Søgeresultat: ups replacement battery
Various Artists Whistle Bait: 25 Rockabilly Rave-UpsSe flere produkter fra AmazonRelease Date: 2008-02-01, Audio CD, Sbme Special MKTS. Inkl. fragt: Ukendt |
Pris 92.83,-
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Various Ain't I'm a Dog: 25 More Rockabilly Rave-UpsSe flere produkter fra AmazonRelease Date: 2000-08-08, Audio CD, Sonybmg Inkl. fragt: Ukendt |
Pris 145.93,-
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DJ Baby Anne & Jen Lasher Assault & BatterySe flere produkter fra AmazonRelease Date: 2005-10-18, Audio CD, Unknown Label Inkl. fragt: Ukendt |
Pris 185.49,-
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Red Smiley & The Bluegrass Cut-Ups Best Of Red Smiley & The Bluegrass Cut-Ups, Vol. 2Se flere produkter fra AmazonRelease Date: 2006-11-07, Audio CD, Rural Rhythm Inkl. fragt: Ukendt |
Pris 114.96,-
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Sophie Barker Lullaby: a Beautiful and Soothing Collection of Night Time Songs for Children and Grown UpsSe flere produkter fra AmazonRelease Date: 2004-11-22, Audio CD, Bmg Inkl. fragt: Ukendt |
Pris 70.62,-
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Sophie Barker Lullaby: A Beautiful and Soothing Collection of Night Time Songs for Children and Grown UpsSe flere produkter fra AmazonRelease Date: 2008-02-11, Audio CD, Sonybmg Inkl. fragt: Ukendt |
Pris 57.26,-
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Robin Galloway Real Radio Wind Ups Volume 8Se flere produkter fra AmazonRelease Date: 2007-11-12, Audio CD, Inkl. fragt: Ukendt |
Pris 106.11,-
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Bruce Hornsby Halcyon DaysSe flere produkter fra AmazonWhatever other criticisms may be advanced of Bruce Hornsby, it is clear from the credits of Halcyon Days, Hornsby's ninth album, that he is utterly unconcerned by his reputation as a purveyor of mercilessly tasteful middle-of-the-road rock for mortgage-paying grown-ups: Sting duets on the Dylanesque opening track "Gonna Be Some Changes Made", Elton John sings on "Dreamland", and lead guitar on three tracks is contributed by Eric Clapton, who also sings on "Candy Mountain Run". In fairness to Hornsby, he does not shy from acknowledging his arrival in middle-age: the Randy Newman pastiche "What The Hell Happened" is a wry and funny reflection on growing old. Hornsby's previous album, "Big Swing Face", was notable for a relative lack of Hornsby's signature piano. As if to compensate, Halcyon Days, returns the instrument to star billing, especially on "Hooray for Tom" and "Heir Gordon", which hardly feature any other instruments both are sprightly, sarcastic tracks that also evoke Randy Newman. Most of Halcyon Days, however, sees Hornsby's piano and vocals woven into the familiar glossy textures that made his name. "Mirror on the Wall", in particular, has the ring of an inescapable radio hit about it. --Andrew Mueller Inkl. fragt: Ukendt |
Pris 123.81,-
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Various Hipsters' Holiday: Vocal Jazz & R&B ClassicsSe flere produkter fra AmazonListen to Hipster's Holiday and you'll feel like you just spent Christmas in the coolest nightclub on Earth. "Silent Night" swings in Tim Fuller's Vegas-lounge setting while Lambert, Hendricks & Ross lay on the playful jazz vocals in "Deck Us All with Boston Charlie" and John Greer dictates that "We Wanna See Santa Claus Do the Mambo." And so it goes, 18 totally hip tracks with lots of dancing opportunities--and some comic relief from Pearl Bailey with "Five Pound Box of Money" and Eartha Kitt from 1953, making history with her now classic "Santa Baby." The showstopper, however, in a lineup that exudes cool, from Miles Davis and Lionel Hampton to the Marquees, Lena Horne, and Mabel Scott, comes from Louis Armstrong and his Commanders. Their romping versions of "Cool Yule" and "'Zat You, Santa Claus" are must-hears for any kid. Armstrong again conquers with his All Stars in a lively panoramic view of "Christmas Night in Harlem." If this dynamo set can't jump-start your holiday season, your battery might be dead for good. --Martin Keller Inkl. fragt: Ukendt |
Pris 199.03,-
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Cabaret Voltaire The Original Sound of Sheffield: the Best of the Virgin/EMI YearsSe flere produkter fra AmazonNow that techno is both a dance genre and a central part of the "intellectual pop" landscape, Sheffield electronica renegades Cabaret Voltaire are routinely described as a massive influence on the rave era. Oddly, this excellent compilation of their early work accidentally reveals that they were more followers than followed. Formed in pre-punk 1973 by Richard H Kirk, Stephen Mallinder and Chris Watson and named after a Dadaist club, it is true that they were experimenting with early synths, loops, cut-ups and political paranoia before most other arty types. But the good stuff starts with 1979's "Nag Nag Nag", which was simply 1977 punk rock played on machines. By the time we've reached 1980's "Obsession" (which blatantly rips off Metal Box by Public Image Ltd), we get the idea. This isn't just a primer for the Cabs; it's a handy summing-up of post-punk, an enthusiastic meld of PiL, The Fall, Gang of Four, The Pop Group, dub, Suicide and the pre-pop Human League. So... deep, meaningful and influential? No. Mutant art-pop fun? Definitely. And what's wrong with that? -- Garry Mulholland Inkl. fragt: Ukendt |
Pris 35.22,-
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Unsane Scattered Smothered and Covered/Amrep ChristmasSe flere produkter fra AmazonIt's ironic that while Unsane's debut release, Total Destruction, chose to keep their tribal noise grindings fully intact and raw, when they dropped back to indie they added elements to make their music slightly more accessible. That's not to say Scattered, Smothered & Covered is any less visceral than their previous releases, but if their earlier work hacked into the listener's skull like a rusty saw, this one slices cleanly with a more refined, razor-sharp precision. You don't bleed any less, it's just slightly less painful. Gone is the incessant, driving tribal beat that their original drummer, Charlie Ondras (who died of a heroin overdose), made an Unsane trademark. His replacement, Vinnie Signorelli, provides a more standard rock-oriented thump that makes some of the tunes downright groovy. Were it not for all of the distortion the bass, guitar, and vocals are pushed through, Scattered, Smothered & Covered might actually find some FM radio success. Unsane, however, is nowhere near ready to compromise the extreme, bleak noise rock they've gnashed out since 1991. Still, this tightening of their sound is a great step forward for a band that seemed to have reached a musical dead end, and it'll surely prove that they're more than one-dimensional distortion-mongers. --Adem Tepedelen Inkl. fragt: Ukendt |
Pris 114.96,-
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John Hartford Steam Powered Aereo-TakesSe flere produkter fra AmazonFollowing years of ups and downs at RCA, John Hartford moved to Warner Brothers in 1971. Working with fiddler Vassar Clements, guitarist Norman Blake and dobroist Tut Taylor, he found his creative muse on the landmark progressive bluegrass album Aereo-Plain, issued in 1972. Hartford's quirky humour was the focus, but his deep love for traditional music served as a framework. This entrancing, occasionally off-centre collection assembles selected demos, alternate takes and unreleased material (including Taylor and Blake instrumentals) from those sessions. While he credibly tackled oldies like "Where the Old Red River Flows" and Jimmie Skinner's "Doin' My Time", Hartford's originals made the difference. "Don't Ever Take Your Eyes Off the Game, Babe", "Howard Hughes Blues" and "Strange Old Man" were good enough for release at the time. His fearlessness even extended to such obvious duds as the inane pun-ditty "Emanuel Cant" and ponderous "Blame It on Joann". Hearing a take of "Boogie", his famous guttural chant from Aereo-Plain, dissolve into coughing and laughter can't help but bring a smile. --Rich Kienzle Inkl. fragt: Ukendt |
Pris 114.96,-
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Academy of St Martin in the Fields Sir William Walton's Film Music Vol. 2Se flere produkter fra AmazonAfter the success of the first volume of Walton's film music, producer Christopher Palmer switches focus from Shakespeare to the theme of war. Of course, the justifiably famous "Spitfire Prelude and Fugue" is an obligatory inclusion. Assembled from Walton's music for First of the Few (1942), a biopic about aircraft designer R. J. Mitchell, "Spitfire" was an immediate concert hall success and is presented here in a grand performance. The enterprising Palmer also assembled "A Wartime Sketchbook," a world premiere compendium of selections from The Foreman Went to France (1941) and Next of Kin (1942). Also included are excerpts from the all-star WWII epic Battle of Britain (1969), reminding us of the film producers' unconscionable decision to discard most of Walton's score (which is fortunately now available on Rykodisc, alongside Ron Goodwin's replacement score). Two other important premieres are suites from Paul Czinner's Escape Me Never (1935), a domestic drama known mainly for being Walton's first film score, and Laurence Olivier's The Three Sisters (1970), the composer's final movie effort. The greatest plaudits are reserved, however, for the disc's war music, which proves that Walton was Elgar's equal in his ability to produce patriotic melodies. Solid, idiomatic performances, and inspired leadership from Marriner guarantee our complete involvement at all times. -- Kevin Mulhall Inkl. fragt: Ukendt |
Pris 114.96,-
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Faith Hill CrySe flere produkter fra AmazonWith her big voice and soaring melodies, Faith Hill is seen in the UK as a cross between Celine Dion and Shania Twain. But musically speaking (and based upon the evidence on Cry), she's far more intriguing than either. Though often concentrating on power ballads (the title track here is another storming example), this Nashville resident has managed to combine country, rock, pop and contemporary R&B into an eminently consumable package. Cry sees Hill move into Twain territory, or rather that of Twain's husband and producer Mutt Lange. With the songs such as "One", "If This Is the End" and "I Think I Will", she employs the sweeping guitars and massive melodrama of prime-time Foreigner (one of Lange's earlier successes). In fact, she even ups the ante with her superb backing vocals, "Back to You" in particular possessing an overlapping series of brilliant melodies. There are let-downs: "Beautiful" has Faith spilling spoken-word goo over a Clapton-style guitar solo, "Unsaveable" and "Baby You Belong" are rock throwaways, and "This Is Me" features the fabulously ignorant line "I'm just like everybody else / I try to love Jesus and myself." But all in all this very well produced album is as good as today's mainstream gets. -- Dominic Wills Inkl. fragt: Ukendt |
Pris 43.98,-
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Genesis Seconds OutSe flere produkter fra AmazonThe 1975 departure of vocalist Peter Gabriel--following the epic Lamb Lies Down On Broadway tour--left this band with a creative vacuum that they struggled gamely to fill. In promoting drummer Phil Collins to the role of frontman, they signalled a decisive shift away from the prog-rock theatrics of their previous work, and toward a more conventional (and commercial) adult-rock sound. This double live album--recorded in 1977--finds them attempting to reconcile both their early and middle periods, and certainly, on such Gabriel-era tunes as "I Know What I Like (In Your Wardrobe)" and the magisterial "Supper's Ready", Collins shows himself to be a perfectly proficient replacement. Yet for all his vocal chops, there's something vital missing: a necessary sense of the perverse. Instead, both band and singer run through these nightmares of unreason like the durable rock classics they are--and as a result, Genesis forfeit much of what had originally made them unique. --Andrew McGuire Inkl. fragt: Ukendt |
Pris 83.90,-
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Aesop Rock Labor DaysSe flere produkter fra AmazonWith Labor Days, his first release on New York independent hip-hop label Def Jux, run by Company Flow's El-P, Aesop Rock exceeds the promise of his early limited edition albums ( Music For Earthworms, Appleseed and Float), confirming himself as a modern day Gil Scott Heron. A hyper realist and as cynical as they come, but engaging with it, Aesop's gritty tales of street-life are a million blocks away from the cash-guns-girls glamour of his major label counter-parts. His rhymes dissect the mundane everyday slog, depicting a society long past caring, and too caught up in the daily grind to notice. Pouring his deepest thoughts over mournful backing tracks of down-tempo ghetto funk, cinematic grooves, sleazy jazz laments or eastern influenced orchestrals--and in the case of "Battery" all at once-- Labor Days is a powerful concoction. Granted it's gloomy, but his dexterous flows and the social commentary delivered in his caustic couplets--see Coma's scathing attack on society's lethargy "If the revolution ain't gonna be televised, f*ck I'll probably miss it"--are imbued with a level of intellect that's refreshing to say the least. -- Dan Gennoe Inkl. fragt: Ukendt |
Pris 79.47,-
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![DJ Shadow Pre-Emptive Strike [VINYL]](http://img.kelkoo.com/dk/small/345/182/48462503696949680181039342978930182345.jpg) |
DJ Shadow Pre-Emptive Strike [VINYL]Se flere produkter fra AmazonThis set compiles much of DJ Shadow's pre-major label material in one convenient package in an attempt to foil bootleggers and bring new fans up-to-date in the curriculum. The results are naturally varied, but all point to a marvellous evolution of talent. The collection is kept together primarily by its propensity for jazzy beats and psychedelic loops. Shadow (né Josh Davis) moves through everything from old school funk ("In/Flux") to grungy 1960s-style guitar rave-ups ("High Noon"). The centrepiece of the set, however, is a four-part composition called "What Does Your Soul Look Like", which is likely to be the first ever entirely sample-driven rock opera. It's a brilliant piece of work, laced with intriguing sounds, sound bites, and a detectable set of motion. It is also quite possibly better than anything on the critically -acclaimed Entroducing. --Aidin Vaziri Inkl. fragt: Ukendt |
Pris 119.38,-
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![Martin L. Gore Counterfeit Vol.2 [VINYL]](http://img.kelkoo.com/dk/small/066/464/142756056778590369598590633502932464066.jpg) |
Martin L. Gore Counterfeit Vol.2 [VINYL]Se flere produkter fra AmazonOne thing that Counterfeit proves is that Martin Gore has exemplary taste in music. The Depeche Mode songwriter's first full-length solo excursion is a covers album in the tradition of Bowie's Pin-Ups. The 11 tracks range from obviously classic works by rock lords Lou Reed, Nick Cave, Brian Eno, Iggy Pop and John Lennon to a pop trash wild card--a winsome version of David Essex's "Stardust". What's more, most of the songs fit in with Depeche Mode's key themes of masochism, drugs, decay, disillusion and general perviness. The problem lies in Gore's lack of emotional and musical range. Fans will take great comfort in the set's familiar moody minor chords, electronic glitches, echoey darkness and Gore's Dave-Gahan-lite vocals. But the end result is a sameness of texture and tempo and songs as originally powerful as "In My Time of Dying" or Cave's "Loverman" just seem to float into the background, deprived of edge and individuality. Still, Gore plays Weill's "Lost in the Stars" piano-and-strings straight, and seekers of tasteful ambience may enjoy the idea of various cult rock, folk and country songs being transformed into Mode-ish mood music. --Garry Mulholland Inkl. fragt: Ukendt |
Pris 132.66,-
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Gregson-Williams: Spy GameSe flere produkter fra AmazonDirector Tony Scott's buddy-pic-cum-espionage thriller shrewdly unites Robert Redford and Brad Pitt, pretty-boy box-office icons from two different generations. But its tense musical score embodies a gratifying sense of cross-cultural experimentation that seems as doggedly genre-expanding as it does dramatically tough. Young composer Harry Gregson-Williams ( Shrek, The Replacement Killers, Antz, The Rock) employs haunting Eastern instrumental modalities, symphonic flourishes and spare choral touches here but crucially weds them to driving, polyrhythmic percussion and pulsing techno club grooves. Continuing a contemporary scoring trend that largely eschews thematic melodies in favour of evocative atmospherics, the composer's studio-savvy fusion has conjured up a soundscape of surprisingly emotional twists and turns, but one that also seems to grow more determinedly electro-modern with each successive cut. This is that rare score that proves that pop trend can indeed inform classical tradition--and much to the benefit of both.-- Jerry McCulley Inkl. fragt: Ukendt |
Pris 88.32,-
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![Various Artists Spawn [Australian Import]](http://img.kelkoo.com/dk/small/888/447/81404056999777952472495854802668447888.jpg) |
Various Artists Spawn [Australian Import]Se flere produkter fra AmazonAn ingenious idea: as the darker end of electronica turns up the volume with scant regard for petty glitches like distortion, and the massed ranks of big-shorted proto-industrial metallers discover that, like, a sampler is a really good way of annoying the neighbours, Spawn seeks to unite both tribes with an album of collaborations, all marching under the banner of neo-gothic cinematic ultra-violence. This is a good thing, mainly because it produces some inspired match-ups; Slayer and Atari Teenage Riot's "No Remorse (I Wanna Die)" is the track that was just begging to be written, but elsewhere Metallica's Kirk Hammet adds a whole lot of metal to Orbital's "Satan", and Roni Size teams up with Yank abstractionists Soul Coughing, offering the chopped-up jazz of "A Plane Scraped Its Belly On A Sooty Yellow Moon." Not quite the sum of its parts, but close. --Louis Pattison Inkl. fragt: Ukendt |
Pris 141.51,-
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