Søgeresultat: hard dance
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Erick Morillo My WorldSe flere produkter fra AmazonIntroduced with a spoken word from Erick Morillo, My World pretty much sums up what one would imagine his world is like. Featuring guest slots from Subliminal's friends and family, My World is retro-fuelled New York house with a party atmosphere. The UK's Audio Bullys collaborate on lead single "Break Down the Doors" plus "Sunshine" and "Lessons". Their harsh acid stabs squeezed into stripped-down, tight New York grooves have all the hallmarks of classic house but with a punchier rhythm section. P Diddy adds further weight to the retro aspect with the kind of simplistic vocals that epitomised early dance music as on "Dance I Said" and yelling "Let's Rock" on the title track. Subliminal vocalist Shawnee Taylor collaborates on the lion's share of highlights such as the hard hitting "Beat Down", but the most enticing is "Take it Slow", a duet with (Mad) Stuntman, the "I Like to Move It" vocalist from Erick's Reel 2 Real project. My World is conclusive proof that classy, acid-tinged house is rising again from the underground and coming once again to the forefront of dance music. -- David Trueman Fragt: Ukendt! |
Pris 122.85,-
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Various Artists The Braindance CoincidenceSe flere produkter fra AmazonWhen listening to Braindance, it's somewhat hard to believe that it has been 10 years since the inception of Rephlex Records but Richard D James and Grant Wilson-Claridge's legendary imprint is indeed the latest in a recent plethora of dance labels to reach its first decade. The pair choose to mark the occasion with a mid-price package, Braindance, which brings together back catalogue highlights from their impressive artistic array. The Gentle People open proceedings with the sublime "Journey" but it isn't long before the broken percussives and squealing analogues that have defined much of the output start to raise their head. Global Goon, Ovuka and the Railway Raver offer a rich emotive take while Squarepusher and Cylob bring the noise, the former ravaging "Psultan" by way of drum & bass beats while the latter lays down his inspired robot-voxed, post-pop "Rewind". With so much ground covered in the 16 tracks, all of the material boasts its own strengths though it is m-Ziq's "Swan Vesta" which stands out - bouncing wood block b lines and crazed atmospheres rising to through a rail slamming melodic to a spine crumbling crescendo. -- Kingsley Marshall Fragt: Ukendt! |
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Haydn: String Quartets, Op. 1, Nos. 0 & 6, Op. 2, Nos. 1 & 2Se flere produkter fra AmazonHaydn's first ten quartets are often referred to as "quartet divertimenti," because like the serenade of divertimento, they have an extra dance movement, giving them five movements instead of the more traditional four. Of course, since Haydn invented the string quartet in the first place, it's a little hard to talk about "traditional" anything, but the serenade concept does indeed seem to characterize these warm, sunny pieces that have retained their popularity for over two and a quarter centuries. As is always the case with invention in musical history, once Haydn the string quartet genie out of the bottle, everyone tried to get into the act, but these really are the first works of their kind. All revolutions should be so much fun! --David Hurwitz Fragt: Ukendt! |
Pris 99.21,-
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Henri Salvador Room With a ViewSe flere produkter fra AmazonIt's not every day that an 80-something crooner steps out of American obscurity with an album of warm-as-fresh-pastry cabaret music. Of course, Salvador is no Henri-come-lately. He's famous in France and francophone former colonies (such as his native Cayenne, French Guiana), with decades of television and recording work to his credit. With Room with a View it's time for Stateside listeners to play catch up. This album was reportedly recorded on the verge of Salvador's retirement, and though the sound is classique, many of the songs are of recent vintage. Salvador's charming, half-spoken vocals will resound with listeners familiar with the suave stylings of such deceased cabaret practitioners as Charles Trenet and Walter Hyatt. There's also a bit of Danny Kaye in his phrasing on the album's lighter fare, such as the brass-band-flavoured "Mademoiselle"--no surprise given Salvador's extensive comedic resumé. Younger audiences primed by the ironic, sophisticated grooves of Dimitiri from Paris and Money Mark will delight in much of the instrumentation here. The album is, in fact, a triumph of production and arranging. Full orchestras are cued, at times, at the same volume as a single instrument, reduced to the level of pure atmosphere. One track, "Il Fait Dimanche", has a funky vamp that demands to be sampled for the contemporary dance floor. Another, "Faire des Rondes dans L'Eau", subsists on strummed guitar and a trap set, with the occasional gypsy-style, savoury violin part added for spice. Throughout, Salvador presents himself as an astute, sympathetic performer. On "Je Sais Que Tu Sais", it's hard to tell where his whispered voice ends and the drummer's light brushes begin. Apparently, swingers--in the jazz sense of the word--get better with age. --Marc Weidenbaum Fragt: Ukendt! |
Pris 122.85,-
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Cubanismo ReencarnacionSe flere produkter fra AmazonCuban trumpeter Jesús Alemañy and his band strike again with a ripping album of hot Latin roots and jazz. As always, the mix is clean, hard-edged, and rarely lush. They mix together some of the more famous dance grooves of Cuba and Latin America, the mambo, the son, and the son montuno. The premier track is "El Paso de Encarnacion", a hot guaracha from the old Orquesta Aragón songbook. It's not a nostalgic look back, but just one example of how this band can stay away from pop fusion and still sound as contemporary as tomorrow. The band is outstanding. Alemañy's horn is always at the centre of things, with the phenomenal Tata Güines on congas, Emilio del Monte doing the timbales. Bassist Carlos del Puerto (formerly of Irakere) keeps the rhythm together with pianist Nachito Herrera and Carlos Godines's clave and güiro. New to the group for this recording is a fine singer, Rolo Martinez. Notable solos are contributed by Orlando "Maraca" Valle on flute and Pancho Amat on tres. The arrangements are tight, the descarga (improv jams) are stunning, and the sound is at once rooted in the past and constantly looking forward. Album three, and this band still shows no sign of getting tired or repeating themselves. --Louis Gibson Fragt: Ukendt! |
Pris 85.02,-
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![Clap Your Hands Say Yeah Some Loud Thunder [VINYL]](http://img.kelkoo.com/dk/small/463/366/82038298215485860453333011031265366463.jpg) |
Clap Your Hands Say Yeah Some Loud Thunder [VINYL]Se flere produkter fra AmazonThe first time you listen to Some Loud Thunder, the second album from Brooklyn's Clap Your Hands Say Yeah, is a pretty weird experience. Oh, sure, many of the band's key hallmarks - hallmarks that made their self-titled debut a name to drop for everyone from David Bowie to influential indie webzine Pitchfork are present and correct: shambolic guitar jangle, drums that patter around like confused puppies, and the undulating outsider yelp of vocalist Alex Ounsworth. But this is a very different record to its predecessor, one that forsakes much of the band's deranged sing-along charm in favour of offbeat experimentation and peculiar production techniques. It's hard to shake the impression that the presence of Flaming Lips producer Dave Friedmann is sometimes a destabilising influence: "Emily Jean Stock" could, you feel, be neatly orchestrated '60s Technicolor beat-pop, but its distorted drums and thin production leave it feeling drab and grey. Persist, though, and there are some great songs here: the pulsing freak-disco of "Satan Said Dance", or "Yankee Go Home" - an apparent anthem to anti-Americanism that rises in awkward, yet oddly elegaic crescendos. --Louis Pattison Fragt: Ukendt! |
Pris 84.74,-
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Van Halen The Best of Van Halen, Vol.1Se flere produkter fra AmazonIt took over 20 years for Van Halen to release a Best of album, and even then, the band downplayed the effort. Instead sticking to the original plan of releasing a two-disc set--one of material with original front-man David Lee Roth, and the other with his 11-year replacement Sammy Hagar--the band opted for a single CD chronicling their entire career. For the previously uninitiated, it's a golden introduction to a band that changed the face of 1980s hard rock. Guitar-blazing old tracks like "Ain't Talkin' 'Bout Love", and "Dance the Night Away" segue into more commercial numbers like "Jump" and "Panama" from 1984. These in turn, set the stage for Hagar's slicker, more polished vocals on "Right Now" and "How Do I Know When It's Love". But while newcomers will be thrilled with the delights within, old fans will probably find little of use, since the two highly touted new tracks with Roth are pretty disposable. --Jon Wiederhorn Fragt: Ukendt! |
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Beach Boys Beach Boys Today/Summer Days (and Summer Nights)Se flere produkter fra AmazonThis single disc gathers two Beach Boys albums-- Today! and Summer Days and Summer Nights--with the addition of remastering and bonus tracks. When Brian Wilson finally summoned up the courage to confront his musically interfering father (the bands' early benefactor Murray Wilson) during the sessions for the Today! album, it could hardly be termed a rite of passage. Brian had always been in charge of his music, less so of himself. Thus, it's hard to believe that the gloriously realised, tender suite of songs ("Please Let Me Wonder" to "In the Back of My Mind") which occupy the second side of Today!--the exquisite semi-orchestral arrangements, the caramel harmonies and the lyrics which dwell on the dreamy, soul-searching solitaire of adolescence--are actually the work of a wobbly, self-doubting recluse recovering from a mental breakdown. But here it is--undiminished by time--the symphonic template for Pet Sounds. Summer Days and Summer Nights, meanwhile, is livelier and sunnier. Carl Wilson makes his vocal debut (what took so long?) on the Beatles-do-Dylan inspired pop strum of "Girl Don't Tell Me", there's the cheesy pseudo surf of "Amusement Parks USA" (a hit in Japan) and some other numbers called "Help Me Rhonda" and "California Girls" which will still be around on the airwaves long after global warming has made the sea levels rise to wash all the beaches away. Similarly indispensable, the bonus tracks include the ground-breaking stop-start of "The Little Girl I Once Knew" (Brian's first "pocket symphony") and a terrific, twangy-guitar demo take of "Dance Dance Dance". --Kevin Maidment Fragt: Ukendt! |
Pris 47.10,-
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Massive Attack Collected - The Best Of Massive AttackSe flere produkter fra AmazonThe group who single-handedly created the woozy, sexual, cinematic, and meditative dance genre known as trip-hop with their 1991 masterpiece Blue Lines later went on to craft gorgeous soundtrack music and generally emerge as one of the most forward-thinking, fastidious, and s-l-o-w production teams in pop music. Collected, a best-of compilation straddling the group's career, is the kind of record that reeks "contractual obligation," but that's not meant as a diss. If a kick-ass collection like this is what it takes for this heady group to keep the record execs happy while they slowly hone a new album, so be it. Much of the older tunes sound remarkably contemporary, which isn't surprising when you consider Massive Attack have always mixed styles in radical, new ways. The one new tune included to entice die-hard fans, the slowly percolating and deeply bluesy "Live With Me," is what soul music will sound like in the future. -- Mike McGonigal Fragt: Ukendt! |
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Voodoo Child Baby MonkeySe flere produkter fra AmazonLike a silent movie villain with an incongruously silly facial hair disguise, cetacean dance giant Moby lurks behind Baby Monkey's pseudonymous Voodoo Child monicker. Why the camouflage ? An attempt to break with his past? Hardly. It's more a case of revisiting the past, a self-referencing retro throwback to his early productions and those of his early 90s peers. Apparently inspired by an arm-waving end-of-tour underground party held in some abandoned Glaswegian railway tunnels, this is Moby's crack (or craic, he's up for a bit of self-indulgent amusement) at getting back to the "hard, sexy, straightforward" dance stuff of days gone by. While there's no harm in enjoying yourself nor any denying that techno academics and dance music curators will pore over Baby Monkey's olde rhythms and rave small print, the party-phobic public-at-large will probably find all this rather anonymous and annoyingly bereft of tasty samples from gnarly blues records. And that is surely what Moby, sorry Voodoo Child, had in mind. --Kevin Maidment Fragt: Ukendt! |
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Groove Armada LoveboxSe flere produkter fra AmazonTom Findlay and Andy Cato have steadily been dismantling their chill-out crown ever since the single "At The River" saw them float into coffee-table ubiquity. Lovebox finally stretches the duo's eclectic tastes beyond any semblance of continuity or restraint, finishing the job started on last year's Goodbye Country (Hello Nightclub). Named after Groove Armada's bi-monthly London club night, the duo's fourth album captures the excitement and diversity of pace you would expect from a masterful DJ set. While the opening track "Purple Haze" doesn't have a sniff of Hendrix's majestic histrionics, it is certainly Groove Armada's most rock & roll moment to date. Neneh Cherry lends her sultry voice to the lusty funk-fuelled hip-hop of "Groove Is On" and the urban soul of "Think Twice", and "Remember", with its languorous beat and swirling effects, nods toward their down-beat prime. Feisty dance-floor shakers are here in force though. "Madder", mixing the raps of MC M.A.D. with a pulsating bass and itchy guitar hook, kicks hard, and "The Final Shakedown" is an undiluted house anthem, albeit with a feisty ragga vocal. But one of the most surprising tracks is the rich, soul-drenched sophistication of "Hands of Time", a gorgeous reflection on love lost featuring the spine-tingling voice of Woodstock folk legend Richie Havens. Lovebox is a disarmingly eclectic album, its infectious, maverick, party spirit defying preconceptions. -- Christopher Barrett Fragt: Ukendt! |
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Groove Armada Soundboy RockSe flere produkter fra AmazonSeven albums in, and if Groove Armada show no sign of handing in their chill-out crowns, Soundboy Rock suggests London's popular downbeat alchemists are more eager than ever to branch out. As the title suggests, this is an album that plays down Groove Armada's cocktail-supping Balearic side in favour of a more robust sound inspired by hip-hop, house and dub reggae. Immediate highlights are "Song 4 Mutya (Out Of Control)", which could almost be a long-lost Madonna single of the '80s, but for the fact it features ex-Sugarbabe Mutya Buena on vocals; and the title track, a simmering reggae skank that sees Groove Armada joined by their MC, MAD, and Hard-Fi's Richard Archer on melodica. It's a surprisingly guest heavy record - also on board is Alan Donohue of The Rakes, soul queen Angie Stone, Tony Allen of The Good, The Bad, And The Queen, and Simon Lord of Simian Mobile Disco. Being old hands now, however, Groove Armada are wise not to let this celebrity cavalcade distract them from the matter at hand - that is, making bouncy, unpretentious dance music that balances a crate-digger's taste with maximum mainstream appeal. --Louis Pattison Fragt: Ukendt! |
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O-Town 2Se flere produkter fra AmazonWinner's of the US equivalent of Pop Stars, O-Town's debut was a frothy confection of slick dance-pop hits that sold over two million copies. O-Town 2 comes after two hard years of touring, the group members have stayed together and moved into a house in Santa Monica, California, where they cowrote six of the songs and enlisted one of rap's royalty to work with them. Nelly cowrote and produced "Favorite Girl" and adds his trademark vocals to "Make Her Say". Since leaving the world of TV, O-Town have moved away from their boy-band beginnings. As a result, they sometimes come across as a band in search of a sound as they switch from hip-hop to dance to pop. But O-Town's collective heart really seems to be in guitar-driven rock. They give Bon Jovi a run for their money on the rather overwrought "These Days", while "From the Damage" could have been lifted off of a Goo Goo Dolls disc. O-Town are a band in transition, but give them credit for taking over the reins of their career. Maybe by the next album, they'll figure out what they want to be now that they've grown up. --Jaan Uhelszki Fragt: Ukendt! |
Pris 113.39,-
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Pendulum In SilicoSe flere produkter fra AmazonIn Silico might be the second album from Pendulum, but it's their first as a fully-fledged rock band. Of course, this Australian dance collective have paddled in these waters before: their debut album Hold Your Colour was a muscular collection of hard drum'n'bass and slamming breakbeats that, for all its synthetic construction, displayed firmly rock sensibilities. On In Silico, though, hard-riffing guitars are pulled right up in the mix, and the band's production core, Rob Swire and Gareth McGrillen, lead from the front, reaching for the microphone and making clattering loops the bedrock for a suite of anthemic rockers. Comparisons to the likes of Enter Shikari and The Prodigy are not too wide of the mark, capturing something of Pendulum's fairground waltzer adrenaline and polished, metallic aggression. Beyond straightforward rush, though, some interesting ingredients find their way into the brew: storming opener "Slowdown" imagines an unholy synthesis of DJ Hype and Muse in full progressive rock-out mode, while the elegiac "Propane Nightmares" commences with a Mariachi trumpet serenade. Dance connoisseurs will probably complain Pendulum's beats lack a certain finesse, but if you like your dance music a) fast and b) hard then In Silico has all bases covered. --Louis Pattison Fragt: Ukendt! |
Pris 84.93,-
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Pendulum In Silico (Special Edition)Se flere produkter fra AmazonIn Silico might be the second album from Pendulum, but it's their first as a fully-fledged rock band. Of course, this Australian dance collective have paddled in these waters before: their debut album Hold Your Colour was a muscular collection of hard drum'n'bass and slamming breakbeats that, for all its synthetic construction, displayed firmly rock sensibilities. On In Silico, though, hard-riffing guitars are pulled right up in the mix, and the band's production core, Rob Swire and Gareth McGrillen, lead from the front, reaching for the microphone and making clattering loops the bedrock for a suite of anthemic rockers. Comparisons to the likes of Enter Shikari and The Prodigy are not too wide of the mark, capturing something of Pendulum's fairground waltzer adrenaline and polished, metallic aggression. Beyond straightforward rush, though, some interesting ingredients find their way into the brew: storming opener "Slowdown" imagines an unholy synthesis of DJ Hype and Muse in full progressive rock-out mode, while the elegiac "Propane Nightmares" commences with a Mariachi trumpet serenade. Dance connoisseurs will probably complain Pendulum's beats lack a certain finesse, but if you like your dance music a) fast and b) hard then In Silico has all bases covered. --Louis Pattison Fragt: Ukendt! |
Pris 146.40,-
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Janet Jackson Rhythm Nation 1814Se flere produkter fra AmazonPicking up where the breakthrough funk-pop of Control left off, Janet Jackson and her production team of Jimmy Jam and Terry Lewis laced Rhythm Nation with high-minded references to societal ills--seldom the favored province of dance music, but a daring attempt nonetheless. Songs like "State of the World" and "The Knowledge" follow in the tradition of "free your mind and your ass will follow." Still, aside from the title track, it was the pure pop fare and dance music that stormed the charts: "Escapade," "Love Will Never Do (Without You)," "Alright," and "Come Back to Me" concentrate on the politics of personal relationships, not public policy, while "Black Cat" burns the place down with a fierce burst of hard rock. Rhythm Nation 1814 doesn't necessarily hang together thematically, but it's so chock full of hits, you scarcely notice. --Daniel Durchholz Fragt: Ukendt! |
Pris 84.93,-
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Justin Timberlake JustifiedSe flere produkter fra AmazonCommon wisdom dictates that a debut album be given an autobiographical slant, so it's hard not to believe that Justified, Justin Timberlake's first non-*N Sync outing, doesn't purloin much of its subject matter from the singer's break-up with Britney Spears. Half of the songs are about the abrupt severing of a romance and the singer's rather hardhearted stance. Sure he may have been the wronged party, but that doesn't excuse the inflexible emotional posture revealed in "Cry Me a River", "Never Again", and the sniping "Last Night". He also appears to feel warranted in partaking in the salubrious joys of a swinging single life then boasting about it, since many of the songs seem to be almost gratuitously lascivious. Lines such as "I could think of a couple positions for you" from "Right for Me", and "Better have you naked by the end of this song" from "Rock Your Body" will catapult Timberlake right off Radio Disney. But Timberlake shines when he moonwalks into more adult terrain, turning his back on the innocent dance-pop that put *N Sync in the charts. With the help of hip-hop producers the Neptunes, Timbaland and P Diddy, Timberlake has turned out a remarkably cohesive and sophisticated slice of radio-friendly R&B. --Jaan Uhelszki Fragt: Ukendt! |
Pris 75.47,-
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Rolling Stones Some GirlsSe flere produkter fra AmazonA fresh, uncompromising attempt to incorporate 1978 pop techniques into the band's familiar sound, Some Girls opens with the disco sass of "Miss You" and closes with the self-destructive punk of "Shattered". (Both songs, especially "Miss You", with its distinctive Mel Collins sax solo, remain live showstoppers.) So the Stones declared credibility in the dance circuit without sacrificing their hard-rock reputation. Though the anti-love "Beast of Burden" and the stylishly slow "Just My Imagination (Running Away with Me)" continue to rack up the most airplay, the obscurities stand up surprisingly well. Worth replaying: Keith Richards's rickety rocker "Before They Make Me Run". --Steve Knopper Fragt: Ukendt! |
Pris 103.84,-
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Clap Your Hands Say Yeah Some Loud ThunderSe flere produkter fra AmazonThe first time you listen to Some Loud Thunder, the second album from Brooklyn's Clap Your Hands Say Yeah, is a pretty weird experience. Oh, sure, many of the band's key hallmarks - hallmarks that made their self-titled debut a name to drop for everyone from David Bowie to influential indie webzine Pitchfork are present and correct: shambolic guitar jangle, drums that patter around like confused puppies, and the undulating outsider yelp of vocalist Alex Ounsworth. But this is a very different record to its predecessor, one that forsakes much of the band's deranged sing-along charm in favour of offbeat experimentation and peculiar production techniques. It's hard to shake the impression that the presence of Flaming Lips producer Dave Friedmann is sometimes a destabilising influence: "Emily Jean Stock" could, you feel, be neatly orchestrated '60s Technicolor beat-pop, but its distorted drums and thin production leave it feeling drab and grey. Persist, though, and there are some great songs here: the pulsing freak-disco of "Satan Said Dance", or "Yankee Go Home" - an apparent anthem to anti-Americanism that rises in awkward, yet oddly elegaic crescendos. --Louis Pattison Fragt: Ukendt! |
Pris 127.58,-
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Lou Reed EcstasySe flere produkter fra AmazonAs founder-member of the Velvet Underground, anything Lou Reed does is shadowed by that massively influential band--but since his eponymous solo debut Reed has gone his own way. Real commercial success came with 1972's Transformer, and critical acclaim followed in 1973 with Berlin. Subsequently, his solo career has been patchy, but Ecstacy is certainly on a par with his 1989 masterpiece New York. For all his innovation with the Velvets, Reed is, at heart, a rock & roll animal--utilising guitars, bass and drums and refusing to bow to modern styles. The material here is by turns intriguing (the title track, "Modern Dance", "Big Sky"), infuriating (the 18 minute "Like A Possum") and enchanting ("Baton Rouge"); but with his gritty, no-nonsense delivery and lyrics fashioned from hard-boiled American fiction, Reed never fails to involve the listener. --Patrick Humphries Fragt: Ukendt! |
Pris 65.92,-
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