Original moments

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	Auktion: Original Moments [Berlin,Cohen,G. Michael,Orbison,Sade,Toto] Se flere produkter fra QXL.dk - Det er her vi handler Dette er et auktionsprodukt. Den angivne pris kan derfor afvige fra den aktuelle budpris.	Pris 10.00,-
	Original Soundtrack The Sixth Sense Se flere produkter fra Amazon James Newton Howard was no stranger to psychological horror prior to this project. But The Sixth Sense has a little more bite to its creepiness than previous assignments such as The Devil's Advocate, inspiring a touch more atonality from the composer. The tension of the film is enhanced by moments of aural surprise, such as the discomforting cue "Suicide Ghost" in which string instruments are struck by their bows leading into voiceless choir, but more so by the sustained notes that feel as if they'll never end. Sadly, there's no melodic "hook" to help the music become immediately familiar, but it's a noteworthy atmospheric score, nevertheless, as it drips icicles of terror down the necks of viewers. But away from the screen, this album can't have the same effect. --Paul Tonks Fragt: Ukendt!	Pris 91.53,-
	Original Soundtrack Claim Se flere produkter fra Amazon The Claim is an adaptation of Thomas Hardy's The Mayor of Casterbridge, a morality play on greed. As a film composer, Nyman can be relied upon for not doing certain things. Glorifying action or violence is a case in point, and for moments like "The Explosion" or "The Shoot Out", there's no attempt to mimic bursts of volume or highlight drama so as to become melodrama. Instead, this album represents possibly the most superb intuitive scoring of his career. Immediately with "The Exchange" you're washed over by a sense of grandeur, even nobility. A pair of lush central themes swim around one another, given wordless voice by an (uncredited) female soloist. Many subsequent cues offer welcome familiar Nyman development, in the form of solid counterpoint from urgent strings and small saxophone ensemble. Yet there are passages where orchestration opens out depicting a snowy 19th-century west America. An energetically charged piece with heraldic fanfares feels like the speedy onrush of some noble dignitary ("The Train"). Most important is the album's heart; a nine-minute concert-worthy set-piece encapsulating all that's magnificent in this score ("The Burning"). Without doubt Nyman's most cinematic work since The Piano. -- Paul Tonks Fragt: Ukendt!	Pris 45.58,-
	Original Soundtrack The Wild Se flere produkter fra Amazon It's tough to be wild--truly wild--when the MPAA has tagged the film you're singing for with a G-rating, but the quartet of acts tasked with getting The Wild's likable jungle party started try their best. Everlife, for its part, vamps it up on opener "Real Wild Child," one of those Disney-pop numbers that makes advances at rock and then scurries away; Lifehouse's "Good Enough" lingers in the mind for its skilled melancholy (5-year-olds will need no help recalling its placement in the sad scene); "Big Time Boppin' (Go Man Go)" jumps and jives in a manner befitting the band bold enough to call itself Big Bad Voodoo Daddy; and Eric Idle and John Du Prez's Lion King-like "Really Nice Day," reprised at the end of this disc, delivers young listeners with wild imaginations directly into a friendly savannah where rhythm is king. The rest of The Wild soundtrack is score, but switching it off is like buying a movie ticket just for the previews: Alan Silvestri, who composed and conducted, stitches together bright sparkling moments with dark thundering ones and then, in the space of nine short-seeming tracks, sweeps it all away faster than a herd of talking zoo escapees can trace a fallen comrade. The epic-adventure element comes through, but so does the fun. Sometimes, even classical musicians indulge their wild sides. --Tammy La Gorce Fragt: Ukendt!	Pris 82.36,-
	Original Soundtrack Girl, Interrupted [Australian Import] Se flere produkter fra Amazon Girl, Interrupted, the movie adaptation of Susanna Kaysen's memoir of being forced into a psychiatric institute, faces the challenge that all films set in the 1960s must overcome: How do you create a memorable soundtrack that isn't filled with the same "greatest hits" that we hear on the radio (or any number of mediocre compilations)? Thankfully, Girl does have some eclectic moments: The Mama's & the Papa's "Got a Feelin'" isn't a tune we hear everyday, the reflective Jefferson Airplane song "Comin' Back to Me" fits the movie nicely, and Wilco's "How to Fight Loneliness"--though written 30 years after the film's events take place--is a welcome modern touch. Of course, we get overplayed classic rock, too--Merrilee Rush & the Turnabouts' "Angel of the Morning", the Band's "The Weight", and Them's "It's All Over Now, Baby Blue". But for soundtrack buffs, the real treasures are at the end. Mychael Danna--best known for his ongoing collaboration with director Atom Egoyan--delivers 18 of his most-accessible-to-date (though still rather dark and ambient) score tracks. -- Jason Verlinde Fragt: Ukendt!	Pris 119.13,-
	Original Soundtrack Amelie [Original Score] Se flere produkter fra Amazon The film Amelie depicts Paris as a magical paradise for lovers and so needed music of the utmost tenderness but with a quirky edge befitting the title character. Director Jean-Pierre Jeunet chanced upon the music of Yann Tiersen one day and bought his entire catalogue. That ultimately translated into this gloriously upbeat soundtrack largely culled from four of Tiersen's albums. Half the cues have been previously released, but arguably never in such splendid context. Accordion and piano are the score's instruments of choice and are woven into a beautiful whole none of the individual albums achieved before. The Neil Hannon collaboration ("Les Jours tristes" from L'Absente) is a big bouncy number that expands upon itself incessantly. It's about as big as the music gets, since this accompanied one of the jolliest moments in the film. The greater part is concerned with Amelie's innocent infatuations and is therefore subtler. A couple of nice examples of the album's overall style are "Sur le Fil", a lovely melancholy piano melody, and "La Dispute" where mournful solo accordion switches tone by piano. At the heart of it all is the best of Tiersen's new material for the film with "La Valse d'Amelie". It has three variations, but is most affecting in its original incarnation for accordion and small ensemble. It makes the film's finale, this disc and the idea of a trip to Paris utterly charming. -- Paul Tonks Fragt: Ukendt!	Pris 82.36,-
	Original Soundtrack Platoon - Original Soundtrack Se flere produkter fra Amazon In a musical collection that is as much soundtrack as it is score, Oliver Stone's Platoon is a breakthrough for its ability to embody the extremes of the human condition in Vietnam. While most of the songs by themselves are commonly found as representative of the era, together they become a personality. Smokey Robinson's soulful and heartfelt "Tracks of My Tears" is offset by the down-home pride of Merle Haggard's "Okie from Muskogee". In turn, they are challenged by the escapist fantasies of Jefferson Airplane's "White Rabbit" and Otis Redding's "Sittin' on the Dock of the Bay". The glue that held these social groups together in Vietnam, however tenuous the bond, was the common experience of combat. Here this combat takes form as Samuel Barber's Adagio for Strings; Barber's violins play first at the aftermath of the torching of a Vietnamese village and then again as the undercurrent for Charlie Sheen's reflective monologue at the film's finale. Each time, they embody the pain and anguish of the previous moments, searching for cause but finding only loss and despair. The strings become the screams of the wounded, the souls of the lost and the conscience of the living, and in doing so, the Adagio for Strings itself serves as a testament to an experience that must be faced to be understood. --James Stockstill Fragt: Ukendt!	Pris 27.33,-
	Original Soundtrack Terminator 3 - Rise Of The Machines Se flere produkter fra Amazon Schwarzenegger's time-travelling, world-wrecking cyborg is back in Terminator 3: Rise of the Machines, but most of the original film's creative team and cast have been replaced here, with Italian-born composer Marco Beltrami (who's cut his journeyman chops on a raft of contemporary SF/horror films and sequels, including the Scream franchise, Joy Ride, and Resident Evil) being a sage choice to score this third instalment. Pumping Brad Fiedel's brooding original theme with even more menace, the composer proceeds to forge a massive, unsettling panorama of percussion-driven, electronic suffused orchestral fury that evokes an unsettling, mechanized world gone mad. Sounding like the symphonic sensibilities of Prokofiev and Shostakovich as interpreted by the mechanised forges and stamping machines of some hellish assembly line, Beltrami uses the most aggressive elements of 20th century Russian romanticism here like a steel club. There are moments of stem-winding suspense and surprisingly tranquil respites, but the main attraction is the sturm und drang of Beltrami's furious and often other-worldly action music. Also included are the gentle acoustic ballads "Open to Me" and "I Told You" by Dillon Dixon and Mia Julia, respectively, performances that seem jarringly out of place contrasted against the score's orchestral metal-fest. --Jerry McCulley Fragt: Ukendt!	Pris 91.53,-
	Original Soundtrack Return of the Living Dead Se flere produkter fra Amazon If there is a lesson to be learned from the movie The Return of the Living Dead and its soundtrack, it's that the only good punk is an undead punk. Many of the songs that underscore this zombification of humankind are bathed in 1980s horror punk rock, most notably from the American hardcore scene. In the opening tracks you have 45 Grave's take on the far-gone dysfunctional family in its hard-edged goth-metal "Partytime (zombie version)", the emotional isolation of TSOL's straight-ahead "Nothing For You", and the trashy, treble-topping nonsense of The Flesheaters' "Eyes Without a Face". But even the most highly exalted examples of filmic camp can articulate moments of self-reflection--or try to, anyway. And what better music to score a man's decision to toss himself into a crematorium oven and stop his transformation into a brain-eating ghoul than the psychedelic misgivings of Roky Erickson's "Burn The Flames"? Scavenging off this initial angst are the Tall Boys with the suicidal romanticism of "Take A Walk" and the quick forays of SSQ into New Wave synth scores--a tasty, bloody dessert to top off this banquet of fresh flesh. -- Michael Woodring Fragt: Ukendt!	Pris 59.43,-
	Original Soundtrack When Harry Met Sally Se flere produkter fra Amazon One of the classiest comedies of the 1980s, Rob Reiner's When Harry Met Sally (1989) stars Billy Crystal and Meg Ryan as good friends who struggle to keep their relationship from becoming romantic. Rather than take the easy route of licensing classic performances of the Great American Songbook, director Reiner enlisted a young, then-obscure Harry Connick Jr. to offer his own readings of these 1930s and 1940s staples. Though Connick plays it fairly straight, he injects his interpretations with stylistic flair and formidable technical facility ("Stompin' At The Savoy"). The big-band charts of Marc Shaiman fuel tracks such as "It Had To Be You" and "I Could Write A Book," while Connick switches to a more poignant mode in takes of "Autumn In New York" and "Where Or When." In other moments his joyful vocals counterpoint the young couple's witty battle by presenting love as something simple and uncomplicated ("Our Love Is Here To Stay"). Though Crystal and Ryan allow true love to wear them down at the end, Connick makes sure the listener stays one step ahead of them along the way. An inspired performance of exemplary material. --Kevin Mulhall Fragt: Ukendt!	Pris 45.58,-
	Original Soundtrack Happy Feet Se flere produkter fra Amazon Outside of Shrek and The SpongeBob SquarePants Movie, few kiddie flicks have fed a need to hear certain songs again as effectively. That's in part because of "Song of the Heart," a suitably frisky Prince number you won't find anywhere else. But it also has something to do with the efforts of some unlikely performers. Who knew Brittany Murphy could sing? "Boogie Wonderland," her cover of the '70s classic, crackles with big-voiced confidence, and "Somebody to Love," another classic cover, claws listeners in by the flipper-ful. Even Robin Williams' typically manic "My Way (a Mi Manera)" isn't without its charms. Nicole Kidman's "Kiss" mashed with Hugh Jackman's "Heartbreak Hotel" may be among the disc's weaker moments, but the grown-ups will like it that way--with their kind of star wattage, they're already stealing enough shows. And there's plenty to focus on besides them: standouts include Pink's untethered rendition of "Tell Me Something Good," K.D. Lang's beautiful Beatles medley "Golden Slumbers/The End," and the Beach Boys' underappreciated gem, "Do It Again." --Tammy La Gorce Fragt: Ukendt!	Pris 100.70,-
	Original Soundtrack Sleepy Hollow [Us Import] Se flere produkter fra Amazon Every collaboration with director Tim Burton has produced something uniquely special from Danny Elfman. This is their joint homage to the horror films that inspired their youths. Apart from being the largest orchestra the composer has worked with, it's also his loudest score, on a positively operatic scale. The Headless Horseman is given a motif of Gothic enormity; its every appearance a speaker- testing swell of wry wickedness. Elfman's style by this point in his career has gone beyond the stand-alone set-pieces that characterised the likes of Batman or Edward Scissorhands. So the Horseman' s musical moments are worked into the fabric of the score in the same as Ichabod Crane's and a generic "shock" motif. "The Windmill" demonstrates the style's best, covering a sequence of flashback narrative. The music dips and peaks to the cuts between the spooky steed and some eerie exposition. Instead of thematic development en masse, Elfman aims for an integrated underscore that works beneath and above the action simultaneously. By the time of "The Chase" your senses will have been assaulted sufficiently to cope with your wide-eyed (eared?) first reaction to this densely orchestrated terrifying track. No homage was ever HAMMERed home so well. --Paul Tonks Fragt: Ukendt!	Pris 137.47,-
	Original Soundtrack Die Another Day [Enhanced] Se flere produkter fra Amazon Pierce Brosnan's 007 is the very model of a modern secret agent, but updating his mission's musical accompaniment has proved altogether more problematic. With Die Another Day, his third score, David Arnold seems to have found the answer. After the dismal techno-rock assault that made The World Is Not Enough just another action blockbuster soundtrack, Arnold--who came to prominence providing the epic strings for Bjork's "Play Dead"--has largely returned to Bond staples, namely the rasping horns and brooding military marches that defined John Barry's classic scores. Yet all real moments of drama are subtly underpinned with futuristic add-ons. As the stunning orchestration of "On the Beach" lowers to a chilling hush, the sense of foreboding is guaranteed by a murmuring electronic pulse. The clattering mechanical beats of "Hovercraft Chase" add frantic urgency as the rallying horn salvos punch out the Bond theme and the bleeps and squelches of "Laser Fight" carry as much suspense as the vintage aquatic strings. This time around Arnold's computer-enhanced atmospheres meld rather than compete with his orchestration. For sure, it's not perfect: the excessive use of choirs is more Star Wars than Bond and Madonna's club-friendly title song lacks the grace and drama to do the opening credits justice. For the most part though, it's a glorious return to form that's as welcome as the return of 007's Aston Martin. -- Dan Gennoe Fragt: Ukendt!	Pris 109.87,-
	Original Soundtrack Menace II Society Ost Se flere produkter fra Amazon Menace II Society (1993) came out of nowhere, and was almost banned in the UK during the post- Reservoir Dogs debate about violence on film and video. With Samuel L. Jackson billed fifth, and no star names in the lead roles, the savagely combative low-budget drama about a young black man (Tyrin Turner) and the shattering violence that destroys his life of drugs and crime put the Hughes brothers firmly on the film-making map. Though the movie features a score by Quincy Jones III, don't look for that on the album, which features almost 70 minutes of the hardest rap around. Anyone who hasn't seen the movie should be warned that the language is as strong as it gets. In context it all makes sense, a relentlessly aggressive expression of anger and contempt in tune with the wasted lives portrayed on screen. "Nigga Got No Heart" by Spice 1 sets the agenda, with only brief moments of lightness like "Top Of The World" by Kenya Gruv, a slick funk ballad easing the intensity. The movie drew favourable comparisons with Boyz N the Hood, and the Hughes brothers followed it with the similarly controversial Dead Presidents(1995). --Gary S. Dalkin Fragt: Ukendt!	Pris 54.75,-
	Small Soldiers: Original Soundtrack [SOUNDTRACK] Se flere produkter fra Amazon Jerry Goldsmith's grand orchestral accompaniment to a film about state-of-the-art puppet warriors is technically competent, rich in stereophonic sound, grounded in sweet European symphonic traditions, and of obvious enchantment to those enjoying the visuals and narrative quirks for which each track is intended. However, most of the listening experience, from the standpoint of a home audience, is listless and dull, another dip into Goldsmith goulash. Fans of Joe Dante's Gremlins may have heard permutations of this music before. Still, there are some singular moments, such as dramatic march themes and cute variations on "Johnny Comes Marching Home." It is, after all, an original soundtrack and not a bunch of dippy songs slapped together for cross-promotional purposes. For that alone, some credit is due. --Joseph Lanza Fragt: Ukendt!	Pris 109.96,-
	Great Wildlife Moments Introduced by David Attenborough Se flere produkter fra Amazon Introduced and presented by David Attenborough, Great Wildlife Moments is a feature-length anthology that compiles some of the most memorable moments from the BBC Wildlife Unit. With a running time of 108 minutes it consists of 38 sequences drawn from the greatest archive of natural-history filmmaking in the world, breathtaking television spanning the entire biosphere from never-before-seen creatures in the ocean depths ( Blue Planet, 2001) to Attenborough himself in zero gravity high above the Earth ( The Living Planet, 1984). The anthology is divided into seven chapters covering different environments from "Snow and Ice" to "Jungles", an approach that both gives structure to the film and offers an effective vision of the sheer diversity of life on planet Earth. Most people's favourite sequences will be found here, from a killer whale taking a sea lion on the beach in The Trials of Life (1990) to Attenborough communing with mountain gorillas in Life on Earth (1979). Other segments come variously from BBC wildlife specials, Wildlife on One, The Natural World, The Kingdom of the Ice Bear (1985), Life in the Freezer (1993), The Private Life of Plants (1995), Attenborough in Paradise (1996), The Life of Birds (1998) and The Life of Mammals (2002), with additional narrators including John Hurt, Andrew Sachs and Simon King. This is a fine selection made all the more rewarding by Attenborough's endless enthusiasm and celebration of the world about us. On the DVD: Great Wildlife Moments is presented at 16:9, anamorphically enhanced for widescreen TVs. Unfortunately most of the material was originally shot for traditional 4:3 broadcast and so has been reformatted by carefully cropping shots at the top and/or bottom. For the most part this works acceptably with little of visual significance lost, though a sequence of emperor penguins from Life in the Freezer is ruined. Only one 4:3 segment--Attenborough high in the rainforest from Attenborough in Paradise--has been presented in its original ratio. Pictu Fragt: Ukendt!	Pris 146.65,-
	Thin Red Line: Original Soundtrack [SOUNDTRACK] Se flere produkter fra Amazon For nearly a full minute, there's nothing but a low rumble opening the album with "The Coral Atoll". This is the first indication that this score will be difficult to recognise as coming from Hans Zimmer. The pause here is an effect that, once expanded upon, draws you into a whole new world of expression from a composer previously known for his all-action pyrotechnics ( Crimson Tide, Broken Arrow for example). Here are placid textures for a gentle celebration of being alive--and the tragedy of it being cut short. When freshman troops land and make their nervous way to a holding point on the island, Zimmer follows them for an extraordinarily protracted time ("Journey To The Line"). The first six minutes (all the cues are as lengthy) build from a subtle ticking beat into an enormous crescendo of sound. It's also the closest the score gets to an easily identifiable theme. You'll pick out moments of melody (lovely harp figures opening "Light"; tolling bell and wailing male voice in "The Lagoon"), but really this is an abstract soundscape of wonder and terror. Zimmer's masterpiece is better seen with the film, but speaks to the heart as directly in isolation. --Paul Tonks Fragt: Ukendt!	Pris 68.51,-
	Randy Newman Pleasantville : Original Motion Picture Score Se flere produkter fra Amazon Oscar is a fickle little nude statue, one who historically seems to have had it in for talents like Ennio Morricone and Randy Newman. Perhaps because his uncle Alfred had a mantel full of the li'l gold fellas, Randy may yet have to stand on his head and spit nickels to win an Academy Award. Newman's work on Pleasantville begs to be honored for less theatrical reasons: doing what the greatest film scores do, fleshing out character and plot almost subliminally. Sure, Newman gets to lovingly (re-)create the bubbly, smotheringly sentimental theme song of the prototypical '50s-family-TV-comedy-that-never-was (one that serves as the nexus for the film's social and cultural metaphors), but it's the composer's gentle, emotional touches (recalling some of the more plaintive moments of Copland and Bernstein) that help truly add color to the characters' black-and-white sitcom world. Pleasantville has been lauded for its ideas and masterfully subtle visual effects, but Newman's music is what holds it all together. --Jerry McCulley Fragt: Ukendt!	Pris 109.96,-
	Seven Brides for Seven Brothers - Original London Cast Se flere produkter fra Amazon This musical western was one of MGM's biggest hits of the 1950s, and with Michael Kidd's athletic choreography and an original, memorably lusty score by Gene de Paul and Johnny Mercer, Seven Brides for Seven Brothers is still rollicking good fun today. Twelve of the brides and brothers were played by a refreshingly unfamiliar company of singers and dancers plucked mainly from the studio chorus line. But in the best roles of their careers, as the remaining bride and brother, were brawny baritone Howard Keel and pert, sweet-voiced Jane Powell, their robust performances bringing out all the folksy vigour and charm of "Bless yore beautiful hide", "Wonderful, wonderful day", and their tender duet "When you're in love". Presented in bracing widescreen stereo and replete with a whooping anthem for the sex-starved brothers ("Sobbin' women"), a foot-tapping guide to "Goin' courtin'", the lilting "Spring, Spring, Spring" and choice moments from Adolph Deutsch's background score (namely the invigorating barn-raising sequence), few other musicals are as heartily entertaining as this MGM classic. -- Robert Seeley Fragt: Ukendt!	Pris 64.11,-
	Grant Green Idle Moments [Japanese Import] Se flere produkter fra Amazon The alluring title track alone makes this CD a must-have. A 15-minute dreamscape laid down by pianist Duke Pearson, the song features enchanting solos by tenor saxophonist Joe Henderson and vibraphonist Bobby Hutcherson. Guitarist Grant Green's single-note melody heightens the song's suspense. Grant's original "Jean de Fleur" finds the ensemble in brisker tempo, while their cover of John Lewis's "Django" exudes the spine-tingling coolness of Lewis's brand of bop. --John Murph Fragt: Ukendt!	Pris 192.50,-

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Auktion: Original Moments [Berlin,Cohen,G. Michael,Orbison,Sade,Toto]

Original Soundtrack The Sixth Sense

Original Soundtrack Claim

Original Soundtrack The Wild

Original Soundtrack Girl, Interrupted [Australian Import]

Original Soundtrack Amelie [Original Score]

Original Soundtrack Platoon - Original Soundtrack

Original Soundtrack Terminator 3 - Rise Of The Machines

Original Soundtrack Return of the Living Dead

Original Soundtrack When Harry Met Sally

Original Soundtrack Happy Feet

Original Soundtrack Sleepy Hollow [Us Import]

Original Soundtrack Die Another Day [Enhanced]

Original Soundtrack Menace II Society Ost

Small Soldiers: Original Soundtrack [SOUNDTRACK]

Great Wildlife Moments Introduced by David Attenborough

Thin Red Line: Original Soundtrack [SOUNDTRACK]

Randy Newman Pleasantville : Original Motion Picture Score

Seven Brides for Seven Brothers - Original London Cast

Grant Green Idle Moments [Japanese Import]

original moments

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