Søgeresultat: hard dance
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Bowling For Soup Let's Do It for JohnnySe flere produkter fra AmazonAny band formed by a former toyshop owner who cites his influences as REO Speedwagon, Van Halen, Ozzy Osbourne and Tammy Wynette, aren't going to be the most deep and meaningful bunch, but they have their moments. Like most people, Bowling For Soup have issues, they just don't mope about them, preferring instead to vent their frustrations through cathartic bouts of rocket fuelled surf punk on Let's Do It For Johnny. All the things that preoccupy the hearts and minds of skateboard kids around the world are succinctly dealt with using the minimum of tact and the maximum of hard rocking sincerity. In short, sharp, three-minute bursts to chugging beats and undeniably contagious tunes, they tackle always being a hot girl's best friend, never her lover ("Suckerpunch"), the mysteries of relationships ("Bitch"), fatal attractions ("Dance With You") and the need for a new girlfriend ("Valentino"). They're Blink 182 with a heart, and whatever their problems, Bowling For Soup, like the slacker generation they represent, are determined not to let the world or less than understanding girlfriends get them down. Amen to that. --Dan Gennoe Fragt: Ukendt! |
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Eiffel 65 EuropopSe flere produkter fra AmazonOn the wings of the hit club single "Blue (Da Ba Dee)", the Italian group Eiffel 65's Europop has soared into the ever-fleeting good graces of the dance-pop scene. The song is "a story about a little guy who lives in a blue world," and while it seems that the colour of the fellow's life was chosen arbitrarily, the real star of this tune is the vocoder effect. Listen to the entire record, though, and you'll hear this gimmick on almost all of the rest of the tracks as well. On first run-through, the one-trick-pony-ness of this effect is off-putting, yet it is the album's one distinctive element. The songs on Europop live up to the album's broad moniker, skimming the basics of tried-and-true dance-pop ("Living In A Bubble", "Now Is Forever"), techno ("Dub in Life", "Another Race"), and acid house ("Europop"). The group even renders a fairly accurate impression of Depeche Mode-style goth-pop ("Your Clown"). But the tracks rarely deviate from a four-on-the-floor thud, numbing the ears to the songs' otherwise distinguishable qualities. The record is too hard to swallow in one bite; its tracks are much tastier as singles, serving well in a club setting as segues to stronger songs by other artists. --Beth Massa Fragt: Ukendt! |
Pris 103.84,-
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Mark O'Connor HeroesSe flere produkter fra AmazonHeroes finds the self-styled "New Nashville Cat" playing fiddle duets with 14 of his idols. Although the guests come from the fields of jazz (Jean-Luc Ponty and Stephane Grappelli), classical (Pinchas Zukerman), worldbeat (L. Shankar), bluegrass (Byron Berline and Kenny Baker), hillbilly blues (Vassar Clements), old-timey (Benny Thomasson, Terry Morris and Texas Shorty), Cajun (Doug Kershaw), Texas swing (Johnny Gimble), country rock (Charlie Daniels) and Nashville sessions (Buddy Spicher), there's a bit of country fiddling in every performance. O'Connor is more interested in the similarities between these styles than the differences, and the common ground is American frontier dance music. Ten of the 14 tracks are instrumentals, and as anyone who recognizes the above names might guess, they're filled with some astonishing virtuoso performances. To hear O'Connor, a four-time National Fiddle Champion by the time he was 22, trade licks with French jazzman Jean-Luc Ponty or the "Louisiana Man" himself, Doug Kershaw, is to rediscover what the violin can do as lightning-fast melodies and variations slide by in long legato phrases. Most of the pieces are built atop a chunky rhythm section, but the fiddles are pushed to the front of the mix, where they can "sing" like vocalists. And "sing" they do, for O'Connor has wisely chosen these pieces for their personality and melodic pleasure rather than their technical challenges. Vassar Clements, for example, could certainly play a more complicated and showy piece than the slow blues, "House of the Rising Sun," but it's unlikely he could play anything as expressive. Likewise, Johnny Gimble can play a whole lot faster than he does on his signature tune, "Fiddlin' Around," but he'd be hard put to play anything as catchy and fun. And it would be difficult to find an instrumental as sweet and eloquent as the airy fiddle lines played by the 85-year-old Stephane Grappelli on Rodgers & Hart's "This Can't Be Love" and Fats Waller's "Ain't Misbehavin'." Not all the distinguished g Fragt: Ukendt! |
Pris 137.03,-
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LCD Soundsystem LCD SoundsystemSe flere produkter fra AmazonSo much has been said about disco-punk's King Midas, New York musician/ producer James Murphy, that's its kind of hard to believe that we've had to wait until 2005 for the debut album from his dancefloor project, LCD Soundsystem. LCD's classic triumvirate of early singles - "Losing My Edge", "Give It Up", and "Yeah"--joined the dots between punk-rock, disco, and funk in a way that hadn't been seen since the New York downtown scene of the early '80s, but these are bravely relegated to a bonus disc in favour of a suite of new material that rework the band's influences in new, often explicit ways: take "Movement", for instance - a homage to The Fall that finds Murphy barking "It's a fat guy/ In a T-shirt/Doing all the singing!" over punchy analogue synths, or the quietly majestic "Great Release", a doff of the cap to Brian Eno circa Taking Tiger Mountain. For all his encyclopaedic musical knowledge, however, it's one of Murphy's strengths that he seldom seems uptight about the practise of music-making: it's how he can get away with penning a gonzo disco-punk number and naming it something as fantastically flippant as "Daft Punk Is Playing At My House"--and more importantly, it's why LCD Soundsystem succeeds as a splendid dance record as well as a smart intellectual exercise. --Louis Pattison Fragt: Ukendt! |
Pris 61.19,-
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Pendulum In Silico (Special Edition)Se flere produkter fra AmazonIn Silico might be the second album from Pendulum, but it's their first as a fully-fledged rock band. Of course, this Australian dance collective have paddled in these waters before: their debut album Hold Your Colour was a muscular collection of hard drum'n'bass and slamming breakbeats that, for all its synthetic construction, displayed firmly rock sensibilities. On In Silico, though, hard-riffing guitars are pulled right up in the mix, and the band's production core, Rob Swire and Gareth McGrillen, lead from the front, reaching for the microphone and making clattering loops the bedrock for a suite of anthemic rockers. Comparisons to the likes of Enter Shikari and The Prodigy are not too wide of the mark, capturing something of Pendulum's fairground waltzer adrenaline and polished, metallic aggression. Beyond straightforward rush, though, some interesting ingredients find their way into the brew: storming opener "Slowdown" imagines an unholy synthesis of DJ Hype and Muse in full progressive rock-out mode, while the elegiac "Propane Nightmares" commences with a Mariachi trumpet serenade. Dance connoisseurs will probably complain Pendulum's beats lack a certain finesse, but if you like your dance music a) fast and b) hard then In Silico has all bases covered. --Louis Pattison Fragt: Ukendt! |
Pris 146.40,-
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Black Sabbath Volume 4Se flere produkter fra AmazonVol 4 both consolidated Black Sabbath's massive transatlantic success and marked the beginning of the end. Thematically, the band continued to move away from cod-Satanism towards an apocalyptic Science Fiction based on the abandonment of a world turned irrevocably bad. Relationships were now explored, in "St. Vitus Dance" and the maudlin, piano-led "Changes", and drugs, which the band were now consuming with dangerous enthusiasm, remained a concern, "Snowblind" being a celebration to match 1971's "Sweet Leaf". But the increasingly complex and varied music--the sweet instrumental "Laguna Sunrise", the pure ambient percussion of "FX", and additional keyboards--caused vicious arguments that would eventually culminate in break-up. Hard to believe, as much of it was as crushingly heavy as ever, an obvious precursor of both industrial metal and grunge. In fact, Ministry's Al Jourgensen would later cover "Supernaut", and Seattle's Screaming Trees would cover "Tomorrow's Dream". -- Dominic Wills Fragt: Ukendt! |
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Van Halen Best of Van Halen, Vol. 1Se flere produkter fra AmazonIt took over 20 years for Van Halen to release a Best of album, and even then, the band downplayed the effort. Instead sticking to the original plan of releasing a two-disc set--one of material with original frontman David Lee Roth, and the other with his 11-year replacement Sammy Hagar--the band opted for a single CD chronicling their entire career. For the previously uninitiated, it's a golden introduction to a band that changed the face of '80s hard rock. Guitar-blazing old tracks like "Ain't Talkin' 'Bout Love," and "Dance the Night Away" segue into more commercial numbers like "Jump" and "Panama" from 1984. These in turn, set the stage for Hagar's slicker, more polished vocals on "Right Now" and "How Do I Know When It's Love." But while newcomers will be thrilled with the delights within, old fans will probably find little of use, since the two highly touted new tracks with Roth are pretty disposable. --Jon Wiederhorn Fragt: Ukendt! |
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Various Artists Now That's What I Call Music! Vol 53Se flere produkter fra AmazonIf you're going to buy a sturdy compilation of hits from the pop charts, Now That's What I Call Music 53 is the one to get. Weathering the storm for many years, the brand has survived thanks to its blend of pop, rock, soul and dance. This instalment includes a good selection of number ones from DJ Sammy ("Heaven") and the Sugababes ("Round Round"), to name but two. Other pop favourites include Blue ("One Love"), Las Ketchup ("Ketchup Song") and Darius with his number one "Colourblind". On an indie guitar note, there's the giant "In My Place" by Coldplay and "Check the Meaning" by ex-Verve Richard Ashcroft. From the heavy rock camp there's Puddle of Mudd ("She Hates Me") and Bowling for Soup ("Girl All the Bad Guys Want") and in the urban corner there's Eminem's "Without Me" and "Ms Dynamite's "Dy-Na-My-Tee". As ever there are bizarre inclusions: it's hard to imagine anyone listening to the likes of Liberty X or Britney Spears then getting deep down and dirty with Status Quo or Eva Cassidy but at the end of the day, diversity is the nature of this beast. -- Georgina Collins Fragt: Ukendt! |
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Clap Your Hands Say Yeah Some Loud ThunderSe flere produkter fra AmazonThe first time you listen to Some Loud Thunder, the second album from Brooklyn's Clap Your Hands Say Yeah, is a pretty weird experience. Oh, sure, many of the band's key hallmarks - hallmarks that made their self-titled debut a name to drop for everyone from David Bowie to influential indie webzine Pitchfork are present and correct: shambolic guitar jangle, drums that patter around like confused puppies, and the undulating outsider yelp of vocalist Alex Ounsworth. But this is a very different record to its predecessor, one that forsakes much of the band's deranged sing-along charm in favour of offbeat experimentation and peculiar production techniques. It's hard to shake the impression that the presence of Flaming Lips producer Dave Friedmann is sometimes a destabilising influence: "Emily Jean Stock" could, you feel, be neatly orchestrated '60s Technicolor beat-pop, but its distorted drums and thin production leave it feeling drab and grey. Persist, though, and there are some great songs here: the pulsing freak-disco of "Satan Said Dance", or "Yankee Go Home" - an apparent anthem to anti-Americanism that rises in awkward, yet oddly elegaic crescendos. --Louis Pattison Fragt: Ukendt! |
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Haydn: String Quartets, Op. 1, Nos. 0 & 6, Op. 2, Nos. 1 & 2Se flere produkter fra AmazonHaydn's first ten quartets are often referred to as "quartet divertimenti," because like the serenade of divertimento, they have an extra dance movement, giving them five movements instead of the more traditional four. Of course, since Haydn invented the string quartet in the first place, it's a little hard to talk about "traditional" anything, but the serenade concept does indeed seem to characterize these warm, sunny pieces that have retained their popularity for over two and a quarter centuries. As is always the case with invention in musical history, once Haydn the string quartet genie out of the bottle, everyone tried to get into the act, but these really are the first works of their kind. All revolutions should be so much fun! --David Hurwitz Fragt: Ukendt! |
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Richie Hawtin Decks, EFX & 909Se flere produkter fra AmazonEx-Plastikman techno artist Richie Hawtin's latest release continues his predilection for stripped-down beats and less-is-more aesthetics, slamming down the needle on a record of merciless mixes and remixes. It's quite a workout, with relief coming only in the form of occasional, slightly quieter thumps. Hawtin works with slices of his own material, along with the ruthless concoctions of Jeff Mills and a selection of other DJs from Detroit's influential techno community. Other eclectic influences make their way onto his turntables, the most obvious being a flash of industrial rock courtesy of Nitzer Ebb. Most of it gets swallowed up in Hawtin's metronomelike devotion to rote bpms and hard, minimalist stylings. Still, when it's done with this level of driving force, the sheer momentum is enough to force your limbs into involuntarily movement. From the opening pulse of Ratio's "Early Blow," Hawtin extrapolates on a short beat structure with perfectly rhythmic precision, growing and building through a series of melodyless phases. The album peaks with the Nitzer Ebb break, leading into Hawtin's short, irresistible remix of his own "Orange/Minus 1" then abruptly stopping with one of the album's few respites--a quick clip of movie dialogue. It's a brief pause, and the omnipresent beat restarts only slightly less demanding and brutally danceable than before. Hawtin's record is a stellar example, at a time when twisted jungle beats rule the dance floors, of getting people to dance a lot more by using a lot less. --Matthew Cooke Fragt: Ukendt! |
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Beach Boys Beach Boys Today/Summer Days (and Summer Nights)Se flere produkter fra AmazonThis single disc gathers two Beach Boys albums-- Today! and Summer Days and Summer Nights--with the addition of remastering and bonus tracks. When Brian Wilson finally summoned up the courage to confront his musically interfering father (the bands' early benefactor Murray Wilson) during the sessions for the Today! album, it could hardly be termed a rite of passage. Brian had always been in charge of his music, less so of himself. Thus, it's hard to believe that the gloriously realised, tender suite of songs ("Please Let Me Wonder" to "In the Back of My Mind") which occupy the second side of Today!--the exquisite semi-orchestral arrangements, the caramel harmonies and the lyrics which dwell on the dreamy, soul-searching solitaire of adolescence--are actually the work of a wobbly, self-doubting recluse recovering from a mental breakdown. But here it is--undiminished by time--the symphonic template for Pet Sounds. Summer Days and Summer Nights, meanwhile, is livelier and sunnier. Carl Wilson makes his vocal debut (what took so long?) on the Beatles-do-Dylan inspired pop strum of "Girl Don't Tell Me", there's the cheesy pseudo surf of "Amusement Parks USA" (a hit in Japan) and some other numbers called "Help Me Rhonda" and "California Girls" which will still be around on the airwaves long after global warming has made the sea levels rise to wash all the beaches away. Similarly indispensable, the bonus tracks include the ground-breaking stop-start of "The Little Girl I Once Knew" (Brian's first "pocket symphony") and a terrific, twangy-guitar demo take of "Dance Dance Dance". --Kevin Maidment Fragt: Ukendt! |
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Groove Armada LoveboxSe flere produkter fra AmazonTom Findlay and Andy Cato have steadily been dismantling their chill-out crown ever since the single "At The River" saw them float into coffee-table ubiquity. Lovebox finally stretches the duo's eclectic tastes beyond any semblance of continuity or restraint, finishing the job started on last year's Goodbye Country (Hello Nightclub). Named after Groove Armada's bi-monthly London club night, the duo's fourth album captures the excitement and diversity of pace you would expect from a masterful DJ set. While the opening track "Purple Haze" doesn't have a sniff of Hendrix's majestic histrionics, it is certainly Groove Armada's most rock & roll moment to date. Neneh Cherry lends her sultry voice to the lusty funk-fuelled hip-hop of "Groove Is On" and the urban soul of "Think Twice", and "Remember", with its languorous beat and swirling effects, nods toward their down-beat prime. Feisty dance-floor shakers are here in force though. "Madder", mixing the raps of MC M.A.D. with a pulsating bass and itchy guitar hook, kicks hard, and "The Final Shakedown" is an undiluted house anthem, albeit with a feisty ragga vocal. But one of the most surprising tracks is the rich, soul-drenched sophistication of "Hands of Time", a gorgeous reflection on love lost featuring the spine-tingling voice of Woodstock folk legend Richie Havens. Lovebox is a disarmingly eclectic album, its infectious, maverick, party spirit defying preconceptions. -- Christopher Barrett Fragt: Ukendt! |
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LCD Soundsystem LCD SoundsystemSe flere produkter fra AmazonSo much has been said about disco-punk's King Midas, New York musician/ producer James Murphy, that's its kind of hard to believe that we've had to wait until 2005 for the debut album from his dancefloor project, LCD Soundsystem. LCD's classic triumvirate of early singles - "Losing My Edge", "Give It Up", and "Yeah"--joined the dots between punk-rock, disco, and funk in a way that hadn't been seen since the New York downtown scene of the early '80s, but these are bravely relegated to a bonus disc in favour of a suite of new material that rework the band's influences in new, often explicit ways: take "Movement", for instance - a homage to The Fall that finds Murphy barking "It's a fat guy/ In a T-shirt/Doing all the singing!" over punchy analogue synths, or the quietly majestic "Great Release", a doff of the cap to Brian Eno circa Taking Tiger Mountain. For all his encyclopaedic musical knowledge, however, it's one of Murphy's strengths that he seldom seems uptight about the practise of music-making: it's how he can get away with penning a gonzo disco-punk number and naming it something as fantastically flippant as "Daft Punk Is Playing At My House"--and more importantly, it's why LCD Soundsystem succeeds as a splendid dance record as well as a smart intellectual exercise. --Louis Pattison Fragt: Ukendt! |
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Various Latcho DromSe flere produkter fra AmazonThis soundtrack from the stunning film Latcho Drom is a first-class introduction to the story of Gypsy music and culture. Tracing a chronological 1,000-year-old path of Gypsy migration from Rajasthan to Spain, these 18 tracks contain a myriad of different styles from the Indian subcontinent, Egypt, Turkey, Romania, Hungary, Slovakia, France, and the flamenco Gypsies of Barcelona. Many well-respected acts like Taraf de Haidouks and Hasam Yarim are featured as well as many unknown but extremely talented Gypsy artists. Whereas the film paints a picture of a struggling society, the collected music illustrates the resilience of these outcastes, with the majority of tracks being effervescent dance music echoing many cultures. There are reflections of tragedy and sadness, notably from Romania, but these are more than balanced by rocking Balkan block parties, Turkish cabaret, and French guitarists swinging as hard as Django Reinhardt. --Derek Rath Fragt: Ukendt! |
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Stereo MC's RetroactiveSe flere produkter fra AmazonIt's hard to believe that the Stereo MC's were once the flag-bearers of British hip-hop, but that's exactly how they were perceived way back in the late 80s. The best-of Retroactive comes 15 years on from their first basic beats and rhymes experiments. It seems strange to think of them as a true hip-hop outfit--sure, their baggy, slightly mystic records have always been built around Rob Birch's typically English rap, but musically they've always been more funk-meets-breaks than straight-up hip-hop. Either way, they've been responsible for some fine records in their time--as this slightly over-long collection ably shows. Naturally, the best stuff here comes from their productive early 90s period--quirky, off-kilter funk-hop concoctions like "Creation", "Two Horse Town" (from the underrated Supernatural album) and "Lost in Music". There are interesting nuggets elsewhere, of course--most notably the charity track "The Sweetest Truth" and the De La Soul vibes of "On 33"- but little stands up to the brilliant singles of their Connected-era glory years. Still, if you want a neat summary of the career of one of Britain's most distinctive dance acts, Retroactive is definitely worth a spin. -- Matt Anniss Fragt: Ukendt! |
Pris 28.18,-
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The B-52's B-52'sSe flere produkter fra AmazonThis record shook up the snoozing world of rock in 1979, becoming a truly classic disc, one full of landmark moments and heavy with possibilities. Most "real" rockers in the late '70s tried hard to ignore the Sex Pistols and the Clash, claiming the punk tumult was a merely a fad; but fun-loving types couldn't resist the magnificent hooks and grooves of the B-52's debut. They fell into the "new wave" while dancing their tushes off. The magnificent "Rock Lobster" remains unmatched in terms of its relentless, spastic power to move one's feet; ditto "52 Girls," with its nod to '60s trash rock. A Cramps-ish guitar grinds through "Lava," which features his-and-hers innuendo-laden lyrics. "I'm not no limburger!" goes one line from "Dance This Mess Around," but you just never question why. Brilliant. --Lorry Fleming Fragt: Ukendt! |
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O-Town 2Se flere produkter fra AmazonWinner's of the US equivalent of Pop Stars, O-Town's debut was a frothy confection of slick dance-pop hits that sold over two million copies. O-Town 2 comes after two hard years of touring, the group members have stayed together and moved into a house in Santa Monica, California, where they cowrote six of the songs and enlisted one of rap's royalty to work with them. Nelly cowrote and produced "Favorite Girl" and adds his trademark vocals to "Make Her Say". Since leaving the world of TV, O-Town have moved away from their boy-band beginnings. As a result, they sometimes come across as a band in search of a sound as they switch from hip-hop to dance to pop. But O-Town's collective heart really seems to be in guitar-driven rock. They give Bon Jovi a run for their money on the rather overwrought "These Days", while "From the Damage" could have been lifted off of a Goo Goo Dolls disc. O-Town are a band in transition, but give them credit for taking over the reins of their career. Maybe by the next album, they'll figure out what they want to be now that they've grown up. --Jaan Uhelszki Fragt: Ukendt! |
Pris 113.39,-
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Pendulum In SilicoSe flere produkter fra AmazonIn Silico might be the second album from Pendulum, but it's their first as a fully-fledged rock band. Of course, this Australian dance collective have paddled in these waters before: their debut album Hold Your Colour was a muscular collection of hard drum'n'bass and slamming breakbeats that, for all its synthetic construction, displayed firmly rock sensibilities. On In Silico, though, hard-riffing guitars are pulled right up in the mix, and the band's production core, Rob Swire and Gareth McGrillen, lead from the front, reaching for the microphone and making clattering loops the bedrock for a suite of anthemic rockers. Comparisons to the likes of Enter Shikari and The Prodigy are not too wide of the mark, capturing something of Pendulum's fairground waltzer adrenaline and polished, metallic aggression. Beyond straightforward rush, though, some interesting ingredients find their way into the brew: storming opener "Slowdown" imagines an unholy synthesis of DJ Hype and Muse in full progressive rock-out mode, while the elegiac "Propane Nightmares" commences with a Mariachi trumpet serenade. Dance connoisseurs will probably complain Pendulum's beats lack a certain finesse, but if you like your dance music a) fast and b) hard then In Silico has all bases covered. --Louis Pattison Fragt: Ukendt! |
Pris 84.93,-
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Pet Shop Boys BehaviourSe flere produkter fra AmazonBehaviour marks a bit of a departure--or, more appropriately, an evolution--in style for the Pet Shop Boys, whose previous albums are largely comprised of hungry and often slightly seedy songs with a high emphasis production-wise on the band's beloved club roots. Those dance elements are still on display here, but there's a much more mature feel to Harold Faltermeyer's production. The songs themselves have moved on from neediness and seediness to far more adult themes; opening tracks "Being Boring" and "This Must Be the Place I Waited Years To Leave", with their lyrics of reminiscence, fond and otherwise, set the tone for the next 50 minutes. There are gently melodic songs of betrayal-"To Face The Truth", "Only The Wind"--and more upbeat variations on the same theme in "So Hard" and the string-laden "Jealousy" and a touching tale of first attraction in "Nervously". The album's only real downer comes in the pompous shape of "My October Symphony", a wincingly pretentious thing which suggests the band have fallen prey to the kind of po-faced muso nonsense they poke fun at in "How Can You Expect To Be Taken Seriously". Behaviour is possibly the best album for fans of Neil and Chris' more circumspect outpourings; what it lacks in upbeat anthems and disco production it more than makes up for in intelligent, introspective song writing. And with a bonus CD of 12 remixes and B-sides, it's a must-have for anyone who likes their pop meticulously crafted and shrewdly lyrical. -- Rikki Price Fragt: Ukendt! |
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