Søgeresultat: quicksilver
The Whispers Dr. Love [Us Import]

The Whispers Dr. Love [Us Import]

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Release Date: 2004-07-27, Audio CD, Quicksilver
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Pris 145.35,-

The Whispers Dr. Love [Us Import]
London Symphony Orchestra Elgar - Cello Concerto; Sea Pictures

London Symphony Orchestra Elgar - Cello Concerto; Sea Pictures

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First issued in 1965, few recordings have lasted so well and, in the case of Sea Pictures, carried on getting better. Du Pré's account of the concerto, made when she was barely 20, made her a star overnight and remains the work with which she's most often identified. Her forceful, highly emotional performance won't be to all tastes or occasions but it brings the work to life like few others. Not just the poignancy of the opening or the aching nostalgia of the "Adagio" but the quicksilver brilliance of the "Scherzo" and cumulative energy of the finale are really made to tell. Barbirolli gives marvellously understanding support here and in Sea Pictures. It also established its soloist--Janet Baker and remains the deepest and most perceptive recording this song-cycle is ever likely to have! Baker makes light of the sometimes gauche poetry and awkward word-setting, giving the music a sweep and nobility typical of Elgar at his best. -- Richard Whitehouse
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London Symphony Orchestra Elgar - Cello Concerto; Sea Pictures
Liszt - Paganini Studies

Liszt - Paganini Studies

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It was the 21-year-old Liszt's encounter with Paganini in concert that first set him on the path of becoming an instrumental virtuoso himself, and what better material to show off his skills than his transcriptions for piano of some of the works with which the violinist stunned his public. Schumann, who had already done some Paganini transcriptions of his own, wrote admiringly that the Liszt works were "probably the most difficult ever written for the pianoforte". No problems there for Marc-André Hamelin, whose quicksilver technique is well up to the task. But the artistry in this music is not just in being able to play it but in throwing it off with a light hand, and here Hamelin is really in his element, beguiling the ear with wittily delicious playing worthy of Paganini himself. Try "La campanella" and be prepared to be delighted. There is weightier material in the three Schubert marches, which Liszt loved so much that aside from these transcriptions he also arranged them for orchestra and for piano duet. Again it is the great subtlety of Hamelin's understated playing which lifts the music, and as ever with Hyperion discs the piano rings out with marvellous clarity. -- Keith Clarke
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Liszt - Paganini Studies
Jesse Sykes Like, Love, Lust & the Open Halls of the Soul [VINYL]

Jesse Sykes Like, Love, Lust & the Open Halls of the Soul [VINYL]

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Jesse Sykes is hard to pin down--and that's a good thing indeed. She overlaps with current trends, but is completely her own artist. There are elements of alt-country, psych-folk, and singer-songwriter-troubadour, but also others that add alluring breadth to her sound, most notably in the band's penchant for drawing upon the best aspects of Haight-Ashbury ballroom sonics. "How Will We Know" swirls and builds with guitar tones that evoke John Cippolina (Quicksilver Messenger Service) and Barry Melton (Country Joe & the Fish). Sykes has taken those sounds (which were often the best part of the era's rather feeble cowboy machismo) and added finesse, poetics, and a woman's vantage point. Her lyrics are rife with cold winds and loneliness, but never without hope, even if that element is handled by the warm glow of the music. The band is a sympathetically balanced entity with supple power and grace. They move between loud and soft without the now cliched extreme dramatics originally pioneered by the Pixies--another example of Sykes eschewing trends and forging her own path. --David Greenberger
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Jesse Sykes Like, Love, Lust & the Open Halls of the Soul [VINYL]
Ian Bostridge Bach: Matthäus-Passion (St Matthew Passion) BWV 244 /Bostridge · Selig · Rubens · Scholl · Güra · Henschel · Collegium Vocale · Herreweghe

Ian Bostridge Bach: Matthäus-Passion (St Matthew Passion) BWV 244 /Bostridge · Selig · Rubens · Scholl · Güra · Henschel · Collegium Vocale · Herreweghe

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This wonderful recording couples two of the most exciting early music talents currently performing, Ian Bostridge and Andreas Scholl, and is worth buying for their contributions alone. Bostridge rivals a former great Evangelist, Peter Schreier, in the fierce intelligence of his approach and the perfect clarity of his diction, but brings a different, more quicksilver, sense of drama to the proceedings. Unsurprisingly, considering the importance of the Evangelist's role, this sets the tone for the whole recording--unshowy, pure; even cool. Andreas Scholl confirms his status as one of the truly great voices with a performance of "Ebarme dich" almost painful in its beauty, and the other soloists too all have clear, attractive voices. The downside is the lack of visceral savagery in the choral interjections: everything is precise, clean and accurate, but, when they cry out for Barabbas to be released and then Christ to be crucified, it does not match the shocking intensity of some other performances. This distanced, more serene sense of drama has its attractions too, and overall this is an excellent addition to the canon of Matthew Passion recordings. The disc also contains an interactive CD-ROM. -- Warwick Thompson
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Pris 229.00,-

Ian Bostridge Bach: Matthäus-Passion (St Matthew Passion) BWV 244 /Bostridge · Selig · Rubens · Scholl · Güra · Henschel · Collegium Vocale · Herreweghe
Chad Stuart & Jeremy Clyde The Best of Chad & Jeremy

Chad Stuart & Jeremy Clyde The Best of Chad & Jeremy

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Release Date: 1997-03-18, Audio CD, Quicksilver
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Pris 127.72,-

Chad Stuart & Jeremy Clyde The Best of Chad & Jeremy
Quiksilver sneakers

Quiksilver sneakers

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Sorte sneakers med hvid kontrast bagpå samt Quicksilver broderet i guldfarvet kontrast på ydersiden.
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Pris 449.75,-

Quiksilver sneakers
Jesse Sykes Like Love Lust and the Open Halls of the Soul

Jesse Sykes Like Love Lust and the Open Halls of the Soul

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Jesse Sykes is hard to pin down--and that's a good thing indeed. She overlaps with current trends, but is completely her own artist. There are elements of alt-country, psych-folk, and singer-songwriter-troubadour, but also others that add alluring breadth to her sound, most notably in the band's penchant for drawing upon the best aspects of Haight-Ashbury ballroom sonics. "How Will We Know" swirls and builds with guitar tones that evoke John Cippolina (Quicksilver Messenger Service) and Barry Melton (Country Joe & the Fish). Sykes has taken those sounds (which were often the best part of the era's rather feeble cowboy machismo) and added finesse, poetics, and a woman's vantage point. Her lyrics are rife with cold winds and loneliness, but never without hope, even if that element is handled by the warm glow of the music. The band is a sympathetically balanced entity with supple power and grace. They move between loud and soft without the now cliched extreme dramatics originally pioneered by the Pixies--another example of Sykes eschewing trends and forging her own path. --David Greenberger
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Pris 114.50,-

Jesse Sykes Like Love Lust and the Open Halls of the Soul
Quiksilver T-shirt

Quiksilver T-shirt

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Sort T-shirt med Quicksilver skrevet foran på brystet.
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Pris 269.75,-

Quiksilver T-shirt
John Abercrombie & John Scofi Solar: The Bebop Album

John Abercrombie & John Scofi Solar: The Bebop Album

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Release Date: 1993-03-31, Audio CD, Quicksilver
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Pris 114.23,-

John Abercrombie & John Scofi Solar: The Bebop Album
Herbie Hancock Takin' Off

Herbie Hancock Takin' Off

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In some respects Herbie Hancock's first recording as a leader typifies the hard-bop/funk of many late-1950s/early-1960s Blue Note productions (notably Horace Silver's tight-knit group). At the same time, Hancock's lyrical bent and pliable comping point toward the greater abstraction and open-ended, chamber dimensions to come. Blue Note's splendid remastering brings the underrated bassist Butch Warren's bedrock sonority into focus, while Dexter Gordon's laconic virility meshes surprisingly well with the pianist's quicksilver palette. And for those who want to hear the original, unadulterated version of Hancock's earliest signature composition "Watermelon Man", look no further. The disc is rounded out by additional, previously unissued alternate takes. --Jed Distler
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Herbie Hancock Takin' Off
Philharmonia Orchestra Brahms - Complete Symphonies

Philharmonia Orchestra Brahms - Complete Symphonies

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Testament's catalogue is full of gems, few as important as this set of Toscanini's legendary 1952 Philharmonia Brahms concerts. Available in various wretched sounding pirate editions, this is their first "official" release, made from EMI's original concert tapes, but unpublished because of contractual conflicts. Toscanini's Brahms is familiar from his contemporaneous RCA recordings with his NBC Symphony; but these are quite different from the driven and unyielding RCAs, made more unrelenting by dry, airless engineering. With the Philharmonia, we get a warmer, more lyrical Brahms, though no less intense. The 85-year-old conductor is rhythmically less rigid and his phrasing more flexible. Even the Third Symphony, never a comfortable fit for Toscanini, comes off well, while the more lyrical Second is as poetic as it is intense. But there isn't a weak performance on this set, and the quicksilver Variations rival Toscanini's classic 1936 recording with the New York Philharmonic. Throughout, his often episodic approach in the late RCA Brahms recordings is replaced by an ebb and flow that brings the music to life. The Philharmonia is magnificent under Toscanini's baton, playing with warmth and imbuing brief solo turns with imagination. Trombone fluffs in the First's finale and firecrackers exploding on the roof in the Fourth don't dim enjoyment. Dennis Brain's golden tone and distinctive sound make his horn solos a joy to hear. The engineering is better than we might expect from 1952 concert recordings--solid, well detailed monophonic sound. This set is a must-have, and not just for Toscanini idolaters. -- Dan Davis
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Philharmonia Orchestra Brahms - Complete Symphonies
Miles Davis In Person - Friday and Saturday Nights at the Black Hawk

Miles Davis In Person - Friday and Saturday Nights at the Black Hawk

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It doesn't get much better than The Complete Blackhawk: a full night of Miles Davis captured live in his prime at an intimate jazz club. In 1961, Davis, pianist Wynton Kelly, bassist Paul Chambers, tenor saxophonist Hank Mobley and drummer Jimmy Cobb recorded at San Francisco's legendary Blackhawk. Originally released as two LPs, the complete sets, with nine previously unissued tracks, have been compiled into this superb, digitally-remastered two-CD set. Accompanied by Kelly's in-the-pocket pianisms, Cobb's articulate drumwork, Chambers's intelligent bass-lines and Mobley's Dexter Gordon-ish saxophone tones, Davis marks a number of standards and originals with his pithy, poetic trumpet tones. The elongated and illuminated renditions of the quicksilver modal number "So What," the dancing "On Green Dolphin Street" and the Latin-tinged "Neo" form a bridge between the 1959 masterpiece Kind of Blue and the forthcoming 60s superband with Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams. The scene-stealer on this date is Mobley. His ebullient tone and sterling improvisations remind us of Miles Davis's impressive talents as a bandleader. --Eugene Holley, Jr., Amazon.com
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Miles Davis In Person - Friday and Saturday Nights at the Black Hawk
Phil Woods Live from New York

Phil Woods Live from New York

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Release Date: 1993-04-01, Audio CD, Quicksilver
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Pris 162.98,-

Phil Woods Live from New York
King Pleasure Moody's Mood for Love

King Pleasure Moody's Mood for Love

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Release Date: 1993-04-06, Audio CD, Quicksilver
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Pris 127.72,-

King Pleasure Moody's Mood for Love
Eminem The Eminem Show [EXPLICIT LYRICS]

Eminem The Eminem Show [EXPLICIT LYRICS]

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Any lingering doubts as to the depth of Eminem's skills, or his potential for raw-yet-compelling honesty, are dispelled on The Eminem Show's first track. Armed with a quicksilver flow and a thundering rhythm track (the record was exec-produced by long-time mentor/partner Dr Dre, "White America" finds Eminem ferociously mauling the hand that feeds him, lambasting his critics, the industry and the racism that, in many ways, helped make Marshall Mathers more than just another rapper. "Let's do the math," Em sneers, "If I was black I would have sold halfÂ….I could be one of your kids/ little Eric looks just like this." After the bombast of The Marshall Mathers LP and Eminem's well-noted use of sexual epithets, this kind of material is made more controversial because it actually rings true. From a brutal retort to his long-estranged and equally troubled mother ("Cleaning Out My Closets") to a surprisingly tender ode to his child ("Hailie's Song"), Eminem examines his life, loves, arrests, addictions, failures and successes with surprising insight, making this a funk-drenched hip-hop confessional well worth the hype. -- Amy Linden
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Eminem The Eminem Show [EXPLICIT LYRICS]
Original Soundtrack Boys Don't Cry Ost (Us Import)

Original Soundtrack Boys Don't Cry Ost (Us Import)

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The soundtrack to Boys Don't Cry--the true story of a young girl who assumed the identity of a boy to avoid the violence and crime of her past--includes everything from a haunting Bobby Fuller Four ballad ("A New Shade of Blue") to classic soul (the Isley Brothers' "Who's That Lady?") to revamped country (the members of X as their old-time country-band alter egos, the Knitters, performing Merle Haggard's "Silver Wings"). Also included are new tracks by 1980s power-poppers the Smithereens and Shudder to Think guitarist Nathan Larson. Even more remarkable is the sultry new duet between Larson and the Cardigans' Nina Persson. Even weirder is the first new track in 11 years from original New York punk rockers the Dictators (a traditional bar room romp called "What's Up with That?"), which recalls the solo work of Dictator Scott Kempner more than the band's firepower of old). Round things off with Texas legend and ex-13th Floor Elevator Roky Erickson and a good-ol'-boy Lynyrd Skynyrd tune, and you've got a solid programme without a bum steer (well, OK, just edit out Quicksilver Messenger Service's cover of "Who Do You Love?") -- Rob O'Connor
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Original Soundtrack Boys Don't Cry Ost (Us Import)
Diana Krall A Night In Paris

Diana Krall A Night In Paris

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Recorded at the historic Olympia Theatre in Paris in November 2001, Live in Paris is Diana Krall's first live album. Krall is backed by a quicksilver combo of bassist John Clayton, drummer Jeff Hamilton and guitarist John Pisano and her jazz heritage comes through loud and clear on this programme of standards, ballads and bossa novas. On Peggy Lee's "I Love Being Here with You", Bob Dorough's "Devil May Care" and Frank Sinatra's "Fly Me to the Moon", Krall's snappy, post-bop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent on "Let's Fall in Love" and on "I've Got You Under My Skin", with guest conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are", a studio track from a film called The Guru, with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future. -- Eugene Holley, Jr
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Diana Krall A Night In Paris
Diana Krall Live In Paris

Diana Krall Live In Paris

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Recorded at the historic Olympia Theatre in Paris in November 2001, Live in Paris is Diana Krall's first live album. Krall is backed by a quicksilver combo of bassist John Clayton, drummer Jeff Hamilton and guitarist John Pisano and her jazz heritage comes through loud and clear on this programme of standards, ballads and bossa novas. On Peggy Lee's "I Love Being Here with You", Bob Dorough's "Devil May Care" and Frank Sinatra's "Fly Me to the Moon", Krall's snappy, post-bop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent on "Let's Fall in Love" and on "I've Got You Under My Skin", with guest conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are", a studio track from a film called The Guru, with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future. -- Eugene Holley, Jr
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Diana Krall Live In Paris
Mal Waldron One Entrance, Many Exits

Mal Waldron One Entrance, Many Exits

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Release Date: 2003-07-15, Audio CD, Quicksilver
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Pris 140.68,-

Mal Waldron One Entrance, Many Exits
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