terms with destiny. On the same level is "No Se Olvidar," in which he conveys the fear of solitude that coexists with the drive of personal conviction. Both songs radiate with a potent mix of emotion, from angry yells to desperate pleadings. -- Ramiro Burr Fragt: Ukendt! |
Pris 117.91,-
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Hundred Reasons Ideas Above Our StationSe flere produkter fra AmazonWho'd have thought that out of the messy sludge that nu-metal trawled out of the swamp with it, a glistening gem such as Hundred Reason's hotly-tipped debut Ideas Above Our Station could appear from Surrey and blow everything else out of the murky waters? Ideas Above Our Station is a genuinely solid rock album of immediate quality. Heavy metal? This is precious metal--a true diamond in the dirt: rock without pretension, but fuelled by canisters of sheer emotion and raw energy. It's exciting, it's immediate and it will start a fire in your belly. There are shades of early Pearl Jam here, particularly in the first single "If I Could", but such comparisons on their own are unfair--witness the gloriously deranged guitar of "Shine" or the restrained brutality of live favourite "Silver". The only trouble is their immediacy often suffocates their fragile melodies, whereas bands such as My Vitriol and Feeder have always elevated them to the forefront of their songs. What it lacks in finesse it makes up for in sheer dewy-eyed belief--there may be silver here, but they'll have to dig a little deeper to produce pure gold. "In my hands good fortune", frontman Doran near-croons on "Falter". On the basis of this, it is well deserved. --Ben Johncock Fragt: Ukendt! |
Pris 103.66,-
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Ry Cooder Paris Texas: Original SoundtrackSe flere produkter fra AmazonA stark drama staring Harry Dean Stanton, Paris, Texas (1985) remains German director Wim Wenders best-known English language film. To capture the emotion of story set against the relentless heat and arid landscape of Texas, Wenders chose not a Hollywood film composer, but the celebrated folk and blues musician, Ry Cooder. Working with just two other musicians, Jim Dickinson and David Lindley, Cooder crafted an incisive score which seems to burrow right under the skin of the film's damaged, fragile characters, articulating feelings too painful for words. Cooder dominates the score with his distinctive slide guitar playing, his simple main theme so evocative than once heard it is never forgotten. The subtle nuances of the performances mix guitars and delicate percussion to create distinctive soundscapes, the complex layering of "She's Leaving The Bank" being especially striking. Also present is "Cancion Mixteca" a traditional song given a somewhat eccentric performance by Harry Dean Stanton, and "I Knew These People" a lengthy dialogue encompassing the heart of the film. Far removed from conventional film music, this is a quietly haunting score, which alongside Cooder's The Long Riders and Last Man Standing, shows just how effective an imaginatively different approach to movie music can be. -- Gary S. Dalkin Fragt: Ukendt! |
Pris 65.80,-
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Dream Theater AwakeSe flere produkter fra AmazonSome rock & roll purists consider the term "progressive rock" an oxymoron. After all, rock & roll is supposed to be about feeling, not thinking. Prog rock bands miss the point by taking the soul out of a musical form that's purposely crass and anti-intellectual. All the precise, long-winded arrangements, keyboard flourishes, wailing vocals, and over-orchestration of groups like Yes, Emerson Lake & Palmer, and, to a degree, Rush suck the soul out of something that should be less head and more body. Dream Theater, though they possess many of the same characteristics as these bands, still manage to maintain a human element in their music. Awake is at times self-indulgent and pompous, but songs like "Lie", a passionate crusher that finds guitarist John Petrucci launching riff after thunderous riff in a cacophonous volley of crunch, ring true with real passion and base emotion. It's the depth and tonality his guitar brings to the music that keeps Dream Theater from falling into the Styx-isms they often veer dangerously close to. A very solid record for those who don't mind thinking while rocking. --Adem Tepedelen Fragt: Ukendt! |
Pris 56.36,-
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Sandrine Piau Mozart - Mitridate, re di PontoSe flere produkter fra AmazonMozart wrote this opera aged only 14, and his inexperience translates into a somewhat blunt approach to the form of opera seria. There are a few too many breathtaking coloratura showpieces one after the other near the beginning, for example, and the effect in dramatic terms is as infuriating as seeing three buses arrive at once. But if you set aside the need for dramatic development, and think of this work more as an operatic recital, then it really delivers the goods. Cecilia Bartoli is as astonishing as ever in the trouser role of Sifare, and manages to invest the youthful composer's vocal fireworks with real emotion. She is matched in terms of technical display by the high coloratura soprano Natalie Dessay, whose first, jaw-dropping aria "Al destin" is performed with effortless ease. And Sabbatini's bright, heroic tenor voice almost compensates single-handedly for the undue weighting of high voices. Rousset pushes the piece along at cracking pace, and draws perfectly phrased playing from Les Talens Lyrique. Overall it feels like a romp- -but a romp performed by world-class singers on top form. -- Warwick Thompson Fragt: Ukendt! |
Pris 231.01,-
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Dopamine Experiments With TruthSe flere produkter fra AmazonRelease Date: 2006-09-25, Audio CD, Emotion Sickness Fragt: Ukendt! |
Pris 103.75,-
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The Animals The Singles PlusSe flere produkter fra AmazonEric Burdon had one of the great white boy soul voice of the 60's: gritty, expressive, charged with a nicotine-fuelled bluesy rasp that lifted it far above most of his contemporaries. Songs like "Don't Let Me Be Misunderstood" and the impassioned "We Gotta Get Out Of This Place" bespoke a turbulence and emotion that was matched only by Dylan and the Stax/Volt crew. "Let The Good Times Roll" and "Club A Gogo", meanwhile, hinted at a substance-fuelled hedonism that gave the lie to UK bubblegum pop. Burdon's Animals had a roughness and charm all the more enticing for those sweaty, ill-fitting suits they always sported. Perhaps it was hailing from Newcastle that did it. -- Everett True Fragt: Ukendt! |
Pris 47.01,-
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![Coldplay Parachutes [VINYL]](http://img.kelkoo.com/dk/small/395/981/81215019917528540775253617538092981395.jpg) |
Coldplay Parachutes [VINYL]Se flere produkter fra AmazonMusic doesn't come more touching than Parachutes. With their debut single alone, the emotion-fortified "Shiver", Coldplay proved they could shift between elated and crushed in a breath as singer Chris Martin poured out music's oldest chestnut (unconditional yet unrequited love) with the shakiest of voices and a backdrop of epic guitars that rouse and tug at the heart strings. For 10 tracks on Parachutes, he comes out with these, adding new-found meaning to the most tired and overused rock sentiments--love found, love lost, love unrequited, hurting the ones you love and the struggle that is life--over acoustic guitars and emotionally fraught rock. And for once, all the clichés ring true, thanks to Chris Martin genuinely sounding like a man picking over the bones of his life and soul, coming up with equal parts reasons to be cheerful and seriously depressed. Not that Parachutes is a depressing album; there's too much conviction to the guitars and hope in Martin's words for that. Instead it's a beautifully tender balance that comes as close to perfection as anything that's come before it. --Dan Gennoe Fragt: Ukendt! |
Pris 150.96,-
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![John Coltrane The Heavyweight Champion: the Complete Atlantic Recordings [VINYL]](http://img.kelkoo.com/dk/small/284/216/108070058743248662414900887632603216284.jpg) |
John Coltrane The Heavyweight Champion: the Complete Atlantic Recordings [VINYL]Se flere produkter fra AmazonJohn Coltrane not only made his reputation once and for all during his brief 1959-61 stay at Atlantic Records, but he cut enough material to allow the label to continue releasing "new" albums until a year before his death in 1967. The Heavyweight Champion collects those masters plus revealing alternate takes and false starts in a typically handsome Rhino box which also includes informative notes and great Lee Friedlander photos. While the sheer volume of music and emotion Coltrane and his cohorts throw at the listener might make purchases of individual discs such as My Favorite Things, Giant Steps and Coltrane's Sound a wise choice, those committed enough to jump right in won't regret adding these seven CDs to their collections instead. Coltrane had kicked his multilayered quest into fifth gear by the time of his Atlantic debut, and to say he scorched plenty earth while under the wing of staff producer Nesuhi Ertegun is only the beginning of an ample description of his achievements there. Though he was to go even further at Impulse!, where he ended his career, the tracks here rate in the very small beyond-five-stars category. --Rickey Wright Fragt: Ukendt! |
Pris 1236.64,-
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Conjure One Conjure OneSe flere produkter fra AmazonConjure One, is the self-titled debut from ambient music veteran Rhys Fulber, who previously was a member of production outfits such as Front Line Assembly, Delirium Noise Unit and Intermix. He is also an in-demand producer and his fingerprints can be found on a plethora of records by everyone from metal gurus Fear Factory to the one and--thankfully--only Sarah Brightman. Conjure One is Fulber's first solo outing; hiring a broad range of vocalists including Sinead O'Connor, Israeli chanteuse Chemda, the Argentinian Marie-Claire D'Ubaldo, the American Poe and England's Mel Garside, he has created a conceptual yet personal LP that draws heavily on music from the Middle and Far East. Fusing live instrumentation with plush studio production, Fulber has come up with his own no-holds-barred take on these exotic musical traditions. Unfortunately, as happens with so many projects of this nature, he has overcompensated for his cultural voyeurism by writing overly epic songs that are so saturated with "heartfelt" emotion that they end up simply being nauseating. One or two tunes stand out but the real charms for dance-music heads lie in the bonus CD, which contains some tastefully minimal remixes from the likes of Hybrid and Max Graham. -- Paul Sullivan Fragt: Ukendt! |
Pris 94.22,-
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